ISBN 9781513455723. 8.75 x 11.75 inches.

This book contains the 50 late 19th century tunes in Albert Baurs 1883 anthology, The Banjoists Budget. The collection has roots in four main sources: minstrel songs, Irish popular and folk traditions, clog dancing tunes, and Gilbert and Sullivan favorites- all expertly played by Rob MacKillop on the accompanying online audio recording. The music is clearly typeset in standard notation and tablature for the 5-string banjo in Baurs original eAEG#B tuning; observing the tablature, however, this music can be played in modern-day concert C tuning, gCGBD. While Baur provided no technique instructions, the music can be played in the old minstrel stroke technique, the modern melodic clawhammer style, or fingerstyle. By contrast, MacKillop provides ample performance notes and a few tips within the notation. These melodies constitute an authentic audio window to a past century, when the five-string banjo was a classical instrument studied and played by serious students and expert musicians who read standard notation rather than tablature. In any case, here they are in notation and modern banjo tablature, together with a delightful online recording. Includes access to online audio.

ISBN 9781619118478.

Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckleyas Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 a 1872), sometimes referred to as the aFather of the Classical Banjo,a was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayaall in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio.

ISBN 9781610657716.

The world of melodic jazz banjo soloing is revealed in this comprehensive method which leads a student from basic intervals to advanced theoretical concepts and finally to a firm foundation in jazz fundamentals. Included are over 90 exercises and examples written in both tablature fingerings and standard music notation which show how scales and arpeggios are used and how they apply to real playing situations. Every five-string banjoist can benefit from the information contained in this breakthrough volume whether they aspire to jazz or just want to find out more about the possibilities and structure of the banjo. Includes access to online audio.Starting with basic intervals, Straight-Ahead Jazz for Banjo shows the structure of all basic chord types and qualities and matches these to the scales that generate them. The book's basic concept model is to treat the five-string banjo's potential in an inclusive technical context so that the student can make use of open and fifth strings to create a smooth legato style. Each of the 90+ exercises are recorded with a metronome and progress to 16 additional examples of original jazz phrases in a variety of keys. Topics include functional major and minor key harmony, diminished and augmented scales and how they are used, and the integration of altered scale substitutes in the art of jazz improvisation. It stresses listening and learning in a logical structured manner with an example of a daily practice plan. The unique emphasis of the book is on the fingerings which make the instrument work for you technically and thus open up added possibilities for the development of a student's personal style. This long-awaited volume will surely bring new focus and perspective to any banjo style and will be a classic reference for many new generations of banjoists. Includes access to online audio.

ISBN 9781610652445.

The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds.This book approaches the five-string banjo as a musical instrument freed from the prison of specific musical genres. Old-time music, clawhammer, bluegrass and many eclectic adaptations of the banjo are utilized to demonstrate a variety of musical styles. A number of the selections are in different tunings. All examples are written out in traditional and tablature notation.

ISBN 9781619115651. 8.75 x 11.75 inches.

This is a unique collection of drills for all three popular three-finger banjo styles: Scruggs, Single String and Melodic. There are over two hundred sixty exercises ranging from beginner to advanced levels. The physical exercises include finger strengthening, increasing position changing speed, agility and hand-eye coordination. There are detailed aspects of technique not addressed in any other book such as pick depth control, controlling the pick angle for the best tone, stabilizing the right hand and improving economy of motion in both hands. Musical exercises include roll exercises, roll combinations, modern (post-Scruggs) rolls, scales and scale patterns in both single-string and melodic styles, chord scales, fretboard positions for the G scale over the entire fretboard and triad and seventh chord formations. Location of root, seventh and minor tonal centers are shown in chord formations and in the fretboard patterns. Melodic quasi-chord formations are revealed which have never been codified in any other book. Mental tips which enhance focus and dozens of theory tidbits are featured.

ISBN 9781619117747.

The definitive text on playing harmonics (chimes) on the 5-string banjo in G tuning! In addition to traditional chiming methods, the authoras new T3N technique for creating banjo harmonics will add new dimensions to your playing. While particularly useful in the three-finger style, T3N can be used in other banjo styles and on other stringed instruments. Most banjo players are familiar with playing open-string harmonics on the 5-string banjo over the 12th, 7th and 5th frets, or perhaps the 4th and 9th frets, so that in typical G-tuning, the open G-chord, D-chord, octave G-chord, and B-chord notes are chimed. With the T3N technique presented in this book, entire scales can be chimed, with other harmonic effects including choking and sliding possibilities! The first part of this book provides a review of traditional banjo harmonic chiming techniques, while the second part explores the exciting new T3Napproach. Written in tablature only, for 5-string banjo in GDGBD tuning.

ISBN 9781619118898.

If youave ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you!Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was aa virtuoso instrument capable of enriching any musical genre.aIn the authoras words, aI chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the playeras musical sensibilitya\| Some pieces, like Flight of the Bumblebee will challenge your ability to play rapidly, while others like Beethovenas Moonlight Sonata, are much slower, but will test your musical abilities in other ways.a The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three-finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo.

8.75 x 11.75 inches.

This book together with the 21 online video lessons will give you everything you need to get started. You will learn about tuning the banjo, right and left-hand techniques, reading tablature, the basic banjo rolls, playing with solid timing, embellishments that add life to your playing, a little bit of music theory, how to play backup and jam with other musicians, and 10 excellent beginning level songs. Rick has taught hundreds of banjo students over the past several decades, and he knows how to get you playing quickly.

ISBN 9781619117754.

This left-handed chord book includes pictures and diagrams for all of the basic chords for four-string or tenor banjo. Fingering photos and fretboard diagrams are presented for all of the major, minor, seventh, diminished, augmented, and ninth chords. Major seventh, minor seventh, sixth, minor sixth, seventh augmented fifth, and seventh diminished fifth chords are shown in diagram form only. The introduction discusses how to hold the banjo, tuning (low to high C- G-D-A), and more. This book is also suitable for mandola.

ISBN 9781513459837. 8.75x11.75 inches.

This book contains twenty well-known classical melodies arranged for 5-string banjo in G tuning. The selections span from the Baroque era to the beginning of the 20th century. All are set in standard notation and tablature in easy melody/chord arrangements that rarely use the 5th string. This collection will provide beautiful additions to your solo banjo repertoire and improve your note-reading ability.