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A Year Without Rain Score Only""
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Vous avez sélectionné:
A Year Without Rain Score Only""
Partitions à imprimer
11 partitions trouvées
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1
A Year Without Rain - Score Only
A Year Without Rain - Score Only
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Pop musique
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Selena Gomez & the Scene
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Steven's Strings Studio
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A Year Without Rain - Score On
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Steven's Strings Studio
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SheetMusicPlus
Level 3 - SKU: A0.1312720 By Selena Gomez & the Scene. By Brian Knoll, Lawrence Riggs, Lindy Robbins, Matt Blackett, Toby Gad, and Tom Luce. Arranged by...
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Level 3 - SKU: A0.1312720 By Selena Gomez & the Scene. By Brian Knoll, Lawrence Riggs, Lindy Robbins, Matt Blackett, Toby Gad, and Tom Luce. Arranged by Steven's Strings Studio. Pop. 9 pages. Steven's Strings Studio #901566. Published by Steven's Strings Studio (A0.1312720). Violin Guitar Trio.
$5.40 ≈
4.98€
Yetzer Hara, for orchestra - Score Only
Yetzer Hara, for orchestra - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Daniel Despins
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Yetzer Hara, for orchestra - S
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Daniel Despins
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1454805 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 20 pages. Daniel Despins #1033873. Pu...
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Full Orchestra - Level 4 - SKU: A0.1454805 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 20 pages. Daniel Despins #1033873. Published by Daniel Despins (A0.1454805). Powerful, moving, and dramatic, Yetzer Hara by Daniel Despins is a perfect concert opener for any program!A note from the composer:In Jewish mysticism, the “yetzer hara” refers to one’s “evil inclination,” or the desire to commit acts that are considered evil or immoral. The yetzer hara is controlled and restrained by the “yetzer hatov,” or the inclination to do good things and commit acts of kindness. Rabbinic teachings emphasize the importance of both inclinations – without the yetzer hara, people would have no sense of motivation or purpose to their actions, but the yetzer hatov is necessary to ensure that those actions do not harm others. Thus, the two inclinations depend on each other for balance.This teaching resonates with me very personally, as someone who was prone to fits of anger while I was growing up. My adolescent years tested me as I struggled to keep my yetzer hara in check. Even at the time of this piece’s creation, I was struggling with the evil inclination, which was feeding feelings of animosity I had towards people that I believed had wronged me. This is a battle I will fight for the rest of my life, but I believe that balance will come with time and patience. We must all fight to keep our inclinations balanced, so that we are able to mature emotionally as human beings..
$20.00 ≈
18.46€
JINGLE THOSE BELLS! (beginner concert band - Winter concert - super easy - score, parts, & license)
JINGLE THOSE BELLS! (beginner concert band - Winter concert - super easy - score, parts, & license)
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Orchestre d'harmonie
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DÉBUTANT
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J
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Callie Mae / Brian Harris
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JINGLE THOSE BELLS!
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HMS Music
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1428591 Composed by J. Pierpoint. Arranged by Callie Mae / Brian Harris. Christmas,Holiday,Instructional. 33 pages. HMS...
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Concert Band - Level 1 - SKU: A0.1428591 Composed by J. Pierpoint. Arranged by Callie Mae / Brian Harris. Christmas,Holiday,Instructional. 33 pages. HMS Music #1009365. Published by HMS Music (A0.1428591). _____________________________________________________________________________As a middle school band director, I was always happy when all my beginners were able to play Jingle Bells in unison and with a decent sound.. But I also had a number of players who could move faster and play more challenging rhythms and notes than others. What to do? How about a simple arrangement with flexible part assignments?JINGLE THOSE BELLS! is a super-easy setting of Jingle Bells. The work opens with the traditional unison rendition of the melody, as found in almost every beginner band method book ever written. But then, after a brief pause, the melody is repeated, but now faster and with the addition of a bass line and rhythmic accompaniment. The rhythmic accompaniment is provided by several of your best clarinet, sax, and trumpet players who play the Advanced Part. And if you are short on bass voice instruments, you can utilize the optional bass parts for Alto Sax. Super flexible and a bit humorous, it takes a little score study to realize how adaptable this piece is. Guaranteed to work with your beginners! (PS: the printed music shows Callie May, our cat, as arranger. I gave her credit so my wife could play more than one piece by me at her holiday concerts without looking too biased! Consider pairing this work with another one of my super-easy beginner band works - JOY TO THE KING – also available online here).NOTE: this is assembled with the Advanced Clarinet parts appearing as page 1 so you may view it on the web site as you listen to the sound file. When you download/print the full document (33 pages, total), the first page to print will be the Clarinet part, followed by the FULL SCORE, then the remaining PARTS. Also included is permission for a band director to make as many copies as needed for their school. This permission is not extended to individuals . . . only to schools. Now you can let the kids keep their music - and just print (legally!) new parts each year! (BcP-YB) - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -COMPOSER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at both the public school and college level. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners)Jingle Those Bells! (for beginners)HouseTop March (for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)______________________________________________________.
$31.99 ≈
29.52€
The Girl from Ipanema for Solo Trumpet & Piano
The Girl from Ipanema for Solo Trumpet & Piano
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Trompette, Piano
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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Various
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Keith Terrett
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The Girl from Ipanema for Solo
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Music for all Occasions
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SheetMusicPlus
By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Music for all Occasions...
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By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Arranged for Solo Bb Brass & Piano "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antnio Carlos Jobim and Portuguese lyrics by Vincius de Moraes. English lyrics were written later by Norman Gimbel.
The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964) which had also included the Portuguese lyrics sung by Astrud's then husband Joo Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.
Numerous recordings have been used in films, sometimes as an elevator music clich. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.
Ipanema is a fashionable seaside neighborhood located in the southern region of the city of Rio de Janeiro.
Hel Pinheiro, the woman who inspired the song, in 2006.
The song was composed for a musical comedy titled Dirigvel (Blimp), then a work-in-progress of Vinicius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Baro da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrpolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.
During a recording session in New York with Joo Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. Norman Gimbel wrote the English lyrics. Joo's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song. Ethel Ennis and Nat King Cole have also both recorded the song.
The song was inspired by Helosa Eneida Menezes Paes Pinto (now known as Hel Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-caf, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.
In Revelao: a verdadeira Garta de Ipanema ("Revealed: The Real Girl from Ipanema") Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone?it is a gift of life in its beautiful and melancholic constant ebb and flow."
Ella Fitzgerald recorded this song on her two-disc set of Brazilian music Ella Abraca Jobim, released on the label [[Pablo today}] in 1981.
The legacy of "The Girl from Ipanema" was acknowledged by multiple aspects of the 2016 Summer Olympics and Paralympics held in Rio de Janeiro: the Olympic and Paralympic mascots were respectively named Vinicius and Tom after the song's co-writers by a public vote, while the Olympics' opening ceremony featured a segment themed around the song and the architecture of Oscar Niemeyer. Jobim's grandson Daniel performed the song during the segment, which also featured an appearance by Brazilian supermodel Gisele Bndchen. Spotify reported that the song had been streamed on its service 40,000 times per-day in the days following the ceremony (a 1200% increase), while in the U.S., the song reached #5 on Billboard's World Digital Songs chart the following week.
$7.99 ≈
7.37€
Tannhäuser und der Sängerkrieg auf Wartburg
Tannhäuser und der Sängerkrieg auf Wartburg
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Classique
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Richard Wagner
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Tannhäuser und der Sä
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: v...
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SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99 ≈
49.83€
Twilight
Twilight
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Piano seul
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INTERMÉDIAIRE
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Dan Chadburn
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Twilight
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Dan Chadburn Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.744817 Composed by Dan Chadburn. Concert,Contemporary,New Age,Sacred,Spiritual. Score. 7 pages. Dan Chadburn Music #60169...
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Piano Solo - Level 3 - SKU: A0.744817 Composed by Dan Chadburn. Concert,Contemporary,New Age,Sacred,Spiritual. Score. 7 pages. Dan Chadburn Music #6016941. Published by Dan Chadburn Music (A0.744817). Popular on Music Choice's Soundscapes, Spotify, Pandora, and other streaming platforms around the world, Twilight was improvised by Dan Chadburn in the studio and recorded directly onto his album, Nocturnes. In his review at Zone Music Reporter (the industry source for Solo Piano, Instrumental, and many other genres of music), Michael Diamond described the piece as a gorgeous introduction to the recording...quite beautiful and sensitive. Diamond further wrote, Dan's masterful blend of composition and improvisation that resonates with emotional expressiveness imparts a heartfelt quality to the haunting strains of Nocturnes.Steve Sheppard of One World Music Radio wrote, Nocturnes is a unique release that not only fans of the solo piano genre will adore, but new age music aficionados will also relish...in fact, Chadburn has created an album here that crosses musical boundaries, but does so with great charm and reverence, without doubt one of the most soothing albums I have heard for many a year.For more information about Dan Chadburn and his music, visit his website at www.DanChadburn.com
$5.50 ≈
5.08€
Anne's Lullaby
Anne's Lullaby
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Dan Chadburn
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Anne's Lullaby
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Dan Chadburn Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.744828 Composed by Dan Chadburn. Concert,Contemporary,New Age,Sacred,Spiritual. Score. 4 pages. Dan Chadburn Music #64030...
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Piano Solo - Level 4 - SKU: A0.744828 Composed by Dan Chadburn. Concert,Contemporary,New Age,Sacred,Spiritual. Score. 4 pages. Dan Chadburn Music #6403043. Published by Dan Chadburn Music (A0.744828). Popular on Music Choice's Soundscapes, Spotify, Pandora, and other streaming platforms around the world, Anne's Lullaby was originally improvised by Dan Chadburn on June 22, 2010, and released on his album, Nocturnes, in 2012.In his review of the album at Zone Music Reporter (the industry source for Solo Piano, Instrumental, and many other genres of music), Michael Diamond wrote, Dan's masterful blend of composition and improvisation that resonates with emotional expressiveness imparts a heartfelt quality to the haunting strains of Nocturnes.Steve Sheppard of One World Music Radio wrote, Nocturnes is a unique release that not only fans of the solo piano genre will adore, but new age music aficionados will also relish...in fact, Chadburn has created an album here that crosses musical boundaries, but does so with great charm and reverence, without doubt one of the most soothing albums I have heard for many a year.For more information about Dan Chadburn and his music, visit his website at www.DanChadburn.com
$5.50 ≈
5.08€
Rachel's Song (I Will Dance)
Rachel's Song (I Will Dance)
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Musique Sacrée
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Christian contemporain
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Leon deVose, Jr
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Subcortical Band Heterotopia
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Rachel's Song
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Leon deVose
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SheetMusicPlus
Small Ensemble Guitar,Hand Percussion - Level 3 - SKU: A0.1028579 Composed by Leon deVose, Jr. Christian,Contemporary,Praise & Worship. Score and parts....
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Small Ensemble Guitar,Hand Percussion - Level 3 - SKU: A0.1028579 Composed by Leon deVose, Jr. Christian,Contemporary,Praise & Worship. Score and parts. 25 pages. Leon deVose #6404447. Published by Leon deVose (A0.1028579). I wrote this song when I reunited with an acquaintance I had not seen in about 20 years. She told me about her daughter, Rachel, who was born with two extremely rare diseases. The first is Subcortical Band Heterotopia. The other is Lennox Gastaut Syndrome. The latter, likely consequential to the first, is the more lethal of the two, as it causes severe seizures and is not controlled for long by drugs. The first, the most devastating and life-affecting is characterized by abnormal brain development which causes this delightful young woman of 25 to be locked in the brain of a pre-pubescent child or younger.Dad has left, and his legal obligation to child support ended in 2019. In NJ, disability, no matter how severe, only extends the legal child support obligation to age 23. Of course child support payments cannot possibly fulfill or replace the financial, emotional and moral support needed to care for a child without such severe disability. How much less when the child has such severe disabilities.All proceeds from sales of this song, including licensing and royalties, will be gifted to Rachel's Mom until 31 December 2032 or ten years after Rachel's decease, whichever is later.
$4.99 ≈
4.61€
Irish National Anthem (Unofficial) for String Orchestra
Irish National Anthem (Unofficial) for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Patriotique
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Part...
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.
A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).
"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant?s Causeway.
On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.
There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.
The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly?s intent.
Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can?t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".
Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.
In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board?s History of Derry.)
The linguistic outcome of all this today is that, if you think that King James?s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it?s confusing for kings to be going around changing the names of places all the time for no good reason.
You can find plenty of discussion about the political side of the question elsewhere, but here let?s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn?t have a title. What do we call it?
If you were a proper Victorian, there?s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill?s theory that Australia was inhabited by "convicts and Irishmen".)
My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:
Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP?s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger?s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there?s another variant on the name for it. It doesn?t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger?s original comments.
The references to Londonderry Air that I?ve seen don?t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby?s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn?t come into the war in 1940.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
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$8.99 ≈
8.30€
Plaisir d'amour
Plaisir d'amour
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Ensemble de cuivres
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INTERMÉDIAIRE
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Jean-Paul-Égide Martini
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F
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Plaisir d'amour
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808686 Composed by Jean-Paul-Égide Martini (1741–1816). Arranged by F. Leslie Smith. Classical,Holiday,Lov...
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Brass Ensemble - Level 3 - SKU: A0.808686 Composed by Jean-Paul-Égide Martini (1741–1816). Arranged by F. Leslie Smith. Classical,Holiday,Love,Wedding. Score and parts. 23 pages. Sweetwater Brass Press #3689775. Published by Sweetwater Brass Press (A0.808686). This is one of the most beautifully arranged short pieces in the Sweetwater Brass Press catalog. Jean-Paul-Égide Martini wrote Plaisir d'amour in 1784. He took the words from a poem that appears in Célestine, a short novel by Jean-Pierre Claris de Florian. The poem begins, Plaisir d'amour ne dure qu'un moment (The pleasure of love lasts only a moment). Over the years, Martini’s melody has proved popular with other composers, including Hector Berlioz and Louis van Waefelghem. Two relatively recent songs that made use of the plaintiff refrain are the Christian hymn, My God Loves Me and the song Can't Help Falling in Love, which was performed by Elvis Presley in the film, Blue Hawaii. This arrangement is not technically difficult, but it does require discipline and interpretation. As in the original, there are two key changes, F to A-flat and then back to F. The time signature has been changed from Martini’s 6/8 to ¾ but retains all relative note values. Trumpet 1 plays the melody with occasional harmony from Trumpet 2. Horn in F provides arpeggio accompaniment throughout most of the song, with some help from Tuba and Trombone. With respect to high and low notes: Trumpet 1 has one A5 grace note (to a G5 quarter note); Trumpet 2 has three above-staff quarter notes in a row, A5, B5 and A5; Trombone has one F4; and Tuba has a number of F1 notes and one section of octave jumps involving F2 to F3 and A2 to A3. This arrangement was completed in 2018, and performance time runs about 3 minutes, 51 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$6.95 ≈
6.41€
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