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Blues in the Night: Drums
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Vous avez sélectionné:
Blues in the Night: Drums
Partitions à imprimer
26 partitions trouvées
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1
26
Last Night
Last Night
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Ensemble Jazz
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FACILE
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Charles Axton, Chips Moman, Fl
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Bandroom
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Last Night
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Bandroom.com Publications
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.859769 Composed by Charles Axton, Chips Moman, Floyd Newman, and Gilbert Caple. Arranged by Bandroom.com...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.859769 Composed by Charles Axton, Chips Moman, Floyd Newman, and Gilbert Caple. Arranged by Bandroom.com Publications. Contemporary,Pop,Rock. Score and Parts. 14 pages. Bandroom.com Publications #3905807. Published by Bandroom.com Publications (A0.859769). __________________________LAST NIGHT - arranged for pep band, basketball band, jazz combo, small jazz ensemble__________________________Great for pre/post-game, 60-second timeouts, or a quick half-time number, LAST NIGHT climbed to #3 on the Billboard Chart in 1961. An easy blend of R&B and rock, this tune is insanely easy (hence the low price), using only 3 different notes! You can make it even more fun by adding easy choreography for the winds - start with bells down, slowly rise during the crescendo, then alternate bells left, then right for each repeated measure.This 54-second arrangement has an easy key and the well-marked rehearsal numbers reduce the amount of time needed in rehearsal.Parts are formatted to fit in a flip-folder, but print on letter-sized paper if you prefer to use 3-ring binders._______________________The highly-flexible BcP-Flex scoring imitates the classic rock band sound by using only 4 instruments/voices - lead, rhythm, bass, and drums:Lead: Flute, Clarinets, Alto Sax, Trumpets (note: for this piece, everyone except bass line has a unison lead/rhythm part)Rhythm: Trombone, Horn, TC Baritone, Tenor Sax (note: for this piece, everyone except bass line has a unison lead/rhythm part)Bass: Electric Bass, Tuba, Bari SaxDrums: This arrangement includes a written drum set part, but it is often easier to get the drummer to pick-up the tune by listening to the chart._______________________To see these other high-energy titles in this series, click www.sheetmusicplus.com/search?Ntt=bcp-flex Barbara Ann (Beach Boys)Blitzkrieg Bop (Ramones)Blues Brothers Riff (I Can’t Turn You Loose - Otis Redding)Come & Get It (Selena Gomez)Grazing in the Grass (Hugh Masekela)Hey! Baby! (Bruce Channel)I Got You (I Feel Good) (James Brown)I Heard It Through The Grapevine (Marvin Gaye)Last Night (The Mar-Keys)Low Rider (War)Me! (Taylor Swift)My Sharona (The Knack)Oye Como Va (Santana)Peter Gunn (Mancini)Seven Nation Army (The White Stripes)Tequila (The Champs)That’s the Way I Like It (KC &The Sunshine Band)What Makes You Beautiful (One Direction)Wooly Bully (Sam the Sham and the Pharaohs)YMCA (Village People). . . . and a great, simple pep band setting of:The Star-Spangled Banner (USA National Anthem). __________________________.
$14.00 ≈
12.93€
C Jam Blues for Brass Quintet
C Jam Blues for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Te...
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99 ≈
12.00€
Night Train
Night Train
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Ensemble Jazz
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FACILE
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Buddy Morrlow
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Paul Lichty
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Night Train
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Paul Lichty Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1371340 By Buddy Morrlow. By Jimmy Forrest, Lewis C. Simpkins, and Oscar Washington. Arranged by Paul Li...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.1371340 By Buddy Morrlow. By Jimmy Forrest, Lewis C. Simpkins, and Oscar Washington. Arranged by Paul Lichty. Blues,Jazz. 52 pages. Paul Lichty Music #955551. Published by Paul Lichty Music (A0.1371340). Thank you for considering this arrangement! The catchy melody and triplet feel will provide many opportunities for growth in your developing jazz ensemble.Listening to recordings of the tune is a must for emulating the style of the piece. Two good reference recordings are found on the following albums:Night Train - Jimmy ForrestGrey's Mood Al Grey (w/ Jimmy Forrest)There's also a terrific Youtube video of Jimmy Forrest performing it with the Count Basie Orchestra.This chart can be done with the following instrumentation: Altos 1 + 2, Tenor 1, Bari, Trumpets 1-2, Trombones 1-2, Piano, Bass, and Drums. If you'd like me to make parts for other instruments (flute, horn, etc.), please reach out to me.I couldn't think of too many blues heads that'd be able to teach two essential jazz concepts (the blues and slow swing feel) that would be as catchy and as fun as Night Train. Your kids will be playing this tune a lot in the band room!Whenever chord symbols are present, bass players can make up their own bass lines and guitarists/pianists their own voicings. This chart's slow tempo and familiar harmonic structure can provide young players with a bridge to developing their own improvised bass lines and comping skills.The plunger work in the beginning is fun, but not required (in case you don't trust middle school students with plungers :))If your rhythm section players need easier or harder parts, let me know and I'm happy to provide.Feel free to add additional soloists if desired. The trombone solo can be repeated for additional soloists.Enjoy Night Train!
$49.99 ≈
46.18€
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
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SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamara released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamara released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamara, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamara's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamara at friend Donald Byrd's urging. Santamara started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamara later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamara recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamara included the track on his album Watermelon Man (1962). Santamara's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzl Pygmies (1966), by Simha Arom and Genevive Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99 ≈
13.85€
In The Air Tonight
In The Air Tonight
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Batterie
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DÉBUTANT
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Blues
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Rock
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Phil Collins
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In The Air Tonight
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Drum Sheet MX
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SheetMusicPlus
Drum Set,Drums - Level 1 - SKU: A0.1354058 By Phil Collins. By Phil Collins. Arranged by Drum Transcription: Leo Alvarado. Blues,Pop,Rock. Score. 1 page...
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Drum Set,Drums - Level 1 - SKU: A0.1354058 By Phil Collins. By Phil Collins. Arranged by Drum Transcription: Leo Alvarado. Blues,Pop,Rock. Score. 1 pages. Drum Sheet MX #938782. Published by Drum Sheet MX (A0.1354058).
$5.00 ≈
4.62€
A Touch of Jazz: Drums
A Touch of Jazz: Drums
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Orchestre
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Jazz
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Jerry Brubaker
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A Touch of Jazz: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017094_D Drums. Arranged by Jerry Brubaker. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-001709...
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Full Orchestra - SKU: AX.00-PC-0017094_D Drums. Arranged by Jerry Brubaker. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017094_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017094_D). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$3.00 ≈
2.77€
Sunday Night Blues
Sunday Night Blues
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Ensemble Jazz
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DÉBUTANT
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Jeremy Corcoran
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Sunday Night Blues
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LPC Publishers
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.769538 Composed by Jeremy Corcoran. Blues,Jazz,Rock. Score and parts. 34 pages. LPC Publishers #377176. ...
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Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.769538 Composed by Jeremy Corcoran. Blues,Jazz,Rock. Score and parts. 34 pages. LPC Publishers #377176. Published by LPC Publishers (A0.769538). Aimed at Middle School Jazz Bands, this funk/rock tune is very accessible to beginning jazz band students. Playable with limited instrumentation -3 Saxes 1 Trombone, 1 Trumpet, Bass, Piano and Drums. Catchy melody and every section gets a moment in the spotlight.
$42.00 ≈
38.80€
Lost In your City by Marco.R
Lost In your City by Marco.R
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Marco
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Lost In your City by Marco.R
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Marco.R Production
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SheetMusicPlus
Small Ensemble Bass Guitar,Drums,Organ,Tenor Saxophone,Voice - SKU: A0.1028284 Composed by Marco.R. Blues,Pop. Score and parts. 1 pages. Marco.R Product...
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Small Ensemble Bass Guitar,Drums,Organ,Tenor Saxophone,Voice - SKU: A0.1028284 Composed by Marco.R. Blues,Pop. Score and parts. 1 pages. Marco.R Production #3926759. Published by Marco.R Production (A0.1028284). Music : Marco.R Lyrics: Rose Lisa (Buffalo, United States) Lost in your city Searching for my dream It's grey and rainy On your busy street Lost in your city In a blinding light Looking for a stranger Help me through the night I'm wandering, wandering, wandering through you I'm wandering, wandering, roaming through you Lost in your city Ready for the leap Feeling so lonely Won't you come for me? Lost in your city Spending all my time Sitting on a park bench Sipping bubbly wine I'm wandering, wandering, wandering through you
$1.99 ≈
1.84€
Clinch at midnight - Charleston/Two Step - Clarinet Quintet
Clinch at midnight - Charleston/Two Step - Clarinet Quintet
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Thomas Graf
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Thomas Graf
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Clarinet in Eb (opt
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Clinch at midnight - Charlesto
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.569421 Composed by Thomas Graf. Arranged by Thomas Graf. Jazz. 27 pages. Thomas Graf...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.569421 Composed by Thomas Graf. Arranged by Thomas Graf. Jazz. 27 pages. Thomas Graf - the-hit-factory.com #6348639. Published by Thomas Graf - the-hit-factory.com (A0.569421). A top arrangement for your ensemble, simple key (D minor), funny melody (a pinch Muppet Show, a spoon Charleston, an associated shot ragtime, a little blues scale, its simple form (AABA) - a simple recipe your audience will love! Ein Top-Arrangement für Ihr Ensemble, einfache Tonart (D-minor), lustige Melodie (eine Prise Muppetshow, ein Löffel Charleston, ein gehöriger Schuss Ragtime, ein wenig Blues-Scale, seine einfache Form (A-A-B-A) - ein einfaches Rezept, das Ihre Zuhörer begeistern wird! Instrumentation: Clarinet in Eb (opt.), Clarinet 1 in Bb, Clarinet 2 in Bb, Clarinet 3 in Bb/Eb (Alto), Clarinet 4 in Bb/Eb (Alto), Bass Clarinet in Bb , Drums (opt.) Format: Score and part are in letter format. Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic .
$14.99 ≈
13.85€
Clinch at midnight - Charleston/Two Step - Brass Quintet
Clinch at midnight - Charleston/Two Step - Brass Quintet
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Ensemble Jazz
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INTERMÉDIAIRE
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Ragtime
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Jazz
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Thomas Graf
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Thomas Graf
#
#
Clinch at midnight - Charlesto
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.569419 Composed by Thomas Graf. Arranged by Thomas Graf. Jazz,Ragtime. Score and parts. 31 pages. Thomas...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.569419 Composed by Thomas Graf. Arranged by Thomas Graf. Jazz,Ragtime. Score and parts. 31 pages. Thomas Graf - the-hit-factory.com #6348613. Published by Thomas Graf - the-hit-factory.com (A0.569419). A top arrangement for your ensemble, simple key (D minor), funny melody (a pinch Muppet Show, a spoon Charleston, an associated shot ragtime, a little blues scale, its simple form (AABA) - a simple recipe your audience will love! Ein Top-Arrangement für Ihr Ensemble, einfache Tonart (D-minor), lustige Melodie (eine Prise Muppetshow, ein Löffel Charleston, ein gehöriger Schuss Ragtime, ein wenig Blues-Scale, seine einfache Form (A-A-B-A) - ein einfaches Rezept, das Ihre Zuhörer begeistern wird! Instrumentation: Tpt 1/2 in Bb/C, Horn in F/Eb, Trombone C/Bb, Tuba/Bass in Bb/Eb/Bass Trombone, Drums (opt.) Format: Score and part are in letter format. Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic .
$14.99 ≈
13.85€
The Moody Blues : Nights In White Satin (niveau intermédiaire)
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Batterie
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INTERMÉDIAIRE
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Rock
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Pop musique
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The Moody Blues
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Nights In White Satin
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Tomplay
Telechargez la partition Batterie Nights In White Satin (niveau intermediaire) de The Moody Blues. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Nights In White Satin (niveau intermediaire) de The Moody Blues. Partition avec audio Play Along. Pop/rock
5.99€
The Moody Blues : Nights In White Satin (niveau facile)
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Batterie
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FACILE
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Rock
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Pop musique
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The Moody Blues
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Nights In White Satin
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Tomplay
Telechargez la partition Batterie Nights In White Satin (niveau facile) de The Moody Blues. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Nights In White Satin (niveau facile) de The Moody Blues. Partition avec audio Play Along. Pop/rock
5.99€
The Moody Blues : Nights In White Satin - Version originale (niveau difficile)
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Batterie
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AVANCÉ
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Rock
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Pop musique
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The Moody Blues
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Nights In White Satin
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Tomplay
Telechargez la partition Batterie Nights In White Satin - Version originale (niveau difficile) de The Moody Blues. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Nights In White Satin - Version originale (niveau difficile) de The Moody Blues. Partition avec audio Play Along. Pop/rock
5.99€
The Moody Blues : Nights In White Satin (niveau débutant)
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Batterie
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DÉBUTANT
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Rock
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Pop musique
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The Moody Blues
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Nights In White Satin
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Tomplay
Telechargez la partition Batterie Nights In White Satin (niveau debutant) de The Moody Blues. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Nights In White Satin (niveau debutant) de The Moody Blues. Partition avec audio Play Along. Pop/rock
5.99€
Blues in the Night: Drums
Blues in the Night: Drums
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Batterie (partie séparée)
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Methodes
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Johnny Mercer and Harold Arlen
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Lisa DeSpain
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Blues in the Night: Drums
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
By Johnny Mercer and Harold Arlen. Arranged by Lisa DeSpain. For Jazz Ensemble. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music ...
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By Johnny Mercer and Harold Arlen. Arranged by Lisa DeSpain. For Jazz Ensemble. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
2.77€
Blues in the Night: Drums
Blues in the Night: Drums
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Batterie (partie séparée)
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Methodes
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Calvin Custer
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Blues in the Night: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Arranged by Calvin Custer. For Jazz Ensemble. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music ...
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Arranged by Calvin Custer. For Jazz Ensemble. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
2.77€
Hey! Baby!
Hey! Baby!
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Ensemble Jazz
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INTERMÉDIAIRE
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Bruce Channel
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Bandroom
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Hey! Baby!
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Bandroom.com Publications
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.859770 By Bruce Channel. By Bruce Channel and Margaret Cobb. Arranged by Bandroom.com Publications. Cont...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.859770 By Bruce Channel. By Bruce Channel and Margaret Cobb. Arranged by Bandroom.com Publications. Contemporary,Pop,Rock. Score and Parts. 16 pages. Bandroom.com Publications #3906637. Published by Bandroom.com Publications (A0.859770). __________________________HEY! BABY! - arranged for pep band, basketball band, jazz combo, small jazz ensemble__________________________Add some energy to your pre/post-game tunes, or even for half-time. The band gets to shout on this one! Easy keys with multiple courtesy accidentals and well-marked rehearsal numbers reduce the amount of time needed in rehearsal and improve performance.Parts are formatted to fit in a flip-folder, but print on letter-sized paper if you prefer to use 3-ring binders.__________________________The highly-flexible BcP-Flex scoring* imitates the classic rock band sound by using only 4 instruments/voices - lead, rhythm, bass, and drums:Lead: Flute, Clarinets, Alto Sax, TrumpetsRhythm: Trombone, Horn, TC Baritone, Tenor Sax,Bass: Electric Bass, Tuba, Bari SaxDrums: This arrangement includes a written drum set part, but it is often easier to get the drummer topick-up the tune by listening to the chart.__________________________To see these other high-energy titles in this series, click www.sheetmusicplus.com/search?Ntt=bcp-flex Barbara Ann (Beach Boys)Blitzkrieg Bop (Ramones)Blues Brothers Riff (I Can’t Turn You Loose - Otis Redding)Come & Get It (Selena Gomez)Grazing in the Grass (Hugh Masekela)Hey! Baby! (Bruce Channel)I Got You (I Feel Good) (James Brown)I Heard It Through The Grapevine (Marvin Gaye)Last Night (The Mar-Keys)Low Rider (War)Me! (Taylor Swift)My Sharona (The Knack)Oye Como Va (Santana)Peter Gunn (Mancini)Seven Nation Army (The White Stripes)Tequila (The Champs)That’s the Way I Like It (KC &The Sunshine Band)What Makes You Beautiful (One Direction)Wooly Bully (Sam the Sham and the Pharaohs)YMCA (Village People). . . . and a great, simple pep band setting of:The Star-Spangled Banner (USA National Anthem). __________________________.
$18.00 ≈
16.63€
Stayin' Alive
Stayin' Alive
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Batterie
#
DÉBUTANT
#
Bee Gees
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Felipe Gonçalves
#
Stayin' Alive
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Felipe Gonçalves
#
SheetMusicPlus
Drums - Level 1 - SKU: A0.1075013 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Felipe Gonçalves. Blues,Country,Disco,Film/TV...
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Drums - Level 1 - SKU: A0.1075013 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Felipe Gonçalves. Blues,Country,Disco,Film/TV,Pop. Score. 2 pages. Felipe Gonçalves #679282. Published by Felipe Gonçalves (A0.1075013). Drums simplified arrangement music Stayin' Alive From The Motion Picture Saturday Night Fever Featured In The Broadway Musical Saturday Night Fever by The Bee Gees.
$4.99 ≈
4.61€
Hymn To Freedom
Hymn To Freedom
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Ensemble de saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Oscar Peterson
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James Pybus
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Hymn To Freedom
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James Pybus
#
SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1140852 By O...
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1140852 By Oscar Peterson. By Harriette Hamilton and Oscar Peterson. Arranged by James Pybus. 20th Century,Blues,Jazz,Praise & Worship,Spiritual. 39 pages. James Pybus #741106. Published by James Pybus (A0.1140852). Recognized as one of Oscar Peterson’s most significant compositions, Hymn to Freedom was written in 1962 and was swiftly embraced by people over the world as the anthem of the Civil Rights Movement. The piece was Peterson’s first major work and was written with encouragement from his producer and dear friend Norman Granz. During those initial recording sessions, Granz urged Peterson to create a tune with a “definitive early-blues feelâ€. For inspiration, Peterson drew upon various church renderings of Negro spirituals recalled from his childhood in Montreal. He aimed to maintain the unadorned, yet poignant quality of these early Baptist hymns while composing the beginning chorus of Hymn to Freedom. Upon its completion, Peterson and Granz decided that lyrics would complement the music and contacted Malcolm Dodds, composer, arranger and choir director of The Malcolm Dodds Singers, a backup group for many popular artists of the day. Dodds turned to his collaborator Harriette Hamilton, who had been writing lyrics for the choir group’s original compositions for several years. According to Hamilton, “all the lyrics had to do was express in very simple language the hope for unity, peace, and dignity for mankind. It was easy to write.†With Peterson on piano, Ray Brown on bass and Ed Thigpen on drums, the trio recorded the piece on Night Train (Verve 1962), which became one of their most commercially successful albums. Critical acclaim moved Peterson to record Hymn to Freedom on several albums that followed. This arrangement is playable by SATB Saxophone Quartet with optional Bass Saxophone, String Bass and Drums. For performances by SATB Saxophone Quartet without rhythm, the part marked Baritone Saxophone 2 (substitute Bass Saxophone) should be used. Some improvising is allowed for in the soprano, alto and tenor parts. Optional written solos are provided. This arrangement will enhance a wide variety of concert programmes and performance situations. The duration is 4:45. Contact me at james.pybus56@gmail.com.
$24.99 ≈
23.09€
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Blues in the Night: Drums
