The Easy Concert Pieces series presents easy piano pieces for beginners in progressive order. Three volumes have already been published.
These pieces are intended to complement a piano tutorial method and are particularly suitable for performance at auditions, concerts, competitions and examinations. They offer varied repertoire in a broad selection of pieces from the Baroque, Classical, Romantic and Modern eras. .

Volume 1 (ED 22547) is meant for beginners. The pieces span a single octave and stay within five-finger positions. Other criteria for the selection of the pieces are simple rhythms and very easy chord playing. Crossing the thumb under, polyphony and pedal are not required yet.

Volume 2 (ED 22548) extends the range to two octaves. .Hand turns (crossing the thumb under), pedal, simple polyphony and three- or four-part chords all feature in Volume 2, as do simple ornaments, playing cantabile and differentiating between melody and accompaniment.

Volume 3 (ED 22549) is aimed at advanced players who wish to refine their expression and personal interpretation. The pieces demand a great deal of dexterity, a high sense of rhythm, articulation and phrasing, polyphonic playing (polyphony even in one hand) and tonal differentiation of the piano setting.

The Easy Concert Pieces series by the experienced piano teacher Monika Twelsiek presents easy piano pieces for beginners in progressive order. Three volumes have already been published. .

These pieces are intended to complement a piano tutorial method and are particularly suitable for performance at auditions, concerts, competitions and examinations. They offer varied repertoire in a broad selection of pieces from the Baroque, Classical, Romantic and Modern eras. .

Volume 3 is aimed at advanced players who wish to refine their expression and personal interpretation. The pieces demand a great deal of dexterity, a high sense of rhythm, articulation and phrasing, polyphonic playing (polyphony even in one hand) and tonal differentiation of the piano setting. .

Also available:
Volume 1 (ED 22547) is meant for beginners. The pieces span a single octave and stay within five-finger positions. Other criteria for the selection of the pieces are simple rhythms and very easy chord playing. Crossing the thumb under, polyphony and pedal are not required yet. .

Volume 2 (ED 22548) extends the range to two octaves. Hand turns (crossing the thumb under), pedal, simple polyphony and three- or four-part chords all feature in Volume 2, as do simple ornaments, playing cantabile and differentiating between melody and accompaniment.

JAZZ TIME is a collection of 15 original Jazz piano pieces representing different styles and eras in Jazz history. The book consists of pieces for easy- intermediate to advanced level pianists. Friendly and charming musical language equally appeals to all age groups from children to adults. Each piece paints a colorful picture of some moment in time, sometimes in the past, other times in the future, and creates a wonderful Jazzy mood. The collection represents Ragtime, Blues, Big Band, Swing, Jazz Waltz, New Age, Funk, Bebop, Boogie Woogie and a Ballad. Titles include Sunny Day Rag, Bluer Than Blue, Doing The Town, Friday Jive, Melancholy Waltz, Water So Clear, Carnaval in Brasil, Necessary Jam, Autumn Dance, Broken Circles, Rocking on Through, Artistry In Rhythm, Flowing Dreams, Canada Rag and Moon Dance.

This collection includes nine familiar Christmas favorites: Jingle Bells, We Three Kings, O Christmas Tree, Russian Dance (from "The Nutcracker"), Deck the Halls, Joy to the World, Away in a Manger, Silent Night, and Carol of the Bells. These student-friendly arrangements feature large print and have fingerings clearly marked.

This collection is appropriate for students in level 1 and 2 of most method books. Some of the concepts encountered include: simple position shifts, finger crossings, intervals up to a fifth, root position chords, and eighth notes. There is also one piece each in F major, G major, and A minor. See samples of each piece and hear each piece performed in its entirety in the sample video.

Need an even easier Christmas collection? Take a look at my "First Christmas Favorites" for beginner piano!

The LittlePink Rabbit Warren for Easy Piano

7 Little PianoPieces for Beginner to Novice Pianists of all ages by SilverTonalities!

ColoredNotation for Quick and Easy Reading!

- The Tandem Bicycle

- A Piggyback

- Two Little Love Bunnies

- Moonbeam Polka

- Hearts and Roses

- The Gift

- The Warren

This is my easier arrangement of Leonard Cohen Hallelujah, written as a piano solo arrangement. Hallelujah Piano Solo Arrangement was so much fun writing! Originally by Leonard Cohen, this song is a classic! The piano solo arrangement of Hallelujah is perfect for the intermediate pianist wanting to learn a classic! In this piano solo arrangement of Hallelujah, the left hand has the most intensive parts. The right hand repeats most of the time, but there are some change ups in the left hand which can be a little difficult.

In practicing this piece, its important to separate hands first, and then bring the piece together. This will really make sure you know all of the parts of the piece. By putting in the time to do this, you will be able to play Hallelujah Piano Solo Arrangement in no time!

The arrangement took me a couple of hours over a day to write. I really enjoyed writing this arrangement and I look forward to creating a harder version of the song in the next coming days. I hope you enjoy my arrangement of Hallelujah for Piano Solo!

The Easy Concert Pieces series presents easy to intermediate pieces for trumpet with piano accompaniment. Pieces typical of their era and suitable for auditions, public performance, competitions or examinations are ordered according to level of difficulty in three volumes. These Easy Concert Pieces also provide appealing additional material for use in trumpet lessons. In addition to the enclosed part for trumpet in Bb, separate parts for trumpet in C accompanying each book are available for download at www.schott-music.com.

Volume 1 (ED 22555) contains very easy to easy pieces with a range up to written c", with d" appearing as a short top note in just a few pieces. Simple and memorable rhythms, readily playable note sequences and patterns of articulation that can be mastered quickly and easily make this book ideal for beginners.

Volume 2 contains easy to intermediate pieces with a range no higher than f". Besides extending rhythmic scope and requiring a little more in terms of phrasing and articulation, these pieces will encourage further exploration of musical contrasts.

Volume 3 is of medium difficulty and intended for players with a well-developed embouchure who can play notes up to written g", though this note only appears as a short top note. Flexible articulation and legato playing with a well-developed dynamic range are required for pieces that are longer than those in the preceding volumes.

For the Easy Concert Pieces series, the experienced piano teacher Monika Twelsiek compiled pleasant, easy piano pieces for beginners and published them in three volumes in progressive order.

The three volumes are intended to complement a piano tutorial method and are particularly suitable for performance at auditions at music schools, for examinations and for competitions. They offer varied repertoire in a broad selection of pieces from the Baroque, Classical, Romantic and Modern eras.

Volume 1 (ED 22547) can already be used by beginners, containing pieces in the five-note range and easy pieces spanning a single octave. Other criteria for selection are simple rhythms and very easy chords. Crossing the thumb underneath, playing several parts together and pedal use are not yet required.

Volume 2 (ED 22548) contains pieces with an extended range of two octaves. Crossing the thumb under, pedal use, simple polyphony and three- or four-part chords all feature here, as do simple ornaments, cantabile playing and differentiating between melody and accompaniment.

Volume 3 (ED 22549) is aimed at advanced players who wish to refine their expression and personal interpretation. The pieces demand a great deal of dexterity, a high sense of rhythm, articulation and phrasing, polyphonic playing (polyphony even in one hand) and tonal differentiation of the piano setting.