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Vous avez sélectionné:
Back That Azz Up Score Only
Partitions à imprimer
13 partitions trouvées
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1
Back That Azz Up - Score Only
Back That Azz Up - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Cash Money Millionaires
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Budeanu Cristian
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Back That Azz Up - Score Only
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Budeanu Cristian
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1300861 By Cash Money Millionaires. By Byron O. Thomas, Dwayne Carter, and Terius Gray. Arranged by Bu...
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String Quartet String Quartet - Level 3 - SKU: A0.1300861 By Cash Money Millionaires. By Byron O. Thomas, Dwayne Carter, and Terius Gray. Arranged by Budeanu Cristian. 21st Century. 7 pages. Budeanu Cristian #890538. Published by Budeanu Cristian (A0.1300861).
$20.00 ≈
18.04€
Three Latin Dances - Score Only
Three Latin Dances - Score Only
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Orchestre d'harmonie
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AVANCÉ
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Latin/Musique du monde
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Jeff Tyzik
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Jeff Tyzik
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Three Latin Dances - Score Onl
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Jeff Tyzik/Macaroni Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1082229 Composed by Jeff Tyzik. Arranged by Jeff Tyzik. Latin. Score and parts. 31 pages. Jeff Tyzik/Macaroni Music #68...
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Concert Band - Level 5 - SKU: A0.1082229 Composed by Jeff Tyzik. Arranged by Jeff Tyzik. Latin. Score and parts. 31 pages. Jeff Tyzik/Macaroni Music #686377. Published by Jeff Tyzik/Macaroni Music (A0.1082229). Three Latin Dances was composed for the Eastman Wind Ensemble at the request of Mark Scatterday in September of 2018. In the past twenty years, Mark has been very instrumental in encouraging me to compose wind music. I am grateful for the many wind ensemble projects and recordings we have collaborated on including IMAGES, our CD that was released in October 2018. I've always been attracted to the music of great Latin composers including de Falla, Gimenez, Chapi, Piazzolla, Ginastera, Lacuona and many others. In this short suite, I used three different popular Latin dance forms. The first dance section is based on the Danzón, a Cuban dance that is slow, formal and elegant. The Danzón transitions into a Cha Cha, another Cuban dance that is a medium tempo rhythmic dance that I first experienced during my student days at Eastman when I played in local Latin bands. After a brief recap of the Danzón another transition evolves into a Malambo, an Argentine dance that is exciting, up tempo and whose roots can be traced back to the 1600s. As one might imagine, the percussion section is very busy and featured throughout from the elegant and lyrical introduction to the exciting finish. As an alumni of the EWE under Donald Hunsberger, it is an honor to have this preeminent Eastman ensemble premiere this new suite with Mark Scatterday conducting at Severance Hall in Cleveland on May 7, 2019.
$50.00 ≈
45.10€
Sonata for Flute No. 1 (Piano Score Only)
Sonata for Flute No. 1 (Piano Score Only)
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ian Lester
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Sonata for Flute No. 1
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Ian Lester
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1028807 Composed by Ian Lester. 20th Century,Contemporary. Score and part. 23 pages. Ian Lester #4288307. Published by I...
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Flute,Piano - Level 4 - SKU: A0.1028807 Composed by Ian Lester. 20th Century,Contemporary. Score and part. 23 pages. Ian Lester #4288307. Published by Ian Lester (A0.1028807). Sonata for Flute No. 1 draws inspiration from various sources:The first movement is loosely inspired by Brahms' Clarinet Sonata in F Minor and the long melodic lines and wide intervalic leaps found in that work. Irish folk music was another influence, and a jig-like section followed by a brief cadenza leads us into a Stravinsky-esque, technical section. After a brief moment of tranquility in the form of a slow jazz passage, the movement ends with a recap of the original thematic material.The second movement of mixes elements reminiscent of Beethoven and the film music of Hollywood Western movies, specifically scores by Ennio Morricone.The last movement is an aggressive tour de force finale which constantly switches between ideas but always ends up coming back to the repeated two quarter-note flutter-tongued motive before coming to a joyous conclusion. .
$10.99 ≈
9.91€
The Only Home I Know
The Only Home I Know
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Zane Kuchera
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Zane Kuchera
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The Only Home I Know
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Zane Kuchera Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1111888 By Zane Kuchera. By Music by Zane Kuchera and Words by Suzanne Carroll. Arranged by Zane Kuchera. F...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1111888 By Zane Kuchera. By Music by Zane Kuchera and Words by Suzanne Carroll. Arranged by Zane Kuchera. Film/TV,Folk,Jazz,Pop,Singer/Songwriter. Score. 7 pages. Zane Kuchera Music #714089. Published by Zane Kuchera Music (A0.1111888). “The Only Home I Know†- Losing the home you have grown up in and then having the once in a lifetime opportunity to buy the house back in later years with your love and starting a new life in that home. Words: Suzanne Carroll, music & performance: Zane Kuchera. ©2021 Zane Kuchera Music (ASCAP) All Rights Reserved Worldwide zanekuchera.com https://album.link/7rr93nxbbg5kc.
$4.99 ≈
4.50€
Should I Stay Or Should I Go
Should I Stay Or Should I Go
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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The Clash
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Michael Pilley
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Should I Stay Or Should I Go
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Michael Pilley Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.746167 By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. Score and parts. ...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.746167 By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. Score and parts. 51 pages. Michael Pilley Music #3535709. Published by Michael Pilley Music (A0.746167). Written specifically for Swing Punks, the amazing London big band who play punk tunes in a jazz style, this vocal arrangement has all the bells and whistles. Starting in a bluesy swing style, see if you can pick up all the quotes as you progress through the chart. When it kicks into double time, it'll get your audiences toes tapping just enough for you to snap them back to a languid blues atmosphere. With an open solo section this chart comes alive, allowing for soloists to take the tune where they want to. Double time ensues after that, with a big ending to finish this cracking chart.THE SONGReleased in 1981, Should I Stay became The Clash's only UK number 1 single, albeit 10 years after in a reissued single. It made 228 in Rolling Stones Top 500 and features Spanish backing vocals, in a strange twist.THE BANDSwing Punks (www.swingpunks.com) are an exciting big band based in London, UK who take the best punk music and turn it into swinging big band music. Featuring 3 vocalists and a full complement of horns, their shows are full of energy and pizzazz. I've been lucky enough to play with them a few times since moving closer to London, and I always enjoy mixing it up with such great musicians.PRINTING TIPSBeautifully laid out, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00 ≈
45.10€
Show-type Tune (tune For A Lyric)
Show-type Tune (tune For A Lyric)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Bill Evans
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Sarah Jane Cion
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Show-type Tune
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Safflower Music LLC
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1100228 By Bill Evans. By Bill Evans. Arranged by Sarah Jane Cion. Film/TV,Jazz. Score and parts. 122 pa...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1100228 By Bill Evans. By Bill Evans. Arranged by Sarah Jane Cion. Film/TV,Jazz. Score and parts. 122 pages. Safflower Music LLC #704104. Published by Safflower Music LLC (A0.1100228). Show Type Tune Back in 1989 I was taking an arranging course at NEC taught by George Russell (who subsequently received the Genius Grant for Lifetime Achievement). I worked on this big band arrangement for about a year. My concept was to take a Bill Evans tune and harmonize his solo for saxes within the body of the arrangement. About a week before graduation it finally came time for the class to have their work heard. I was SO excited! A big band was assembled and after a few days of classmate’s charts workshopped, George Russell fell ill, and I never got to hear my arrangement. I was devastated. It had taken me months to arrange, and hand-write the 17 parts as back then, no computers of course!So, tearfully it all went into a red folder—and eventually made its way to the bottom of a box, a box that somehow followed me throughout life. Recently concerned about doing nothing all week at family camp—I thought to myself, with my present knowledge of music notation software, why not dig up that dusty red folder and input the chart to finally hear it —32 years later? I figured if the work had any merit I could print it out and bring it to Library Band ! So. in the tiny log cabin with laptop and travel keys, I began, soon falling into what can only be described as timeless awareness—future self collaborating with inner conservatory undergrad—and dare say, I was rather impressed with her 😂 Although a few tweaks needed, the work proved nothing short of a sound effort. Tying up this life-long loose-end feels nothing short of spiritually inspired. ðŸ˜.
$49.99 ≈
45.09€
Ragtime Miniatures for Two Flutes - Set 2
Ragtime Miniatures for Two Flutes - Set 2
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Ragtime
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Pat Holmberg
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Ragtime Miniatures for Two Flu
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Patricia Tanttila Holmberg
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SheetMusicPlus
Flute - Intermediate - Composed by Pat Holmberg. 21st Century, Ragtime, Repertoire. Score. 24 pages. Published by Patricia Tanttila Holmberg ...
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Flute - Intermediate - Composed by Pat Holmberg. 21st Century, Ragtime, Repertoire. Score. 24 pages. Published by Patricia Tanttila Holmberg
Here are fourteen ragtime style flute duets - very contrapuntal - equally challenging and fun in both parts - sure to help teenage flute students keep on with their lessons! Below, find some reviews by flute teachers:Here are some reviews for these duets from flute teachers: ByDr. Mom on November 19, 2013 As a flute teacher, I watch for new and interesting music for my students. These Rags are terrific! They are harmonically and musically interesting, introduce a style to the students with which they may be unfamiliar yet has a "jazzy" feel, and are simple enough in range, rhythm and length (they're relatively brief) to be approachable to the intermediate student - a level at which one often needs interesting music to keep them going! - and above. I had one student who is versed in jazz (plays jazz trumpet) who tried to swing these, so I had the opportunity to work with him on how Rags differ from "swung" jazz, which was kind of fun. I feel these duets fill a need in the modern flute studio, and recommend them highly. Something to Rag about - for students & performers a-like! By Em on November 16, 2013 This 12-piece book is a delightful introduction to ragtime for flutists, who usually don't get the chance to play much jazz or "rag" music. What I perhaps enjoy most about the book is, the 2nd flute part has many chances for nice melodic interplay or fun walking bass lines to accompany the 1st flute. (Unlike many duet books that have a rather stagnant bass line for the 2nd flute/accompaniment.) If you are playing with students who are new to the territory, it is a great book to have them develop an ear for jazz chords. You'll need to review how to swing eighths, since that isn't covered here --it's for Intermediate players after all :). The lines should not be incredibly challenging though, and it is presented in such a way that whether up or down tempo, it's still fun to play. I did like playing most of the pieces up-tempo, though! My top favorite pieces are #5- "Forget-Me-Not", #6 - "Cotton Candy Rag", #11 - "High Country Stomp" (it's nice got a nice lilting feel) and #12- "Green Mountain Saunter." There is a great variety, and each piece has a memorable melody. Grab a flutist friend and play these! If you like to have up-beat and playful tunes (especially during these cold winter months) these will warm you up real fast. Hi Patricia,The Ragtime Miniatures for Two Flutes ? Set 1 Intermediate by Patricia Holmberg lends itself to development in rhythmic and reading skills. It offers studies of syncopated rhythms in 4/4 and 12/8. The 12/8 duets support improvement in the student?s triple feel. Also, the changes in meter challenge and support the enhanced reading skills of the student. Furthermore, the chromatic tones offer stylistic colors to the student?s assortment of fingering patterns. Students using the book had a positive response to the melodic content: it was fun to play?a breath of fresh air.Thank you for bringing your book to my attention. We await set two. Phyllis G. Ragtime Miniatures- Intermediate By Jean A. E. on November 7, 2013 This is Intermediate level music, it can satisfy several levels of players, and altho rags come over stylistically the same , these are varied enough . Except for mostly using flat key signatures, and having some confusion in finding your way around repeats and da capos, these are pleasant little works, some of which would make nice concert encores. The only feature I as a performer corrected when my friend and I played them thru was to 8 va some of the too low 2nd parts. Doing this seemed to improve the voicing.So In general, nice work,Pat!!Professional Flutist/ performer Jean A. "Back to School 2015".
$9.99 ≈
9.01€
I'm Yours, You're Mine
I'm Yours, You're Mine
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Jazz combo
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INTERMÉDIAIRE
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Deborah Johnson
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I'm Yours, You're Mine
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Deborah Johnson
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.877854 Composed by Deborah Johnson. Holiday,Jazz,Love,R & B,Wedding,World. Score and parts. 12 pages. Deborah Johnson #66...
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Jazz Combo - Level 3 - SKU: A0.877854 Composed by Deborah Johnson. Holiday,Jazz,Love,R & B,Wedding,World. Score and parts. 12 pages. Deborah Johnson #6682567. Published by Deborah Johnson (A0.877854). I’m Yours, You’re Mine by Deborah Johnson is an upbeat song with a Latin feel sung in English, but includes a few phrases in Spanish. Originally on the album Chocolate: Songs of Love. (https://DJWorksMusic.com/products) Individual Original Album MP3 here: https://www.amazon.com/Chocolate-Songs-Love-Deborah-Johnson/dp/B0015KJAD2This lively arrangement is perfect for solo performance or performance with backup singers. Individual extracted vocal parts with rhythm are also included in this sheet music, including piano/chords and vocal for rhythm sections. A total of 12 pages, including cover.The vocals are from A below middle C to C# above for only a little over an octave range. The piano score is written out and is at the intermediate level, very achievable for most players. It is a fun and energetic piece that would be a good addition for most any event!MP3s of the song and the instrumental track are also available, both with and without piano for performance.DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. The author of multiple books, her music has been up for multiple GRAMMY Awards. You can find out more about Deborah at https://DJWorksMusic.com, https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com. Follow her on Instagram @Deborah_JohnsonMusic or on Facebook @Deborah.JohnsonProduction, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson; Background Vocals: Deborah Johnson & Charlie Clark; Sequencing & Orchestration: Richard Callaci.
$8.99 ≈
8.11€
Audacious Binary Forms for Pianist (one or two pianos)
Audacious Binary Forms for Pianist (one or two pianos)
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Piano seul
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Contemporain
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Paul Copeland
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Audacious Binary Forms for Pia
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Paul Copeland
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SheetMusicPlus
Piano Solo - SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by Paul Copeland (A...
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Piano Solo - SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by Paul Copeland (A0.901081). Audacious Binary Forms for pianist playing one or two pianos, won Australia’s most prestigious piano composition competition the Jean Bogan Prize for Piano Composition 2016. The world premiere was performed by Michael Kieran Harvey. He is considered by many as being one of Australia’s greatest living concert pianists. Michael specializes in performing world premieres of compositions by Australian composers. He is also a prolific composer of avant-garde music. ABSTRACT FROM THE GENERAL DIRECTIONS Audacious Binary Forms for piano is in a fractured binary form. Two types of structures exist; lettered structures, which are experimental structures, and explore the sonorities of the piano, and numbered structures, which are more traditional structures. A structure may be a single page or more than one page. Each page in a structure is to be played sequentially. For example, with structure C, consisting of three pages, C1, C2, C3, each page is played sequentially in numerical order, C1, C2, C3. EXPERIMENTAL STRUCTURESThe structures A, B, C, D, E, F, G, Percussion, CADENZA, and CODA are experimental. TRADITIONAL STRUCTURESThe structures 1, 2, 3, 4, 5, and 6, are traditional. PREPARING THE SCORE FOR PERFORMANCE There are four different options for a performance. MINIMALIST OPTIONThe 13 cards cut from the CUTOUT page are shuffled. Card 4 Rag (1,2) is removed. The 12 cards are placed face down. One card is revealed representing the structure that is to be performed. A member of the audience can be invited to shuffle the cards. STOCHASTIC OPTION An audience member or members can be invited to shuffle all the pages of the score. The resultant random sequence of pages becomes the whole score for the performance. PERFORMER’S OPTIONThe performer prepares the structures according to his musical tastes. All of the experimental structures should be performed. The performer is free to play none, some, or all of the traditional structures. Please note that each structure remains an independent structure and is played sequentially. For example, structure C, consisting of three pages would be played C1, C2, C3 in that order. PERFORMER/COMPOSER OPTIONMonths before the concert the performer can contact me at paulcopeland1@bigpond.com, to discuss the performance, and to work out an ideal performance structure for the work, taking into consideration the venue, expected size of audience, size of auditorium, music program, and if two pianos will be available. IMPORTANT INFORMATION REGARDING SHEET MUSIC SIZE Please note that the score should be printed on separate pages (the notated pages), not back to back. Ideally the score should be printed on A3 pages in colour. However the score can still be printed in grayscale. The sheet music file is approximately 15Mb because the score is in full color. BIOGRAPHICAL INFORMATION Paul Copeland is an award-winning multi-genre composer, graphic artist, programmer, teacher, and author, based in his home city of Melbourne. His compositional styles range from neo-classical, jazz, ragtime, and musical theatre to electronic, avant-garde, post-avant-garde, and experimental music. Born in 1947, Copeland grew up an only child in a musical household. His mother was a talented singer, his father an accomplished amateur pianist, composer of popular music, and internationally renowned travelling telepathist known as Argus The Boy Prophet. Copeland's musical studies commenced at the age of 16 when he began studying piano, and a year later, he enrolled at the Melba Conserv.
$20.00 ≈
18.04€
Too Much For Our Thirst (Trombone and Piano)
Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99 ≈
9.01€
L'Aventure
L'Aventure
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Bradley Sowash
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L'Aventure
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Bradley Sowash
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.750021 By Bradley Sowash. By Bradley Sowash. Contemporary,Jazz,New Age. Score. With . 12 pages. Bradley Sowash #2004275. ...
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Piano Solo - Level 4 - SKU: A0.750021 By Bradley Sowash. By Bradley Sowash. Contemporary,Jazz,New Age. Score. With . 12 pages. Bradley Sowash #2004275. Published by Bradley Sowash (A0.750021). From Bradley Sowash’s “Bittersweet†solo piano recorded album and associated sheet music (also available here).Away and BackI was lucky to grow up in a time and place with few fears. With a neighborhood surrounded by forest, I would set out regularly with my buddy for this wilderness. Unsure of how our improvised play would turn out, we knew only that we would return safe and happy. This song follows a similar route. It opens with a comfortable theme that wanders ever further into an unplanned, improvised wilderness only to return to familiar ground. The French title suggests our very serious pretentiousness.Learn more about this artist at https://bradleysowash.com.
$7.95 ≈
7.17€
Charleston Times part 1
Charleston Times part 1
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Hanley Macdonald, Mack /Johnso
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Des McNutty
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Charleston Times part 1
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Des Press
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1195784 Composed by Hanley Macdonald, Mack /Johnson, Donaldson/Kahn. Arranged by Des McNutty. Broadway...
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String Quartet String Quartet - Level 4 - SKU: A0.1195784 Composed by Hanley Macdonald, Mack /Johnson, Donaldson/Kahn. Arranged by Des McNutty. Broadway,Classical,Jazz,Musical/Show,Standards,Wedding. Score and parts. 46 pages. Des Press #794950. Published by Des Press (A0.1195784). Original arrangements for String Quartet (Back Home Again in) Indiana (Hanley/MacDonald) The Charleston (Mack/Johnson) I Wonder Where My Baby Is Tonight (Donaldson/Kahn) Arranged by Des McNutty Charleston Times was first punished by Chugnut Press in 2000 and distributed by SJ Music, following the long-winded and arduous challenges of obtaining licences from various copyright-owners by snail-post. Arrangeme has simplified this process considerably! Thanks! The notes are unchanged; only the layout has been revised. This much-demanded re-issue marks 100 years of that iconic dance, The Charleston, from the Broadway show Runnin' Wild (1923), which entered the public domain in 2019. Indiana and I Wonder Where My Baby Is Tonight are staples of the 1920's canon. These original arrangements are not based on previously-existing versions, although Indiana is mashed up with interpolations of a well-known work from the late 18th-century.... The level is on the easier side of “advancedâ€; quickly rehearsed by professional quartets and an accessible challenge for experienced students.
$12.99 ≈
11.72€
I'm Yours, You're Mine - Instrumental Performance Track-no piano
I'm Yours, You're Mine - Instrumental Performance Track-no piano
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Deborah Johnson
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I'm Yours, You're Mine - Instr
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Deborah Johnson
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SheetMusicPlus
Double Bass,Drums,Piano - SKU: A0.1068164 Composed by Deborah Johnson. Holiday,Jazz,Love,R & B,Wedding,World. Accompaniment. Duration 226. Deborah Johns...
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Double Bass,Drums,Piano - SKU: A0.1068164 Composed by Deborah Johnson. Holiday,Jazz,Love,R & B,Wedding,World. Accompaniment. Duration 226. Deborah Johnson #6682609. Published by Deborah Johnson (A0.1068164). This is an Instrumental background track with no piano for I’m Yours, You’re Mine by Deborah Johnson. It can be performed as a piano solo or with addition of a pianist, soloist and small ensemble. It's an upbeat song with a Latin feel sung in English, but includes a few phrases in Spanish. Originally on the album Chocolate: Songs of Love. (https://DJWorksMusic.com/products)Individual Original Album MP3 here: https://www.amazon.com/Chocolate-Songs-Love-Deborah-Johnson/dp/B0015KJAD2 This lively arrangement is perfect for solo performance or performance with backup singers. Sheet Music also available.The vocals are from A below middle C to C# above for only a little over an octave range. The piano score is written out and is at the intermediate level, very achievable for most players. It is a fun and energetic piece that would be a good addition for most any event!MP3s of the song and the instrumental track with piano are also available.DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. The author of multiple books, her music has been up for multiple GRAMMY Awards. You can find out more about Deborah at https://DJWorksMusic.com, https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com. Follow her on Instagram @Deborah_JohnsonMusic or on Facebook @Deborah.JohnsonProduction, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson; Background Vocals: Deborah Johnson & Charlie Clark; Sequencing & Orchestration: Richard Callaci.
$8.99 ≈
8.11€
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Back That Azz Up Score Only
