Song List: Once Again My Heart Rejoices Go Tell It On the Mountain Prepare The Royal Highway Of The Fathers Love Begotten Once In Royal Davids City Hark the Herald Angels Sing People Look East Hark the Glad Sound Twas in the Moon of Wintertime Silent Night Holy Night Let Our Gladness Have No End

From the CD "Journey To Rio" by Roger Davidson (Soundbrush Records)
Like many Americans, Roger Davidson discovered the bossa nova through the recordings of Stan Getz, and since then, the sounds of Brazil have been especially close to his heart. In four previous CDs ? Brazilian Love Song, Bom Dia, Rodgers in Rio, and Bingo ? he brought his unique spin to the music of a country that, remarkably, he had never visited. In October 2011, that changed.
Accompanied by his producer, the Argentine bassist and bandleader Pablo Aslan, Roger took his first trip to Brazil. Most of his eight days there, which he spent in Rio de Janeiro, were occupied by six recording sessions. Roger arrived with a hundred of his Brazilian compositions to choose from; the songs he recorded ? in addition to several new ones he composed in Rio ? comprise these two CDs.
?Journey to Rio features deeply emotional Brazilian love songs alongside Davidson?s French inspired compositions. These compositions enforce a sense of rooted emotion that melds Davidson?s vast life experiences of international culture with the modern expressions of Brazilian jazz.? Latin Jazz Corner
http://soundbrush.com/album/journey-to-rio/

Digital Pack includes:

1. Days of Elijah (arr. David Angerman) - Full Score
2. Days of Elijah (arr. David Angerman) - Piccolo
3. Days of Elijah (arr. David Angerman) - Bb Clarinet
4. Days of Elijah (arr. David Angerman) - Bb Trumpet
5. Days of Elijah (arr. David Angerman) - Tenor Sax
6. Days of Elijah (arr. David Angerman) - Trumpet (sub. Alto Sax)
7. Days of Elijah (arr. David Angerman) - Trombone (sub. Tenor Sax)
8. Days of Elijah (arr. David Angerman) - Bass Trombone (sub. Bari Sax)
9. Days of Elijah (arr. David Angerman) - Alto Sax
10. Days of Elijah (arr. David Angerman) - Bari Sax
11. Days of Elijah (arr. David Angerman) - Percussion
12. Days of Elijah (arr. David Angerman) - Electric Piano
13. Days of Elijah (arr. David Angerman) - Guitars
14. Days of Elijah (arr. David Angerman) - Fretless Bass
15. Days of Elijah (arr. David Angerman) - Drums
16. Days of Elijah (arr. David Angerman) - Clarinet (sub. Viola)
17. Days of Elijah (arr. David Angerman) - Cello
18. Days of Elijah (arr. David Angerman) - Viola
19. Days of Elijah (arr. David Angerman) - Violin
20. Days of Elijah (arr. David Angerman) - Keyboard String Reduction

Digital Pack includes:

1. Light Of The Stable (from All Is Well) (arr. David Angerman) - Score
2. Light Of The Stable (from All Is Well) (arr. David Angerman) - Flute 1
3. Light Of The Stable (from All Is Well) (arr. David Angerman) - Flute 2
4. Light Of The Stable (from All Is Well) (arr. David Angerman) - Oboe
5. Light Of The Stable (from All Is Well) (arr. David Angerman) - Clarinet
6. Light Of The Stable (from All Is Well) (arr. David Angerman) - F Horn 1
7. Light Of The Stable (from All Is Well) (arr. David Angerman) - Percussion 1 & 2
8. Light Of The Stable (from All Is Well) (arr. David Angerman) - Keyboard/ Synthesizer
9. Light Of The Stable (from All Is Well) (arr. David Angerman) - Bass Guitar
10. Light Of The Stable (from All Is Well) (arr. David Angerman) - F Horn 2
11. Light Of The Stable (from All Is Well) (arr. David Angerman) - Guitar
12. Light Of The Stable (from All Is Well) (arr. David Angerman) - Piano
13. Light Of The Stable (from All Is Well) (arr. David Angerman) - Viola
14. Light Of The Stable (from All Is Well) (arr. David Angerman) - Violin 1
15. Light Of The Stable (from All Is Well) (arr. David Angerman) - Cello
16. Light Of The Stable (from All Is Well) (arr. David Angerman) - Violin 2

Digital Pack includes:

1. Golgotha Hill (King of Love) (arr. David Angerman) - Synthesizer
2. Golgotha Hill (King of Love) (arr. David Angerman) - Full Score
3. Golgotha Hill (King of Love) (arr. David Angerman) - Percussion
4. Golgotha Hill (King of Love) (arr. David Angerman) - Guitar/Electric Bass
5. Golgotha Hill (King of Love) (arr. David Angerman) - Piano
6. Golgotha Hill (King of Love) (arr. David Angerman) - Drums
7. Golgotha Hill (King of Love) (arr. David Angerman) - Electric Fiddle
8. Golgotha Hill (King of Love) (arr. David Angerman) - Clarinet (sub. Viola)
9. Golgotha Hill (King of Love) (arr. David Angerman) - Viola
10. Golgotha Hill (King of Love) (arr. David Angerman) - Violin 1
11. Golgotha Hill (King of Love) (arr. David Angerman) - Double Bass
12. Golgotha Hill (King of Love) (arr. David Angerman) - Cello
13. Golgotha Hill (King of Love) (arr. David Angerman) - Violin 2
14. Golgotha Hill (King of Love) (arr. David Angerman) - Keyboard String Reduction

Digital Pack includes:

1. Glory In The Highest (arr. David Angerman) - Full Score
2. Glory In The Highest (arr. David Angerman) - Violin 1
3. Glory In The Highest (arr. David Angerman) - Violin 2
4. Glory In The Highest (arr. David Angerman) - Viola
5. Glory In The Highest (arr. David Angerman) - Cello
6. Glory In The Highest (arr. David Angerman) - Double Bass
7. Glory In The Highest (arr. David Angerman) - Keyboard String Reduction

Digital Pack includes:

1. Come to the Table (arr. David Angerman) - Full Score
2. Come to the Table (arr. David Angerman) - Violin 1
3. Come to the Table (arr. David Angerman) - Viola
4. Come to the Table (arr. David Angerman) - Rhythm
5. Come to the Table (arr. David Angerman) - Violin 2
6. Come to the Table (arr. David Angerman) - Double Bass
7. Come to the Table (arr. David Angerman) - Cello

Digital Pack includes:

1. Cradle Hymn (arr. David Chase) - Violin

Words and Music by David Guetta, Sia Furler, Giorgio Tuinfort and Nik Van De Wall. Arranged in 2017 by Boo de Bruin. 16 pages (because it's written on four staves for ease of reading) for Sweet Adelines (ladies' barbershop) quartet or SSAA choir. (Tenor, lead, baritone, bass are roughly equivalent to SSAA).

This arrangement was written for a chorus of young women, and as such the ranges are relatively narrow.

Vocal ranges are:
Tenor: F#4 - F#5 (F# above middle C to F# above high C)
Lead: A#3 - D#5 (A# below middle C to D# above high C)
Baritone: A#3 - B4 (A# below middle C to B above middle C)
Bass: F#3 - D#4 (F# below middle C to D# above middle C)

Attached recording provided by Helen Warner.

Duration: 3:23, Score: 7 pages, 61 measures, solo part: 2 pages, piano part: 3 pages. Meter: common time, Tempo: quarter note = 124. Excellent choice for recitals, church or combo performance.

"When released as a single in 1973, it reached no. 3 in the UK and stayed on the chart for thirteen weeks. The song re-entered the UK charts at no. 55 over 30 years later, largely because of its use in the original British television series Life on Mars.[6] In June 2015, Neil McCormick of The Daily Telegraph ranked it as no. 1 in his "100 Greatest Songs of All Time" list,[7] describing it thus:

Gloriously strange sci-fi anthem. A stirring, yearning melody combines with vivid, poetic imagery to accomplish a trick very particular to the art of the song: to be at once completely impenetrable and yet resonant with personal meaning. You want to raise your voice and sing along, yet Bowie?s abstract cut-up lyrics force you to invest the song with something of yourself just to make sense of the experience, and then carries you away to a place resonant with intense, individual emotion. The magic and mystery of music and lyrics. It is something to behold.[7]

In a 2012 poll, "Life on Mars?" was voted Bowie's best song. Digital Spy, who conducted the poll, stated it has "perhaps become David's signature song ? filled with surreal cut-up lyrics inspired by William Burroughs, it married vivid imagery with a tender, heartbreaking melody".[8]

The song has appeared in several television series. The BBC television drama Life on Mars used both the name and the song itself as its basis. The song was used extensively throughout the programme and its spin-off, Ashes to Ashes. The song was used also in the American version of Life on Mars. In the episode "The Waters of Mars", of the British television show Doctor Who, takes place in the first human base on Mars, named "Bowie Base One".

Jessica Lange sang a rendition with a deep German accent on the fourth-season premiere of the FX television program American Horror Story: Freak Show.[10] Playing a character whose surname is Mars, Lange wears an ice-blue trouser suit and heavy matching eye shadow in her performance, echoing the Bowie video.[10] Both the song and the performance are anachronistic, given that the season takes place in 1952, nearly 20 years before Bowie released the song. She performs the song again in the episode "Pink Cupcakes", and an instrumental version is played at the end of the season finale, "Curtain Call", where Mars is getting ready to sing.

The song has also appeared in several film soundtracks. The original soundtrack of Lars von Trier's 1996 movie Breaking the Waves features "Life on Mars?" during the epilogue, although the song was replaced by Elton John's "Your Song" on the international DVD release for copyright reasons.[11] "Life on Mars?" is included on the soundtrack to the 2004 film The Life Aquatic with Steve Zissou, starring Bill Murray as Steve Zissou.[12] The song is played as Murray walks stoned to the bow of his boat in solitude as a party continues below deck. "Life on Mars?" is included in the 2005 film Loverboy, first being played on the radio during a conversation between the 10-year-old Emily and Mrs. Harker, and later being sung a cappella by 10-year-old Emily.[12] "Life on Mars?" is included on the soundtrack to the 2006 film Factory Girl.[12] "Life on Mars?" is used in the 2012 British film Hunky Dory, sung by the character Davey (Aneurin Barnard).

Green Day singer Billie Joe Armstrong has said that he would like either "Life on Mars?" or "Take This Job and Shove It" by Johnny Paycheck played at his funeral.[13]"-Wikipedia