Le Cygne, or The Swan, is the penultimate movementof Camille Saint-Sa�ns? 1886 suite, Carnivalof the Animals. Most often played as a solo piece for cello with piano,the original version was scored for solo instrument and two pianos. It was the only movement for the Carnivalthat the composer allowed to be heard in public during his lifetime. Thisversion for Alto Saxophone with Pianoaccompaniment has been arranged to best suit the key and pitch of the soloinstrument. The pdf file contains both the piano accompaniment and the separatesolo part.

Musicians at an intermediate level and above willfind this ideal for formal and informal performances. The melody is expressiveand legato; the piano accompaniment is challenging in its constant semiquaverarpeggios. The overall performance time is around three minutes. The linked full-length youtube performance is the Clarinet version of this arrangement.

Teacherswill enjoy using this arrangement as a fun way to help with expressive playing.The legato in both parts demand precise fingers.

This combined version of the of the PianoAccompaniment and Cello Online String Sampler Cello Sheet Music is a fun and easy way to activelylearn, study and play beautiful cello music from a wide variety of styles anderas. 54 pieces are featured, representing music history periods, cultures andstyles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20thCentury, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi,Ragtime and Blues. These arrangements have been simplified for advancedbeginners to intermediate players, and include a representative sampling ofmost major forms of string music such as concertos, symphonies, sonatas,quartets and trios. As an added bonus, sound files of each piece and a studyguide are currently available on the website CelloOnline.com* as a self-guidedclass specifically designed to accompany this music: https://www.celloonline.com/stringclass.html The studyguide explains the history and musical form of the selected pieces, andincludes cello technique tips for each piece of music. Let the music begin!

*No guarantees are made that these sound files and websitewill be available indefinitely.

Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp?s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model?d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Faur�; Meditation from Tha�s by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-Tyāgarāja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil?s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.

Here is a description of the TRITONE Sonata for Trumpet and Piano by the composer, John Frith:

"One of my most enjoyable roles in music was conducting the Herefordshire Young People?s Orchestras (UK) in the late 1980s. Stuart Essenhigh was a very talented young trumpeter who toured Belgium with the orchestra as a soloist in 1989.

Encouraged by this experience Stuart went on to study in London graduating as a fine professional trumpeter working firstly in Hong Kong and then as a freelancer with major U.K. orchestras.

My TRITONE Sonata for Trumpet and Piano of 2016 was written specifically for Stuart. Each of its three movements uses the interval of a tritone in different ways. We hear it initially as a ?benign? element of the first movement; ?ironic? in the second and even ?playful? in the last.

I - Moderato

The use of a ?straight? mute to open and close this movement greatly enlarged my palate of sound colours and, together with some unconventional ?flutter- tonguing? techniques, it allowed me to emphasize the declamatory and strident possibilities of this powerful instrument?... I call for ?ffff? (fortissississimo) at one point! The muted coda creates an otherworldly? atmosphere - distant and questioning at the close.

II ? Andante espressivo ? piu mosso ? Tempo primo

The opening austere and angular melody (which demands great lip flexibility and control) leads to a relaxed and flowing ?piu mosso? with quasi baroque idioms. This builds towards florid, technical passages for the soloist which are matched by more assertive piano lines heralding the return of the opening material and a soulful resolution.

III ? Maestoso ? rondo

A traditional martial ?fanfare? opens the final movement by answering phrases from both instruments. There is something of a power struggle in progress here which is momentarily resolved at the ?rondo? where the piano accepts a supportive ?um-pa-pa? accompanimental role. The trumpet melody is dominant and confident but the piano gradually asserts itself propelling the music with a powerful ?boogie-woogie? style bass line. This encourages both instruments to climb ever higher in, what I trust will be, a thrilling race for the final bar." John Frith 2020

This work is about 12 minutes in length and is appropriate for advanced to virtuoso performers.

Easy Piano arrangements

This pdf includes three easy piano arrangements.

Easy levels. Notes name included.

This is a Single User License (for personal use). Studio unlimited reproduction license available.



Many Youtube videos are available. #1. Include in different keys: in C major (for the beginners who struggle playing black keys) and in the original keys (for people who enjoy play and sing along with the song). #2, Include the slow speed (for beginners) and original speed (for intermediates). #3, Have RH melody exercise and many different arrangements.



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A free downloadable digital paper keyboard is available. This paper keyboard will help you to play any songs. Contact me via email with proof of purchase of this song.

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I can rearrange any songs to your level for you. Contact me if you need assistance.

The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Trumpet with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end.

Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott?s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy.

The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as ?Here Comes the Bride?. Queen Victoria?s daughter used the music for her marriage in 1858, and its popularity has endured ever since.

The Prince of Denmark?s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the?trumpet stop?. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul?s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard.

Felix Mendelssohn?s Wedding March was originally written in 1842 as incidental music to Shakespeare?s famousplay, Midsummer Night?s Dream. When Queen Victoria?s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.

The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Horn in F with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end.

Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott?s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy.

The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as ?Here Comes the Bride?. Queen Victoria?s daughter used the music for her marriage in 1858, and its popularity has endured ever since.

The Prince of Denmark?s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the?trumpet stop?. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul?s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard.

Felix Mendelssohn?s Wedding March was originally written in 1842 as incidental music to Shakespeare?s famousplay, Midsummer Night?s Dream. When Queen Victoria?s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.

Presto! It?s Piano Magic, The Holiday Book, Songs and Pieces for Celebrations and Special Occasions, First Edition. Includes Christmas and holiday songs and pieces (Christmas, Hanukkah, Thanksgiving, New Years, Halloween, winter holidays), patriotic songs and pieces, Americana, and wedding, birthday, and religious-themed songs for celebrations and special occasions. Perfect for recitals, piano parties, supplemental repertoire, performance repertoire, student and intermediate level solos, and piano accompaniments or background music for special occasions. For early beginning to late intermediate piano. Includes many songs with vocals, lyrics, and solfege syllables.

This is a piano transcription with voice of the version of My Love, My Life from the movie Mamma Mia Here We Go Again. The version in the movie is sung by Lily James, Meryl Streep and Amanda Seyfried. The song was originally performed by Abba and is written by Benny Andersson and Bjorn Ulvaeus. This arrangement has been made for the three voices as used in the movie but can be performed as a duet just as easily.

This transcription has been done by The Accompanist, Tim J Spencer.

Check out The Accompanist's YouTube channel for piano accompaniments from songs from Musical Theatre.
https://www.youtube.com/c/TheAccompanist and also the website https://the-accompanist.net/

Popular Christmas music
TheChristmas Waltz for Violin and Piano

Many thanks to Maria Volkova for helping with violin part editing.

Alsoavailable The Christmas Waltz for piano solo, forpiano 4 hands, for two violins and piano, for string quartet.

Christmas Adventures for Cello andPiano

A New Look at Three Favorite Carols

Arranged by Colin Kirkpatrick



Here are three refreshing new modernarrangements of three popular traditional carols ?like you ain?t never heardthem before?. Intended for the intermediate cello player and a reasonably competentpianist, they are sure to brighten up your Christmas events whether at home, school,church or recital hall. They could be used during a Christmas service or asstand-alone pieces at an end-of-term presentation. The audio sample includes recordingsof all three pieces.

The King Rides Out(based on ?Good King Wenceslas?) starts conventionally enough but turns into acountry-style song and then there?s a three-part Bach-like contrapuntal section,concluding with a wistful coda before the music returns to the joyful countrystyle. Waltz with Holly ? or Possibly Ivy (based of course on ?The Hollyand the Ivy?) turns into a dreamy waltz with long extended phrases and a goodvehicle to show the cellists tone quality. The Merry Gentleman go Latinis a lively rumba version of ?God Rest You Merry, Gentlemen?.

ColinKirkpatrick studied composition, cello and piano at London?s prestigious RoyalCollege of Music and after graduation followed a career in music education. Hewas a High School Music Director in London for about fifteen years and laterbecame a Music Education Adviser for local government, with the addedresponsibility for training teachers and directing the instrumental teachingservice.

Hehas been published by Boosey & Hawkes, Novello, Paxton, Schott, OxfordUniversity Press, Chester, Belwin Mills and Intrada (Netherlands). He holds MAand PhD degrees in education and his other interests include reading,photography, travel, cooking and wine tasting - though not necessarily all atthe same time.

This arrangement of this massively popular song is great for musicians of all levels. Enjoy the full lyrics and melody plus original transcriptions of the piano accompaniment. Also, view the link inside the piece to access digital extras (practice tracks, accompaniments, etc) for free!

My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.

I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.

During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,

Andre Watts, and many others.

Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild.

Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)

This compilation includes "Silent Night", "Sing We Now of Christmas", "Coventry Carol", "He Is Born, the Divine Christ Child" and "The First Noel" arranged for solo violin with piano accompaniment. These pieces would be beautiful additions to Christmas services, events or recitals.
A piano accompaniment track is available separately for each of the pieces included in this compilations and can be found on Sheet Music Plus using the following Item ID#'s:
Silent Night - Piano Accompaniment Track for Violin Solo Item ID #S0.903545
Sing We Now of Christmas - Piano Accompaniment Track for Violin Solo Item Id#S0.893637
Coventry Carol - Piano Accompaniment Track for Violin Solo Item ID#S0.898221
He Is Born, the Divine Christ Child - Piano Accompaniment Track for Violin Solo Item ID#S0.876761
The First Noel - Piano Accomopaniment Track for Violin Solo Item ID #S0.883561
Thank you to Jeff Jacobs at pixabay for the cover image.

Ten arrangements for violin and cello duet with optional piano accompaniment. Great for lessons, recitals, caroling, church services, and Christmas parties.

Includes score and parts for:

Jingle Bells
What Child Is This
Silent Night
O Come All Ye Faithful
Joy to the World
Away in a Manger
We Three Kings
Away in a Manger (Cradle Song)
O Holy Night
The First Noel

This collection of ?Holiday Classics? contains 10 holiday songs arranged as instrumental duets (for CELLO solo with PIANO accompaniment). These fun-to-learn arrangements are a welcome addition to the repertoire for beginning cello students and suitable for recitals or just some family fun around the piano during the holiday season. Selections include classics associated with the winter holidays: Thanksgiving, Christmas, and New Year?s. Each song is also available separately with accompanying preview pages and audio samples.

All notes for the CELLO are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For each song, there is a 3-staff score with CELLO and PIANO on each page plus a separate 1-staff score for the CELLO solo.

Song titles included in this collection:
Auld Lang Syne
Good King Wenceslas
Hallelujah Chorus from Handel's "Messiah"
Jingle Bells
Jolly Old Saint Nicholas
O Christmas Tree
Over the River and Through the Woods
The Twelve Days of Christmas
Up On the Housetop
We Wish You a Merry Christmas

The title of this collection was inspired by the words found in Psalm 150 verse 4: ?Praise Him with stringed instruments?? (KJV)

This collection contains 10 favorite hymns arranged as easy instrumental trios (for two VIOLINS with PIANO accompaniment). From flowing and peaceful to upbeat and festive, these arrangements are a welcome addition to the repertoire for beginning string students. These familiar hymn arrangements are equally enjoyed whether used for recitals, worship services, or to make practicing more interesting.

All notes for both VIOLIN parts in each song are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For each song, there is a combined score (grand staff) with all parts on each page (VIOLIN 1, VIOLIN 2, and PIANO) plus a separate 1-staff score for each VIOLIN part and also a PIANO only score.

Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays "Come, Thou Fount."

Song titles included in this collection:
Blessed Quietness
Come, Thou Fount
Great Is Thy Faithfulness
Holy, Holy, Holy
It Is Well with My Soul
Nearer, My God, to Thee
Power in the Blood
Praise Ye the Father

To God Be the Glory
What a Friend We have in Jesus

This arrangement was developed for Oboe solo and piano accompaniment. Works great for short presentations, receptions, weddings and movie music concerts. The piece is highly appreciated by the audience and your ensemble will enjoy playing this arrangement.

THAT SILENT CHRISTMAS NIGHT - TUBA SOLO with Piano Accompaniment.
The serenity of the first Christmas night (before the angels burst onto the scene!) is reflected in this peaceful and beautiful Christmas carol medley for Tuba. Titles nclude: Thou Didst Leave Thy Throne, O Little Town of Bethlehem, Away in a Manger, and Silent Night.

86 measures. Performance Time approx. 3:45. Medium Difficult (Grade 3+)
Key: Eb - Ab. Meter: 4/4 - 3/4 - 2/4. Tuba Range (C4=middle C): Bb1 - G3


PDF parts included: Score, Tuba, Piano.

The title of this collection was inspired by the words found in Psalm 150 verse 4: ?Praise Him with stringed instruments?? (KJV)

This collection contains 10 favorite hymns arranged as easy instrumental duets (for VIOLIN solo with PIANO accompaniment). From flowing and peaceful to upbeat and festive, these arrangements are a welcome addition to the repertoire for beginning string students. These familiar hymn arrangements are equally enjoyed whether used for recitals, worship services, or to make practicing more interesting.

All notes for the VIOLIN in each song are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For each song, there is a combined score (grand staff) with both parts on each page (VIOLIN and PIANO) plus a separate 1-staff score for each VIOLIN.

Each song is also available separately with accompanying preview pages and audio samples.

Song titles included in this collection:
Blessed Quietness
Come, Thou Fount
Great Is Thy Faithfulness
Holy, Holy, Holy
It Is Well with My Soul
Nearer, My God, to Thee
Power in the Blood
Praise Ye the Father
To God Be the Glory
What a Friend We Have in Jesus