Partitions Numériques de We Can Work It Out pour Piano Quatuor: piano, violon, alto, violoncelle

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We Can Work It Out
Non classifié 171

Piano & claviers
Piano seul 70
Piano, Voix et Guitare 35
2 Pianos, 4 mains 22
Piano, Voix 22
Piano Facile 14

Instruments en Do 12
Orgue 4
Piano grosses notes 3
Piano Quatuor: piano, violon, alto, violoncelle 2

Accompagnement Piano 1
1 Piano, 4 mains 1
Orgue, Piano (duo) 1
Piano Trio: piano, violon, violoncelle 1

+ 8 instrumentations

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Guitares
Guitare notes et tablatures 25
Guitare 17
Ligne De Mélodie, (Paroles) et Accords 12
Ukulele 6
Basse electrique 6

Paroles et Accords 3
Banjo 1
Mandoline 1
4 Guitares (Quatuor) 1
Dulcimer 1

+ 5 instrumentations

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Voix
Chorale SATB 45
Chorale 3 parties 12
Chorale 2 parties 7
Chorale SSAA 5
Chorale TTBB 2

Voix Soprano, Piano 2
Chorale SSATTB 1
Voix duo, Piano 1

+ 3 instrumentations

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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 22
Saxophone (partie séparée) 9
Saxophone Tenor 8
Saxophone Alto 8
Quatuor de Clarinettes: 4 clarinettes 7

Saxophone Tenor et Piano 7
Quatuor de Saxophones: 4 saxophones 7
Clarinette 6
Saxophone Alto et Piano 5
Saxophone Baryton, Piano 5
Saxophone Soprano et Piano 5
Saxophone Baryton 4
Saxophone Soprano 4
Flûte à bec Soprano 4
Flûte traversière 4
Clarinette et Piano 4
2 Flûtes traversières (duo) 3
Ensemble de Clarinettes 3
Hautbois, Piano (duo) 3
Flûte traversière et Piano 3
Ensemble de Flûtes 2
Ocarina 2
Flûte, Hautbois, Clarinette, Basson 2
Harmonica 2
Cor anglais et Harpe (duo) 1
Clarinette, Harpe (duo) 1
Quintette de Clarinettes: 5 clarinettes 1
Flûte à bec Alto, Piano 1
Hautbois 1

+ 24 instrumentations

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Cuivres
Trombone (partie séparée) 8
Trompette (partie séparée) 8
Trompette 8
Trombone 5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 4

Cor 3
Trompette, Trombone (duo) 3
Trombone et Piano 3
4 Tubas 2
Trompette, Piano 2
2 Trombones (duo) 2
Quatuor de Cuivres: 2 trompettes, Cor, trombone 2
Cor et Piano 2
2 Trompettes (duo) 2
Quatuor de cuivres: 4 trombones 2
2 Tubas (duo) 2
Cor anglais et Harpe (duo) 1
Euphonium, Piano (duo) 1
Tuba et Piano 1
Trompette, Euphonium (duo) 1
Quatuor de Cuivres : 2 trompettes, trombone, tuba 1
Ensemble de Trompettes 1

+ 17 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 24
Alto, Piano 8
Alto seul 8
Violon 6
Violoncelle 5

Violoncelle, Piano 3
Violon, Alto (duo) 2
Harpe, Flûte (duo) 2
Violon, Violoncelle (duo) 2
Violon et Piano 2
Quintette à cordes: 2 violons, alto, violoncelle, basse 2
Contre Basse 1
Alto (partie séparée) 1
Trio à Cordes: 3 violoncelles 1
Contrebasse, Piano (duo) 1
4 Contrebasses 1
Harpe 1
Trio à Cordes: violon, alto, violoncelle 1

+ 13 instrumentations

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Orchestre & Percussions
Orchestre d'harmonie 21
Ensemble de cuivres 16
Orchestre à Cordes 8
Ensemble Jazz 7
Orchestre 7

Ensemble de Percussions 3
Jazz combo 3
Batterie 3
Orchestre de chambre 3
Cloches 2
Xylophone 2
Piano et Orchestre 1
Orchestre, Violon 1

+ 8 instrumentations

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We Can Work It Out

Piano Quatuor: piano, violon, alto, violoncelle

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2 partitions trouvées

Pachelbel: Canon in D for Piano Quartet

Pachelbel: Canon in D for Piano Quartet #Piano Quatuor: piano, violon, alto, violoncelle #INTERMÉDIAIRE #Classique #Johann Pachelbel #James M #Pachelbel: Canon in D for Pian #jmsgu3 #SheetMusicPlus

Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...(+)

Piano Quartet,String Ensemble - Level 3 - SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-FranÃ§ois Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 â€“1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.

$46.95 ≈ 43.28€

O Come All Ye Faithful for Piano Quartet

O Come All Ye Faithful for Piano Quartet #Piano Quatuor: piano, violon, alto, violoncelle #DÉBUTANT #Noël #Wade #James M #O Come All Ye Faithful for Pia #jmsgu3 #SheetMusicPlus

Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3...(+)

Piano Quartet - Level 1 - SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604â€“1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â

$24.95 ≈ 23.00€

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