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Cup of Sorrow
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Vous avez sélectionné:
Cup of Sorrow
Partitions à imprimer
9 partitions trouvées
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1
Cup of Sorrow
Cup of Sorrow
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Chorale SATB
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Musique Sacrée
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Cindy Berry
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Cup of Sorrow
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Lorenz Publishing Company
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SheetMusicPlus
By Cindy Berry. For SATB choir and piano (with optional Cello). Sacred Anthem: Good Friday, Maundy Thursday, Palm Sunday. Choral score. 12 pages. Published by L...
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By Cindy Berry. For SATB choir and piano (with optional Cello). Sacred Anthem: Good Friday, Maundy Thursday, Palm Sunday. Choral score. 12 pages. Published by Lorenz Publishing Company
$2.50 ≈
2.35€
Across The Universe
Across The Universe
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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The Beatles
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Timothy Stapay
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Across The Universe
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1434797 By The Beatles. By John Lennon and Paul McCartney. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Rock...
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Piano Solo - Level 4 - SKU: A0.1434797 By The Beatles. By John Lennon and Paul McCartney. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Rock,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #1014928. Published by Timothy Stapay (A0.1434797). Across the Universe is a song that holds a special place in the hearts of many Beatles fans. It was released as part of their final studio album, Let It Be, and holds a deep and profound meaning both lyrically and musically.Lyrically, Across the Universe is a complex and poetic exploration of spirituality, love, and universal connection. John Lennon, the primary songwriter of the song, crafted lyrics that evoke a sense of transcendence and the interconnectedness of all things. The song takes listeners on a journey through beautiful imagery and metaphors, inviting them to contemplate the vastness and wonder of the universe.Words are flowing outLike endless rain into a paper cupThey slither wildly as they slip away across the universePools of sorrow waves of joyAre drifting through my opened mindPossessing and caressing meJai Guru Deva, OmNothing's gonna change my worldNothing's gonna change my worldNothing's gonna change my worldNothing's gonna change my worldImages of broken lightWhich dance before me like a million eyesThey call me on and on across the universeThoughts meander like aRestless wind inside a letter boxThey tumble blindly as they make their way across the universeJai Guru Deva, OmNothing's gonna change my worldNothing's gonna change my worldNothing's gonna change my worldNothing's gonna change my world.
$7.99 ≈
7.53€
Gethsemane, Garden Lovely - sacred music for SATB choir
Gethsemane, Garden Lovely - sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Gethsemane, Garden Lovely - sa
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1186940 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Easter,Praise & Worship,Religious,Sac...
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Choral Choir (SATB) - Level 4 - SKU: A0.1186940 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Easter,Praise & Worship,Religious,Sacred. Octavo. 8 pages. Kevin G. Pace #786565. Published by Kevin G. Pace (A0.1186940). A stunning choral arrangement with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Gethsemane, garden lovely. Moonlight filters through o'erhanging trees,There revealing our blessed Savior, having fallen down upon His knees.Pleading May this cup, Father, from me pass. But Thy will be done at last.Golgotha’s Hill, cold and lonely, whispers still of sacrifice and love,Where the Savior gave up His life for us and for those who waited up above.Though He suffered sore, He forgave the more, and thus opened heaven's door.Hewn from the stone, tomb of sorrow, held the body of The Crucified.Now His mortal work was completed, and His love for all men satisfied.Though he died for men, yet He rose again, and repentance justified.Long, dusty road to Emmaus. Two disciples met the risen Lord.Sacred scriptures there He expounded, showing Jesus was indeed The Word.And His holy voice, led them to rejoice, from the promises restored.
$1.99 ≈
1.87€
The Parting Glass
The Parting Glass
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Chorale SATB
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AVANCÉ
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Celtique/Irlandais
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Folklorique/Traditionel
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Voxtone
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Massimo Orlandini
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The Parting Glass
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Massimo Orlandini
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1279078 By Voxtone. By Traditional Irish. Arranged by Massimo Orlandini. A Cappella,Celtic,Irish,Traditional. Oc...
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Choral Choir (SATB) - Level 5 - SKU: A0.1279078 By Voxtone. By Traditional Irish. Arranged by Massimo Orlandini. A Cappella,Celtic,Irish,Traditional. Octavo. 4 pages. Massimo Orlandini #870622. Published by Massimo Orlandini (A0.1279078). The parting glass, or stirrup cup, was the final hospitality offered to a departing guest. This piece is a great example of that special quality found in the best farewell songs, being able to combine joy and sorrow in a way that is both sad yet uplifting at the same time. The arrangement is for SATB choir.
$2.00 ≈
1.88€
Have, Have Ye No Regard? — Good Friday anthem for baritone, SATB, organ
Have, Have Ye No Regard? — Good Friday anthem for baritone, SATB, organ
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Chorale SATB
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INTERMÉDIAIRE
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Todd Marchand
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Have, Have Ye No Regard? &mdas
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1381069 Composed by Todd Marchand. Christian,Easter,Lent,Sacred. 4 pages. Con Spirito Music #965787. Publ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1381069 Composed by Todd Marchand. Christian,Easter,Lent,Sacred. 4 pages. Con Spirito Music #965787. Published by Con Spirito Music (A0.1381069). An allusion to Lamentations 1:12 (Is it nothing to you, all ye that pass by? Behold, and see if there be any sorrow like unto my sorrow....), Have, Have Ye No Regard is a setting for solo baritone, SATB voices, and organ of Robert Herrick's (1591-1674) poem, His Saviour's Words, Going to the Cross:Have, have ye no regard, all ye Who pass this way, to pity Me, Who am a man of misery? A man both bruis'd and broke, and one Who suffers not here for Mine own, But for My friends' transgression! Ah, Sion's daughters, do not fear The Cross, the Cords, the Nails, the Spear, The Myrrh, the Gall, the Vinegar, For Christ, your loving Saviour, hath Drunk up the wine of God's fierce wrath; Only there's left a little froth, Less for to taste than for to show What bitter cups had been your due, Had he not drank them up for you.©Copyright 2024 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00 ≈
1.88€
Litene
Litene
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Peteris Vasks
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Litene
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SSSAAATTTBBB) - difficult - SKU: S9.Q9189 Ballade for 12-part mixed choir (SSSAAATTTBBB). Composed by Peteris Vasks. This edition: c...
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Mixed choir (SSSAAATTTBBB) - difficult - SKU: S9.Q9189 Ballade for 12-part mixed choir (SSSAAATTTBBB). Composed by Peteris Vasks. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 11 minutes. Schott Music - Digital #Q9189. Published by Schott Music - Digital (S9.Q9189). Latvian.Litene is the name of a village in Latvia, which has acquired a significance similar to that of 'Katyn' in Poland. It was in this village that in June 1941 the officer élite of the Latvian army was ambushed, disarmed and deported by the occupying Soviet forces. This despite the fact that the officers as members of the territorial army were at the time under the jurisdiction of the Red Army. The words of the ballad do not express emotions like sorrow, rage or mourning, but shows how base treason renders people heartless. Vasks's music emphasises the irreconcilable difference between negative emotions and a tender, lyrical atmosphere.
$17.99 ≈
16.94€
6 Reflections on Anxiety
6 Reflections on Anxiety
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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John-William Gambrell
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6 Reflections on Anxiety
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John-William Gambrell
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1022927 Composed by John-William Gambrell. 20th Century,Contemporary. Score. 35 pages. John-William Gambrell #4414937. Pu...
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Piano Solo - Level 4 - SKU: A0.1022927 Composed by John-William Gambrell. 20th Century,Contemporary. Score. 35 pages. John-William Gambrell #4414937. Published by John-William Gambrell (A0.1022927). This work recently won the 2019 International Piano Guild Composition Competition for its outstanding representation of each emotional phase and creativity in melody, harmony, and technique.This piano solo set attempts to capture the phases of a panic attack and the emotions that go along with each phase. This polytonal set is written in six movements, the first begins with 6 pitches and each subsequent movement adds an additional pitch. There is one pitch that is left out in an effort to leave with a feeling of dissatisfaction. Movements: 1. Breakdown2. Exhaustion3. Sorrow4. Still5. Panic!6. RecuperationCopyright 2018 J-W Gambrell Publishing. DO NOT photocopy.
$19.99 ≈
18.83€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
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Cup of Sorrow
Cup of Sorrow
