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Danse for Clarinet Choir
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Vous avez sélectionné:
Danse for Clarinet Choir
Partitions à imprimer
13 partitions trouvées
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1
Danse for Clarinet Choir (Score)
Danse for Clarinet Choir (Score)
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy
#
Emily Gray
#
Danse for Clarinet Choir
#
Emily Gray
#
SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.727712 Composed by Claude Debussy. Arranged by Emily Gray. Romantic Period. 33 pages. Emily Gray #2026249. Publish...
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Woodwind Ensemble - Level 4 - SKU: A0.727712 Composed by Claude Debussy. Arranged by Emily Gray. Romantic Period. 33 pages. Emily Gray #2026249. Published by Emily Gray (A0.727712). Originally for piano, Debussy’s Danse is a piece of music that is sometimes sprightly, sometimes calm, and always engaging. This is an arrangement for clarinet choir, including E-flat clarinet, three B-flat clarinet parts, alto clarinet, bass clarinet, contra-alto clarinet, and optional B-flat contrabass clarinet. This is the full score. A set of parts is also available.
$19.99 ≈
17.92€
Danse Macabre (for Clarinet Choir)
Danse Macabre (for Clarinet Choir)
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Ensemble de Clarinettes
#
AVANCÉ
#
Classique
#
Camille Saint-Saens
#
Kenneth Abeling
#
Danse Macabre
#
LINCOLN MUSIC PUBLICATIONS
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.1293557 Composed by Camille Saint-Saens. Arrange...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.1293557 Composed by Camille Saint-Saens. Arranged by Kenneth Abeling. 19th Century,20th Century,Classical. 90 pages. LINCOLN MUSIC PUBLICATIONS #884037. Published by LINCOLN MUSIC PUBLICATIONS (A0.1293557). Danse Macabre or “Death Dance†by Camille Saint-Saëns transcribed for Clarinet Choir. This is an advanced transcription, true to the composer’s original intent and an audience favorite around Halloween! The playing time approximately 7:00 at brisk tempo. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$30.00 ≈
26.89€
Danse Macabre (for Clarinet Choir)
Danse Macabre (for Clarinet Choir)
#
Ensemble de Clarinettes
#
Classique
#
Halloween
#
Camille Saint- Saens
#
Danse Macabre
#
Ralph Raymond Hay
#
SheetMusicPlus
Composed by Camille Saint- Saens (1835-1921). Arranged by Ralph Raymond Hays. Romantic Period, Repertoire, Halloween, Children's Music, Recital. Score, Set ...
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Composed by Camille Saint- Saens (1835-1921). Arranged by Ralph Raymond Hays. Romantic Period, Repertoire, Halloween, Children's Music, Recital. Score, Set of Parts. 52 pages. Published by Ralph Raymond Hay
Perfect for a Halloween Concert or any time of year, this masterfully crafted arrangement of one of Classical Music's most popular and recognized works is certain to challenge performers and delight audiences. Judiciously edited from the orchestral version, this arrangement maintains the charm and wit of the original while taking full advantage of the rich tonal palette provided of the Clarinet Choir. Each performer will feel his/her contribution valued in bringing this magnificent work to fruition.
$22.50 ≈
20.16€
Danse Macabre (for Flute Choir)
Danse Macabre (for Flute Choir)
#
Ensemble de Flûtes
#
Classique
#
Camille Saint-Saens
#
Ralph Raymond Hays
#
Danse Macabre
#
Ralph Raymond Hays
#
SheetMusicPlus
Woodwind Ensemble Flute - SKU: A0.720707 Composed by Camille Saint-Saens. Arranged by Ralph Raymond Hays. Children,Halloween,Romantic Period,Standards. ...
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Woodwind Ensemble Flute - SKU: A0.720707 Composed by Camille Saint-Saens. Arranged by Ralph Raymond Hays. Children,Halloween,Romantic Period,Standards. 45 pages. Ralph Raymond Hays #6087949. Published by Ralph Raymond Hays (A0.720707). Perfect for a Halloween Concert or any time of year, this masterfully crafted arrangement of one of Classical Music's most popular and recognized works is certain to challenge performers and delight audiences. Judiciously edited from the orchestral version, this arrangement maintains the charm and wit of the original while taking full advantage of the rich tonal palette provided of the Clarinet Choir. Each performer will feel his/her contribution valued in bringing this magnificent work to fruition.
$22.50 ≈
20.16€
Danse for Clarinet Choir (Parts)
Danse for Clarinet Choir (Parts)
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy
#
Emily Gray
#
Danse for Clarinet Choir
#
Emily Gray
#
SheetMusicPlus
Composed by Claude Debussy (1862-1918). Arranged by Emily Gray. For Clarinet, Woodwind Ensemble, Clarinet Choir. Romantic Period. Advanced Intermediate. Set of ...
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Composed by Claude Debussy (1862-1918). Arranged by Emily Gray. For Clarinet, Woodwind Ensemble, Clarinet Choir. Romantic Period. Advanced Intermediate. Set of Parts. Published by Emily Gray
$11.99 ≈
10.75€
The Monk's Turned Topsy-Turvy
The Monk's Turned Topsy-Turvy
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Lori Archer Sutherland
#
The Monk's Turned Topsy-Turvy
#
Lori Archer Sutherland
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.764956 Composed by Lori Archer Sutherland. Conte...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.764956 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. 50 pages. Lori Archer Sutherland #4597193. Published by Lori Archer Sutherland (A0.764956). For clarinet choir (Eb, 4 Bb, Alto, Bass, Eb Contra, Bb Contra. Alternate Bb parts included for Eb and Alto. Basset horn part included (doubles Alto)).You may print multiple parts as needed for your ensemble.The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.Also available for concert band (S0.708971)
$25.00 ≈
22.41€
The Monk's Turned Topsy-Turvy
The Monk's Turned Topsy-Turvy
#
Lori Archer Sutherland
#
The Monk's Turned Topsy-Turvy
#
Lori Archer Sutherland
#
SheetMusicPlus
Clarinet - SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804...
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Clarinet - SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.
$1.99 ≈
1.78€
The Monk's Turned Topsy-Turvy
The Monk's Turned Topsy-Turvy
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Lori Archer Sutherland
#
The Monk's Turned Topsy-Turvy
#
Lori Archer Sutherland
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.765053 Composed by Lori Archer Sutherland. Contemporary,Contest,Festival,Folk. Score and Parts. 96 pages. Lori Archer S...
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Concert Band - Level 4 - SKU: A0.765053 Composed by Lori Archer Sutherland. Contemporary,Contest,Festival,Folk. Score and Parts. 96 pages. Lori Archer Sutherland #5205361. Published by Lori Archer Sutherland (A0.765053). Directors may make copies of parts as needed for your ensemble. Includes optional Contralto and Contrabass clarinet parts and Baritone (TC) part. The Monk’s Turned Topsy-Turvy is an original fantasy for concert band, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap. Originally composed for clarinet choir and arranged for band by the composer.
$75.00 ≈
67.22€
Capriol Suite
Capriol Suite
#
Contemporain
#
Peter Warlock
#
John Gibson
#
Capriol Suite
#
JB Linear
#
SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.582043 Composed by Peter Warlock. Arranged by John Gibson. Contemporary. 95 pages. J...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.582043 Composed by Peter Warlock. Arranged by John Gibson. Contemporary. 95 pages. JB Linear #4621593. Published by JB Linear (A0.582043). Warlock's Capriol Suite is a set of 6 dances that freely utilize songs found in a Renaissance dancing guide. They vary from soft, gentle pieces to vigorous dance forms. Warlock did not simply transcribe these songs, but added his own touches, sometimes with surprising combinations. So....even if something sounds a little wrong, most likely it is not! The movements include Basse-Danse, Pavane, Tordion, Bransles, Pieds-en-l'air, and Mattachins (Sword Dance). This setting of the string orchestra version for CLARINET CHOIR BY JOHN GIBSON IS FOR Eb SOPRANO, Bb SOPRANO 1-3 ALTO, BASS, AND CONTRA. THERE IS AN ALTERNATE PART IF THERE IS NO ALTO.
$19.25 ≈
17.25€
Je Danse
Je Danse
Children's Choir (4 to 6 years), Bb Clarinet, Accordion, Harp and Piano, Double Bass, Glockenspiel & Percussion
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Jean-Michel Maury
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Percussion
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Je Danse
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SheetMusicPlus
By Jean-Michel Maury. Children's choir and small ensemble. For Children's Choir (4 to 6 years), Bb Clarinet, Accordion, Harp and Piano, Double Bass, G...
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By Jean-Michel Maury. Children's choir and small ensemble. For Children's Choir (4 to 6 years), Bb Clarinet, Accordion, Harp and Piano, Double Bass, Glockenspiel & Percussion. Lyrics by Jean-Michel Maury. Classical, Educational. Grade 4. Score and Set of
$16.95 ≈
15.19€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
7.12€
Danse Sociopathique for Clarinet Quintet or Choir
Danse Sociopathique for Clarinet Quintet or Choir
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Quintette de Clarinettes: 5 clarinettes
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Halloween
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Steve Winstead
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Danse Sociopathique for Clarin
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Sigma Squared Music
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SheetMusicPlus
Composed by Steve Winstead. 21st Century, 20th Century, Modern, Halloween, Recital. Score, Set of Parts. 27 pages. Published by Sigma Squared Music (S0.185763)....
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Composed by Steve Winstead. 21st Century, 20th Century, Modern, Halloween, Recital. Score, Set of Parts. 27 pages. Published by Sigma Squared Music (S0.185763). - Score,Set of Parts - 21st Century,20th Century,Modern,Halloween,Recital - Sigma Squared Music
$19.99 ≈
17.92€
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Danse for Clarinet Choir
