Partitions Numériques de For 3 octaves. pour Piano Trio: piano, violon, violoncelle

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For 3 octaves.
Non classifié 483

Piano & claviers
Piano seul 195
Accompagnement Piano 28
Piano Facile 27
Piano, Voix 13
1 Piano, 4 mains 7

Piano, Voix et Guitare 3
Clavier 2
Orgue 2
Piano Trio: piano, violon, violoncelle 2

Instruments en Do 2
Accordéon 1
2 Pianos, 8 mains 1
Clavecin 1

+ 8 instrumentations

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Guitares
Guitare notes et tablatures 6
Guitare 4
Dulcimer 2
Mandoline, Guitare (duo) 1
3 Guitares (trio) 1

2 Guitares (duo) 1

+ 1 instrumentations

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Voix
Chorale SATB 118
Chorale Unison 49
Chorale 3 parties 39
Chorale 2 parties 13
Chorale TTBB 12

Voix Soprano, Piano 7
Chorale SSAA 4
Voix haute 2
Chorale 2
Voix Baryton, Piano 1
Chorale SSATB 1
Voix Alto, Piano 1
Chorale SSATTB 1

+ 8 instrumentations

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Vents
2 Clarinettes (duo) 11
Flûte traversière 11
Flûte traversière et Piano 11
Ensemble de Clarinettes 10
Clarinette et Piano 10

Ensemble de Flûtes 9
2 Flûtes traversières (duo) 8
2 Saxophones (duo) 8
Hautbois, Piano (duo) 6
Quatuor de Clarinettes: 4 clarinettes 5
Clarinette 5
Flûte, Clarinette, Piano (trio) 5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 5
Flûte, Clarinette (duo) 4
Saxophone Tenor et Piano 4
Trio de Flûtes: 3 flûtes 3
Flûte, Hautbois, Clarinette, Basson 3
Saxophone, Clarinette (duo) 3
Hautbois (partie séparée) 3
3 Saxophones (trio) 3
Saxophone Alto 3
Saxophone (partie séparée) 3
Quatuor de Saxophones: 4 saxophones 2
Clarinette, Violon (duo) 2
Saxophone Tenor 2
Saxophone et Harpe 2
Clarinette, Trompette (duo) 2
3 Clarinettes (trio) 2
3 Flûtes à bec (trio) 2
Saxophone Alto et Piano 2
Flûte à bec Alto 1
Flûte, Saxophone (duo) 1
Piccolo, Piano 1
Hautbois, Flûte 1
Clarinette, Violoncelle (duo) 1
Cor anglais, Piano 1
Flûte, Harpe et Violoncelle 1
Hautbois, Harpe 1
Piccolo 1
Flûte, Alto (duo) 1
Quatuor de Flûtes : 4 flûtes 1
Hautbois, Violoncelle 1
Flûte, Clarinette et Basson 1
Flûte, Trompette (duo) 1
2 Hautbois (duo) 1
Cor Anglais 1
Hautbois, Basson (duo) 1
Hautbois, Clarinette (duo) 1
Flûte à Bec 1
Clarinette et Alto 1
Saxophone Baryton, Piano 1
Flûte, Violon 1
Clarinette, Harpe (duo) 1
2 Flûtes traversières, Piano 1

+ 49 instrumentations

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Cuivres
Trompette, Piano 6
Trompette 4
Cor 4
Trombone 4
Euphonium, Piano (duo) 3

Cor et Piano 3
Tuba et Piano 2
Trompette, Saxophone (duo) 2
Trompette, Harpe 1
2 Trompettes (duo) 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Tuba 1
Cor anglais, Piano 1
2 Cors (duo) 1
Ensemble de Trombones 1
Trompette, Trombone (duo) 1
Trombone et Piano 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1
Cor Anglais 1
2 Trombones (duo) 1
Cor et Harpe 1

+ 16 instrumentations

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Cordes
Harpe 65
Violoncelle 18
Violon 16
Violon et Piano 13
2 Violons (duo) 11

Quatuor à cordes: 2 violons, alto, violoncelle 11
Trio à Cordes: violon, alto, violoncelle 8
Trio à Cordes: 2 violons, violoncelle 6
Alto seul 5
Violon, Violoncelle (duo) 5
Alto, Piano 5
2 Violoncelles (duo) 3
Violoncelle, Piano 2
Harpe, Flûte (duo) 2
2 Altos (duo) 2
Contrebasse, Piano (duo) 1
Harpe, Violon (duo) 1
2 Harpes (duo) 1
2 Violons, Piano 1
Harpe, Voix 1
Alto (partie séparée) 1
Violon, Alto (duo) 1
Alto et Harpe 1
Trio à Cordes: 3 violoncelles 1
Quatuor à cordes: 4 violons 1
Harpe, Violoncelle (duo) 1

+ 21 instrumentations

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Orchestre & Percussions
Cloches 1 494
Orchestre à Cordes 8
Orchestre 6
Orchestre d'harmonie 6
Ensemble d'École 5

Ensemble de Percussions 4
Ensemble de cuivres 4
Jazz combo 2
Marimba 1
Xylophone 1
Orchestre de chambre 1

+ 6 instrumentations

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For 3 octaves.

Piano Trio: piano, violon, violoncelle

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2 partitions trouvées

The Twelve Days of Christmas (Easy Violin and Cello Duet with Piano Accompaniment)

The Twelve Days of Christmas (Easy Violin and Cello Duet with Piano Accompaniment) #Piano Trio: piano, violon, violoncelle #FACILE #Noël #Sharon Wilson #Sharon Wilson Music #The Twelve Days of Christmas #Sharon Wilson #SheetMusicPlus

Piano Trio Cello,Piano,Violin - Level 2 - SKU: A0.565514 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson Music. Children,Christian,Christmas...(+)

Piano Trio Cello,Piano,Violin - Level 2 - SKU: A0.565514 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson Music. Children,Christian,Christmas,Folk,Multicultural,World. 11 pages. Sharon Wilson #4639347. Published by Sharon Wilson (A0.565514). Here is a straight-forward instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the holiday classic The Twelve Days of Christmas.The CELLO leads with the melody for the first Day, but then the VIOLIN carries the melody for the remainder of the song, moving between octaves. A little extra practice may be required to master the occasional switching between 3/4 and 4/4 time signatures. Also, the repeats for Days 7 through 12 require concentration on counting down the days.All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes a 6-page combined score (grand staff) with all three parts on each page (VIOLIN, CELLO, and PIANO) plus separate 1-staff scores for the VIOLIN and CELLO (2 pages each). This arrangement is one of the 10 songs in the collection Holiday Classics (A Collection of 10 Easy Violin and Cello Duets with Piano Accompaniment).Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic

$5.99 ≈ 5.48€

Piano Trio in C minor, Op. 143

Piano Trio in C minor, Op. 143 #Piano Trio: piano, violon, violoncelle #INTERMÉDIAIRE #Classique #Ferdinand Ries #Dianne James #Piano Trio in C minor, Op. 143 #Artaria Editions #SheetMusicPlus

Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1...(+)

Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.

$37.00 ≈ 33.83€

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