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Vous avez sélectionné:
Creep: Low Brass
Partitions à imprimer
13 partitions trouvées
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1
Creep
Creep
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
#
Rock
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Radiohead
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Zack Smith
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Creep
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Zack Smith
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.781479 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Philip S...
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Brass Ensemble - Level 4 - SKU: A0.781479 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Philip Selway, and Thomas Yorke. Arranged by Zack Smith. Rock. Score and parts. 13 pages. Zack Smith #5983897. Published by Zack Smith (A0.781479). This brass quintet is arranged with thick harmonies and a lot of interplay between the brass instruments. Intermediate difficulty-- trombone is written up to a treble clef Bb and tuba goes down to low F. If you want to do something both artistic and pop, this is the perfect choice!
$14.99 ≈
13.59€
Creep
Creep
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Radiohead
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Frank Pugh
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Creep
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Frank Pugh
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.942727 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Philip S...
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Brass Ensemble - Level 4 - SKU: A0.942727 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Philip Selway, and Thomas Yorke. Arranged by Frank Pugh. Rock. Score and parts. 32 pages. Frank Pugh #6013241. Published by Frank Pugh (A0.942727). This arrangement follows the style of Post Modern Jukebox and the incomparable Haley Reinhart performing their unique version of the Radiohead hit. It's written as a stand alone brass quintet, but there is an optional drum set part as well. Substitute baritone b.c. and t.c. parts are included to cover for French horn and trombone when necessary. There are also optional sections for flugelhorn and muted trumpet to add a little more flavor to the piece.Written in a sultry 12/8 feel and at 4:25 in length, it will make a great showpiece for your next performance! I hope you'll check out my other small ensemble arrangements here on Sheet Music Plus, and be sure to look up my YouTube channel as well. Thanks for listening!
$13.99 ≈
12.68€
Creep
Creep
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Ensemble de cuivres
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INTERMÉDIAIRE
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Rock
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Radiohead
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Max Stannard
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Creep
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Max Stannard Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.773373 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Philip S...
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Brass Ensemble - Level 3 - SKU: A0.773373 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Philip Selway, and Thomas Yorke. Arranged by Max Stannard. Rock. Score and parts. 47 pages. Max Stannard Music #2081745. Published by Max Stannard Music (A0.773373). The debut single of Radiohead, released in 1992 was not initially a hit, however, following a re-release in 1993, to song experienced international success. The song was almost too popular, as audience members showed little interest in the band's other songs, leading to Radiohead dropping it from their live in 1998 for three years. Hopefully this arrangement will prove as popular for your brass band, it features several sections of the band, and gives the basses an opportunity to hone their skills at playing three notes. Duration: 3.40. 2016 Arranging Contest Entry. www.maxstannardmusic.com @MStannardMusic.
$24.99 ≈
22.66€
The Brass Player: Fantasy on Ich bin ein Musikant
The Brass Player: Fantasy on Ich bin ein Musikant
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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F
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The Brass Player: Fantasy on I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,W...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99 ≈
6.34€
Creep: Low Brass & Woodwinds #1 - Bass Clef
Creep: Low Brass & Woodwinds #1 - Bass Clef
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Fanfare
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Creep: Low Brass & Woodwin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - SKU: AX.00-PC-0018855_LBW1BC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018855_LBW1BC. Published by Alfred Music...
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Marching Band - SKU: AX.00-PC-0018855_LBW1BC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018855_LBW1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018855_LBW1BC). UPC: 038081572673.
$3.00 ≈
2.72€
Creep: Low Brass & Woodwinds #1 - Treble Clef
Creep: Low Brass & Woodwinds #1 - Treble Clef
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Fanfare
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Creep: Low Brass & Woodwin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - SKU: AX.00-PC-0018855_LBW1TC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018855_LBW1TC. Published by Alfred Music...
(+)
Marching Band - SKU: AX.00-PC-0018855_LBW1TC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018855_LBW1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018855_LBW1TC). UPC: 038081572673.
$3.00 ≈
2.72€
Creep: Low Brass & Woodwinds #2 - Bass Clef
Creep: Low Brass & Woodwinds #2 - Bass Clef
#
Fanfare
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Creep: Low Brass & Woodwin
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Marching Band - SKU: AX.00-PC-0018855_LBW2BC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018855_LBW2BC. Published by Alfred Music...
(+)
Marching Band - SKU: AX.00-PC-0018855_LBW2BC Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018855_LBW2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018855_LBW2BC). UPC: 038081572673.
$3.00 ≈
2.72€
Creep
Creep
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Rock
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Radiohead
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Max Stannard
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Creep
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Max Stannard Music
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SheetMusicPlus
By Radiohead. Arranged by Max Stannard. Score, Set of Parts. 12 pages. Published by Max Stannard Music (H0.180967-44564). - Score,Set of Parts - - Max Stannard...
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By Radiohead. Arranged by Max Stannard. Score, Set of Parts. 12 pages. Published by Max Stannard Music (H0.180967-44564). - Score,Set of Parts - - Max Stannard Music
The debut single of Radiohead, released in 1992 was not initially a hit, however, following a re-release in 1993, to song experienced international success. The song was almost too popular, as audience members showed little interest in the band's other songs, leading to Radiohead dropping it from their live in 1998 for three years. Duration: 3.30 www.maxstannardmusic.com @MStannardMusic .
$12.99 ≈
11.78€
Blue Moon
Blue Moon
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Contemporain
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Elvis Presley
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Phil Thrift
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Blue Moon
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Phil Thrift
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.955729 By Elvis Presley. By Richard Rodgers. Arranged by Phil Thrift. Contemporary. Score and parts. 15 page...
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Brass Ensemble Trombone - Level 4 - SKU: A0.955729 By Elvis Presley. By Richard Rodgers. Arranged by Phil Thrift. Contemporary. Score and parts. 15 pages. Phil Thrift #5769067. Published by Phil Thrift (A0.955729). Blue Moon is best performed by not telling your audience what is coming! Many listeners will be unfamiliar with the almost recitative-style opening that follows the four-measure intro. So when the well-known tune is finally heard at measure 23, some at least will be pleasantly surprised. But don’t decorate the melody too much here; just enjoy it as it is, let that warm trombone sound shine through! The 2nd trombone can decorate the melody a little more from measure 31 onward, but don’t let any swing feeling creep in before measure 38. You may wish to speed up a bit more than I have indicated at measures 47 and 62, but don’t play the swing sections too fast – this is not an up-tempo version. Just strengthen the swing feeling a little each time. This piece will test your quartet’s ability to play an easy swing really tight – especially when the melody is being pulled around, the lead player is playing a little behind the beat. As is usual with my arrangements, every player has the lead at some point, and maybe the chance to introduce a few of their own ideas. This arrangement gives you plenty of opportunity to exploit those all-important trombone characteristics: slide vibrato, bends, and smears, but above all, a warm sound!Listen to a full-length licensed recording on SoundCloud:
$14.99 ≈
13.59€
Don't Fret It for Violin and Trombone
Don't Fret It for Violin and Trombone
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Trombone, Violon (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brad Howland
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Don't Fret It for Violin and T
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Linden Brass Press Inc.
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Violin - Level 4 - SKU: A0.870853 Composed by Brad Howland. Contemporary. Score and parts. 14 pages. Linden...
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Instrumental Duet Instrumental Duet,Trombone,Violin - Level 4 - SKU: A0.870853 Composed by Brad Howland. Contemporary. Score and parts. 14 pages. Linden Brass Press Inc. #6854519. Published by Linden Brass Press Inc. (A0.870853). I wrote this music to have something fun to play with my son Ryan, who is an excellent violinist. It starts with a swing section that could be played from memory while walking on stage, then transitions into a rather virtuosic dance. The dance ends with a bang, but is immediately followed by a section of creepy dark forest music. The piece ultimately ends with some peace and tranquility, achieved with double stop harmonies from the violin. In a couple of places the trombone must simultaneously play the role of downbeat *and* offbeat, and it ascends at one point to high B.
$14.95 ≈
13.56€
Haunted house - French Horn quaret
Haunted house - French Horn quaret
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Halloween
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Darren Lloyd
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Haunted house - French Horn qu
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Darren Lloyd
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SheetMusicPlus
Brass Ensemble Horn - Level 2 - SKU: A0.856047 Composed by Darren Lloyd. Concert,Contemporary,Halloween,Instructional. Score and parts. 14 pages. Darren...
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Brass Ensemble Horn - Level 2 - SKU: A0.856047 Composed by Darren Lloyd. Concert,Contemporary,Halloween,Instructional. Score and parts. 14 pages. Darren Lloyd #4986817. Published by Darren Lloyd (A0.856047). A creepy sounding composition for French horn quartet. A great piece for any time of the year but especially Halloween!! .
$9.99 ≈
9.06€
RAGING FURIES - Goettinnen der Rache
RAGING FURIES - Goettinnen der Rache
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...
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Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95 ≈
45.29€
March of the Arachnids
March of the Arachnids
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Orchestre d'harmonie
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Halloween
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Britt Burns
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March of the Arachnids
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Imagine Music - Digital
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SheetMusicPlus
Concert band - SKU: IZ.CBS151-S Composed by Britt Burns. Score. 17 pages. Imagine Music - Digital #CBS151-S. Published by Imagine Music - Digital (IZ.CB...
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Concert band - SKU: IZ.CBS151-S Composed by Britt Burns. Score. 17 pages. Imagine Music - Digital #CBS151-S. Published by Imagine Music - Digital (IZ.CBS151-S). 9 x 12 in inches.March of the Arachnids was composed with the intention of being music for the Halloween season, although it could beperformed at other times in the year. The early sketch was written in 2008, although the work wasn't fully realized until theSpring of 2011. The work is dedicated to my composer friend, Joseph Eidson, whose music largely inspired theorchestration and harmonic material for this piece.Creepy, energetic, dissonant, and playful - these adjectives best describe the work. It begins with the solo timpani thatimmediately sets the sneaking tone for the arachnids that have begun crawling. After a build-up in the woodwinds, thetrumpets introduce the terror with the main arachnid theme. From there, the tune is shared throughout the ensemble, givingnearly every instrument a chance to play the arachnid theme. A contrasting, calmer theme is introduced, simply to give ussome hope and relief that the arachnids will leave. The piece gradually grows more thick and dissonant over time, withwebby textures of woodwinds and muted brass. A short coda with the full ensemble ends the work where the piece reachesits climax.
$8.00 ≈
7.25€
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Creep: Low Brass 
