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Vous avez sélectionné:
Adrienne And Adrienne
Partitions à imprimer
138 partitions trouvées
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Oure Light in Oure Night for voices and nature soundtrack — now in Spanish/English!
Oure Light in Oure Night for voices and nature soundtrack — now in Spanish/English!
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Chorale Unison
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FACILE
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Adrienne Inglis
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Oure Light in Oure Night for v
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (Unison) - Level 2 - SKU: A0.1108615 Composed by Adrienne Inglis (ASCAP). A Cappella,Christian,Classical,Instructional,Sacred. 4 pag...
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Choral Choir,Choral (Unison) - Level 2 - SKU: A0.1108615 Composed by Adrienne Inglis (ASCAP). A Cappella,Christian,Classical,Instructional,Sacred. 4 pages. Adrienne Inglis (ASCAP) #711261. Published by Adrienne Inglis (ASCAP) (A0.1108615). Perfect for a contemplative holiday occasion! Easy and satisfying for singers! Enjoy this Spanish/English bilingual to perform in one or both languages! Beautiful modal aleatoric setting of sacred text by Julian of Norwich suitable for any combination of voices accompanied by the nature soundtrack found at the YouTube link https://youtu.be/P3R2lLkAntE. A terrific introduction to aleatory, this gorgeous piece can include chimes or a pitched melodic instrument such as a flute. Text from The Shewings of Julian of Norwich, Part III LXXXIII lines 3362-3364Thus I saw and understode that our feith is oure light in our night, which light is God, our endless day. Asà vi y comprendà que nuestra fe es nuestra luz en nuestra noche, cuya luz es Dios, nuestro dÃa sin fin. Program note — Composed by Adrienne Inglis (ASCAP) while sheltering in place during the coronavirus pandemic, Oure Light in Oure Night (2020) sets text by Julian of Norwich for voices with a nature soundtrack. The video format is designed especially for use by choirs singing remotely on an online platform such as Zoom, Cleanfeed, Jamulus, or other. Text is from The Shewings of Julian of Norwich, Part I LXXXIII lines 3362-3364:  “Thus I saw and understode that our feith is oure light in our night, which light is God, our endless day.†The soundtrack of night sounds changing to dawn reflects the message of hope in Julian’s text. Beginning with the sounds of dusk, the whispered words blend with insect sounds. The modal aleatoric passages create an atmosphere of echoing bells as voices overlap. As night passes into day, the modality changes and the insect night sounds shift to the dawn chorus of birds. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. When Julian was near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†Her beautiful Medieval English words reassure us with the hope that our faith in God is our light in times of trouble. The composer donates all proceeds of this music to The Nature Conservancy at nature.org.https://www.youtube.com/@adrienneinglishttps://adrienneinglis.com/
$1.99 ≈
1.82€
P. S. I Love You for flute and guitar
P. S. I Love You for flute and guitar
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Flûte et Guitare
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INTERMÉDIAIRE
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Walter Torres
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P. S. I Love You for flute and
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Adrienne Inglis
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SheetMusicPlus
Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.1473498 Composed by Walter Torres (BMI) and Adrienne Inglis (ASCAP). 21st Century,Multicultural,Weddi...
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Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.1473498 Composed by Walter Torres (BMI) and Adrienne Inglis (ASCAP). 21st Century,Multicultural,Wedding,World. 3 pages. Adrienne Inglis (ASCAP) #1051284. Published by Adrienne Inglis (ASCAP) (A0.1473498). Gorgeous flute and guitar piece for a special occasion, worship prelude, or recital piece!P. S. I Love You (2024) by Walter Torres (BMI) and Adrienne Inglis (ASCAP)for flute and guitarComposed as a wedding celebration gift for Patrick and Sam, this duet weaves rich harmonies with sassy melodic lines.Duration 1:44Difficulty: intermediateWorld premiere:11 May 2024Flutist Adrienne Inglis and guitarist Walter Torres perform the world premiere of P. S. I Love You, a duet by Inglis and Torres for a private event in Castell d'Empordà, Girona, Catalunya, Spain.https://adrienneinglis.com/.
$4.99 ≈
4.55€
SAM'S DANCE for flute and piano
SAM'S DANCE for flute and piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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New Age
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Contemporain
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Adrienne Albert
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SAM'S DANCE for flute and pian
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Adrienne Albert
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.876764 Composed by Adrienne Albert (ASCAP). 20th Century,Contemporary,New Age. Score and part. 9 pages. Adrienne Albert ...
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Flute,Piano - Level 3 - SKU: A0.876764 Composed by Adrienne Albert (ASCAP). 20th Century,Contemporary,New Age. Score and part. 9 pages. Adrienne Albert #5349763. Published by Adrienne Albert (A0.876764). Sam's Dance is named after my father, Sam. He had the lithe physique of an athlete whose only sport was Walking. Sam religiously walked five miles everyday of his life. Suddenly, he had to have an operation on his foot, of all places. While sitting in the hospital waiting for his results, images of my father walking with a cane paraded as a three-legged waltz. The bravado of the opening and closing sections are bookends surrounding the melancholy melodies that characterized the character of a man constantly searching for lost dreams, hopes and loves.. for more details, email: adrienne@adriennealbert.com or go on www.adriennealbert.com
$14.99 ≈
13.68€
Shelter in Place for SSAATB chorus and nature soundtrack
Shelter in Place for SSAATB chorus and nature soundtrack
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Adrienne Inglis
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Shelter in Place for SSAATB ch
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405671. Published by Adrienne Inglis (ASCAP) (A0.953628). Great for concerts about nature and the environment, pandemic life, creativity!Shelter in Place by Adrienne Inglis (ASCAP) for mixed SSAATB chorus with nature soundtrack created by Chris Clark-Johnsona setting of Shelter in Place, a poem by Kim Stafford Commissioned by Lewis & Clark College, Portland, Oregon, April 2021Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.Poet Kim Stafford grew up in Oregon, Iowa, Indiana, California, and Alaska, following his parents as they taught and traveled through the West. He is the author of a dozen books of poetry and prose, and the founding director of the Northwest Writing Institute at Lewis & Clark College, where he has taught since 1979. He holds a PhD in Medieval Literature from the University of Oregon, and has worked as a printer, photographer, oral historian, editor, and visiting writer at a host of colleges and schools, and offered writing workshops in Italy, Scotland, and Bhutan.Shelter in Place by Kim Stafford (used with permission)Long before pandemic prisoned us,the trees knew how to guard their placewith roots and shade.Moss found how to hug a stone for life.Every stream knows how to move in place,stay home and yet flow outward,sending bounty far.Now is our time to practice-now to sing from balconies,now send words of comfortby any courier,now to hoard lonesome generosity-and then to shine in all directions like stars.Program note: Shelter in Place (2021) by Adrienne Inglis, commissioned by Lewis & Clark College, Portland, Oregon, April 2021, sets former Oregon poet laureate Kim Stafford’s poem Shelter in Place (2020) for SSAATB mixed choir with Oregon nature soundtrack created by Chris Clark-Johnson, Lewis & C lark College class of 2021. Written during the coronavirus pandemic, the poem expresses how quarantine can serve as a conduit for healing, how words of comfort flow despite barriers, and how the paralysis of sheltering in place generates creative movement. The music and poem draw inspiration from ancient forest wisdom, shown musically with a pentatonic scale. The tight harmonies of Locrian mode bind moss to stone and stream to its own flow. Then vocal expression bursts forth with lush harmonies as singers serenade from balconies, sharing compassion through music. Returning to the pentatonic scale, we overcome obstacles and send generosity beyond our ancient and modern world into the celestial realm. The nature soundtrack features sounds of the Oregon forest, stream, and night sky.Acknowledgements: The composer warmly thanks Katherine FitzGibbon, Bailey Dean, Chris Clark-Johnson, Kim Stafford, and the Lewis & Clark College Community Chorale. Contact the composer to obtain the audio file of the nature soundtrack.Copyright © 2021 Adrienne Inglis | adrienne.inglis.com
$3.99 ≈
3.64€
Darkness as Light for SATB and pedal or lever harp or keyboard
Darkness as Light for SATB and pedal or lever harp or keyboard
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Chorale SATB
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FACILE
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Adrienne Inglis
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Darkness as Light for SATB and
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.953617 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 15 pages. Ad...
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Choral Choir (SATB) - Level 2 - SKU: A0.953617 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 15 pages. Adrienne Inglis (ASCAP) #4569683. Published by Adrienne Inglis (ASCAP) (A0.953617). Ideal for contemplative, Lenten, memorial services, easy/moderate for SATB (no divisi) with harp or keyboard Darkness As Light is loosely based on a Venezuelan pasaje rhythm with modified Dorian modality typical of Andean mestizo music. Psalm 139:1-12, 23-24 occurs in the 16th Sunday in Ordinary Time in Year A of the Common Lectionary. Psalm 139: 7-12 Where can I go from your spirit? Or where can I flee from your presence? If I ascend to heaven, you are there; if I make my bed in Sheol, you are there. If I take the wings of the morning and settle at the farthest limits of the sea, even there your hand shall lead me, and your right hand shall hold me fast. If I say, ‘Surely the darkness shall cover me, and the light around me become night,’ even the darkness is not dark to you; the night is as bright as the day, for darkness is as light to you. Scripture quotations are from the New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. Duration: about 2:00 Third Edition with revised harp/keyboard part February 2019 Second Edition 31 July 2005 Third Edition 26 Apr 2018 Founder, award-winning composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. Frequently drawing on her family history and Ojibwe, Venezuelan, and Scottish ethnicities, Inglis composes choral, chamber, and orchestral music. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.https://adrienneinglis.com/
$2.99 ≈
2.73€
Julian's Hazelnut for SSAA and B flat clarinet
Julian's Hazelnut for SSAA and B flat clarinet
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Julian's Hazelnut for SSAA and
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages....
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Choral Choir (SSAA) - Level 4 - SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.
$1.99 ≈
1.82€
Boy at Sea for TB and piano
Boy at Sea for TB and piano
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Chorale 2 parties
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FACILE
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Adrienne Inglis
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Boy at Sea for TB and piano
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (TB) - Level 2 - SKU: A0.1281812 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Historic,Irish,Patriotic. Octavo. 20 pa...
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Choral Choir (TB) - Level 2 - SKU: A0.1281812 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Historic,Irish,Patriotic. Octavo. 20 pages. Adrienne Inglis (ASCAP) #873161. Published by Adrienne Inglis (ASCAP) (A0.1281812). Boy at Sea (2023) for TB choir and piano is great for community choruses looking for something fun, easy, and interesting for lower voices! TB and pianoText: excerpts from a 1915 letter by Robert Inglis to the Commissioner of PensionsDuration about 5 minutesDifficulty 2 (Advanced high school, collegiate or community chorus) Language: EnglishSheet music is available for purchase soon.Performances:8 Aug 2023 Inversion Coda performed Boy at Sea at Spider House Ballroom Austin, Texas (world premiere)Commissioned by Inversion Ensemble for Coda’s Tales of the Sea concert in August 2023, Boy at Sea by Adrienne Inglis for tenor and bass chorus with piano recounts the sea-faring adventures of the composer’s great-grandfather as a boy. The text comes from a letter that Robert Inglis wrote in 1915 to the Commissioner of Pensions asking for a raise in his civil war pension. In providing information apparently requested by the Pension office, Robert details many events in his early years, adding a fair bit of sarcasm and wit to the narrative. The composer edited the content to fit into more of a strophic sea-shanty style. The piano part offers a sense of ocean waves as well as a few popular tunes of the day as commentary on the story. When he and his sister were in boarding school in Cowes on the Isle of Wight, he witnessed a historic yacht race. The following year, they sailed across the Atlantic with the family of their father’s third wife. Life with his stepmother must have been unbearable, because he “went to sea†time after time to escape the unpleasantness she brought to bear. The final departure left him shipwrecked on Hatteras with drunken shipmates. He made his way to Maryland where, to his horror, he witnessed a slave auction. Sensing the tension and possibly inspired to action, he headed west to join the 20th Indiana Infantry. He later served in the 51st Pennsylvania, the Provost Guard, and the U. S. Navy. He fell off of a train in 1863, leaving him injured and in pain for the rest of his life.https://adrienneinglis.com/.
$1.99 ≈
1.82€
Adrienne And Adrienne
Adrienne And Adrienne
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Basse electrique
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INTERMÉDIAIRE
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Funk
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Vulfpeck
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Marcus Gram Jacobsen
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Adrienne And Adrienne
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Marcus Gram Jacobsen
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SheetMusicPlus
Bass Guitar - Level 3 - SKU: A0.1289651 By Vulfpeck. By Jack Stratton. Arranged by Marcus Gram Jacobsen. Funk. Bass Guitar (without TAB). 2 pages. Marcu...
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Bass Guitar - Level 3 - SKU: A0.1289651 By Vulfpeck. By Jack Stratton. Arranged by Marcus Gram Jacobsen. Funk. Bass Guitar (without TAB). 2 pages. Marcus Gram Jacobsen #880357. Published by Marcus Gram Jacobsen (A0.1289651). Bass Transcription of Adrienne & Adrienne by Vulfpeck with Joe Dart on Bass. Transcribed in the original key.
$4.99 ≈
4.55€
Asleep in a Blanket Spun of Energy for SATB+electronic track, in English and Ojibwe
Asleep in a Blanket Spun of Energy for SATB+electronic track, in English and Ojibwe
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Chorale SATB
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Adrienne Inglis
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Asleep in a Blanket Spun of En
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.953630 Composed by Adrienne Inglis (ASCAP), with electronic dance track by Trevor F. Shaw (ASCAP). Contemporary,Dance,Pop,...
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Choral Choir (SATB) - SKU: A0.953630 Composed by Adrienne Inglis (ASCAP), with electronic dance track by Trevor F. Shaw (ASCAP). Contemporary,Dance,Pop,Spiritual,World. Octavo. 16 pages. Adrienne Inglis (ASCAP) #6531047. Published by Adrienne Inglis (ASCAP) (A0.953630). Asleep in a Blanket Spun of Energy for mixed chorus and electronic track with music by Adrienne Inglis (ASCAP) and electronic track by Trevor F. Shaw (ASCAP), a setting of the poem We Are Returning Always by Margaret Noodin from Weweni, poems in Anishinaabemowin and EnglishComposed for Inversion Ensemble’s March 2019 Dream Keeper concert, Asleep in a Blanket Spun of Energy for mixed chorus and electronic track evokes vivid imagery of Margaret Noodin’s poem We Are Returning Always. Honoring the composer’s Ojibwe ancestors, the piece sets all of the English text and a few key words of the Anishinaabemowin text from the bilingual poem that beautifully captures a glimpse into the natural and celestial wonders of the Ojibwe world. The music reflects a taste of the syncopated embellished singing, pentatonic melodies, and steady drumbeat characteristic of Ojibwe music. The electronic track provides both a compelling rhythmic foundation and a fantastical sonic representations of the moon, nebulae, supernovae, aurora borealis, and the forests of the Ojibwe lands.In addition to being the director of EQI, Margaret Noodin is an Assistant Professor in the English Department and American Indian Studies. She is a poet and the author of Bawaajimo: A Dialect of Dreams in Anishinaabe Language and Literature (2014) and Weweni: Poems in Anishinaabemowin and English (2015). She teaches the Anishinaabemowin language at UWM. Margaret is the editor of ojibwe.net. Noodin holds an MFA in Creative Writing and a PhD in English and Linguistics, both received at the University of Minnesota. Her doctoral dissertation is titled Native American Literature in tribal context: Anishinaabe Aadisokaanag Noongom (2001)Electronic track is available at http://adrienneinglis.com.
$3.99 ≈
3.64€
Adrienne And Adrienne Happen To Bossa Nova
Adrienne And Adrienne Happen To Bossa Nova
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Batterie
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AVANCÉ
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Contemporain
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Vulfpeck
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Logan Bruner
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Adrienne And Adrienne Happen T
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Logan Bruner
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SheetMusicPlus
Drum Set,Drums - Level 5 - SKU: A0.946546 By Vulfpeck. By Jack Stratton. Arranged by Logan Bruner. Contemporary. Score. 4 pages. Logan Bruner #6343065. ...
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Drum Set,Drums - Level 5 - SKU: A0.946546 By Vulfpeck. By Jack Stratton. Arranged by Logan Bruner. Contemporary. Score. 4 pages. Logan Bruner #6343065. Published by Logan Bruner (A0.946546). Vulfpeck - Adrienne & AdrianneTheo Katzman's drumming is unique and very funky. This is a difficult piece to play along to, and it's a great study of improvisational drumming. For experienced players looking to practice bass drum and hi-hat syncopation and complex fills and solos.Interested in more of my transcriptions? https://www.sheetmusicplus.com/publishers/logan-bruner/19937
$4.99 ≈
4.55€
Incandescence for flute and guitar
Incandescence for flute and guitar
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Adrienne Inglis
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Incandescence for flute and gu
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Adrienne Inglis
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SheetMusicPlus
Acoustic Guitar,Flute,Instrumental Duet - Level 3 - SKU: A0.1275287 Composed by Adrienne Inglis (ASCAP) and Walter Torres (BMI). 21st Century,Classical,...
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Acoustic Guitar,Flute,Instrumental Duet - Level 3 - SKU: A0.1275287 Composed by Adrienne Inglis (ASCAP) and Walter Torres (BMI). 21st Century,Classical,Latin,Wedding. 8 pages. Adrienne Inglis (ASCAP) #867191. Published by Adrienne Inglis (ASCAP) (A0.1275287). Perfect for a wedding ceremony, recital, or romantic dinner, this gorgeous flute and guitar duet brings exotic harmonies and soaring melodies to any special occasion!Composed as a wedding celebration gift for Nick and Michelle, this duet weaves rich harmonies with expressive melodic lines to inspire poetic, incandescent love.Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.A native of Austin, Texas, Walter Torres learned to play the guitar as a child and then became interested in electronic music. As a member of the alt-rock band Siberian Front, he honed his guitar and songwriting skills. From Stanford University he received a Bachelor of Science degree in Earth Systems (Oceans), a Masters in Civil and Environmental Engineering (Environmental Fluid Mechanics and Hydrology) and a PhD from the Duke Marine Lab studying coastal physical oceanography. Now a post-doctoral oceanography scholar at the University of Washington’s Applied Physics Laboratory, he continues to perform and collaborate on guitar and electronic music endeavors.https://adrienneinglis.com/.
$4.99 ≈
4.55€
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Chorale SSAA
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INTERMÉDIAIRE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #640560...
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Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99 ≈
3.64€
Adrienne And Adrienne
Adrienne And Adrienne
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Vulfpeck
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Ben Pritchard
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Adrienne And Adrienne
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Benjamin Pritchard
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1109587 By Vulfpeck. By Jack Stratton. Arranged by Ben Pritchard. Funk,Rock. Score and parts. 59 pages. ...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1109587 By Vulfpeck. By Jack Stratton. Arranged by Ben Pritchard. Funk,Rock. Score and parts. 59 pages. Benjamin Pritchard #711961. Published by Benjamin Pritchard (A0.1109587). This arrangement take some pieces from the original recording as well as the Fearless Flyers version. This is just a repetitive, fun, jam song in the key of C. There are 2 piano/keyboard parts required. Enjoy!
$59.99 ≈
54.75€
The Other Side for SSAAA and vibraphone/percussion
The Other Side for SSAAA and vibraphone/percussion
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Adrienne Inglis
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The Other Side for SSAAA and v
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (5-Part) - Level 4 - SKU: A0.1292547 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Patriotic. 19 pages. Adrienne Ingli...
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Choral Choir,Choral (5-Part) - Level 4 - SKU: A0.1292547 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Patriotic. 19 pages. Adrienne Inglis (ASCAP) #883097. Published by Adrienne Inglis (ASCAP) (A0.1292547). A gripping and dramatic telling of the USS Thresher disaster in 1963! Ideal for a Memorial Day or Veterans Day concertThe Other Side for SSSAA voices and vibraphone/percussionIn memory of John “Jack†Penfield Inglis (1942-1963)Composed for VAMP Vocals’ “Between the Worlds†concert September 2023Music by Adrienne Inglis (ASCAP)Text adapted from essays by Robert Penfield Inglis (1913-2007) and used with permission from Jack’s family, and communications with the USS ThresherDuration — about 5-7 minutesDifficulty 4 (Auditioned chorus)In memory of John “Jack†Penfield Inglis (1942-1963), who died in the USS Thresher disaster the day after his 21st birthday.Performances:8-9 Sep 2023 at 7 PM VAMP Vocals’ Between the Worlds concert, KMFA 89.5 Studios 41 Navasota Street Austin, TX 78702 Austin, Texas (https://www.vampvocals.com/)Dedicated to the memory of my first cousin, Jack Inglis, The Other Side is scored for treble voices and vibraphone/percussion. It grapples with the unimaginable tragedy of losing a child, the serious concerns about the fitness of the USS Thresher to leave dock for sea trials, the catastrophic implosion of the submarine that killed all 129 aboard, and the communications between Jack and his parents after the Thresher sank. I composed this piece for the five extraordinary voices of VAMP Vocals for their September 2023 concert “Between the Worlds.†The treble voices tell the story and react to the narrative over evocative vibraphone harmonies. In the middle section, the percussionist bangs loudly on metal to sound like submarine pipes, structure, and hull breaking. The loss of the USS Thresher (SSN-593) spurred the Navy to institute the very successful Submarine Safety Program (SUBSAFE). The composer encourages performers to take dramatic license to enhance the emotional impact of the tragedy and the parents’ response. Recording and video will be available soon.Composer websitehttps://adrienneinglis.com/Composer YouTube channelhttps://www.youtube.com/@adrienneinglis.
$1.99 ≈
1.82€
AMERICANA for flute/alto flute, violin, viola, and cello
AMERICANA for flute/alto flute, violin, viola, and cello
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Adrienne Albert
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AMERICANA for flute/alto flute
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Adrienne Albert
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SheetMusicPlus
Small Ensemble Alto Flute,Cello,Viola,Violin - Level 5 - SKU: A0.876757 Composed by Adrienne Albert (ASCAP). 20th Century,Contemporary,Folk,Jazz. Score ...
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Small Ensemble Alto Flute,Cello,Viola,Violin - Level 5 - SKU: A0.876757 Composed by Adrienne Albert (ASCAP). 20th Century,Contemporary,Folk,Jazz. Score and parts. 25 pages. Adrienne Albert #3385361. Published by Adrienne Albert (A0.876757). AMERICANA for flute/alto flute, violin, viola, and cello was commissioned by Chamber Music Palisades and premiered by them in 2008. An upbeat, charming, sometimes jazzy, sometimes Appalachian sounding work, it was composed during a residency I had at the Ucross Foundation in Wyoming. It has been performed on both coasts and has flavors of both in it. Duration: approximately 11 minutes long. Publisher: Kenter Canyon Music (ASCAP). More information can be found on my website: http://www.adriennealbert.com Email: adrienne@adriennealbert.com  .
$45.00 ≈
41.07€
DOPPLER EFFECT for flute, bassoon, and harp
DOPPLER EFFECT for flute, bassoon, and harp
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Adrienne Albert
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http://www
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DOPPLER EFFECT for flute, bass
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Adrienne Albert
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Flute,Harp - Level 4 - SKU: A0.876755 Composed by Adrienne Albert (ASCAP). 20th Century,Contemporary. 26 pages. ...
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Woodwind Ensemble,Woodwind Trio Bassoon,Flute,Harp - Level 4 - SKU: A0.876755 Composed by Adrienne Albert (ASCAP). 20th Century,Contemporary. 26 pages. Adrienne Albert #3385349. Published by Adrienne Albert (A0.876755). DOPPLER EFFECT was originally composed for flute, viola, and harp and came about from a trip I made to Rome. The sounds of sirens passing by excited my imagination to compose a work using the Doppler Effect. Very popular in every combination of instruments. Fine for high school students through college and for professional organizations. Duration: ca. 6'. Performing Rights Organization: ASCAP; http://www.adriennealbert.com Email: adrienne@adriennealbert.com.
$24.99 ≈
22.81€
She Is the Spirit (Tune: THAINAKY) by John L. Bell, arr. for organ by Adrienne Inglis
She Is the Spirit (Tune: THAINAKY) by John L. Bell, arr. for organ by Adrienne Inglis
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Orgue
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INTERMÉDIAIRE
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John L
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Adrienne Inglis (ASCAP)
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She Is the Spirit
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Adrienne Inglis
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1449467 Composed by John L. Bell. Arranged by Adrienne Inglis (ASCAP). Celtic,Christian,Classical,Irish,Sacred,Spiritual. Scor...
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Organ - Level 3 - SKU: A0.1449467 Composed by John L. Bell. Arranged by Adrienne Inglis (ASCAP). Celtic,Christian,Classical,Irish,Sacred,Spiritual. Score. 6 pages. Adrienne Inglis (ASCAP) #1029223. Published by Adrienne Inglis (ASCAP) (A0.1449467). Organ prelude for Pentecost or any opportunity to celebrate the Spirit!Organist Cathleen Parsley of University Christian Church in Austin, Texas, commissioned the multi-talented Adrienne Inglis to create an organ arrangement of the John L. Bell hymn She Is the Spirit. In her commentary on the work, Cathie shares: Adrienne’s arrangement is all I could have wished for. It evokes the birds, the sky, the dance, and the possibility of the Spirit referred to in the hymn’s verses. The registration is specific to UCC’s organ, though it will lend itself to any organ. It is a lovely work, written for the day (Pentecost), and it is an honor to play Adrienne’s piece for the first time this morning (May 19, 2024).Arrangement of hymn Thainaky by John L. Bell for organCommissioned by Cathleen Parsley for PentecostDuration — about 2 minutesDifficulty — intermediate“She Is the Spirit” (Tune: THAINAKY) by John L. Bell, arr. Adrienne InglisCopyright © 1988 and This Arrangement © 2023 WGRG c/o Iona Community, GIA Publications, Inc., agent. www.giamusic.comAll rights reserved. Used by permission.https://hymnary.org/tune/thainaky_bellWorld premiere performance at 11:50https://youtu.be/5M2CHGbzdFw?feature=sharedhttps://adrienneinglis.com/.
$4.99 ≈
4.55€
Newt for flute trio (2 alto flutes and 1 bass)
Newt for flute trio (2 alto flutes and 1 bass)
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Trio de Flûtes: 3 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Newt for flute trio
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Adrienne Inglis
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.1179267 Composed by Adrienne Inglis (ASCAP). 20th Century,Chamber,Classical,Jazz,Pop. 12 pag...
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Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.1179267 Composed by Adrienne Inglis (ASCAP). 20th Century,Chamber,Classical,Jazz,Pop. 12 pages. Adrienne Inglis (ASCAP) #779238. Published by Adrienne Inglis (ASCAP) (A0.1179267). Charming little piece — perfect to round out a flute recital for intermediate to advanced level flutists!Newt (2020) by Adrienne Inglis (ASCAP) for two alto flutes and bass fluteDuration: 2:15A sassy, jazzy tune inspired by the poem Newt from The Lost Words by Robert Macfarlane, illustrated by Jackie MorrisAlso available for flute and double bass and for flute trio (three C flutes or two C flutes and bass)http://adrienneinglis.comYouTube link is for two C flutes and bass flute starting at 20:06
$4.99 ≈
4.55€
listening for flute and lever or pedal harp
listening for flute and lever or pedal harp
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Harpe, Flûte (duo)
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INTERMÉDIAIRE
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Adrienne Inglis
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listening for flute and lever
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Adrienne Inglis
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SheetMusicPlus
Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.1288289 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Irish,Multicultural,World. 8...
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Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.1288289 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Irish,Multicultural,World. 8 pages. Adrienne Inglis (ASCAP) #879333. Published by Adrienne Inglis (ASCAP) (A0.1288289). Lovely intermediate level flute and harp piece with some easy special effects! listening (2022) for flute and pedal or lever harpinspired by the poem listening by Suzanne BabbieDuration 3:15https://adrienneinglis.com/.
$4.99 ≈
4.55€
In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
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Chorale SATB
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INTERMÉDIAIRE
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Adrienne Inglis
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In Heaven and on Earth for SAT
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Ing...
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Choral Choir (SATB) - Level 3 - SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clà rsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clà rsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clà rsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.
$3.99 ≈
3.64€
Ma'iingan (Wolf) for flute and piano
Ma'iingan (Wolf) for flute and piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Adrienne Inglis
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Ma'iingan
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Adrienne Inglis
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1141714 Composed by Adrienne Inglis (ASCAP). 21st Century,Chamber,Classical,Halloween,Multicultural,World. Score and par...
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Flute,Piano - Level 3 - SKU: A0.1141714 Composed by Adrienne Inglis (ASCAP). 21st Century,Chamber,Classical,Halloween,Multicultural,World. Score and part. 13 pages. Adrienne Inglis (ASCAP) #742099. Published by Adrienne Inglis (ASCAP) (A0.1141714). Charming, environmentally-minded piece that introduces accessible extended techniques to intermediate flutists! Ma’iingan (pronounced mah IN-gun) is the Ojibwe word for wolf (Canis lupus). The poem “Aangodinong†(Sometimes) from Wewemi by Margaret Noodin inspired the piece. Ma’iingan issues a call to action to address the extinction crisis by saving the wolves from hunters and habitat loss. Transcribed wolf calls provide some of the melodic material for the piece and luckily fall in a good range for the flute. Designed for intermediate level flutists, the piece employs pitch bends and timbral trills using straightforward alternate fingerings as well as optional slight lip bends. These accessible extended techniques give the intermediate player an introduction to features usually found only in more difficult music. Please consider supporting the Center for Biological Diversity (https://www.biologicaldiversity.org). at 35:51 https://youtu.be/A6-z20DnXG8?t=2151.
$6.99 ≈
6.38€
L.A. TANGO NUEVO for Soprano Saxophone and Guitar
L.A. TANGO NUEVO for Soprano Saxophone and Guitar
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Saxophone et Guitare
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INTERMÉDIAIRE
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Tango
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Adrienne Albert
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L.A. TANGO NUEVO for Soprano S
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Adrienne Albert
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Soprano Saxophone - Level 3 - SKU: A0.876763 Composed by Adrienne Albert (ASCAP). Contemporary,Jazz,Latin. Sc...
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Instrumental Duet Guitar,Instrumental Duet,Soprano Saxophone - Level 3 - SKU: A0.876763 Composed by Adrienne Albert (ASCAP). Contemporary,Jazz,Latin. Score and parts. 10 pages. Adrienne Albert #4991111. Published by Adrienne Albert (A0.876763). L.A. Tango Nuevo combines a rock rhythmic ostinato with elements of lyricism. The rhythmic backdrop set by the guitar from the onset is driving; taking advantage of the guitar's percussive abilities and nuance. The soprano saxophone melody floats above the guitar in a care-free, yet lyrical melody. The development section of the piece is reminiscent of tango through the single note arpeggiated guitar accompaniment and melodic content of the soprano saxophone. At the return of the A section, LA Tango Nuevo drives to the end with energy and excitment. Available on the album, Tangos y Serenatas, on Centaur.
$18.99 ≈
17.33€
The Rage and Reconciliation of King Lear for SATB, bassoon, and piano
The Rage and Reconciliation of King Lear for SATB, bassoon, and piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Adrienne Inglis
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The Rage and Reconciliation of
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.953613 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 20 pages. Adrienne Inglis (ASCAP) #4643489. Pu...
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Choral Choir (SATB) - Level 4 - SKU: A0.953613 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 20 pages. Adrienne Inglis (ASCAP) #4643489. Published by Adrienne Inglis (ASCAP) (A0.953613). Program note: Scored for mixed chorus, bassoon, and piano, The Rage and Reconciliation of King Lear by Adrienne Inglis weaves passages from Shakespeare’s King Lear with signature phrases of the Rev. Dr. Milton H. Riemer. Dr. Riemer’s words bring insight and reflection to the poignant narrative of a parent-child relationship. Outside in a raging storm, King Lear angrily punishes himself for foolishly excluding his favorite daughter, Cordelia, from a portion of his kingdom. As mental illness takes hold, he suffers from curious confusion but understands his failings and begs Cordelia’s forgiveness. The Scottish air Etrick Banks provides melodic material that yields a royal fanfare, lament, thunderstorm, dementia, regret, and reconciliation. Crunchy chords and unsettling dissonances punctuate the sounds of modal chants and medieval polyphony.
$3.99 ≈
3.64€
For the Toad by the Kitchen Step by Adrienne Inglis for SATB chorus, organ, nature soundtrack
For the Toad by the Kitchen Step by Adrienne Inglis for SATB chorus, organ, nature soundtrack
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Chorale SATB
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FACILE
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Contemporain
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Adrienne Inglis
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For the Toad by the Kitchen St
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.953632 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 10 pages. Adrienne Inglis (ASCAP) #6638965. Pu...
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Choral Choir (SATB) - Level 2 - SKU: A0.953632 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 10 pages. Adrienne Inglis (ASCAP) #6638965. Published by Adrienne Inglis (ASCAP) (A0.953632). This delightful intermediate-level nature-themed piece is fun to sing and put together with organ and nature soundtrack. Your audience will chuckle and applaud this whimsical work!For the Toad on the Kitchen Step (2021) by Adrienne Inglis (ASCAP) sets the poem For the Toad on the Kitchen Step by Oregon's 2018-2020 Poet Laureate and Lewis & Clark College Associate Professor Kim Stafford (ASCAP) for SATB mixed chorus, organ, and nature soundtrack. Commissioned by Inversion Ensemble, it contrasts both the whimsical levity of the poem with the darker implications of humans’ impact on toads and their habitats. Colorful choral harmonies, grand organ gestures, delicate vocal effects, and the nature soundtrack create a soundscape that draws the audience into the toad’s world view. The nature soundtrack was recorded by Adrienne Inglis in June 2021 on Cow Creek Road, western Travis County, Texas (https://youtu.be/CWXMUt6RyNM).
$2.99 ≈
2.73€
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Adrienne And Adrienne
