Partitions Numériques de Staccato. pour Orchestre de chambre

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Staccato.
Non classifié 158

Piano & claviers
Piano seul 313
Piano Facile 119
1 Piano, 4 mains 22
Piano, Voix 11
Accompagnement Piano 11

Orgue 4
Clavecin 3
2 Pianos, 4 mains 2
Instruments en Do 2
Piano Quatuor: piano, violon, alto, violoncelle 1
Piano Trio: piano, violon, violoncelle 1
Piano, Voix et Guitare 1
Orgue, Trompette (duo) 1
1 Piano, 6 mains 1

+ 9 instrumentations

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Guitares
Guitare 11
Basse electrique 5
Guitare notes et tablatures 4
Ukulele 1
3 Guitares (trio) 1

Voix
Chorale 2 parties 16
Chorale Unison 16
Chorale SATB 12
Chorale 3 parties 4
Chorale SSAA 4

Chorale TTBB 2
Voix haute 1

+ 2 instrumentations

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Vents
Quatuor de Clarinettes: 4 clarinettes 18
Clarinette 14
2 Saxophones (duo) 12
Ensemble de Flûtes 11
2 Clarinettes (duo) 10

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 10
Flûte traversière 10
Ensemble de Clarinettes 9
Flûte traversière et Piano 7
Quatuor de Saxophones: 4 saxophones 7
Hautbois, Piano (duo) 7
Saxophone Alto et Piano 5
2 Flûtes traversières (duo) 5
3 Clarinettes (trio) 5
Flûte, Hautbois, Clarinette, Basson 5
Saxophone (partie séparée) 4
Saxophone Tenor et Piano 4
Trio de Flûtes: 3 flûtes 4
Saxophone, Clarinette (duo) 3
Clarinette (partie séparée) 3
Saxophone Alto 3
Quatuor de Flûtes : 4 flûtes 3
Hautbois (partie séparée) 3
Ensemble de saxophones 3
Clarinette et Piano 3
Flûte, Saxophone (duo) 2
Flûte, Alto et Violoncelle 2
Saxophone Baryton, Piano 2
Flûte, Clarinette et Basson 2
Clarinette, Trompette (duo) 2
Saxophone Soprano et Piano 2
Saxophone Tenor 2
Clarinette, Violon (duo) 2
Flûte, Clarinette (duo) 2
Flute (partie séparée) 1
Flûte, Hautbois, Clarinette (trio) 1
2 Flûte à bec (duo) 1
Flûte traversière, Orchestre 1
2 Hautbois (duo) 1
Hautbois, Flûte 1
Flûte, Trompette (duo) 1
Flûte de Pan 1
Clarinette, Basson (duo) 1
Hautbois, Clarinette, Basson (trio d'anches) 1
Clarinette, Trombone (duo) 1
Hautbois, Clarinette (duo) 1
Flûte, Alto (duo) 1
Flûte, Violon 1
Flûte, Basson et Piano 1
Hautbois, Basson (duo) 1

+ 45 instrumentations

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Cuivres
Trombone et Piano 7
Trompette, Piano 7
Trompette 5
Tuba 3
Cor et Piano 3

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3
Trompette (partie séparée) 3
Tuba et Piano 3
Trombone basse 2
Trompette, Saxophone (duo) 2
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2
Trombone 2
Cor 2
2 Trompettes (duo) 2
Trompette, Trombone (duo) 2
2 Trombones (duo) 2
Euphonium, Piano (duo) 2
Cor (partie séparée) 1
Trombone (partie séparée) 1
Quatuor de Cuivres 1
Tuba (partie séparée) 1
2 Euphoniums et 2 Tubas 1
2 Cors (duo) 1

+ 18 instrumentations

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Cordes
Violon 33
Quatuor à cordes: 2 violons, alto, violoncelle 21
Violon et Piano 16
Trio à Cordes: violon, alto, violoncelle 15
Violon (partie séparée) 14

2 Violons (duo) 9
Violoncelle, Piano 8
Alto, Piano 7
Violon, Violoncelle (duo) 6
Alto (partie séparée) 6
Violoncelle 6
Contrebasse, Piano (duo) 4
Violon, Alto (duo) 4
Harpe 4
Contre Basse 3
Trio à Cordes: 2 violons, violoncelle 3
Alto seul 3
2 Altos (duo) 2
Trio à Cordes: 2 violons, alto 2
Violoncelle (partie séparée) 2
Contrebasse (partie séparée) 2
Trio à Cordes: 3 violoncelles 2
2 Violoncelles (duo) 1
Violoncelle, Contrebasse (duo) 1
Trio à cordes: 3 altos 1
Trio à cordes: 3 violins 1

+ 21 instrumentations

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Orchestre & Percussions
Orchestre d'harmonie 99
Orchestre à Cordes 74
Cloches 39
Orchestre 13
Ensemble de cuivres 8

Orchestre de chambre 3

Ensemble Jazz 2
Fanfare 2
Vibraphone 1
Percussion (partie séparée) 1
2 Xylophones 1

+ 6 instrumentations

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Staccato.

Orchestre de chambre

Partitions à imprimer

3 partitions trouvées

Legacy for Chamber Orchestra

Legacy for Chamber Orchestra #Orchestre de chambre #AVANCÉ #Sy Brandon #Legacy for Chamber Orchestra #Sy Brandon #SheetMusicPlus

Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Bra...(+)

Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.

$40.00 ≈ 36.57€

Variations on a Rossini Theme op.Posth

Variations on a Rossini Theme op.Posth #Orchestre de chambre #Classique #Frederik FranÃ§ois Chopin #James Strauss #Variations on a Rossini Theme #James Strauss #SheetMusicPlus

Chamber Orchestra - SKU: A0.1035224 Composed by Frederik FranÃ§ois Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33...(+)

Chamber Orchestra - SKU: A0.1035224 Composed by Frederik FranÃ§ois Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non piÃ¹ mesta (No longer sad) from Rossiniâ€™s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composerâ€™s father who was a capable amateur flute player. In the end, the piece was probably dedicated to JÃ³zef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composerâ€™s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopinâ€™s hand. You certainly wonâ€™t hear Chopinâ€™s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, itâ€™s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.

$29.99 ≈ 27.42€

Special Features

Special Features #Orchestre de chambre #FACILE #Xavier Santiago #Special Features #Xavier Santiago #SheetMusicPlus

Chamber Orchestra - Level 2 - SKU: A0.921909 Composed by Xavier Santiago. Instructional,Standards. Score and parts. 34 pages. Xavier Santiago #6860791. ...(+)

Chamber Orchestra - Level 2 - SKU: A0.921909 Composed by Xavier Santiago. Instructional,Standards. Score and parts. 34 pages. Xavier Santiago #6860791. Published by Xavier Santiago (A0.921909). Written for any fall recruitment concert, Xavier Santiago has composed and arrange this medley of classics for your audience and string orchestra. While this is to bring in non-orchestral players to the orchestra room, plenty of teaching opportunities come in. Your students will get an introduction to triplets, dynamics, staccato playing, different time signatures, and more! To get the audience really involved, there's a soloist part for them to play! .

$19.99 ≈ 18.28€

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