Partitions Numériques de James Rowe pour Piano Quatuor: piano, violon, alto, violoncelle

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James Rowe
Non classifié 11

Piano & claviers
Piano seul 12
Piano Facile 5
Piano, Voix et Guitare 5
Piano, Voix 2
Orgue 2

Instruments en Do 1
Piano Quatuor: piano, violon, alto, violoncelle 1

+ 2 instrumentations

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Guitares
Paroles et Accords 6
Guitare notes et tablatures 6
Guitare 2

Voix
Chorale SATB 7
Chorale 2 parties 3
Voix duo, Piano 2
Chorale 3 parties 1
Chorale TTBB 1

Vents
Clarinette et Piano 5
Flûte traversière et Piano 4
Quatuor de Clarinettes: 4 clarinettes 4
Quatuor de Saxophones: 4 saxophones 4
Saxophone Tenor et Piano 3

Saxophone Baryton, Piano 3
Saxophone Soprano et Piano 3
Saxophone Alto et Piano 3
Cor anglais, Piano 2
Quatuor de Flûtes : 4 flûtes 2
Quintette de Clarinettes: 5 clarinettes 2
Flûte, Hautbois, Clarinette, Basson 2
Flûte et Guitare 1
Hautbois, Piano (duo) 1
Clarinette Basse, Piano 1
Clarinette 1

+ 11 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 3
Trombone et Piano 3
Cor anglais, Piano 2
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2
Euphonium, Piano (duo) 2

Trompette, Piano 2
Cor et Piano 1
Trio de Cuivres 1
3 Trombones (trio) 1
Quatuor de Cuivres 1
Tuba et Piano 1

+ 6 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 6
Alto, Piano 3
Violoncelle, Piano 3
Violon et Piano 3
Harpe 1

Violon, Violoncelle (duo) 1
Trio à Cordes: violon, alto, violoncelle 1

+ 2 instrumentations

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Orchestre & Percussions
Orchestre d'harmonie 4
Cloches 2
Orchestre 1
Ensemble de cuivres 1

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James Rowe

Piano Quatuor: piano, violon, alto, violoncelle

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O Holy Night for Piano Quartet

O Holy Night for Piano Quartet #Piano Quatuor: piano, violon, alto, violoncelle #FACILE #Noël #Adam #James M #O Holy Night for Piano Quartet #jmsgu3 #SheetMusicPlus

Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #341156...(+)

Cello,Piano,Viola,Violin - Level 2 - SKU: A0.548706 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas,Standards. 18 pages. Jmsgu3 #3411563. Published by jmsgu3 (A0.548706). Cantique de NoÃ«l The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de NoÃ«l. Â Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became trendy among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English. Â Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute. Â Â

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