Partitions Numériques de We Are The Body of Christ pour Quatuor à cordes: 2 violons, alto, violoncelle

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We Are The Body of Christ
Non classifié 18

Piano & claviers
Piano, Voix et Guitare 21
Piano, Voix 6
Instruments en Do 2
Piano seul 1
Orgue 1

Piano Facile 1

+ 1 instrumentations

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Guitares
Guitare notes et tablatures 2

Voix
Chorale SATB 12
Chorale 3 parties 5
Voix duo, Piano 2
Chorale Unison 2
Chorale TTBB 1

Chorale 2 parties 1
Chorale SSATTB 1

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Vents
Quatuor de Flûtes : 4 flûtes 1
Quatuor de Clarinettes: 4 clarinettes 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1

Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 2

Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 3

Orchestre & Percussions
Orchestre d'harmonie 1
Orchestre 1
Orchestre de chambre 1

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We Are The Body of Christ

Quatuor à cordes: 2 violons, alto, violoncelle

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3 partitions trouvées

The Dove

The Dove #Quatuor à cordes: 2 violons, alto, violoncelle #Naji Hakim #The Dove #Schott Music - Digital #SheetMusicPlus

Tenor and string quartet - SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and ...(+)

Tenor and string quartet - SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q6385. Published by Schott Music - Digital (S9.Q6385). German â€¢ English.This piece shows my hope to have our churches not only in peace but also in full communion. Naji Hakim Die Taube (The Dove) was commissioned by â€Kirchenmusik bei St. Anna Augsburgâ€ to celebrate the 450th anniversary of the Augsburger Religionsfrieden (Religious peace of Augsburg). It is based on three biblical verses related to peace : Gen. 8/11, Luk. 1/79, Joh. 14/27. The music is through composed and develops the character of the verses with contrasted string textures, putting in relief the expressive vocal line, declamation of light and happiness. The work exists in three versions : 1. for Tenor and string quartet, 2. for Tenor and string orchestra, 3. for Tenor and organ. First performance : by Robert Sellier, Tenor, Capella St. Anna Streichquartett, St. Anna Augsburg, Festkonzert zum Hohen Friedensfest, 8 August 2005. Gen.8/11 : â€And the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off. â€ Luk. 1/79 : â€To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. â€ Joh.14/27 : â€Peace I leave with you, my peace I give unto you. â€ ...to guide our feet into the way of peace. (Luke 1,79) Words and music bind people together to form fellowships which guide us into the way of peace. Singing or playing together combine bodies and souls, so that our rhythm and breathing becomes one - a sense of belonging to one another is created which instils the very nature of peace. So it is that by becoming an integral part of the music, our feet are guided 'into the way of peace'. In Luke chapter 1, both Maria and Zechariah are carried away, body and soul, in hymns of thanksgiving. They let GodÂ´s melody resound in their bodies. Ignatius, one of the Early Fathers of the Church, might have drawn his inspiration from them when he wrote to the Christians of Ephesus around the year 100, Let GodÂ´s melody resound in you. The melody of our life is a single voice within GodÂ´s great melody; an everlasting celestial melody, in which we join together as integral parts - with time, we are gradually shown which chords we are given to touch and which chords to form with one another. GodÂ´s inextinguishable melody has an infinite galaxy of variations. As you would know, a variation is rooted but limitless. At our christening, God gives us a variation - an inextinguishable variation because of his promise, I am with you always, even to the end of the age. (Matthew 28, 20). Deeply rooted as we are, God leads us through. He calls us to Life out of His Eternity, He lets his melody reverberate in us and finally calls us back, when we die, to His everlasting future. Let GodÂ´s melody resound in you and guide your feet into the way of peace. Pastor Hanne Margrethe Tougaard.

$22.99 ≈ $31.98

Merry Xmas Everybody

Merry Xmas Everybody #Quatuor à cordes: 2 violons, alto, violoncelle #INTERMÉDIAIRE/AVANCÉ #Contemporain #Slade #HELEN MARPLE-HORVAT #Merry Xmas Everybody #Helen Marple-Horvat #SheetMusicPlus

String Quartet String Quartet - Level 4 - SKU: A0.749235 By Slade. By James Lea, Jim Lea, and Neville Holder. Arranged by HELEN MARPLE-HORVAT. Contempor...(+)

String Quartet String Quartet - Level 4 - SKU: A0.749235 By Slade. By James Lea, Jim Lea, and Neville Holder. Arranged by HELEN MARPLE-HORVAT. Contemporary. Score and parts. 15 pages. Helen Marple-Horvat #6134105. Published by Helen Marple-Horvat (A0.749235). youtube.com/watch?v=b74tCHtcmFMâ€˜Merry Christmas Everybody' is a major hit in the UK, and the familiar song heralds the festive season with all the â€˜feel goodâ€™ emotions that come with it. We hear it in shops, supermarkets, and radio stations all over the country for the weeks in the run up to the celebrations, as it is part of a popular compilation of hits. It was a Christmas number one in 1973 and stayed there for nine weeks. Although it was recorded in New York it is not so well known in the USA which is a surprise to me. I have always loved it because of the unusual chord progressions at the end of the Chorus, and because Noddy Holder is from the West Midlands where I was born and bred. We donâ€™t have too many famous people from around there!It is important to keep a steady tempo but it doesnâ€™t need to be as fast as the original (120 bpm) However It *is* in the same key as the original and follows the structure exactly, so it may be possible to play along with it before coming to rehearsal, which is always helpful. It is useful to feel the syncopation that way. We planned to record this last March but that was before Lockdown!The tune is shared between first violin, viola and cello. The second violinist needs to keep a rock steady pulse. Although it is suitable for a professional quartet to play, and the first violinist often plays the tune up an octave, I feel that it is easy enough for a quartet of Grade 5 ABRSM to play with a few modifications such as playing open strings. The cellist will need to be able to play in fourth position and to stretch for the F sharps on the C string, but feel free to change the octaves or use pizzicato in the bass part if it makes things easier.The bowing is a guide only, based on the rehearsal with Capriccio Quartet, so all players should take as many bows as they need in order to feel comfortable. Enjoy playing the piece and send me any recordings on Facebook. I love to hear from people who have played my arrangements.You can hear Capriccio Quartet play my other arrangements at the Youtube Channel, Helen Marple-Horvat Songwriter, Arranger, Composer, Capriccio Quartet. All but two are available from Sheet Music Plus.

$15.00 ≈ $20.86

The Old Rugged Cross (for string quartet)

The Old Rugged Cross (for string quartet) #Quatuor à cordes: 2 violons, alto, violoncelle #INTERMÉDIAIRE #Rev #Ralph Raymond Hays #The Old Rugged Cross #Ralph Raymond Hays #SheetMusicPlus

String Quartet String Quartet - Level 3 - SKU: A0.720745 Composed by Rev. George Bennard. Arranged by Ralph Raymond Hays. Contemporary,Easter,Gospel,Sac...(+)

String Quartet String Quartet - Level 3 - SKU: A0.720745 Composed by Rev. George Bennard. Arranged by Ralph Raymond Hays. Contemporary,Easter,Gospel,Sacred. Score and parts. 13 pages. Ralph Raymond Hays #6274141. Published by Ralph Raymond Hays (A0.720745). Created by one of SMP's top arrangers, this captivating setting will highlight a recital or Worship Service during Lent, on Easter, or throughout the year. Masterful counterpoint, exquisite harmonies, and innovative rhythmic nuances bring a contemporary perspective to one of Christendom's most beloved masterworks.The Old Rugged Cross was my Papa's favorite hymn. Although it was played and sung at his funeral, my most vivid memories of it are from summer Friday nights when three generations of my family would convene around the piano in my grandparents' living room. My Nana would play through the Reader's Digest Songbook of Family Faith and Joy from cover to cover as the rest of sang -- improvising harmonies and blending our voices as only family can. We each had our favorites (it will surprise no one that mine was Climb Ev'ry Mountain) and it was obvious by how he sang a bit stronger and more fervently each time, that this was Papa's. With cherished recollections to guide me, I strove to embody the joy and warmth of those gatherings in this arrangement.- Ralph Raymond Hays

$12.99 ≈ $18.07

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