Robert\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ Non classifié 5 257 Piano & claviers Piano, Voix 4 895 Piano seul 3 778 Piano, Voix et Guitare 1 324 Piano Facile 889 Orgue 601 Accompagnement Piano 244 Instruments en Do 168 1 Piano, 4 mains 147 Piano (partie séparée) 91 Piano grosses notes 82 Piano Trio: piano, violon, violoncelle 49 Accordéon 44 2 Pianos, 4 mains 36 Piano Quatuor: piano, violon, alto, violoncelle 17 Orgue, Piano (duo) 12 Piano Quintette: piano, 2 violons, alto, violoncelle 8 1 Piano, 6 mains 7 Piano Quatuor: piano, 2 violons, violoncelle 7 Clavecin 5 Ligne De Mélodie, Piano 4 2 Pianos, 8 mains 4 Orgue, Trompette (duo) 3 Tous Les Instruments 2 Clavier 1 Accordéon, Voix 1 Ensemble d'Accordéons 1 Orgue, Voix 1 2 Orgues (duo) 1 2 Accordéons 1
Voix Chorale SATB 1 820 Chorale 3 parties 479 Chorale TTBB 450 Voix seule 306 Chorale 2 parties 240 Chorale SSAA 202 Chorale Unison 101 Chorale 80 Voix duo, Piano 70 Voix Soprano, Piano 50 Voix moyenne, Piano 27 Voix duo 22 Voix Alto, Piano 17 Voix haute 12 Voix basse, Piano 10 Voix Mezzo-Soprano, Piano 8 Voix Baryton, Piano 8 Voix Tenor, Piano 8 Chorale SSAATTBB 6 Chorale SSATTB 5 Chorale SSAB a cappella 4 Voix Tenor 4 Chorale SSATB 3 Voix haute, Piano 3 Voix, Guitare 3 Voix Moyenne 2 Chorale SSATBB 2 Chorale, Orgue 2 Chorale SSAB, Piano 2 Paroles Seulement 1 Voix basse 1 Chorale SSAATB 1
Vents Saxophone (partie séparée) 1 608 Clarinette (partie séparée) 1 544 Flute (partie séparée) 429 Hautbois (partie séparée) 323 Flûte traversière et Piano 303 Flûte traversière 278 Clarinette 251 Clarinette et Piano 230 Quatuor de Saxophones: 4 saxophones 213 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 200 Hautbois, Piano (duo) 156 Saxophone Alto 151 Saxophone Alto et Piano 151 Saxophone Tenor 144 2 Flûtes traversières (duo) 136 Flûte, Hautbois, Clarinette, Basson 131 Quatuor de Clarinettes: 4 clarinettes 129 2 Saxophones (duo) 122 Hautbois 121 Saxophone Tenor et Piano 114 2 Clarinettes (duo) 90 Flûte et Guitare 86 Quatuor de Flûtes : 4 flûtes 85 Saxophone Soprano et Piano 64 Saxophone 63 Piccolo 49 Clarinette Basse 48 3 Saxophones (trio) 48 Ensemble de Clarinettes 46 Ensemble de Flûtes 45 Flûte à Bec 42 Flûte, Clarinette (duo) 41 Quintette de Saxophone: 5 saxophones 38 3 Clarinettes (trio) 38 Trio de Flûtes: 3 flûtes 37 Saxophone Baryton, Piano 33 2 Hautbois (duo) 27 Cor anglais, Piano 27 Hautbois, Basson (duo) 24 Ensemble de saxophones 23 Saxophone, Clarinette (duo) 21 Flûte à bec Soprano 19 2 Flûte à bec (duo) 19 Quintette de Clarinettes: 5 clarinettes 19 Clarinette, Basson (duo) 15 Hautbois, Clarinette, Basson (trio d'anches) 15 Flûte, Hautbois, Clarinette (trio) 15 Hautbois, Clarinette (duo) 13 Clarinette, Trompette (duo) 13 Flûte, Clarinette et Basson 13 Ocarina 12 Flûte à bec Alto 12 Clarinette, Violon (duo) 12 Cor Anglais 11 Clarinette Basse, Piano 11 Flûte, Clarinette, Piano (trio) 10 Flûte, Violoncelle, Piano (trio) 10 Hautbois, Flûte 9 Flûte, Violoncelle 9 Flûte, Violon 8 Clarinette et Alto 8 Flûte, Hautbois (duo) 8 Saxophone et Guitare 8 3 Hautbois 7 Flûte, Hautbois, Basson 7 2 Saxophones, Piano 7 Flûte, Saxophone (duo) 7 Flûte, Basson et Piano 7 Quatuor de Flûtes à bec 6 Flûte, Trombone (duo) 6 Instruments en Mib 5 Clarinette, Guitare (duo) 5 2 Flûtes traversières, Piano 5 Flûte, Alto (duo) 5 Saxophone Soprano 5 Quintette de Flûte : 5 flûtes 5 Harmonica 4 Flûte, Violon et Violoncelle 4 Flûte, Trompette (duo) 4 Clarinette, Violoncelle (duo) 4 Flûte à bec Tenor 4 Hautbois, Violoncelle 4 Saxophone Baryton 3 2 Clarinettes, Piano 3 Flûte à bec Soprano, Piano 3 Quintette de Clarinette: Clarinette, Quatuor à Cordes 3 Hautbois, Guitare (duo) 3 Saxophone et violoncelle 3 Ensemble De Flûte à bec 3 4 Hautbois 2 Flûte, Violon, Violoncelle et Piano 2 Hautbois, trombone (duo) 2 2 Clarinettes, Basson 2 Flûte à bec, Guitare (duo) 2 Saxophone et Harpe 2 Flûte, Hautbois, Piano (trio) 2 Saxophone et Piano 2 2 Hautbois et Basson 2 Flûte, Violon, Piano 2 Clarinette, Harpe (duo) 2 Clarinette, Tuba 2 Flute, harpe et violon 2 Ensemble à vent 2 Flûte à bec Alto, Piano 2 5 Flûtes à bec 2 Clarinette, Trombone (duo) 2 3 Flûtes à bec (trio) 2 Hautbois, Violoncelle et Piano 1 Saxophone, Tuba (duo) 1 Harmonica, Piano 1 Flûte à bec Alto, Basse continue 1 Hautbois, Violin, Alto et Violoncelle (Quatuor) 1 Flûte, Tuba (duo) 1 Flute, Cor (duo) 1 Hautbois et alto (duo) 1 Flûte, Hautbois, Violon 1 Flûte, Alto et Piano 1 Clarinette, Violoncelle, Piano (trio) 1 2 Flûtes à bec, Piano 1 Flûte à Bec, Piano 1 Cor anglais, Guitare (duo) 1 Clarinette, trompette et piano 1 Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle 1 Piccolo, Piano 1 Flûte, Clarinette, Violon (trio) 1 Flûte, alto et harpe 1 Hautbois et Orchestre 1
Cuivres Trombone (partie séparée) 1 156 Trompette (partie séparée) 953 Cor (partie séparée) 633 Tuba (partie séparée) 421 Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 291 Trompette 183 Trombone 179 Cor 174 Trompette, Piano 142 Trombone et Piano 126 Tuba 123 Quatuor de Cuivres : 2 trompettes, trombone, tuba 118 Cor et Piano 94 2 Euphoniums et 2 Tubas 87 2 Trompettes (duo) 54 4 Tubas 49 Tuba et Piano 47 2 Trombones (duo) 45 Trompette, Trombone (duo) 42 2 Cors (duo) 37 Quatuor de Cuivres 36 Tuba ou Euphonium ou Saxhorn 33 Euphonium, Piano (duo) 33 Quatuor de Cuivres: 2 trompettes, Cor, trombone 31 Quatuor de cuivres: 4 cors 28 Cor anglais, Piano 27 Quatuor de cuivres: 4 trombones 26 Euphonium 23 Ensemble de Trombones 17 Trompette, Saxophone (duo) 16 Trio de Cuivres 12 Cor Anglais 11 2 Tubas (duo) 10 Cornet A Pistons 9 Ensemble de Cors 9 Trompette, Cor (duo) 7 Quatuor de cuivres: 4 trompettes 7 Tuba et Orgue 6 3 Trompettes (trio) 6 Instruments en Sib 6 Trombone basse et Piano 6 Trompette, Tuba (duo) 6 Trompette et Guitare 5 3 Trombones (trio) 5 Trombone, Tuba (duo) 4 Trombone, Violon (duo) 4 Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib 3 Cor, Violoncelle (duo) 3 Trompette, Violoncelle (duo) 3 Euphonium, Tuba (duo) 3 Trombone, Alto (duo) 3 Bass Clef Instruments 3 Trompette, Trombone, Piano 3 Cor et Basson (duo) 3 Trombone, Cor (duo) 3 Trombone basse 2 Trompette, Violoncelle et Piano 2 Clarinette, Cor (duo) 2 Euphonium (partie séparée) 2 Quatuor de cuivres: 2 trompettes, 2 trombones 2 Trompette, Orchestre 2 Cor et Harpe 2 3 Cors (trio) 1 Trompette, Basson (duo) 1 Ensemble de Tubas 1 Trompette, violon (duo) 1 Trompette, Harpe 1 Cor anglais, Guitare (duo) 1 Cor, Tuba (duo) 1
Cordes Violon (partie séparée) 1 040 Quatuor à cordes: 2 violons, alto, violoncelle 804 Violon et Piano 421 Contrebasse (partie séparée) 303 Violon 279 Violoncelle, Piano 274 Alto seul 252 Violoncelle 232 Violoncelle (partie séparée) 231 Alto, Piano 199 Alto (partie séparée) 166 Violon, Violoncelle (duo) 122 Harpe 108 2 Violons (duo) 89 Trio à Cordes: violon, alto, violoncelle 85 Contre Basse 79 2 Violoncelles (duo) 58 Violon, Alto (duo) 39 2 Altos (duo) 35 Contrebasse, Piano (duo) 34 Trio à Cordes: 2 violons, violoncelle 32 Quintette à cordes: 2 violons, alto, violoncelle, basse 27 Alto, Violoncelle (duo) 26 4 Violoncelles 19 Violon, Guitare (duo) 14 Trio à Cordes: 3 violoncelles 13 Piano Trio: Violon, Alto, Piano 12 2 Contrebasses (duo) 11 Trio à cordes: 3 violins 7 Harpe (partie séparée) 7 Violoncelle , Guitare (duo) 7 Trio à Cordes: 2 violons, alto 6 Alto et Basson 5 Violon, Basson (duo) 5 2 Harpes (duo) 5 Violon, Clarinette, Piano (trio) 4 2 Violons, Piano 4 Harpe, Flûte (duo) 4 Quintette à cordes : 2 violons, alto et 2 violoncelles 3 Quatuor à cordes: 4 violons 3 Trio à cordes 3 Trio à cordes: 3 altos 3 Harpe, Violon (duo) 2 Flûte, Contrebasse (duo) 2 3 Harpes 2 Alto, Guitare (duo) 2 2 Violoncelles, Piano 1 Violon, Violoncelle, Clarinette 1 Violoncelle, Orgue 1 Violoncelle, Contrebasse (duo) 1 Quatuor à cordes : 4 altos 1 Violoncelle, Orchestre 1 Harpe et Piano 1 2 Altos, Piano 1 4 Contrebasses 1 Violon, Orgue 1 Alto et Harpe 1 Quintette à cordes: 2 violons, 2 altos, violoncelle 1 Violon, Tuba (duo) 1
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The Robert Burns Song Book, Volume I
The Robert Burns Song Book, Volume I # Robert Burns # The Robert Burns Song Book, Vo # Mel Bay
Publications - Digital Sheet
Music # SheetMusicPlus
Composed by Robert Burns.
Songbooks. Ballads/Love Songs.
E-book. Mel Bay Publications -
Digital Sheet Music #96839EB.
Published by Mel Bay
Publication...(+)
Composed by Robert Burns.
Songbooks. Ballads/Love Songs.
E-book. Mel Bay Publications -
Digital Sheet Music #96839EB.
Published by Mel Bay
Publications - Digital Sheet
Music ISBN 9781619116580.
This volume of the songs of Scottish poet Robert Burns contains 85 songs excerpted from the chapter Country Life in a larger collection of 324 Burns songs compiled and researched by Serge Hovey. It includes songs portraying farmers, shepherds, millers, weavers, tinkers, colliers, coopers, shoemakers, tailors, and other country folk reflecting Burns's intense love of the Scottish countryside and the oral tradition and music of its people. Robert Burns (1759-1796) spent his life collecting Scottish songs, using fragments of existing lyrics as the basis for his own poems, and wrote original lyrics for traditional melodies. Burns left for posterity about 270 poems and more than 300 songs which are usually printed without their tunes. Serge Hovey meticulously examined Burns' own sources, letters, and manuscripts to determine the origin of every tune and all the verses as well as Burns' intended match of words and music. He then arranged each song with highly imaginative and beautiful accompaniments geared for pianists with average skills.
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge # Piano seul # INTERMÉDIAIRE/AVANCÉ # Classique # Claude
Debussy/Robert Orledg # Claude Debussy: Prléude à L' # Musik Fabrik
Music Publishing # SheetMusicPlus
Piano Solo - Advanced
Intermediate - Digital
Download
Composed by Claude
Debussy/Robert Orledge.
Romantic Period,
Impressionistic, Repertoire,
Reci...(+)
Piano Solo - Advanced
Intermediate - Digital
Download
Composed by Claude
Debussy/Robert Orledge.
Romantic Period,
Impressionistic, Repertoire,
Recital. Score. 6 pages.
Published by Musik Fabrik
Music Publishing Recorded by Nicolas Horvath on Grand Piano records (GP822)
Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bdier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwall and that ?Isolde of the White Hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.
The idea of a Tristan that restored its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.
Unfortunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bdier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
Robert Orledge
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2 # Piano seul # INTERMÉDIAIRE/AVANCÉ # Classique # Claude
Debussy/Robert Orledg # Debussy Inconnu: Album of work # Musik Fabrik
Music Publishing # SheetMusicPlus
Piano Solo - Advanced
Intermediate - Digital
Download
Composed by Claude
Debussy/Robert Orledge. 20th
Century, Impressionistic,
Repertoire. Score. 76...(+)
Piano Solo - Advanced
Intermediate - Digital
Download
Composed by Claude
Debussy/Robert Orledge. 20th
Century, Impressionistic,
Repertoire. Score. 76 pages.
Published by Musik Fabrik
Music Publishing Contains Le Roi Lear: Prlude,Premire Fanfare, and La Mort de Cordlia,Toomai des lphants, Rodrigue et Chimne: Prlude l?acte 1p. Le Martyre de Saint Sbastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pellas et Mlisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphe-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sbastien and La Bote joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1 # Piano seul # INTERMÉDIAIRE/AVANCÉ # Classique # Claude
Debussy/Robert Orledg # Debussy Inconnu: Album of work # Musik
Fabrik Music Publishing # SheetMusicPlus
Piano Solo - Advanced
Intermediate - Digital
Download
Composed by Claude
Debussy/Robert Orledge. 20th
Century, Impressionistic,
Repertoire, Recital. ...(+)
Piano Solo - Advanced
Intermediate - Digital
Download
Composed by Claude
Debussy/Robert Orledge. 20th
Century, Impressionistic,
Repertoire, Recital. Score.
71 pages. Published by Musik
Fabrik Music Publishing Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septime regrettent!!!, Petite Valse,Ftes galantes, and Prlude ?L?Histoire de Tristan?
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pellas et Mlisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphe-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sbastien and La Bote joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
La calle del pecado - Tango por Roberto Rufino y Lambertucci
La calle del pecado - Tango por Roberto Rufino y Lambertucci # Piano seul # INTERMÉDIAIRE/AVANCÉ # Tango # Roberto Lambertucci - Roberto # Juan Carlos Cortés A # La calle del pecado - Tango po # Juan Carlos Cortés Aguirre # SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.958800 Composed by Roberto Lambertucci - Roberto Rufino. Arranged by Juan Carlos Cortés A. Concert,Standards,Tradition...(+)
Piano Solo - Level 4 - SKU: A0.958800 Composed by Roberto Lambertucci - Roberto Rufino. Arranged by Juan Carlos Cortés A. Concert,Standards,Traditional,World. Score. 4 pages. Juan Carlos Cortés Aguirre #6873167. Published by Juan Carlos Cortés Aguirre (A0.958800). Transcripción para piano solo por:JUAN CARLOS CORTÉS A.Basado en el tango vocalizado por el cantante chileno Antonio Prieto con el acompañamiento de la orquesta de Juan D´arienzo, con letra del cantante Roberto Rufino y música de Roberto Lambertucci. LA CALLE DEL PECADOLetra: Roberto Lambertucci.Música: Roberto Rufino.Introducción Orquesta:No hace falta que me cuentes tu pasado, aunque tengas mil pecados en tu haber,hoy tan solo me interesa tu presente y el valor de tu futuro proceder.No hagas caso, no hagas caso a lo que digan, que la envidia nunca puede hacemos mal.Piensa solo que hay un alma que te adora, y eso si, que lo tendrás que respetar.La vida no es tan cruel como uno piensa, pues existe la conciencia, la verdad y la razón,No me importan tus errores del pasado, si en la calle del pecado yo también rodé.Soñemos en un mundo diferente y dejemos que la gente, nos critique y hable mal.Orquesta:La vida no es tan cruel como uno piensa, pues existe la conciencia, la verdad y la razón.No me importan tus errores del pasado, si en la calle del pecado yo también rodé.Soñemos en un mundo diferente y dejemos que la gente, nos critique y hable mal.Soñemos en un mundo diferente y dejemos que la gente, nos critique y hable mal.
DEAREST WISH (Piano Solo) by ROBERT VAN HORNE
DEAREST WISH (Piano Solo) by ROBERT VAN HORNE # Piano seul # INTERMÉDIAIRE # ROBERT VAN HORNE # DEAREST WISH # White Piano International Publishing # SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1267517 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Instructional,New Age. Score. 6 pages. W...(+)
Piano Solo - Level 3 - SKU: A0.1267517 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Instructional,New Age. Score. 6 pages. White Piano International Publishing #860049. Published by White Piano International Publishing (A0.1267517). DEAREST WISH by ROBERT VAN HORNEIntermediate Piano Solo6 pagesDuration is about 4:15 with repeatDEAREST WISH was composed in 2010 as an intermediate level piano piece. It allows the performer to express and personalize the music with his or her own musical taste, making it very unique and gratifying. I was inspired to compose this music by imagining a New Age piano solo, reflecting tranquility, peace and harmony… qualities that may enhance your spirit as it does mine.    The sheet music is clearly notated with dynamic and articulation marks, phrasing, pedal indications, chord identifications, suggested fingerings and appropriate musical terms for playing.DEAREST WISH is an excellent teaching piece that incorporates left hand arpeggios and advanced chord voicings. It has a simple, yet reflective sounding melody, ideal for recitals and school musical events as well as an excellent encore for professionals. The piece allows the performer to experiment with nuances and tempo, making it a delightful musical listening treat for audiences. It is also the perfect piece for teaching “rubato.â€Â A 2010 YouTube performance of Robert playing DEAREST WISH is available at: http://www.youtube.com/watch?v=3CoUkddrE4ERobert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.com
AMOUR LOINTAIN (LOVE FROM AFAR) Piano Solo by ROBERT VAN HORNE
AMOUR LOINTAIN (LOVE FROM AFAR) Piano Solo by ROBERT VAN HORNE # Piano seul # INTERMÉDIAIRE/AVANCÉ # ROBERT VAN HORNE # AMOUR LOINTAIN # White Piano International Publishing # SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.914972 Composed by ROBERT VAN HORNE. 20th Century,Classical,Instructional,New Age,Romantic Period. Score. 9 pages. White ...(+)
Piano Solo - Level 4 - SKU: A0.914972 Composed by ROBERT VAN HORNE. 20th Century,Classical,Instructional,New Age,Romantic Period. Score. 9 pages. White Piano International Publishing #6448451. Published by White Piano International Publishing (A0.914972). AMOUR LOINTAIN (LOVE FROM AFAR) Advanced Intermediate Piano Soloby ROBERT VAN HORNE9 Pages In 2010, AMOUR LOINTAIN (LOVE FROM AFAR) won 2nd in the Division 7 State Contest sponsored by the Music Teachers' Association Of California. After attending a piano concert in 2009 featuring several works by Maurice Ravel, Robert was inspired to write this piano work in the style of the Impressionistic French composers. It comprises lyrical melodies in mostly 9/8 and 5/4 meters and sequential patterns, using predominately notes from the whole tone scales. The left hand ostinato occurs mostly throughout while the right hand melody is heard in different keys. As the piece concludes, there is a brief reprise of the waltz melody that slowly fades away. The score is clearly and carefully notated with dynamic marks, phrasing, pedal indications, suggested fingerings, and appropriate musical terms for playing. This piano solo makes a wonderful recital and encore piece that will delight audiences...ideal for both students and professionals. Duration time is about 4:30. A 2021 Youtube video of Robert's performance is available at: https://www.youtube.com/watch?v=V-i0GHRycok AMOUR LOINTAIN was premiered by pianist, Karen Sugano on July 3, 2010 at the 100th Music Teachers' Association of California Convention held at the LAX Marriott Hotel in Los Angeles.  Here is the video link of her performance: http://www.youtube.com/watch?v=yQUzUezA-vo Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.comRobert is a member of ASCAP       Â