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Big Mans Rag
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Vous avez sélectionné:
Big Mans Rag
Partitions à imprimer
5 partitions trouvées
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Big Mans Rag
Big Mans Rag
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Ronald J
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Big Mans Rag
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Ronald J Karle
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.907639 Composed by Ronald J. Karle. Concert,Instructional,Ragtime,Standards. Score and parts. 7 pages. Ronald J Karle...
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Small Ensemble - Level 4 - SKU: A0.907639 Composed by Ronald J. Karle. Concert,Instructional,Ragtime,Standards. Score and parts. 7 pages. Ronald J Karle #3428793. Published by Ronald J Karle (A0.907639).
$2.95 ≈
2.78€
RAGING FURIES - Goettinnen der Rache
RAGING FURIES - Goettinnen der Rache
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...
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Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95 ≈
46.99€
Folk Songs For Classical Guitar - Volume 35 (Songs 919-945)
Folk Songs For Classical Guitar - Volume 35 (Songs 919-945)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1167752 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1167752 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 46 pages. Socrates Arvanitakis #768119. Published by Socrates Arvanitakis (A0.1167752). This is the thirtieth-fifth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 35 (Songs 919-945)Wild, Wild Berry (the)Will Ye No Come Back AgainWill you go lassieWilliam TaylorWillie Brook (William Cook)Willie DooWillie drowned in EroWindy Old WeatherWithin a GardenWoodsmans Alphabet (the)World I have Forsaken (the)Wraggle Taggle Gipsies-O (the)Wreck of the Sloop John B (the)Yankee DoodleYarmouth is a Pretty TownYe Banks And BraesYe Mar’ners AllYe People All, In God RejoiceYe’re sair dung, Annie, or, Bervie’s BraesYellow BirdYellow Rose of Texas (the)Yellow Sheepskin (the)Young BankerYoung Bucks A-Hunting GoYoung CollinsYoung HerchardYoung William.
$25.00 ≈
23.52€
Light And Tuneful (Wimbledon Opening Theme)
Light And Tuneful (Wimbledon Opening Theme)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Keith Mansfield
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Kevin Riley
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Light And Tuneful
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1468652 Composed by Keith Mansfield. Arranged by Kevin Riley. 20th Century,Film/TV. 33 pages. Kevin Riley #1046894. P...
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Full Orchestra - Level 4 - SKU: A0.1468652 Composed by Keith Mansfield. Arranged by Kevin Riley. 20th Century,Film/TV. 33 pages. Kevin Riley #1046894. Published by Kevin Riley (A0.1468652). Keith Mansfield (born 1941 in London, England) is a British composer and arrangerknown for his creation of prominent television theme tunes, including the Grandstandtheme for the BBC.Mansfield's works include The Young Scene (the original 1968 theme to The Big Match), Light and Tuneful (the opening theme for the BBC's coverage of the Wimbledon Tennis Championships), World Champion (the closing theme for NBC's coverage of the same tournament), and World Series (used for the BBC's athletics coverage). One of his library music recordings, Teenage Carnival, was used as the theme to the cult 1960s ITV children's television series Freewheelers. He has also composed film scores for British movies such as Loot (1970) and Taste of Excitement (1970), and the western Three Bullets for a Long Gun (1971). He also scored the start-up and shutdown themes for Granada Television in 1978, which were used for ten years before it switched to 24-hour television.
$50.00 ≈
47.04€
I Thought It Was You
I Thought It Was You
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Herbie Hancock
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Johan Verhey
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I Thought It Was You
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DaimlerMusic
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1225926 By Herbie Hancock. By Herbie Hancock, Jeffrey Cohen, and Melvin Ragin. Arranged by Johan Verhey....
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1225926 By Herbie Hancock. By Herbie Hancock, Jeffrey Cohen, and Melvin Ragin. Arranged by Johan Verhey. Disco,Funk,Jazz,Rock. 83 pages. DaimlerMusic #821963. Published by DaimlerMusic (A0.1225926). Step into a world of musical enchantment as the talented Johan Verhey invites you to experience a mesmerizing big band reimagining of Herbie Hancock's 'I Thought It Was You.' Prepare to be swept away by the magic of Johan's artistry, where classic jazz meets contemporary brilliance.Johan Verhey's arrangement takes this jazz-funk gem to new heights, infusing it with a dynamic energy that's impossible to resist. Every note, every instrument, and every moment in this rendition is a testament to the passion and expertise of a true musical visionary.As you listen, you'll find yourself transported to a realm where the boundaries between the past and the present blur, all thanks to Johan's extraordinary craftsmanship. With a fusion of groovy rhythms, scintillating brass, and the sheer power of a big band, 'I Thought It Was You' comes to life in ways you've never imagined.This is more than music; it's an experience that transcends time and genre, a journey into the heart of jazz's future. Johan Verhey's arrangement encapsulates the essence of innovation and artistry, a testament to the enduring power of Herbie Hancock's timeless composition.Prepare to groove, be amazed, and let your soul dance to the rhythm of 'I Thought It Was You.' Johan Verhey's arrangement promises to leave you spellbound and craving for more. It's a musical transformation that you won't want to miss.Join Johan Verhey on this sonic adventure, where the past and the present converge, and the future of jazz shines brightly. Don't just listen; immerse yourself in the brilliance of 'I Thought It Was You.More music from Johan Verhey, see: www.bestarrangementsforbands.com.
$60.00 ≈
56.45€
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Big Mans Rag
Big Mans Rag
