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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Orchestre
#
Classique
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
(+)
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
22.86€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
#
Orchestre
#
Classique
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
(+)
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00 ≈
22.86€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Orchestre
#
Classique
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
22.86€
Four Impressions on Debussy (4 Piano Preludes arranged for Full Orchestra) ? Score and Parts
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music ...
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Full Orchestra - Level 4 - SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99 ≈
91.42€
Debussy: Piano Preludes Bk.1 No.10 "La Cathédral engloutie" - symphonic wind
Debussy: Piano Preludes Bk.1 No.10 "La Cathédral engloutie" - symphonic wind
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Classique
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Claude Debussy
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Ray Thompson
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Debussy: Piano Preludes Bk.1 N
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - SKU: A0.553821 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Centur...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - SKU: A0.553821 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Concert. Score and parts. 24 pages. RayThompsonMusic #4801954. Published by RayThompsonMusic (A0.553821). La Cathédrale engloutie (The Submerged Cathedral) is a prelude written by the French composer Claude Debussy for solo piano. It was published in 1910 as the tenth prelude in Debussy’s first of two volumes of twelve piano preludes each. It is characteristic of Debussy in its form, harmony, and content.Arranged double wind quintet.Debussy indicates a meter of 6/4=3/2 on his piano original. His own recording plays all the quarter notes/crotchets in the 6/4 passages at exactly the same length as the half notes/minims in the 3/2 passages.I have done the same in this arrangement.In other words the beat/pulse remains the same throuhout the piece.
$14.95 ≈
13.67€
Toccata Debussy
Toccata Debussy
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Piano seul
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AVANCÉ
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Classique
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Claude Debussy
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Thomas Jancso
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Toccata Debussy
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Thomas Jancso
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.710855 Composed by Claude Debussy. Arranged by Thomas Jancso. 20th Century,Contemporary. Score. 11 pages. Thomas Jancso #...
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Piano Solo - Level 5 - SKU: A0.710855 Composed by Claude Debussy. Arranged by Thomas Jancso. 20th Century,Contemporary. Score. 11 pages. Thomas Jancso #6667861. Published by Thomas Jancso (A0.710855). Pour le piano (For the piano), L. 95, is a suite for solo piano by Claude Debussy. It consists of three individually composed movements, Prélude, Sarabande and Toccata. The suite was completed and published in 1901. It was premiered on 11 January 1902 at the Salle Érard, played by Ricardo Viñes. Maurice Ravel orchestrated the middle movement.
$3.99 ≈
3.65€
Debussy: La plus que lente (Valse) - wind quintet
Debussy: La plus que lente (Valse) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Claude Debussy
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Ray Thompson
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Debussy: La plus que lente
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553915 Composed by Claude Debussy. Arranged by Ray Thompson. 20t...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.553915 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Wedding. 12 pages. RayThompsonMusic #6103441. Published by RayThompsonMusic (A0.553915). La plus que lente, L. 121 The more than slow), is a waltz for solo piano written by Claude Debussy in 1910, shortly after his publication of the Préludes, Book I.The piece debuted at the New Carlton Hotel in Paris, where it was transcribed for strings and performed by the popular 'gipsy' violinist, Léoni, for whom Debussy wrote it (and who was given the manuscript by the composer).Despite its title, La plus que lente was not meant to be played slowly; lente, in this context, refers to the valse lente genre that Debussy attempted to emulate.Typical of Debussy's caustic approach to naming his compositions, it represented his reaction to the vast influence of the slow waltz in France's social atmospheres. However, as Frank Howes noted, La plus que lente is, in Debussy's wryly humorous way, the valse lente [slow waltz] to outdo all others.The work is marked Molto rubato con morbidezza, indicating Debussy's encouragement of a flexible tempo.Arranged for standard wind quintet.
$14.95 ≈
13.67€
Debussy: Sarabande (Pour le piano) (For the piano), L. 95- wind dectet
Debussy: Sarabande (Pour le piano) (For the piano), L. 95- wind dectet
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Orchestre
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Classique
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Claude Debussy
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Ray Thompson
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Debussy: Sarabande
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century. Score and parts. 17 pages. RayThomp...
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Large Ensemble - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century. Score and parts. 17 pages. RayThompsonMusic #6109107. Published by RayThompsonMusic
Pour le piano (For the piano), L. 95, is a suite for solo piano by Claude Debussy. It consists of three individually composed movements, Prlude, Sarabande and Toccata. The suite was completed and published in 1901. It was premiered on 11 January 1902 at the Salle rard, played by Ricardo Vies. Maurice Ravel orchestrated the middle movement.
This is my arrangement of that movement.based on Ravel's orchestration.
Regarded as Debussy's first mature piano composition, the suite has frequently been recorded.Arranged double wind quintet/double bass
Clarinet parts are for clarinets in A
Oboe 2 is for cor anglais
$14.95 ≈
13.67€
Arabesque No. 1 / Claude Debussy
Arabesque No. 1 / Claude Debussy
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Claude Debussy
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Kan Saito / Japan Duo Notes
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Arabesque No. 1 / Claude Debus
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Japan Duo Notes
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SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.1490848 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical,Fi...
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Flute Duet Flute - Level 3 - SKU: A0.1490848 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical,Film/TV,Standards. Score. 4 pages. Japan Duo Notes #1067632. Published by Japan Duo Notes (A0.1490848). Title: Arabesque No. 1 by Claude Debussy – Flute Duet ArrangementDescription:Immerse yourself in the delicate beauty and flowing lines of Claude Debussy’s Arabesque No. 1 with this enchanting flute duet arrangement. Originally composed for piano, Arabesque No. 1 is one of Debussy’s most beloved pieces, known for its lyrical melodies, intricate rhythms, and impressionistic style. This arrangement for two flutes captures the essence of Debussy’s original composition, offering a fresh and captivating performance experience.Key Features:Composer: Claude DebussyArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 4 pagesThis flute duet arrangement of Arabesque No. 1 maintains the elegance and fluidity of Debussy’s original, translating its graceful, winding melodies into a beautiful interplay between two flutes. Ideal for concert performances, recitals, and special occasions, this piece allows flutists to explore the nuanced expressions and impressionistic colors that define Debussy’s music.Why Choose This Arrangement?Authentic Adaptation: Faithfully captures the lyrical and impressionistic qualities of Debussy’s Arabesque No. 1, reimagined for two flutes.Versatile and Expressive: Suitable for a variety of performance settings, including formal recitals, chamber music concerts, and intimate gatherings.Musically Rewarding: Designed for intermediate to advanced flutists, offering both a technical challenge and an opportunity for expressive performance.Enhance your flute repertoire with this beautifully crafted arrangement of Claude Debussy’s Arabesque No. 1. It’s an ideal choice for flutists who appreciate the delicate nuances of impressionistic music and wish to perform a timeless piece with a fresh, harmonious twist.Keywords: Claude Debussy, Arabesque, flute duet, flute sheet music, Debussy arrangements, impressionistic music, flute ensemble, intermediate flute music, advanced flute duet, classical music, concert flute duet, recital music, Debussy piano music.
$5.99 ≈
5.48€
Clair de Lune / C. Debussy
Clair de Lune / C. Debussy
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE/AVANCÉ
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Claude Debussy
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Kan Saito / Japan Duo Notes
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Clair de Lune / C. Debussy
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Japan Duo Notes
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SheetMusicPlus
Flute Duet Flute - Level 4 - SKU: A0.1490332 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical,Fi...
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Flute Duet Flute - Level 4 - SKU: A0.1490332 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical,Film/TV. Score. 7 pages. Japan Duo Notes #1067172. Published by Japan Duo Notes (A0.1490332). Title: Clair de Lune by Claude Debussy – Flute Duet ArrangementDescription:Immerse yourself in the ethereal beauty of Claude Debussy’s Clair de Lune with this elegant flute duet arrangement. Originally composed for piano, Clair de Lune is one of Debussy’s most celebrated pieces, known for its impressionistic style and evocative, dream-like quality. This arrangement for two flutes captures the delicate textures and shimmering harmonies of the original composition, offering a fresh and enchanting performance experience.Key Features:Composer: Claude DebussyArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 3 pages , Parts: 2 pages each Total: 7 pagesThis flute duet arrangement preserves the essence of Debussy’s Clair de Lune, translating its lush harmonies and flowing melodies into a beautiful conversation between two flutes. Ideal for concert performances, recitals, and special occasions, this piece allows flutists to explore the impressionistic colors and nuanced expressions that define Debussy’s music.Why Choose This Arrangement?Authentic Adaptation: Faithfully retains the lyrical and impressionistic qualities of Debussy’s Clair de Lune, reimagined for two flutes.Versatile and Expressive: Perfect for a range of performance settings, including formal recitals, chamber music concerts, and intimate gatherings.Musically Enriching: Designed for intermediate to advanced flutists, offering a balance of technical challenge and expressive depth.Enhance your flute repertoire with this beautifully crafted arrangement of Claude Debussy’s Clair de Lune. It’s an ideal choice for flutists who appreciate the delicate nuances of impressionistic music and wish to perform a timeless classic with a fresh, harmonious twist.Keywords: Claude Debussy, Clair de Lune, flute duet, flute sheet music, Debussy arrangements, impressionistic music, flute ensemble, intermediate flute music, advanced flute duet, classical music, concert flute duet, recital music, Debussy piano music.
$5.99 ≈
5.48€
Rêverie / C. Debussy
Rêverie / C. Debussy
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Claude Debussy
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Kan Saito / Japan Duo Notes
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Rêverie / C. Debussy
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Japan Duo Notes
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SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.1489795 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 20th Century,Classical,Film/TV,Standar...
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Flute Duet Flute - Level 3 - SKU: A0.1489795 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 20th Century,Classical,Film/TV,Standards. Score. 7 pages. Japan Duo Notes #1066667. Published by Japan Duo Notes (A0.1489795). Title: Rêverie by Claude Debussy – Flute Duet ArrangementDescription:Explore the dreamlike beauty of Claude Debussy’s Rêverie in this exquisite flute duet arrangement. Originally composed for piano, Rêverie is one of Debussy’s most beloved works, celebrated for its delicate melody and atmospheric harmonies that evoke a sense of calm and introspection. This arrangement brings Debussy’s enchanting piece to life for two flutes, offering a fresh perspective on this timeless classic.Key Features:Composer: Claude DebussyArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 3 pages , Parts: 2 pages each Total: 7 pagesThis arrangement captures the essence of Debussy’s original composition, carefully adapting its flowing lines and rich harmonies for two flutes. Perfect for performances in recitals, chamber music settings, or as a serene addition to any concert program, this duet allows both flutists to explore the subtle nuances and expressive depth of Debussy’s music.Why Choose This Arrangement?Faithful Adaptation: Maintains the ethereal quality and melodic beauty of Debussy’s original piece, reimagined for two flutes.Ideal for Performances: Suitable for a variety of performance settings, from recitals and chamber music concerts to educational performances.Expressive and Engaging: Designed for intermediate to advanced flutists, offering a rewarding challenge that emphasizes musicality and expression.Add the evocative charm of Debussy’s Rêverie to your repertoire with this beautifully crafted flute duet arrangement. It’s an excellent choice for flutists who appreciate the impressionistic style and want to delve into Debussy’s poetic sound world.Keywords: Claude Debussy, Rêverie, flute duet, flute sheet music, Debussy arrangements, flute ensemble, intermediate flute music, advanced flute duet, classical music, concert flute duet, recital music, impressionist music.
$5.99 ≈
5.48€
Beau Soir (Debussy) for Baritone Saxophone and Piano
Beau Soir (Debussy) for Baritone Saxophone and Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Harry Walker
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Beau Soir
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SCORE EDITIONS
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1501044 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,R...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1501044 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077001. Published by SCORE EDITIONS (A0.1501044). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Baritone Saxophone and Piano by Harry Walker.
$5.99 ≈
5.48€
Beau Soir (Debussy) for Clarinet in A and Piano
Beau Soir (Debussy) for Clarinet in A and Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Harry Walker
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Beau Soir
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SCORE EDITIONS
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SheetMusicPlus
A Clarinet,Piano - Level 3 - SKU: A0.1501049 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romantic ...
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A Clarinet,Piano - Level 3 - SKU: A0.1501049 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077006. Published by SCORE EDITIONS (A0.1501049). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Clarinet in A and Piano by Harry Walker.
$5.99 ≈
5.48€
Beau Soir (Debussy) for Contrabass and Piano
Beau Soir (Debussy) for Contrabass and Piano
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Contrebasse, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Harry Walker
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Beau Soir
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SCORE EDITIONS
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 3 - SKU: A0.1501197 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classi...
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Double Bass,Piano,String Bass - Level 3 - SKU: A0.1501197 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077155. Published by SCORE EDITIONS (A0.1501197). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Contrabass and Piano by Harry Walker.
$5.99 ≈
5.48€
Beau Soir (Debussy) for Cello and Piano
Beau Soir (Debussy) for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Harry Walker
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Beau Soir
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SCORE EDITIONS
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1501048 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romantic Perio...
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Cello,Piano - Level 3 - SKU: A0.1501048 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077005. Published by SCORE EDITIONS (A0.1501048). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Cello and Piano by Harry Walker.
$5.99 ≈
5.48€
Beau Soir (Debussy) for Bassoon and Piano
Beau Soir (Debussy) for Bassoon and Piano
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Basson, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Harry Walker
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Beau Soir
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SCORE EDITIONS
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SheetMusicPlus
Bassoon,Piano - Level 3 - SKU: A0.1501047 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romantic Per...
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Bassoon,Piano - Level 3 - SKU: A0.1501047 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077004. Published by SCORE EDITIONS (A0.1501047). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Bassoon and Piano by Harry Walker.
$5.99 ≈
5.48€
Beau Soir (Debussy ) for Clarinet in B-flat and Piano
Beau Soir (Debussy ) for Clarinet in B-flat and Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Harry Walker
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Beau Soir
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SCORE EDITIONS
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1501050 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Roma...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1501050 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077007. Published by SCORE EDITIONS (A0.1501050). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Clarinet in B-flat and Piano by Harry Walker.
$5.99 ≈
5.48€
Beau Soir (Debussy) for Bass Clarinet and Piano
Beau Soir (Debussy) for Bass Clarinet and Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Harry Walker
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Beau Soir
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SCORE EDITIONS
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.1501045 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romant...
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Bass Clarinet,Piano - Level 3 - SKU: A0.1501045 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077002. Published by SCORE EDITIONS (A0.1501045). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Bass Clarinet and Piano by Harry Walker.
$5.99 ≈
5.48€
Beau Soir (Debussy) for Alto Saxophone and Piano
Beau Soir (Debussy) for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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Harry Walker
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Beau Soir
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SCORE EDITIONS
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1501043 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Roman...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1501043 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077000. Published by SCORE EDITIONS (A0.1501043). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Alto Saxophone and Piano by Harry Walker.
$5.99 ≈
5.48€
Beau Soir (Debussy) for English Horn and Piano
Beau Soir (Debussy) for English Horn and Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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Claude Debussy
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Harry Walker
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Beau Soir
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SCORE EDITIONS
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.1501198 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Contest...
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English Horn,Piano - Level 3 - SKU: A0.1501198 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,20th Century,Chamber,Classical,Contest,Festival. Score and part. 8 pages. SCORE EDITIONS #1077156. Published by SCORE EDITIONS (A0.1501198). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for English Horn and Piano by Harry Walker.
$5.99 ≈
5.48€
Sunken Cathedral for Horn Choir and Tuba
Sunken Cathedral for Horn Choir and Tuba
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Classique
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Claude Debussy
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Frank Starobin
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Sunken Cathedral for Horn Choi
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Frank Starobin
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SheetMusicPlus
Small Ensemble Horn,Tuba - Level 5 - SKU: A0.874047 Composed by Claude Debussy. Arranged by Frank Starobin. 20th Century,Concert. Score and parts. 32 pa...
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Small Ensemble Horn,Tuba - Level 5 - SKU: A0.874047 Composed by Claude Debussy. Arranged by Frank Starobin. 20th Century,Concert. Score and parts. 32 pages. Frank Starobin #3096579. Published by Frank Starobin (A0.874047). Claude Debussy wrote La CatheÌdrale engloutie (The Sunken Cathedral) as part of his first book of piano preludes in 1910. This work is based on a Breton legend where an underwater cathedral off the coast of the Island of Ys rises from the sea at dusk. This arrangement for horns and tuba uses bell tones to represent church bells. Further, the section at bar 28 is when the cathedral has finally risen and a great organ is playing. duration 6:00https://www.youtube.com/watch?v=gtV0t1JtOJM
$20.00 ≈
18.28€
La Cathédrale Engloutie
La Cathédrale Engloutie
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Classique
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Claude Debussy
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Jack Krugman
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La Cathédrale Engloutie
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Jack Krugman
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SheetMusicPlus
Bass Trombone,Horn,Trumpet,Tuba - Level 5 - SKU: A0.1276502 Composed by Claude Debussy. Arranged by Jack Krugman. 19th Century,20th Century,Classical. 2...
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Bass Trombone,Horn,Trumpet,Tuba - Level 5 - SKU: A0.1276502 Composed by Claude Debussy. Arranged by Jack Krugman. 19th Century,20th Century,Classical. 21 pages. Jack Krugman #868215. Published by Jack Krugman (A0.1276502). La Cathédrale Engloutie, originally composed by Claude Debussy (1862-1918), arranged for Brass by Jack Krugman.
$1.99 ≈
1.82€
Tarantelle Styrienne 'Dance' by Claude Debussy for Clarinet Sextet.
Tarantelle Styrienne 'Dance' by Claude Debussy for Clarinet Sextet.
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Stephen Davies
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Tarantelle Styrienne 'Dance' b
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.891964 Composed by Claude Debussy. Arranged by Stephen Davies. 20th Century,Concert,Standards. 66 pages. ...
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.891964 Composed by Claude Debussy. Arranged by Stephen Davies. 20th Century,Concert,Standards. 66 pages. Stephen Davies #6140833. Published by Stephen Davies (A0.891964). A battle royal between 6/8 and 3/4, tight staccato passages, a catchy and memorable main melody-line, a mysterious but harmonically captivating middle section, culminating in a gallop to the finish line, this Clarinet Sextet has a lot to offer the accomplished Clarinettist! Scored for 4 Bb, Alto & Bass Clarinets, this early piano work by Debussy was originally written in 1891 under the name 'Tarantelle Styrienne', however he revised the piece in 1903 renaming it 'Dance'. This is my take on it, so we Clarinet players can enjoy performing too!
$19.99 ≈
18.28€
Beau Soir (Debussy) for Trumpet in C and Piano
Beau Soir (Debussy) for Trumpet in C and Piano
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Trompette, Piano
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INTERMÉDIAIRE
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Claude Debussy
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Harry Walker
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Beau Soir
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SCORE EDITIONS
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SheetMusicPlus
C Trumpet,Piano - Level 3 - SKU: A0.1501225 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romant...
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C Trumpet,Piano - Level 3 - SKU: A0.1501225 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077182. Published by SCORE EDITIONS (A0.1501225). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Trumpet in C and Piano by Harry Walker.
$5.99 ≈
5.48€
Beau Soir (Debussy) for Soprano Saxophone and Piano
Beau Soir (Debussy) for Soprano Saxophone and Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Claude Debussy
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Harry Walker
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Beau Soir
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SCORE EDITIONS
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1501217 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festiva...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1501217 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #1077174. Published by SCORE EDITIONS (A0.1501217). Beau Soir, composed by Claude Debussy, is a captivating piece that embodies the essence of French Impressionism. The title translates to Beautiful Evening, and the music, originally written for voice and piano, evokes a serene and idyllic twilight scene. The piece has been arranged for various instruments, including violin and piano, highlighting its lyrical and expressive qualities. Beau Soir features flowing melodies and rich harmonies that transport listeners to a tranquil, dreamlike landscape. Its gentle, evocative nature makes it a popular choice for recitals and performances, offering musicians the opportunity to explore subtle nuances and emotional depth. This timeless work by Debussy continues to enchant audiences with its delicate beauty and serene atmosphere. In this version, the composition was arranged for Soprano Saxophone and Piano by Harry Walker.
$5.99 ≈
5.48€
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