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Vous avez sélectionné:
D Oriental
Partitions à imprimer
60 partitions trouvées
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Banda oriental
Banda oriental
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Ensemble de guitares
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INTERMÉDIAIRE
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Claudio Camisassa
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Banda oriental
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
5 guitars - Intermediate - SKU: ZZ.DZ-2127 Composed by Claudio Camisassa. Score and parts. 22 pages. Les Productions d'OZ - Digital #DZ 2127. Published ...
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5 guitars - Intermediate - SKU: ZZ.DZ-2127 Composed by Claudio Camisassa. Score and parts. 22 pages. Les Productions d'OZ - Digital #DZ 2127. Published by Les Productions d'OZ - Digital (ZZ.DZ-2127). ISBN 9782897370442.
$8.95 ≈
8.21€
Oriental Dance - Concert Band Score and Parts PDF
Oriental Dance - Concert Band Score and Parts PDF
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Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Contemporain
#
Brendan Elliget MAGA 537
#
Oriental Dance - Concert Band
#
BJE Music
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750961 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 72 pages. BJE Music #5358511. Published by ...
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Concert Band - Level 3 - SKU: A0.750961 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 72 pages. BJE Music #5358511. Published by BJE Music (A0.750961). This is an original composition for Concert Band was written in 2007 - then expanded and revised in 2020. It has an Oriental flavor with rhythmic percussion, Staccato woodwind parts and often a sustained bassline…Elements of a pentatonic scale. There is also a version for Orchestra.The MP3 was recorded with NotePerformer 3Grade = 4 Duration = 3:30 mins.
$25.00 ≈
22.93€
Oriental Festmarch From Aladdin
Oriental Festmarch From Aladdin
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Orchestre d'harmonie
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INTERMÉDIAIRE
#
Contemporain
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Carl August Nielsen
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Yves Bouillot
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Oriental Festmarch From Aladdi
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Yves Bouillot
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1221727 Composed by Carl August Nielsen. Arranged by Yves Bouillot. 20th Century. Score and Parts. 59 pages. Yves Bouil...
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Concert Band - Level 3 - SKU: A0.1221727 Composed by Carl August Nielsen. Arranged by Yves Bouillot. 20th Century. Score and Parts. 59 pages. Yves Bouillot #818035. Published by Yves Bouillot (A0.1221727). Aladdin, opus 34 by Carl Nielsen, is incidental music created to accompany a revival of Aladdin by Danish playwright Adam Oehlenschläger at the Royal Danish Theater in February 1919. Oriental Festmarch is the best known and most accessible piece of this incidental music.
$45.00 ≈
41.28€
Tangoriental
Tangoriental
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Guitare
#
AVANCÉ
#
Tango
#
Lilith Guegamian
#
Tangoriental
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Composed by Lilith Guegamian. Score. 4 pages. Les Productions d'OZ - Digital #DZ 3323. Published by Les Productions d'OZ - Digital...
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Composed by Lilith Guegamian. Score. 4 pages. Les Productions d'OZ - Digital #DZ 3323. Published by Les Productions d'OZ - Digital
$3.95 ≈
3.62€
Les 100 de Roland Dyens - La microrientale
Les 100 de Roland Dyens - La microrientale
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Guitare
#
INTERMÉDIAIRE
#
Contemporain
#
Roland Dyens
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Les 100 de Roland Dyens - La m
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitare seule - Intermediaire - Composed by Roland Dyens (1955-). Score. 4 pages. Les Productions d'OZ - Digital #DZ 1975. Published by Les Pro...
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Guitare seule - Intermediaire - Composed by Roland Dyens (1955-). Score. 4 pages. Les Productions d'OZ - Digital #DZ 1975. Published by Les Productions d'OZ - Digital
$3.95 ≈
3.62€
Orientale arranged for String Quartet
Orientale - String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Isaac Albeniz
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Andrew Middleton
#
Orientale - String Quartet
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Andrew Middleton
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1208927 Composed by Isaac Albeniz. Arranged by Andrew Middleton. Classical,Folk,Rom...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1208927 Composed by Isaac Albeniz. Arranged by Andrew Middleton. Classical,Folk,Romantic Period. 15 pages. Andrew Middleton #807034. Published by Andrew Middleton (A0.1208927). From Albeniz's Chant's D'Espagne, comes the second movement, Orientale, arranged for String Quartet. After a slow four bar introduction, this spiritly dance is filled with imagery of Spanish landascapes as well as traits of traditional Spanish folk music. This arrangement is ideal for the intermediate quartet.
$7.99 ≈
7.33€
Song of Lesbo and Oriental Song
Song of Lesbo and Oriental Song
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Harpe
#
Classique
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Francois Clement Theodore Du
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Alessandro Palazzani
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Song of Lesbo and Oriental Son
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A work by Alessandro Palazzani
#
SheetMusicPlus
Harp, lever harp - Intermediate - Digital Download Composed by Francois Clement Theodore Dubois (1837-1924). Arranged by Alessandro Palazzani. Romant...
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Harp, lever harp - Intermediate - Digital Download Composed by Francois Clement Theodore Dubois (1837-1924). Arranged by Alessandro Palazzani. Romantic Period, Technique Training, European, Recital. Score, Sheet Music Single, Solo Part. 12 pages. Published by A work by Alessandro Palazzani
This book contains two pieces of music from late French Romanticism, arranged for lever harp. In all the pieces the timbre resources of the instrument are exploited to the maximum, with the use of harmonics sounds, notes at the soundboard, glissandos etc. Nevertheless, the arrangements are of intermediate difficulty, accessible to non-professional instrumentalists and students.
The collection includes:
Thodore Dubois (1837 ?1924)
Chanson Lesbienne (Song of Lesbo)
Chanson d?Orient (Oriental Song).
$10.00 ≈
9.17€
25 Sketches - Oriental
25 Sketches - Oriental
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Guitare
#
Mark Houghton
#
25 Sketches - Oriental
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Composed by Mark Houghton. 4 pages. Published by Les Productions d'OZ - Digital (ZZ.DZ-2363). - - - Les Productions d'OZ - Digital...
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Composed by Mark Houghton. 4 pages. Published by Les Productions d'OZ - Digital (ZZ.DZ-2363). - - - Les Productions d'OZ - Digital
$3.95 ≈
3.62€
A Day in May
A Day in May
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Guitare
#
AVANCÉ
#
Contemporain
#
Annette Kruisbrink
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A Day in May
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4273 Composed by Annette Kruisbrink. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4273. Published by Les Productions d'OZ...
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Guitar - Advanced - SKU: ZZ.DZ-4273 Composed by Annette Kruisbrink. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4273. Published by Les Productions d'OZ - Digital
Compos l'occasion de la naissance d'un premier enfant, une fille ne au mois de mai. Ddie son fier pre, le guitariste turc Serhat Bulut. La pice dmarre dans l'expectative, puis se dessine dans des sonorits orientales, suivie d'un passage tendre reprsentant le berage d'un enfant. La pice se termine par un intervalle mlodique dans lequel chaque bb dit maman et papa pour la premire fois. Composed on the occasion of the birth of a first child, a girl born in the month of May. Dedicated to her proud father, the Turkish guitarist Serhat Bulut. The piece starts expectantly, then takes shape in oriental sounds, followed by a tender passage depicting the cradling of a child. The piece ends with a melodic interval in which each baby says mommy and daddy for the first time.
$3.95 ≈
3.62€
You Only Live Twice
You Only Live Twice
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Orchestre d'harmonie
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INTERMÉDIAIRE
#
John Barry and Leslie Bricusse
#
Keith Terrett
#
You Only Live Twice
#
Keith Terrett
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1149127 Composed by John Barry and Leslie Bricusse. Arranged by Keith Terrett. Film/TV,Historic,Standards. 37 pages. Ke...
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Concert Band - Level 3 - SKU: A0.1149127 Composed by John Barry and Leslie Bricusse. Arranged by Keith Terrett. Film/TV,Historic,Standards. 37 pages. Keith Terrett #749257. Published by Keith Terrett (A0.1149127). An arrangement for Concert/Wind Band of the classic Bond tune ''You Only Live Twice''. I made this chart back in the 1980's when I was studying orchestration & Arranging under the late and great Lt. Col. Trevor Sharpe. The soundtrack was the fourth of the series to be composed by John Barry. He tried to incorporate the elegance of the Oriental sound with Japanese music-inspired tracks. The theme song, You Only Live Twice, was composed by Barry and lyricist Leslie Bricusse, and sung by Nancy Sinatra after her father Frank Sinatra passed on the opportunity. Nancy Sinatra was reported to be very nervous while recording – first she wanted to leave the studio; then she claimed to sometimes sound like Minnie Mouse.[36] Barry declared that the final song uses 25 different takes. There are two versions of the song You Only Live Twice, sung by Nancy Sinatra, one directly from the movie soundtrack, and a second one for record release arranged by Billy Strange.[citation needed] The movie soundtrack song is widely recognised for its striking opening bars and oriental flavour, and was far more popular on radio. The record release reached No. 44 on the Billboard charts in the US, and No. 11 in the UK. Both versions of the title song are available on CD. A different title song was originally recorded by Julie Rogers, but eventually discarded. Only two lines from that version were kept in the final lyrics, and the orchestral part was changed to fit Sinatra's vocal range. Rogers' version only appeared in a James Bond 30th Anniversary CD, with no singer credit. In the 1990s, an alternative example of a possible theme song (also called You Only Live Twice and sung by Lorraine Chandler) was discovered in the vaults of RCA Records. It became a very popular track with followers of the Northern soul scene (Chandler was well known for her high-quality soul output on RCA) and can be found on several RCA soul compilations.
$49.99 ≈
45.85€
In A Minor Mood v2 - Concert Band Score and Parts PDF
In A Minor Mood v2 - Concert Band Score and Parts PDF
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Contemporain
#
Brendan Elliget MAGA 537
#
In A Minor Mood v2 - Concert B
#
BJE Music
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750956 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 41 pages. BJE Music #5218861. Published by ...
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Concert Band - Level 3 - SKU: A0.750956 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 41 pages. BJE Music #5218861. Published by BJE Music (A0.750956). This is an original composition for Concert Band in D minor with a slightly oriental flavor. There are sections of staccato for the woodwinds and brass as well as dramatic lines especially for the horns and trumpets - Percussion parts include Tambourine, Woodblock, Timpani, and Drums Set. There is also a version Orchestra at this web site...The MP3 was recorded with NotePerformer 3.Grade = 4 Duration = 2:45 mins.
$15.00 ≈
13.76€
China town - Flexible concert band
China town - Flexible concert band
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Orchestre d'harmonie
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FACILE
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Pott Shrigley Press
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China town - Flexible concert
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Darren Lloyd
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.855968 Composed by Pott Shrigley Press. 20th Century,Children,Contemporary,World. Score and parts. 25 pages. Darren Llo...
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Concert Band - Level 2 - SKU: A0.855968 Composed by Pott Shrigley Press. 20th Century,Children,Contemporary,World. Score and parts. 25 pages. Darren Lloyd #4728201. Published by Darren Lloyd (A0.855968). A flexible arrangement of an original composition aimed at beginner bands. Written with the pentatonic scale in mind to give an oriental flavour! The piece has a staccato lively section at the start with a contrasting legato section before DC'ing for a rousing finish!Arranged in 5 parts. V1 = 4parts. V2 = 4 parts. V3 = 3 parts. V4 = 3 parts. V5 = 4 parts.Parts for Flute octave higher, Flute, Oboe, Clarinet Bb, Alto Sax, Tenor Sax, Bari Sax, Bassoon, Horn in F, Horn in Eb, Trumpet Bb, Trombone Bass clef, Trombone Treble clef, Baritone Bass clef, Baritone Treble clef, Tuba Bass clef, Tuba Treble clef, Glockenspiel, Drum set, Bass, Guitar.
$9.99 ≈
9.16€
The Imperial Crown (Concert Band)
The Imperial Crown (Concert Band)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Raymond Fenech
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The Imperial Crown
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Raymond Fenech
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.759803 Composed by Raymond Fenech. 20th Century,Contemporary,Film/TV,Standards,Video Game. Score and parts. 34 pages. R...
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Concert Band - Level 3 - SKU: A0.759803 Composed by Raymond Fenech. 20th Century,Contemporary,Film/TV,Standards,Video Game. Score and parts. 34 pages. Raymond Fenech #2930297. Published by Raymond Fenech (A0.759803). 'The Imperial Crown' is an original incidental piece of music in which we hear an oriental theme and than develops into an exotic ending. Nice slow tempo throughout the piece.
$25.00 ≈
22.93€
Mother Goose Suite (score only, 11" x 17" format)
Mother Goose Suite (score only, 11" x 17" format)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Maurice Ravel
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Keith Michael Davis
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Mother Goose Suite
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Komodo Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.932827 Composed by Maurice Ravel (1875-1937). Arranged by Keith Michael Davis. 20th Century,Children. Score and parts. ...
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Concert Band - Level 4 - SKU: A0.932827 Composed by Maurice Ravel (1875-1937). Arranged by Keith Michael Davis. 20th Century,Children. Score and parts. 45 pages. Komodo Music #6530195. Published by Komodo Music (A0.932827). Ravel's enchanting masterpiece, transcribed for symphonic band or wind ensemble in a brand new edition for SMP Press! The entire suite has been lovingly and painstakingly recast for winds and percussion, with an emphasis on transparent textures and colorful scoring. Included are: the pensive Pavane for the Sleeping Princess in the Woods, Little Tom Thumb, the exotic Oriental-flavored Laidonnerette (Little Ugly), Princess of the Pagodas, the charming waltz Dialogue Between Beauty and the Beast, and the ravishingly beautiful finale, The Fairy Garden. Long a favorite with orchestras and audiences, Ravel's Mother Goose Suite's introduction to wind band audiences is long overdue! Score only, parts available separately.
$40.00 ≈
36.69€
The Caravan
The Caravan
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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John Isbell
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Parts
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The Caravan
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John Isbell Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.916766 Composed by John Isbell. World. Score and parts. 54 pages. John Isbell Music #4288547. Published by John Isbell ...
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Concert Band - Level 4 - SKU: A0.916766 Composed by John Isbell. World. Score and parts. 54 pages. John Isbell Music #4288547. Published by John Isbell Music (A0.916766). An oriental themed piece for Wind Symphony. Great to listen to and your ensemble will have tons of fun while playing it!Includes Score & Parts.MP3 Audio is computer generated.
$99.99 ≈
91.72€
Sakura
Sakura
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Folklorique/Traditionel
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D Cullen
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Sakura
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SheetMusicPlus
Piano Accompaniment, Cello - Advanced Intermediate - Composed by D Cullen. 21st Century, Contemporary Classical, Post-Modern, Recital. 10 pages. Pub...
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Piano Accompaniment, Cello - Advanced Intermediate - Composed by D Cullen. 21st Century, Contemporary Classical, Post-Modern, Recital. 10 pages. Published by Striking Media Music
Sakura (Japanese for cherry blossom) is a composition inspired by oriental styles, but ultimately rooted in western music traditions. It is slow and lyrical, exploiting three octaves of the cello?s range from G3 ? G6.
$6.80 ≈
6.24€
David, Félicien : Souvenirs d'Enfance (Collection Anacrouse)
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Piano seul
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Chanson Française
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David, Félicien
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Souvenirs d'Enfance
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Note4Piano
La collection ANACROUSE offre aux pianistes novices et confirmes un large choix d’œuvres classiques, allant de la Renaissance à l’epoque moderne.<...
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La collection ANACROUSE offre aux pianistes novices et confirmes un large choix d’œuvres classiques, allant de la Renaissance à l’epoque moderne.<br><br>Proposer tout à la fois des « incontournables » du repertoire classique et des pièces de compositeurs parfois oublies, toutes d’une valeur pedagogique indeniable, tels sont les objectifs que nous nous sommes fixes. Chaque pièce, vendue à l’unite, a fait l’objet d’un travail editorial attentif, tant sur le plan de l’etablissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tires du commerce frequent de ces œuvres.<br><br>Les partitions sont proposees sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles egalement par telechargement.<br><br><br><br>En 1836, le compositeur Felicien David edite les « Melodies orientales ». Elles comptent au total vingt et une pièces dont dix-huit ont ete reeditees en 1845 sous le titre « Brises d'Orient » et trois autres sous le titre « Les Minarets ». Lorsqu'elles sortent, ces melodies n'obtiennent pas un grand succès. Deux raisons peuvent l'expliquer. D'une part, un incendie detruit une partie des stocks de partitions imprimees. D'autre part, le public, qui avait aime les « Orientales » du poète Victor Hugo et les « Pestiferes de Jaffa » du peintre Eugène Delacroix, ne semblait pas être attire par l'orientalisme musical.<br>Les brises d'Orient possèdent la puissance des charmes orientaux plutôt doux. Le compositeur traduit à merveille l'atmosphère orientale en marquant les rythmes par des basses etonnantes.<br>Dans la pièce Souvenir d'enfance, les melodies sont pour lui plus qu'un carnet de notes ou un journal de voyage où il consigne impressions et souvenirs. C'est aussi un journal intime dans lequel des passages laissent parfaitement deviner qu'il relate son parcours initiatique. Felicien David y revoit son enfance et pense à l'Occident. Son orientalisme n'est donc pas chez lui un refuge ou le moyen d'une fuite.<br>Venez interpreter une des pièces composees par un des maîtres de l'orientalisme du 19ème! Partition + Biographie + Notes sur l'oeuvre
3.30€
Korean Simple Suite No.1 (For Viola and Piano)
Korean Simple Suite No.1 (For Viola and Piano)
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Han-Ki Kim
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3mov
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.511711 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,Standards,Wor...
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Instrumental Duet Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.511711 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,Standards,World. Score and parts. 27 pages. Han-Ki Kim #4629467. Published by Han-Ki Kim (A0.511711). “Korean Simple Suite†No.1 For Viola and Piano Op.267 As far as melodies are concerned, all 5 movements mainly use the traditional 5 notes of Korea(Do, Re, Mi, Sol, La), and Originally, this music is composed for Violin and Piano and dedicated to Andreas Buschatz, the Concertmaster of Leipzig Gewandhaus in Germany.1mov. Prologue-Greeting : This is a short song with a bright atmosphere in d minor in 3/4 time.2mov. Oriental Flute : In G major in 4/4 time, the natural harmonics of string instruments are partially used to describe the sound of oriental flute. 3mov. Cheerfulness : In D major in 8/12 time, tried to express Korean joy by using our traditional rhythms, Kutkuri Jajinmori 4mov. Sorrow : In 3/4 time G major, not in minor, but in major, expressing deep sorrow. 5mov. Finale-Festival : In d minor in 4/4 time, tried to describe the excitement of the festival atmosphere, and it was composed in a rondo style quoting korean traditional Children's nursery rhyme “Fox.â€The music was world premiered on June 1, 2019 at the Seoul Arts Center (IBK Chamber Hall) by Professors Kyung-sun Lee(violin), and Hee-seung Joo(piano).This music transcribed for Cello and Piano was a Competition Repertorie Requirement of Tennessee Cello Workshop(2021.2.26.-28), University of Tennessee, School of Music. Attached Music file is recorded with Violin and Piano, it’s just for a referrence. You Tube link-played by Orchestra.Han-Ki Kim Violinist, Composer, He earned his Master’s degree from the Michigan State University(Majored in Violin). Kim has formerly been concertmaster of Daegu City Sym. Orchestra as well as for the Michigan State University Orchestra. He was an advising professor for the Czech Republic’s DobÅ™ichovice International Music Camp, and now Korean Suzuki Association. Since 2004, his compositions have been periodically performed by I Musici. His compositions have also been performed and recorded by the Vienna Waltz Orchestra, in Austria, the French Chamber Orchestra in France, and the Sophia Chamber Orchestra in Russia. Mr. Kim is a former Dean of Changwon National University’s College of Performing Arts. Currently he teaches student as Emeritus professor of Changwon National University.
$15.99 ≈
14.67€
Curranda Catalana (Catalan Currant - Corranda Catalane - Katalanisch Corranda)
Curranda Catalana (Catalan Currant - Corranda Catalane - Katalanisch Corranda)
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Piano seul
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INTERMÉDIAIRE
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Juan Carlos Cortés Aguirre
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Juan Carlos Cortés Aguirre
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del fr
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Curranda Catalana
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1120021 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés Aguirre. Arranged by Juan Carlos Cortés Aguirre. Fo...
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Piano Solo - Level 3 - SKU: A0.1120021 By Juan Carlos Cortés Aguirre. By Juan Carlos Cortés Aguirre. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #721355. Published by Juan Carlos Cortés Aguirre (A0.1120021). Curranda a Sant Joan Despà - Serenata Catalana para Piano. Composición para piano solo por: JUAN CARLOS CORTÉS A. Corranda: Una corranda (Cataluña) o correnta (Andorra y Pirineos Orientales) es una danza cantada que se baila en parejas, popular en Cataluña (España), Andorra y Pirineos Orientales (Francia) y que se solÃa bailar como final de una serie de bailes o después de otras danzas, como ser un ballet o un contrapà s. Por extensión también es la canción que se canta durante esta danza. En tiempos moderno el canto ha sido sustituido por acompañamiento instrumental. Es una danza popular en las comarcas del interior de la antigua Gotia y, especialmente en los Pirineos, desde Pallars hasta Vallespir. Se conservan algunas canciones del siglo XV y del siglo XVI, en especial de Cataluña y Mallorca. En Mallorca, se las denominan glosas, que se convierten en canciones populares y habituales, de las que se conservan actualmente, por tradición oral y difÃciles de fechar, unas veinte mil. Corranda: [C. 1800; del fr. Courante , nombre de una danza del s. XVI, participe tomado. de Courant 'correr', con cambio de -t- en -d- por influjo de otras palabras, por ejemplo, el de otra danza como zarabanda ] f 1 MUS Danza antigua, difundida en Francia y en Italia durante los siglos XVI y XVII, que se convirtió en uno de los movimientos de la suite instrumental. 2 DANZA Danza cantada, de parejas, muy popular en Cataluña, de movimiento más bien vivo y de tonada alegre, llamada corrientes en el Rosellón y en Andorra. 3 FOLK Canción popular corta, a menudo improvisada, a veces utilizada como canción de baile. 4 p ext Canción corta. La más popular o famosa Curranda es la compuesta por Isaac Albéniz en su Suite Española Opus 47 N º 2 Cataluña: Curranda en sol menor.
$7.99 ≈
7.33€
Korean Simple Suite No.3 "Happy Wedding" (For Piano Trio)
Korean Simple Suite No.3 "Happy Wedding" (For Piano Trio)
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Han-Ki Kim
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Korean Simple Suite No.3 "
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Han-Ki Kim
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano - Level 4 - SKU: A0.561517 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Country,Instructi...
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Instrumental Duet,Piano Instrumental Duet,Piano - Level 4 - SKU: A0.561517 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Country,Instructional. 55 pages. Han-Ki Kim #170955. Published by Han-Ki Kim (A0.561517). “Korean Simple Suite†No.3 For Piano Trio Op.273D “Happy Wedding†It is a work depicting the wedding ceremony of the bride and groom held in a traditional Korean front yard and the surrounding scenery. as far as melody is concerned, the traditional five notes of Korea, “Do.re.mi.sol.la.†are mainly used. It consists of five movements as follows: 1. The Front Yard 2. Yeonji Gonzi 3. Joyful Dance 4. Waiting (Longing) 5. The Bride and Groom Movement 1, The Front Yard: In G minor in 8/12 time, it is a short song with a bright atmosphere. The front yard is a friendly place for villagers' gatherings and events. Movement 2, Yeonzi – Gonzi: In G major in 4/4 time, natural harmonics are used to describe the mysterious oriental atmosphere. The meaning of Yeonji Gonji is the red dot on the cheeks and forehead of the bride in a traditional wedding ceremony. Movement 3, Joyful Dance: 3/4 time B flat major, composed in ABA format, expressed the joy of dancing in Korea. Movement 4, Longing: In G minor in 6/4 time, we tried to express oriental waiting. Movement 5, The Bride and Groom : It is composed of 4/4 time and 6/4 time, and like the title of the title of Groom and Bride, it shows the contrasting character of liveliness and calm. It was composed in a rondo style that goes back and forth between D minor and F major. Attached musicfile is only 1st movement, it's just for a reference.
$16.90 ≈
15.50€
Korean Simple Suite No.3 "Happy Wedding" (For Flute and Piano)
Korean Simple Suite No.3 "Happy Wedding" (For Flute and Piano)
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Han-Ki Kim
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Korean Simple Suite No.3 "
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Han-Ki Kim
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1211127 Composed by Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. ...
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Piano,Soprano Flute - Level 4 - SKU: A0.1211127 Composed by Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. Score and part. 36 pages. Han-Ki Kim #808823. Published by Han-Ki Kim (A0.1211127). “Korean Simple Suite†for flute and piano, No. 3 <Happy Wedding> Opus 273 It consists of 5 movements in total, and all movements mainly used the traditional 5 notes of “Do.Re.Mi.So.Ra†as far as the melody is concerned. I described the wedding ceremony of the bride and groom held in the traditional Korean front yard and the surrounding scene. The original music for violin and piano was written and dedicated for the composer's own teacher, the prof. Walter Verdehr. 1st mov. : The Front Yard: In G minor in 8/12 time, it is a short movement with a bright atmosphere. The Korean’s front yard is a friendly place for villagers' gatherings and events.2nd mov. : Yeonzi – Gonzi: In G major in 4/4 time, natural harmonics are used to express the mysterious oriental atmosphere. The meaning of “Yeonji Gonji†is the red dot on the cheeks and forehead of the bride in a Korean traditional wedding ceremony.3rd mov. : Joyful Dance: 3/4 time B flat major, composed in ABA form, expressed the joy of dancing in Korea.4th mov. : Longing: In G minor in 6/4 time, tried to express the feeling of oriental waiting.5th mov. : The Bride and Groom : It is composed of 4/4 time and 6/4 time, and as the title of the title of Groom and Bride, it shows the contrasting character of lively and calm. It was composed in a rondo form that goes back and forth between D minor and F major.Attached music file is only 5th movement, it's just for a reference.
$15.99 ≈
14.67€
Korean Simple Suite No.3 "Happy Wedding"(For Viola and Piano)
Korean Simple Suite No.3 "Happy Wedding"(For Viola and Piano)
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Korean Simple Suite No.3 "
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.557046 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Wedding. Score and part. 36 pages. Han-...
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Piano,Viola - Level 4 - SKU: A0.557046 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Wedding. Score and part. 36 pages. Han-Ki Kim #166508. Published by Han-Ki Kim (A0.557046). “Korean Simple Suite†No.3 For Viola and Piano Op.273C As far as melodies are concerned, the traditional 5 notes of Korean “Do.Re.Mi.Sol.La†are mainly used. It consists of five movements as follows: I tried to express the wedding ceremony of the bride and groom held in a traditional Korean front yard and the surrounding scenery. So, this piece's nick name is Happy Wedding. And Attached music file is only 1st mov. played by Violin just for a reference. 1. The Front Yard 2. Yeonji Gonzi 3. Joyful Dance 4. Waiting (Longing) 5. The Bride and Groom Movement 1, The Front Yard: In G minor in 8/12 time, it is a short song with a bright atmosphere. The front yard is a friendly place for villagers' gatherings and events. Movement 2, Yeonzi – Gonzi: In G major in 4/4 time, natural harmonics are used to describe the mysterious oriental atmosphere. The meaning of Yeonji Gonji is the red dot on the cheeks and forehead of the bride in a traditional wedding ceremony. Movement 3, Joyful Dance: 3/4 time B flat major, composed in ABA format, expressed the joy of dancing in Korea. Movement 4, Longing: In G minor in 6/4 time, we tried to express oriental waiting. Movement 5, The Bride and Groom : It is composed of 4/4 time and 6/4 time, and like the title of the title of Groom and Bride, it shows the contrasting character of liveliness and calm. It was composed in a rondo style that goes back and forth between D minor and F major.
$14.90 ≈
13.67€
Korean Simple Suite No.3 "Happy Wedding" (For Violin and Piano)
Korean Simple Suite No.3 "Happy Wedding" (For Violin and Piano)
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Korean Simple Suite No.3 "
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Han-Ki Kim
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.557045 Composed by Han-Ki Kim. 20th Century,Classical,Instructional,Standards,Traditional. 36 pages. Han-Ki Kim #166507...
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Piano,Violin - Level 4 - SKU: A0.557045 Composed by Han-Ki Kim. 20th Century,Classical,Instructional,Standards,Traditional. 36 pages. Han-Ki Kim #166507. Published by Han-Ki Kim (A0.557045). “Korean Simple Suite†No.3 For Violin and Piano Op.273 As far as melody is concerned, the traditional five notes of Korea(Do.re.mi.sol.la.) are mainly used. This Suite is dedicated to the composer's teacher, Dr. Walter Verdehr. It consists of five movements as follows: 1st mov. : The Front Yard: In G minor in 8/12 time, it is a short movement with a bright atmosphere. The Korean’s front yard is a friendly place for villagers' gatherings and events. 2nd mov. : Yeonzi – Gonzi: In G major in 4/4 time, natural harmonics are used to express the mysterious oriental atmosphere. The meaning of “Yeonji Gonji†is the red dot on the cheeks and forehead of the bride in a Korean traditional wedding ceremony. 3rd mov. : Joyful Dance: 3/4 time B flat major, composed in ABA form, expressed the joy of dancing in Korea. 4th mov. : Longing: In G minor in 6/4 time, tried to express the feeling of oriental waiting. 5th mov. : The Bride and Groom : It is composed of 4/4 time and 6/4 time, and as the title of the title of Groom and Bride, it shows the contrasting character of lively and calm. It was composed in a rondo form that goes back and forth between D minor and F major. Attached music file is only 1st mov. just for a reference.
$14.90 ≈
13.67€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
22.93€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00 ≈
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