Partitions Numériques de Elegie"" pour Piano Quatuor: piano, violon, alto, violoncelle

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Elegie""
Non classifié 90

Piano & claviers
Piano, Voix 56
Piano seul 54
Piano, Voix et Guitare 13
Piano Facile 4
Orgue 3

Piano Trio: piano, violon, violoncelle 2
Piano Quatuor: piano, violon, alto, violoncelle 1

Piano Quintette: piano, 2 violons, alto, violoncelle 1
Accordéon 1

+ 4 instrumentations

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Guitares
Guitare 13
4 Guitares (Quatuor) 1
3 Guitares (trio) 1
Guitare notes et tablatures 1
2 Guitares (duo) 1

Voix
Chorale SATB 3
Voix seule 1
Voix duo 1
Chorale SSAATTBB 1

Vents
Flûte traversière et Piano 14
Clarinette et Piano 7
Saxophone Alto et Piano 7
Saxophone et Guitare 6
Clarinette 5

Saxophone Tenor et Piano 3
Quatuor de Saxophones: 4 saxophones 3
Cor anglais, Piano 2
Saxophone Alto 2
Quatuor de Flûtes : 4 flûtes 2
Hautbois, Piano (duo) 2
Saxophone Soprano et Piano 2
Ensemble de saxophones 2
Saxophone Baryton, Piano 2
Quatuor de Clarinettes: 4 clarinettes 1
Ensemble de Clarinettes 1
Saxophone (partie séparée) 1
Flûte traversière 1
Trio de Flûtes: 3 flûtes 1
Clarinette Basse, Piano 1
Flûte et Guitare 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 1
3 Saxophones (trio) 1

+ 18 instrumentations

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Cuivres
Trombone et Piano 7
Trombone 7
Cor et Piano 4
Tuba et Piano 3
Cor anglais, Piano 2

Trompette, Piano 2
Euphonium, Piano (duo) 1
Tuba 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Trompette 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1

+ 6 instrumentations

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Cordes
Violoncelle, Piano 19
Violon et Piano 18
Alto, Piano 13
Quatuor à cordes: 2 violons, alto, violoncelle 10
Violoncelle 6

2 Violoncelles (duo) 4
Harpe, Violon (duo) 2
Violoncelle, Orchestre 2
Alto (partie séparée) 1
Alto seul 1
Violoncelle , Guitare (duo) 1
Violon, Violoncelle (duo) 1
Contre Basse 1
2 Violons (duo) 1
Violon 1
4 Violoncelles 1

+ 11 instrumentations

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Orchestre & Percussions
Ensemble de cuivres 6
Orchestre à Cordes 3
Orchestre d'harmonie 2
Instrumentation Flexible 1
Orchestre 1

Orchestre de chambre 1

+ 1 instrumentations

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Elegie""

Piano Quatuor: piano, violon, alto, violoncelle

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1 partition trouvée

Fauré: Élégie Op. 24 for Piano Quartet

Fauré: Élégie Op. 24 for Piano Quartet #Piano Quatuor: piano, violon, alto, violoncelle #INTERMÉDIAIRE/AVANCÉ #Classique #Gabriel Faure #James M #Fauré: Élé #jmsgu3 #SheetMusicPlus

Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Stan...(+)

Piano Quartet - Level 4 - SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. FaurÃ© Background: In the first place, Gabriel FaurÃ© 1845 â€“1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs AprÃ¨s un rÃªve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: FaurÃ© was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that FaurÃ© studied music composition with the French musical mastermind Camille Saint-SaÃ«ns, who became his lifelong friend. FaurÃ© eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Ã‰glise de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: FaurÃ© was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, FaurÃ©'s music was slow to become accepted, except, of course, in England. Legacy: Historians often describe FaurÃ©'s music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when FaurÃ© was born, Chopin was still composing. However, by FaurÃ©'s death, jazz and atonal music had mainly come to fruition. FaurÃ©, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.

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