A collection of 20 pieces arranged for wind quintet. Score and parts all included. Each piece is available separately but buying all 20 works in this bundle works out at $1 per score!



Grieg, Ases Death from Peer Gynt Suite

J.S.Bach Prelude and Fugue in B flay

Mussgorsky, Ballet of the Unhatched Chickens from Pictures at an Exhibition

Debussy, Danse Boh�mienne,

Tchaikovsky, December from the Seasons,

Purcell, Dido?s Lament from Dido and Aeneas

Fuchs, Entry of the Gladiators

Es Ist Ein Rose Entsprungen, Traditional

Franz Schubert, Impromptu in A flat

Mascagni, Intermezzo Sinfonico

Scott Joplin, Maple Leaf Rag

Verdi Pater Noster

Mozart, Three German Dances

Mussgorsky, The Old Castle from Pictures at an Exhibition

Strauss, Radeztsky March

Dovrak, Slavonic Dance No. 8

Debussy, The Snow is Dancing from Children?s Corner.

Traditional, The Twelve Days of Christmas.

Dovrak, Slavonic Dance No. 6

Ravel, Conversations of Beauty and the Beast

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Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by B�la Bart�k in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.

It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute.

The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bart�k when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bart�k rarely ever used key signatures.

This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses):




Bot t�nc / Jocul cu b�tand#259; (Stick Dance)The melody of the first movement, according to Bart�k, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;cs�v�s (present-day Ceuaand#537;u de C�mpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it.
Br�ul (Sash Dance)The second movement is a typical dance from Romania called Br�ul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region.
Topog� / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4]
Bucsum� t�nc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Als�-Feh�r County (today Bucium, Alba county in Romania)
Rom�n polka / Poarga Rom�neascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Bel�nyes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania.
Apr�z� / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Bel�nyes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.

Mack the Knife (DieMoritat von Mackie Messer) is a ballad from the 1928 Threepenny Opera (Die Dreigroschenoper) - a "play with music" by BertoltBrecht and music by Kurt Weill. The opera begins with the ballad of "Mack theKnife", which introduces the audience to the many terrible crimescommitted by the central character, Macheath (Mack), a notorious criminal inVictorian London.

The song has long been a popular standard and has beenrecorded by many artists, including (among many, many others) Bobby Darin,Louis Armstrong, Frank Sinatra and Ella Fitzgerald,

Weill?s music is arranged here for wind quintet (flute, oboe, clarinet in B flat, horn in F and bassoon) by LisaPortus of www.portuspress.com. In addition to the ballad itself Lisa?s arrangementalso features optional sections of Weill?s wind band suite.

The PDF includes the full score and five separate parts.

Duration: 2'30"-3'15" (depending on cuts).

This witty and charming work, popularized in Walt Disney's FANTASIA, is masterfully transcribed and judiciously edited by one of SMP's top arrangers. Optional doubling on Contrabassoon can add to the rich and brilliant sonorities of the woodwind quintet.