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Vous avez sélectionné:
Big Plans
Partitions à imprimer
40 partitions trouvées
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Big Plans
Big Plans
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Piano seul
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FACILE
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Why Don'T We
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Why Don'T We
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Big Plans
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Mr. Lu Lai
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1085987 By Why Don'T We. By Corbyn Besson, Daniel Seavey, Jacob Torrey, James Lavigne, Jonah Marais Roth Frantzich, and T...
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Piano Solo - Level 2 - SKU: A0.1085987 By Why Don'T We. By Corbyn Besson, Daniel Seavey, Jacob Torrey, James Lavigne, Jonah Marais Roth Frantzich, and Thomas Eriksen. Arranged by Why Don'T We. Contemporary,Country,Pop. Score. 5 pages. Mr. Lu Lai #690176. Published by Mr. Lu Lai (A0.1085987). Big Plans Piano score.
$4.99
Big Plans
Big Plans
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Piano seul
#
FACILE
#
Why Don'T We
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Why Don'T We
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Big Plans
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Mr. Lu Lai
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1085986 By Why Don'T We. By Corbyn Besson, Daniel Seavey, Jacob Torrey, James Lavigne, Jonah Marais Roth Frantzich, and T...
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Piano Solo - Level 2 - SKU: A0.1085986 By Why Don'T We. By Corbyn Besson, Daniel Seavey, Jacob Torrey, James Lavigne, Jonah Marais Roth Frantzich, and Thomas Eriksen. Arranged by Why Don'T We. Contemporary,Country,Pop. Score. 5 pages. Mr. Lu Lai #690175. Published by Mr. Lu Lai (A0.1085986). Big Plans Piano score.
$4.99
Big Plans
Big Plans
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Piano, Voix et Guitare
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Pop musique
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Why Don't We
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Big Plans
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Hal Leonard - Digital
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SheetMusicPlus
By Why Don't We. This edition: Interactive Download. Pop. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital...
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By Why Don't We. This edition: Interactive Download. Pop. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital
$4.99
Wedding Plans
Wedding Plans
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Piano grosses notes
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DÉBUTANT
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Film/TV
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Emily Haines and Howard Shor
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Wedding Plans
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Hal Leonard - Digital
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SheetMusicPlus
By Emily Haines and Howard Shore. Film/TV, Pop. 6 pages. Published by Hal Leonard - Digital...
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By Emily Haines and Howard Shore. Film/TV, Pop. 6 pages. Published by Hal Leonard - Digital
$3.99
Big Plans by Dario D'aversa - Piano Solo
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Piano seul
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Dario D'aversa
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Big Plans
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Musicnotes
Sheet Music for Big Plans by Dario D'aversa arranged for Instrumental Solo in Gb Major. Digital sheet music from Musicnotes. ...
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Sheet Music for Big Plans by Dario D'aversa arranged for Instrumental Solo in Gb Major. Digital sheet music from Musicnotes.
$4.99
Big Plans [intermediate] by Jennifer Eklund - Piano Solo
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Piano seul
#
INTERMÉDIAIRE
#
Jennifer Eklund
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Big Plans [intermediate]
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Musicnotes
Sheet Music for Big Plans [intermediate] by Jennifer Eklund arranged for Instrumental Solo in Eb Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for Big Plans [intermediate] by Jennifer Eklund arranged for Instrumental Solo in Eb Minor. Digital sheet music from Musicnotes.
$5.79
Big Plans by Why Don't We - Piano/Vocal/Guitar
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Piano, Voix et Guitare
#
Why Don't We
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Big Plans
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Musicnotes
Performed by: Why Don't We: Big Plans Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, s...
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Performed by: Why Don't We: Big Plans Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- Pop~~Teen Pop~~Boy Band
$5.50
Big Plans [easy] by Jennifer Eklund - Piano Solo
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Piano seul
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FACILE
#
Jennifer Eklund
#
Big Plans [easy]
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Musicnotes
Performed by: Jennifer Eklund: Big Plans [easy] Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music fi...
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Performed by: Jennifer Eklund: Big Plans [easy] Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 5 pages -- Instrumental Pop~~Solo Instrumental~~Pop~~Teen Pop~~Boy Band
$7.99
Big Plans by Why Don't We - Piano/Vocal/Chords, Singer Pro
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Piano, Voix et Guitare
#
Why Don't We
#
Big Plans
#
Musicnotes
Performed by: Why Don't We: BIG PLANS Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, s...
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Performed by: Why Don't We: BIG PLANS Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano;Backup Vocals; 5 pages -- Teen Pop~~Boy Band~~Pop
$5.79
A Million Dreams
A Million Dreams
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Trio à Cordes: 2 violons, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Pink
#
Sarah Cellobat Chaffee
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A Million Dreams
#
Sarah Cellobat Chaffee
#
SheetMusicPlus
String Trio Cello,Violin - Level 4 - SKU: A0.1282398 By Pink. By Benj Pasek and Justin Paul. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Po...
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String Trio Cello,Violin - Level 4 - SKU: A0.1282398 By Pink. By Benj Pasek and Justin Paul. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Wedding. 23 pages. Sarah Cellobat Chaffee #873710. Published by Sarah Cellobat Chaffee (A0.1282398). *INSTRUMENTATION: 2 VIOLINS & CELLO*Written by Benj Pasek and Justin Paul for the feature film The Greatest Showman, A Million Dreams is an exciting anthem in which the young PT Barnum sings to his fiance about his big plans for the future. This catchy song was a huge hit even independently of the movie, and was even covered by singer P!nk for the reimagined version of the soundtrack. The song has also come to be seen as a love ballad, chosen by couples to symbolize their bright future together -- so you can't go wrong having this one in your gig books! Originally written for a wedding ceremony, this Cellobat arrangement for your two-violin and cello string trio will also be perfect for receptions, proposals, pop concerts, solo & ensemble contest, or any other occasion that you need to get your audience singing along. This arrangement is intermediate level overall, but I'm rating it advanced intermediate for some tricky syncopated rhythms in the violin parts that go by quickly; this will be learnable for students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99
James Shaw: Wedding Plans for piano solo
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Piano seul
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FACILE
#
Film/TV
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James Shaw
#
Virtualsheetmusic
Instantly printable sheet music by Howard Shore for piano solo (big note book) of EASY skill level. / film/tv,pop,movies,children
Instantly printable sheet music by Howard Shore for piano solo (big note book) of EASY skill level. / film/tv,pop,movies,children
$6.97
Niet Of Nooit Geweest
Niet Of Nooit Geweest
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Chorale SATB
#
INTERMÉDIAIRE
#
Acda & De Munnik
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Henry J
#
De Munnik
#
Niet Of Nooit Geweest
#
Henry J. Huisjes
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1431705 By Acda & De Munnik. By Memru Renjaan, Paul De Munnik, Ruben Annink, and Thomas Acda. Arrang...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1431705 By Acda & De Munnik. By Memru Renjaan, Paul De Munnik, Ruben Annink, and Thomas Acda. Arranged by Henry J. Huisjes. Broadway,Musical/Show,Pop,Rock,Singer/Songwriter,Standards. 16 pages. Henry J. Huisjes #1012180. Published by Henry J. Huisjes (A0.1431705). Choir Secular (SATB choir)From the album 'Naar Huis' (1998) by ACDA & De Munnik. Arranged by Henry J. Huisjes. Popular Choral Series.The song 'Niet of nooit geweest' was the first big hit of Amsterdam duo Acda & De Munnik. A mixture of pop music with theatre elements. 'Niet of nooit geweest' is taken from the theatre show 'Life is what happens to you while you're busy making other plans'. A title taken from a John Lennon quote. The song eventually achieved platinum.
$3.50
Chattanooga Choo Choo
Chattanooga Choo Choo
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
FACILE
#
Jazz
#
Floyd Cramer
#
Peet du Toit
#
Chattanooga Choo Choo
#
Peet du Toit
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1377195 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Peet du Toit. Jazz. 1...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1377195 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Peet du Toit. Jazz. 18 pages. Peet du Toit #961811. Published by Peet du Toit (A0.1377195). Chattanooga Choo Choo is a 1941 song written by Mack Gordon and composed by Harry Warren. It was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun Valley Serenade. It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies.The song opens up with the band, sounding like a train rolling out of the station, complete with the trumpets and trombones imitating a train whistle, before the instrumental portion comes in playing two parts of the main melody. This is followed by the vocal introduction of four lines before the main part of the song is heard.The main song opens with a dialog between a passenger and a shoeshine boy:Pardon me, boy, is that the Chattanooga Choo Choo?Yes, yes, Track 29!Boy, you can give me a shine.Can you afford to board the Chattanooga Choo Choo?I've got my fare, and just a trifle to spare.The singer describes the train's route, originating from Pennsylvania Station in New York and running through Baltimore to North Carolina before reaching Chattanooga. He mentions a woman he knew from an earlier time in his life, who will be waiting for him at the station and with whom he plans to settle down for good. After the entire song is sung, the band plays two parts of the main melody as an instrumental, with the instruments imitating the WHOO WHOO of the train as the song ends.Here's my representation thereof with Sam Harrill's nifty percussion score supporting it.
$17.00
Chattanooga Choo Choo
Chattanooga Choo Choo
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Chorale Unison
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INTERMÉDIAIRE/AVANCÉ
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Floyd Cramer
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Paul W
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Chattanooga Choo Choo
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Allen/Myer Musicals
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SheetMusicPlus
Choral Choir (Unison) - Level 4 - SKU: A0.1200061 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Paul W. Allen. Historic,Instructional,Ja...
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Choral Choir (Unison) - Level 4 - SKU: A0.1200061 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Paul W. Allen. Historic,Instructional,Jazz,Standards. Octavo. 10 pages. Allen/Myer Musicals #798871. Published by Allen/Myer Musicals (A0.1200061). This marvelous 1941 song was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun ValleySerenade. Â It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies. Â The song was an extended production number, and became the No. 1 song across the United States on December 7, 1941, and remained at No. 1 for nine weeks on the Billboard Best Sellers chart. Â It opens up with the band, sounding like a train rolling out of the station, complete with the trumpets and trombones imitating a train whistle, before the instrumental portion comes in playing two parts of the main melody. Â This is followed by the vocal introduction of four lines before the main part of the song is heard. Â The main song opens with a dialog between a passenger and a shoeshine boy. Â The singer describes the train's route, originating from Pennsylvania Station in New York and running through Baltimore to North Carolina before reaching Chattanooga. He mentions a woman he knew from an earlier time in his life, who will be waiting for him at the station and with whom he plans to settle down for good. After the entire song is sung, the band plays two parts of the main melody as an instrumental, with the instruments imitating the WHOO WHOO of the train as the song ends. Â This is a very intriguing adaptation, with or without voice. Â The price indicated allows you to purchase one (1) copy of the vocal version.
$1.99
Chattanooga Choo Choo
Chattanooga Choo Choo
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Floyd Cramer
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Paul W
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Chattanooga Choo Choo
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Allen/Myer Musicals
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SheetMusicPlus
Instrumental Solo - Level 4 - SKU: A0.1200054 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Paul W. Allen. Historic,Instructional,Jazz,S...
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Instrumental Solo - Level 4 - SKU: A0.1200054 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Paul W. Allen. Historic,Instructional,Jazz,Standards. Individual part. 28 pages. Allen/Myer Musicals #798864. Published by Allen/Myer Musicals (A0.1200054). This marvelous 1941 song was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun ValleySerenade.  It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies. The song was an extended production number, and became the No. 1 song across the United States on December 7, 1941, and remained at No. 1 for nine weeks on the Billboard Best Sellers chart. It opens up with the band, sounding like a train rolling out of the station, complete with the trumpets and trombones imitating a train whistle, before the instrumental portion comes in playing two parts of the main melody. This is followed by the vocal introduction of four lines before the main part of the song is heard.  The main song opens with a dialog between a passenger and a shoeshine boy. The singer describes the train's route, originating from Pennsylvania Station in New York and running through Baltimore to North Carolina before reaching Chattanooga. He mentions a woman he knew from an earlier time in his life, who will be waiting for him at the station and with whom he plans to settle down for good. After the entire song is sung, the band plays two parts of the main melody as an instrumental, with the instruments imitating the WHOO WHOO of the train as the song ends. This is a very intriguing adaptation, with or without voice. The price indicated allows you to purchase ten (10) copies of the handbell version.
$49.99
Chattanooga Choo Choo
Chattanooga Choo Choo
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Floyd Cramer
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Paul W
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Chattanooga Choo Choo
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Allen/Myer Musicals
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1200057 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Paul W. Allen. Historic,Instructional...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1200057 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Paul W. Allen. Historic,Instructional,Jazz,Standards. Score. 41 pages. Allen/Myer Musicals #798867. Published by Allen/Myer Musicals (A0.1200057). This marvelous 1941 song was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun ValleySerenade. Â It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies. Â The song was an extended production number, and became the No. 1 song across the United States on December 7, 1941, and remained at No. 1 for nine weeks on the Billboard Best Sellers chart. Â It opens up with the band, sounding like a train rolling out of the station, complete with the trumpets and trombones imitating a train whistle, before the instrumental portion comes in playing two parts of the main melody. Â This is followed by the vocal introduction of four lines before the main part of the song is heard. Â The main song opens with a dialog between a passenger and a shoeshine boy. Â The singer describes the train's route, originating from Pennsylvania Station in New York and running through Baltimore to North Carolina before reaching Chattanooga. He mentions a woman he knew from an earlier time in his life, who will be waiting for him at the station and with whom he plans to settle down for good. After the entire song is sung, the band plays two parts of the main melody as an instrumental, with the instruments imitating the WHOO WHOO of the train as the song ends. Â This is a very intriguing adaptation, with or without voice. Â The price indicated allows you to purchase one (1) copy of the full score/.
$4.99
Wait On You
Wait On You
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Orchestre
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Joseph Pugh
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Wait On You
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Joseph Pugh
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.854870 Composed by Joseph Pugh. Contemporary,Sacred. Score and parts. 8 pages. Joseph Pugh #5214997. Published by Jos...
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Full Orchestra - Level 3 - SKU: A0.854870 Composed by Joseph Pugh. Contemporary,Sacred. Score and parts. 8 pages. Joseph Pugh #5214997. Published by Joseph Pugh (A0.854870). An orchestration of a song inspired by Rev. Loran Helm , who was a spiritual mentor to me and played a big role in encouragement and guidance in my life. Through his meetings, Waitings On God, I saw first hand the advantages of truly waiting on the One who is suppose to be in charge anyway, instead of rushing ahead with our own plans.
$35.00
Angels, Lambs, Ladybugs & Fireflies - Director's Manual
Angels, Lambs, Ladybugs & Fireflies - Director's Manual
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Betty Hager and Fred Bock
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Angels, Lambs, Ladybugs &
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Fred Bock Music Company
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SheetMusicPlus
Director's Edition Children's Choir; Choral (Director's Manual) SKU: HL.8738002 Children's Christmas Musical. Composed by Betty Hager and Fred Boc...
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Director's Edition Children's Choir; Choral (Director's Manual) SKU: HL.8738002 Children's Christmas Musical. Composed by Betty Hager and Fred Bock. Fred Bock Publications. Christmas, Christmas Sacred, Christmas/Advent Sacred, Musicals. Fred Bock Music Company #BG0690. Published by Fred Bock Music Company (HL.8738002). UPC: 073999380026. 9.0x12.0x0.132 inches. Betty Hager & Fred Bock.Our wings are fluttering, our lights are all lit, and we're genuinely excited about this clever presentation which tells the Christmas story in a new, and fantasy-sort-of-way. Insects and Little Creatures, as well as shepherds and Big People, needed to know and spread the Good News of Jesus' birth. This is their story!This is the original Bock/Hager children's musical - over 100,000 in print! It's a Christmas musical fantasy that includes dialogue and singing by costumed insects, creatures, shepherds, and Mary & Joseph. The animal kingdom comes alive to tell of the Savior's birth - arranged for unison choir with occasional two-part voicing. Available: Director's Edition, Singer's Edition, Accompaniment Track Cassette, Listening Cassette, Preview Pak (Singer's Ed. & Listening Cassette). For Pre-kindergarten to 5th grade.Songs, dialog and piano accompaniments, teaching materials, lesson plans and movement.
Song List
: This Little Light of Mine Away in A Manger (W. Kirkpatick/Arr: J. Heggie) This Is A Story You Should Know (B Hager/F Bock) March of the Insects & Birds (B Hager/F Bock) Will You Go? (B Hager/F Bock) Butterfly, Butterfly (B Hager/F Bock) COME, ALL YOU LITTLE CREATURES
$24.95
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred...
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Flute,Piano - Level 3 - SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
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Trompette, Piano
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INTERMÉDIAIRE
#
Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Peri...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period...
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English Horn,Piano - Level 3 - SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
#
Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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Big Plans
