Partitions Numériques de Into the Future pour Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

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Into the Future
Non classifié 61

Piano & claviers
Piano seul 37
Piano Facile 8
Piano, Voix et Guitare 6
Piano, Voix 5
2 Pianos, 4 mains 2

Instruments en Do 1
Piano Trio: piano, violon, violoncelle 1
Orgue 1

+ 3 instrumentations

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Guitares
Guitare 2
Ukulele 1

Voix
Chorale SATB 15
Chorale 2 parties 3
Voix basse, Piano 2
Chorale 3 parties 2
Voix duo, Piano 1

Chorale TTBB 1
Chorale Unison 1
Voix Tenor, Piano 1
Voix duo 1
Chorale 1
Voix Soprano, Piano 1

+ 6 instrumentations

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Vents
Quintette de Saxophone: 5 saxophones 6
Quatuor de Saxophones: 4 saxophones 6
3 Saxophones (trio) 4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3

Quintette de Flûte : 5 flûtes 2

Ensemble de Clarinettes 2
Clarinette et Piano 2
Saxophone Tenor et Piano 1
Quatuor de Flûtes : 4 flûtes 1
Saxophone Alto et Piano 1
Flûte à bec Tenor 1
Trio de Flûtes: 3 flûtes 1
Flûte à bec Soprano 1
Quatuor de Clarinettes: 4 clarinettes 1
Hautbois, Violoncelle 1
Flûte, Clarinette et Basson 1
Saxophone Soprano et Piano 1
3 Clarinettes (trio) 1
Flûte traversière et Piano 1
Hautbois (partie séparée) 1

+ 15 instrumentations

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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba 6
Ensemble de Trombones 3
Ensemble de Trompettes 2
Trombone et Piano 1
Trompette, Piano 1

Tuba et Piano 1
Cor et Piano 1
Quatuor de cuivres: 4 trompettes 1
2 Trombones (duo) 1
Quatuor de cuivres: 4 cors 1
Quatuor de cuivres: 4 trombones 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1

+ 7 instrumentations

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Cordes
Violon 4
Quatuor à cordes: 2 violons, alto, violoncelle 4
Violon, Violoncelle (duo) 4
Violon et Piano 2
Quatuor à cordes : 4 altos 2

Violoncelle, Piano 2
Ensemble de Violons 2
Trio à Cordes: 3 violoncelles 2
Trio à cordes: 3 violins 1
4 Violoncelles 1
Quatuor à cordes: 4 violons 1
Trio à Cordes: violon, alto, violoncelle 1
Trio à cordes: 3 altos 1
Violoncelle, Contrebasse (duo) 1
Alto, Piano 1

+ 10 instrumentations

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Orchestre & Percussions
Orchestre d'harmonie 34
Orchestre de chambre 7
Orchestre à Cordes 6
Ensemble de cuivres 4
Ensemble Jazz 2

Orchestre 2
Xylophone, Piano 1
Cloches 1

+ 3 instrumentations

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Into the Future

Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

Partitions à imprimer

3 partitions trouvées

Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla

Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla #Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor #INTERMÉDIAIRE #Classique #Musique Sacrée #Antonin Dvorak #Regis Bookshar #Largo #Regis Bookshar #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. C...(+)

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:â€ƒâ€ƒâ€ƒâ€ƒI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:â€ƒâ€ƒI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.

$15.00 ≈ £11.84

AEROS

AEROS #Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor #AVANCÉ #Contemporain #West Coast Wind Quintet #AEROS #Thinkling Music #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1145980 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical,Contemporary. 28 pages. T...(+)

Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.1145980 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical,Contemporary. 28 pages. Thinkling Music #746220. Published by Thinkling Music (A0.1145980). Â Â Â Â Â AEROS is a one-movement piece about flying.Â Â Â Â Â Â The composition begins with Latin dance rhythms and a clearly defined melodic motif. The threads gradually build to a tumble of ecstatic exuberance, engaging but short-lived. The remainder of the piece is a return to the mundane, ultimately settling on a plateau of stability which the listener senses to be merely a steppingstone, a pause before resuming the journey into an uncertain future â€¦Â Â Â Â Â Â Structurally, the work is a single movement built around an Afro-Cuban montuno pattern, with ostinati divided among the instruments. Stylistically it could be considered as â€œmoody minimalist with a melodyâ€. Or if that is too long and unwieldy, then perhaps just â€œMMMMUSIC!â€Â Â Â Â Â Â First performance in Laguna Beach, California on September 21st, 2021, by West Coast Wind Quintet, as part of the Sunset Serenades series. The outdoor venue, a small amphitheater in beautiful Heisler Park, high on a bluff overlooking the Pacific Ocean, was the perfect aerie from which to bring this piece into the world.

$15.00 ≈ £11.84

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