Partitions Numériques de Spring Day pour Saxophone et Orgue

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Spring Day
Non classifié 186

Piano & claviers
Piano seul 242
Piano Facile 40
Piano, Voix 27
Piano, Voix et Guitare 23
Orgue 12

Piano grosses notes 6
1 Piano, 4 mains 4
Accompagnement Piano 4
Instruments en Do 3
Piano Trio: piano, violon, violoncelle 2
2 Pianos, 4 mains 1
Orgue, Trompette (duo) 1

+ 7 instrumentations

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Guitares
Guitare 39
Basse electrique 10
Guitare notes et tablatures 4
Ligne De Mélodie, (Paroles) et Accords 3
Ukulele 2

3 Guitares (trio) 1

+ 1 instrumentations

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Voix
Chorale SATB 135
Chorale 3 parties 60
Chorale 2 parties 47
Voix seule 24
Chorale Unison 14

Chorale TTBB 5
Voix duo, Piano 5
Chorale SSAA 3
Voix Alto, Piano 2
Chorale 2
Voix Soprano, Piano 1
Voix duo 1

+ 7 instrumentations

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Vents
Saxophone 86
Flûte traversière 60
Clarinette 54
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 18
Hautbois, Piano (duo) 16

2 Saxophones (duo) 11
Flûte traversière et Piano 11
Saxophone (partie séparée) 10
2 Clarinettes (duo) 8
Saxophone Tenor 7
Clarinette et Piano 7
Saxophone Alto 6
Saxophone, Clarinette (duo) 6
Flûte à Bec 5
Flûte, Clarinette (duo) 5
Clarinette (partie séparée) 5
Flûte, Hautbois, Clarinette, Basson 5
Clarinette, Violon (duo) 4
2 Flûtes traversières (duo) 4
Saxophone Alto et Piano 4
Flûte à bec Alto 3
Hautbois, Basson (duo) 3
Flûte à bec Soprano 3
Quatuor de Clarinettes: 4 clarinettes 3
Saxophone Baryton, Piano 3
Hautbois 3
Quatuor de Saxophones: 4 saxophones 3
Flûte, Violon, Piano 3
Saxophone Soprano et Piano 3
Saxophone et Orgue 3

Saxophone Tenor et Piano 3
Clarinette, Trompette (duo) 3
Hautbois, Clarinette (duo) 2
2 Hautbois (duo) 2
Hautbois (partie séparée) 2
Clarinette et Alto 2
Flûte, Violon 2
Flûte, Saxophone (duo) 2
Flûte, Alto (duo) 1
Flute (partie séparée) 1
Flûte, Violoncelle 1
Flûte, Trompette (duo) 1
Flûte, Violoncelle, Piano (trio) 1
Ensemble de Clarinettes 1
Cor Anglais 1
Saxophone Baryton 1
Ensemble de saxophones 1
Flûte, Clarinette et Basson 1
Flûte traversière, Orgue (duo) 1
2 Saxophones, Piano 1
Clarinette Basse, Piano 1
Cor anglais, Piano 1
Clarinette, Orgue 1
Quintette de Clarinettes: 5 clarinettes 1
Hautbois, Flûte 1
Quintette de Flûte : 5 flûtes 1

+ 51 instrumentations

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Cuivres
Trompette 45
Trombone 42
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 9
Trompette (partie séparée) 5
Trompette, Piano 4

Trombone et Piano 4
Trompette, Saxophone (duo) 4
Trombone (partie séparée) 4
Trompette, Trombone (duo) 3
Cor 3
Cor et Piano 3
Tuba 2
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2
2 Trombones (duo) 2
Euphonium 2
2 Trompettes (duo) 2
Tuba et Piano 2
Tuba (partie séparée) 1
2 Tubas (duo) 1
Trompette, Cor (duo) 1
Quatuor de cuivres: 4 trombones 1
2 Cors (duo) 1
Trombone, Orgue 1
Cor (partie séparée) 1
Clarinette, Cor (duo) 1
Quatuor de Cuivres 1
Cor Anglais 1
Euphonium, Piano (duo) 1
Cor anglais, Piano 1

+ 24 instrumentations

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Cordes
Violon 49
Quatuor à cordes: 2 violons, alto, violoncelle 37
Violoncelle 21
Violon et Piano 13
Alto seul 12

Violon, Violoncelle (duo) 10
Alto, Piano 8
2 Violoncelles (duo) 5
2 Violons (duo) 5
Trio à Cordes: violon, alto, violoncelle 4
Harpe 4
Violoncelle, Piano 3
2 Altos (duo) 2
Violon (partie séparée) 2
Violon, Alto (duo) 2
Alto (partie séparée) 2
Harpe, Voix 1
Alto, Orgue 1
2 Violoncelles, Piano 1
Contrebasse (partie séparée) 1
2 Harpes (duo) 1
Piano Trio: Violon, Alto, Piano 1
2 Altos, Piano 1
Violoncelle, Orgue 1
Violoncelle (partie séparée) 1
2 Violons, Piano 1

+ 21 instrumentations

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Orchestre & Percussions
Orchestre d'harmonie 83
Batterie 78
Cloches 21
Orchestre à Cordes 15
Ensemble Jazz 14

Jazz combo 11
Orchestre 9
Orchestre de chambre 5
Ensemble de Percussions 3
Percussion (partie séparée) 3

+ 5 instrumentations

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Spring Day

Saxophone et Orgue

Partitions à imprimer

3 partitions trouvées

Maggiolata-Hubay-Soprano Saxophone/Organ

Maggiolata-Hubay-Soprano Saxophone/Organ #Saxophone et Orgue #FACILE #Jeno Hubay #Phil Beaman #Maggiolata-Hubay-Soprano Saxop #Phil Beaman #SheetMusicPlus

Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 2 - SKU: A0.844668 Composed by Jeno Hubay. Arranged by Phil Beaman. Romantic Period,...(+)

Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 2 - SKU: A0.844668 Composed by Jeno Hubay. Arranged by Phil Beaman. Romantic Period,Standards,Wedding. Score and parts. 4 pages. Phil Beaman #4897195. Published by Phil Beaman (A0.844668). Maggiolata is the Italian name of an ancient Spring Festival celebrated on May 1st, hence the subtitle Song of May. Jeno Hubay, Head of the Violin Dept at the Budapest Academy of Music, wrote this piece to be as light and celebratory as a perfect spring day. My arrangement abridges and slightly simplifies this classical standard. I reduced it from 6 1/2 minutes to 2 1/2 minutes by focusing on the recapitulation of the main theme but also included opening and closing cadenzas. Most of the expression markings are my own additions. I have scored it as an Instrumental Solo with an Organ accompaniment but a Piano accompaniment could be easily adapted from this. This arrangement, with an octave and a half solo range, is easy enough to be accessible for most players and its beautiful melody will have you singing and longing for spring. 3 page score, 1 page part5:00 minutes with repeatrecording is Violin and piano version

$5.99 ≈ £4.62

Maggiolata-Hubay-Tenor Saxophone/Organ

Maggiolata-Hubay-Tenor Saxophone/Organ #Saxophone et Orgue #FACILE #Jeno Hubay #Phil Beaman #Maggiolata-Hubay-Tenor Saxopho #Phil Beaman #SheetMusicPlus

Instrumental Duet Instrumental Duet,Organ,Tenor Saxophone - Level 2 - SKU: A0.844669 Composed by Jeno Hubay. Arranged by Phil Beaman. Romantic Period,St...(+)

Instrumental Duet Instrumental Duet,Organ,Tenor Saxophone - Level 2 - SKU: A0.844669 Composed by Jeno Hubay. Arranged by Phil Beaman. Romantic Period,Standards,Wedding. Score and parts. 4 pages. Phil Beaman #4897197. Published by Phil Beaman (A0.844669). Maggiolata is the Italian name of an ancient Spring Festival celebrated on May 1st, hence the subtitle Song of May. Jeno Hubay, Head of the Violin Dept at the Budapest Academy of Music, wrote this piece to be as light and celebratory as a perfect spring day. My arrangement abridges and slightly simplifies this classical standard. I reduced it from 6 1/2 minutes to 2 1/2 minutes by focusing on the recapitulation of the main theme but also included opening and closing cadenzas. Most of the expression markings are my own additions. I have scored it as an Instrumental Solo with an Organ accompaniment but a Piano accompaniment could be easily adapted from this. This arrangement, with an octave and a half solo range, is easy enough to be accessible for most players and its beautiful melody will have you singing and longing for spring. 3 page score, 1 page part5:00 minutes with repeatrecording is Violin and piano version

$5.99 ≈ £4.62

What Would Nina Simone Say? For Soprano Sax & Organ (9'50")

What Would Nina Simone Say? For Soprano Sax & Organ (9'50") #Saxophone et Orgue #AVANCÉ #Contemporain #Judith Cloud #What Would Nina Simone Say? Fo #Judith Cloud #SheetMusicPlus

Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages...(+)

Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940â€™s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think sheâ€™d be mad as hell and screaming about revolution, probably still advocating for the use of violence. Iâ€™ve used some of Simoneâ€™s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Lukeâ€™s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.

$15.00 ≈ £11.57

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