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10 partitions trouvées
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1
Conception (19-Piece Digital Pack)
Conception (19-Piece Digital Pack)
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Ensemble Jazz
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AVANCÉ
#
Jazz
#
George Shearing
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Mark Taylor
#
Conception
#
Hal Leonard - Digital
#
SheetMusicPlus
Level 5 - SKU: HX.309946 By George Shearing. Arranged by Mark Taylor. This edition: scorch. Concert,Jazz. 3 pages. Hal Leonard - Digital #0. Published b...
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Level 5 - SKU: HX.309946 By George Shearing. Arranged by Mark Taylor. This edition: scorch. Concert,Jazz. 3 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.309946).
Digital Pack includes
:
Conception - Tenor Sax 2
Conception - Baritone Sax
Conception - Trumpet 1
Conception - Trumpet 2
Conception - Trumpet 3
Conception - Trumpet 4
Conception - Trombone 1
Conception - Trombone 2
Conception - Trombone 3
Conception - Trombone 4
Conception - Guitar
Conception - Piano
Conception - Bass
Conception - Drums
Conception - Vibes
Conception - Conductor Score (Full Score)
Conception - Alto Sax 1
Conception - Alto Sax 2
Conception - Tenor Sax 1
$60.00 ≈
56.69€
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: CONDUCTOR’S SCORE
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: CONDUCTOR’S SCORE
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Orchestre à Cordes
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DÉBUTANT
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Traditional
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Lauri Hamalainen
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11 CHILDREN'S SONGS FOR THE YO
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Suomi Music
#
SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1320986 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional...
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String Orchestra - Level 1 - SKU: A0.1320986 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 46 pages. Suomi Music #909431. Published by Suomi Music (A0.1320986). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA:CONDUCTOR’S SCORESEPARATE PART ON OPEN STRINGS FOR THE BEGINNER VIOLIN STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellowmusicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.The Conductor’s Score includes all the parts for The Young Stars Orchestra as well as the parts for 11 Children’s Songs for String and Piano.
$19.49 ≈
18.42€
Conception - Conductor Score (Full Score)
Conception - Conductor Score (Full Score)
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Ensemble Jazz
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Jazz
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Conception - Conductor Score
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Concert; Jazz. Jazz Band. 20 pages. Published by Hal Leonard - Digital Sheet Music (HX.309943). - Jazz Band - Concert; Jazz - Hal Leonard - Digital Sheet Music...
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Concert; Jazz. Jazz Band. 20 pages. Published by Hal Leonard - Digital Sheet Music (HX.309943). - Jazz Band - Concert; Jazz - Hal Leonard - Digital Sheet Music
$7.50 ≈
7.09€
Tannhäuser und der Sängerkrieg auf Wartburg
Tannhäuser und der Sängerkrieg auf Wartburg
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Classique
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Richard Wagner
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Tannhäuser und der Sä
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: v...
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SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99 ≈
51.02€
Judex (From Mors et Vita)
Judex (From Mors et Vita)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Charles Francois Gounod
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Flávio Régis Cunha
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Judex
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Flavio Regis Cunha
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.597220 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic ...
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Percussion Ensemble - Level 3 - SKU: A0.597220 Composed by Charles Francois Gounod. Arranged by Flávio Régis Cunha. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 43 pages. Flavio Regis Cunha #4592917. Published by Flavio Regis Cunha (A0.597220). Mors et vita is an oratorio in three parts by Charles Gounod premiered at the Birmingham Festival in 1885. It was conceived as a sequel to La rédemption (1882). The 1886 Paris premiere again featured Jean Baptiste Faure. Gounod considered this oratorio, and its predecessor La rédemption (1882) as his greatest achievements. This arrangement is designed for a double string orchestra, harp and percussion. The sonority obtained from this arrangement is unique in its conception and can be very well received by the public. Lacking original woodwinds and brasses from Gounod's score, the string orchestra will be an excellent choice for performing in concerts, recitals, funerals and church preludes.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$40.00 ≈
37.80€
Praise to the Lord, the Almighty
Praise to the Lord, the Almighty
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Musique Sacrée
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Joel Raney
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Praise to the Lord, the Almigh
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Hope Publishing - Digital
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SheetMusicPlus
SKU: H1.C5346CSDP Arranged by Joel Raney. Piano with Optional Conductor's Score. Hymntune, Celebration, Gathering, General Worship, Call To Worship, Ado...
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SKU: H1.C5346CSDP Arranged by Joel Raney. Piano with Optional Conductor's Score. Hymntune, Celebration, Gathering, General Worship, Call To Worship, Adoration & Praise. Conductor's score. 20 pages. Hope Publishing - Digital #C5346CSDP. Published by Hope Publishing - Digital (H1.C5346CSDP). Psalms 31:19 - Psalms 33:1 - Psalms 33:2 - Psalms 33:3 - Psalms 33:4 - Psalms 33:5 - Psalms 103:1 - Psalms 103:2 - Psalms 103:3 - Psalms 103:4.Great German hymn Joel Raney sets the stage for a powerful presentation of this great German hymn with an extended introductory section for piano and organ duet, with optional handbells. After 57 measures, the choir enters with the powerful phrase: All ye who hear, join me in glad adoration! and from there to the final Amens we are carried to new heights as this festive anthem combines all of the forces. This new anthem concept includes a separate score with vocals only, a piano/organ score, a handbell score, and a full conductor's score. The optional congregational part is included in the choral edition.
$22.95 ≈
21.69€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
52.91€
Praise to the Lord, the Almighty
Praise to the Lord, the Almighty
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Musique Sacrée
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Joel Raney
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Praise to the Lord, the Almigh
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Hope Publishing - Digital
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SheetMusicPlus
SKU: H1.C5346KSDP Arranged by Joel Raney. Piano with Optional Conductor's Score. Hymntune, Celebration, Gathering, General Worship, Call To Worship, Ado...
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SKU: H1.C5346KSDP Arranged by Joel Raney. Piano with Optional Conductor's Score. Hymntune, Celebration, Gathering, General Worship, Call To Worship, Adoration & Praise. Keyboard score. 16 pages. Hope Publishing - Digital #C5346KSDP. Published by Hope Publishing - Digital (H1.C5346KSDP). Psalms 31:19 - Psalms 33:1 - Psalms 33:2 - Psalms 33:3 - Psalms 33:4 - Psalms 33:5 - Psalms 103:1 - Psalms 103:2 - Psalms 103:3 - Psalms 103:4.Great German hymn Joel Raney sets the stage for a powerful presentation of this great German hymn with an extended introductory section for piano and organ duet, with optional handbells. After 57 measures, the choir enters with the powerful phrase: All ye who hear, join me in glad adoration! and from there to the final Amens we are carried to new heights as this festive anthem combines all of the forces. This new anthem concept includes a separate score with vocals only, a piano/organ score, a handbell score, and a full conductor's score. The optional congregational part is included in the choral edition.
$34.95 ≈
33.02€
Praise to the Lord, the Almighty
Praise to the Lord, the Almighty
#
Musique Sacrée
#
Joel Raney
#
Praise to the Lord, the Almigh
#
Hope Publishing - Digital
#
SheetMusicPlus
SKU: H1.C5346HBDP Arranged by Joel Raney. Piano with Optional Conductor's Score. Hymntune, Celebration, Gathering, General Worship, Call To Worship, Ado...
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SKU: H1.C5346HBDP Arranged by Joel Raney. Piano with Optional Conductor's Score. Hymntune, Celebration, Gathering, General Worship, Call To Worship, Adoration & Praise. 6 octave Handbells and Handchi, Congregation, Handbells, Handchimes, Organ, Piano. 8 pages. Hope Publishing - Digital #C5346HBDP. Published by Hope Publishing - Digital (H1.C5346HBDP). Psalms 31:19 - Psalms 33:1 - Psalms 33:2 - Psalms 33:3 - Psalms 33:4 - Psalms 33:5 - Psalms 103:1 - Psalms 103:2 - Psalms 103:3 - Psalms 103:4.Great German hymn Joel Raney sets the stage for a powerful presentation of this great German hymn with an extended introductory section for piano and organ duet, with optional handbells. After 57 measures, the choir enters with the powerful phrase: All ye who hear, join me in glad adoration! and from there to the final Amens we are carried to new heights as this festive anthem combines all of the forces. This new anthem concept includes a separate score with vocals only, a piano/organ score, a handbell score, and a full conductor's score. The optional congregational part is included in the choral edition.
$6.25 ≈
5.91€
Praise to the Lord, the Almighty
Praise to the Lord, the Almighty
#
Musique Sacrée
#
Joel Raney
#
Praise to the Lord, the Almigh
#
Hope Publishing - Digital
#
SheetMusicPlus
Choral - SKU: H1.C5346DP Arranged by Joel Raney. Piano with Optional Conductor's Score. Hymntune, Celebration, Gathering, General Worship, Call To Worsh...
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Choral - SKU: H1.C5346DP Arranged by Joel Raney. Piano with Optional Conductor's Score. Hymntune, Celebration, Gathering, General Worship, Call To Worship, Adoration & Praise. Octavo, Congregation, Handbells, Handchimes, Organ, Piano. 8 pages. Hope Publishing - Digital #C5346DP. Published by Hope Publishing - Digital (H1.C5346DP). Psalms 31:19 - Psalms 33:1 - Psalms 33:2 - Psalms 33:3 - Psalms 33:4 - Psalms 33:5 - Psalms 103:1 - Psalms 103:2 - Psalms 103:3 - Psalms 103:4.Great German hymn Joel Raney sets the stage for a powerful presentation of this great German hymn with an extended introductory section for piano and organ duet, with optional handbells. After 57 measures, the choir enters with the powerful phrase: All ye who hear, join me in glad adoration! and from there to the final Amens we are carried to new heights as this festive anthem combines all of the forces. This new anthem concept includes a separate score with vocals only, a piano/organ score, a handbell score, and a full conductor's score. The optional congregational part is included in the choral edition.
$2.95 ≈
2.79€
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Conception Conductor Score
Conception Conductor Score
