Partitions Numériques de A Dvorak pour Quintette de Flûte : 5 flûtes

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A Dvorak
Non classifié 175

Piano & claviers
Piano, Voix 70
Piano seul 64
Piano Facile 31
Piano Quintette: piano, 2 violons, alto, violoncelle 7
Orgue 7

Piano Trio: piano, violon, violoncelle 7
1 Piano, 4 mains 5
Piano, Voix et Guitare 3
Accompagnement Piano 2
Orgue, Trompette (duo) 2
Piano Quatuor: piano, violon, alto, violoncelle 1
2 Pianos, 4 mains 1
1 Piano, 6 mains 1

+ 8 instrumentations

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Guitares
Guitare 6
Guitare notes et tablatures 4
2 Guitares (duo) 4
4 Guitares (Quatuor) 2
3 Guitares (trio) 2

Ukulele 2
Mandoline 1
Piano, Guitare (duo) 1
Ligne De Mélodie, (Paroles) et Accords 1

+ 4 instrumentations

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Voix
Chorale SATB 13
Chorale 3 parties 12
Chorale 2 parties 9
Voix seule 9
Chorale SSAA 9

Chorale TTBB 6
Voix duo, Piano 3
Chorale Unison 3
Voix duo 1
Voix moyenne, Piano 1

+ 5 instrumentations

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Vents
Flûte traversière et Piano 31
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 21
Clarinette et Piano 18
Flûte, Hautbois, Clarinette, Basson 16
Hautbois, Piano (duo) 15

Quatuor de Saxophones: 4 saxophones 15
Quatuor de Clarinettes: 4 clarinettes 14
Saxophone Soprano et Piano 12
Saxophone Alto et Piano 12
Quintette de Saxophone: 5 saxophones 10
Flûte et Guitare 9
2 Flûtes traversières (duo) 9
Quatuor de Flûtes : 4 flûtes 9
Saxophone Tenor et Piano 9
Clarinette 8
Saxophone (partie séparée) 7
2 Saxophones (duo) 7
3 Saxophones (trio) 6
Flûte, Clarinette (duo) 6
Flûte traversière 6
2 Clarinettes (duo) 6
3 Clarinettes (trio) 4
Ensemble de Clarinettes 4
Ensemble de saxophones 4
Saxophone Alto 3
Quintette de Flûte : 5 flûtes 3

Clarinette, Basson (duo) 3
Ensemble de Flûtes 3
Hautbois (partie séparée) 3
Saxophone Baryton, Piano 3
Quintette de Clarinettes: 5 clarinettes 3
Flûte, Clarinette et Basson 2
2 Hautbois (duo) 2
Flûte à bec Alto 1
2 Clarinettes, Piano 1
3 Flûtes à bec (trio) 1
Flûte, Hautbois, Basson 1
Harmonica 1
2 Flûtes traversières, Piano 1
Clarinette, Guitare (duo) 1
Trio de Flûtes: 3 flûtes 1
Clarinette Basse, Piano 1
Flûte à bec Soprano 1
Flûte, Hautbois, Piano (trio) 1
Flûte à Bec 1
2 Clarinettes, Basson 1
Hautbois, Flûte 1
Flûte, Alto et Piano 1
2 Flûte à bec (duo) 1
Clarinette, Violoncelle, Piano (trio) 1
Flûte, Violon et Violoncelle 1
Cor anglais, Piano 1
Flûte, Clarinette, Piano (trio) 1
Clarinette, trompette et piano 1
Flûte irlandaise 1
Flûte, Basson et Piano 1

+ 51 instrumentations

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Cuivres
Trombone et Piano 17
Trompette, Piano 14
Quatuor de Cuivres : 2 trompettes, trombone, tuba 13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 12
Cor et Piano 10

Trompette 7
Quatuor de Cuivres 5
Quatuor de cuivres: 4 trombones 4
Trompette, Trombone (duo) 3
Tuba 3
Quatuor de Cuivres: 2 trompettes, Cor, trombone 3
Trompette, Cor (duo) 3
Trombone 3
Ensemble de Trompettes 3
Ensemble de Trombones 3
Cor 3
Tuba et Piano 2
Tuba et Orgue 2
2 Cors (duo) 2
Euphonium, Piano (duo) 2
Quatuor de cuivres: 2 trompettes, 2 trombones 1
Cor et Orgue 1
4 Tubas 1
Trompette, Euphonium (duo) 1
Quatuor de cuivres: 4 trompettes 1
Cor anglais, Piano 1
Trompette, Violoncelle et Piano 1
Quatuor de cuivres: 4 cors 1

+ 23 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 44
Violon et Piano 29
Violoncelle, Piano 23
Alto, Piano 21
Violon 12

Violon, Violoncelle (duo) 8
Contrebasse, Piano (duo) 6
2 Violoncelles (duo) 4
4 Violoncelles 4
Quintette à cordes: 2 violons, alto, violoncelle, basse 4
Violoncelle 4
Violoncelle (partie séparée) 4
Alto seul 4
Contre Basse 3
Trio à Cordes: 2 violons, violoncelle 3
2 Altos (duo) 3
Trio à Cordes: violon, alto, violoncelle 3
Harpe 3
2 Violons (duo) 3
Ensemble de Violons 2
Violoncelle, Orchestre 2
Alto (partie séparée) 2
Quatuor à cordes: 4 violons 1
Violon, Clarinette, Piano (trio) 1
Trio à cordes: 3 violins 1
Alto, Guitare (duo) 1
Harpe, Flûte (duo) 1
2 Violons, Piano 1
Piano Trio: Violon, Alto, Piano 1
Violon (partie séparée) 1
Violon, Guitare (duo) 1

+ 26 instrumentations

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Percussions & orchestre
Orchestre 41
Orchestre d'harmonie 15
Orchestre à Cordes 13
Ensemble de cuivres 10
Cloches 4

Orchestre de chambre 3
Instrumentation Flexible 2
Orchestre, Violon 2
Ensemble Jazz 1

+ 4 instrumentations

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A Dvorak

Quintette de Flûte : 5 flûtes

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3 partitions trouvées

Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)

Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet) #Quintette de Flûte : 5 flûtes #INTERMÉDIAIRE #Classique #Musique Sacrée #Antonin Dvorak #Regis Bookshar #Largo #Regis Bookshar #SheetMusicPlus

Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. ...(+)

Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:â€ƒâ€ƒâ€ƒâ€ƒI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:â€ƒâ€ƒI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.

$15.00 ≈ 13.72€

"Largo" from Symphony No. 9 arranged for Flute Quintet

"Largo" from Symphony No. 9 - Flute Quintet #Quintette de Flûte : 5 flûtes #INTERMÉDIAIRE #Classique #Antonin Dvorak #Andrew Middleton #"Largo" from Symphon #Andrew Middleton #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Flute - Level 3 - SKU: A0.735227 Composed by Antonin Dvorak. Arranged by Andrew Middleton. Romantic Period. 10 pages....(+)

Woodwind Ensemble,Woodwind Quintet Flute - Level 3 - SKU: A0.735227 Composed by Antonin Dvorak. Arranged by Andrew Middleton. Romantic Period. 10 pages. Andrew Middleton #3928097. Published by Andrew Middleton (A0.735227). The theme from Largo, second movement of Dvorak's Ninth Symphony, arranged for Flute Quintet (3 flutes, 1 alto flute and 1 bass flute). Whilst American audiences are more familiar with this music being used at funerals, UK audiences will instantly recognise this as the music from the Hovis bread advert.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber

$8.99 ≈ 8.22€

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