Digital Pack includes:

1. Focus - Conductor Score (Full Score)
2. Focus - Flute/Piccolo
3. Focus - Bb Clarinet
4. Focus - Eb Alto Sax
5. Focus - Bb Tenor Sax
6. Focus - Eb Baritone Sax
7. Focus - 1st Bb Trumpet
8. Focus - 2nd Bb Trumpet
9. Focus - 3rd Bb Trumpet
10. Focus - F Horn
11. Focus - Bb Horn/Flugelhorn
12. Focus - 1st Trombone
13. Focus - 2nd Trombone
14. Focus - Baritone B.C.
15. Focus - Baritone T.C.
16. Focus - Tuba
17. Focus - Electric Bass
18. Focus - Bells/Xylophone
19. Focus - Snare Drum
20. Focus - Cymbals
21. Focus - Quad Toms
22. Focus - Multiple Bass Drums
23. Focus - Aux Percussion

German.

An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner?s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. G�TTERD�MMERUNG This piano reduction corresponds to the edition of the score of G�tterd�mmerung contained in the complete critical edition of the musical works of Richard Wagner (Richard Wagner, S�mtliche Werke, Vol. 13, I-III, edited by Hartmut Fladt, Mainz 1980ff. [Richard Wagner, Complete Works]). The first printed edition of the score was published by B. Schott?s S�hne, Mainz (plate number 21953) in the summer of 1876, but was supervised by the conductor Hermann Levi and not by Wagner himself. This edition displays deviations from the autograph which cannot be considered as adhering to Wagner?s intentions. For this reason, the critical edition is largely based on Wagner?s autograph score. Individual changes made during the first performances of the work in Bayreuth in 1876 have been identified in the footnotes.

2013 marks Wagner?s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holl�nder (1841) Der fliegende Holl�nder (1842-80) Tannh�user Lohengrin Das Rheingold Die Walk�re Siegfried Tristan und Isolde Die Meistersinger von N�rnberg Parsifal

Picc. � 3 � 3 � Engl. Hr. � 3 � Bassklar. � 3 - 8 (5. u. 7. auch Tenortb., 6. u. 8. auch Basstb.) � 3 � Basstrp. � 4 (4. auch Kb.-Pos.) � Kbtb. - P. S. (Glsp. � Trgl. � Beckenpaar � Tamt. � R�hrtr.) (2 Spieler) - 6 Hfn. - Str. (16 � 16 � 12 � 12 � 8)
Auf der B�hne: Horn in f - H�rner in C - Stierh�rner in C, Des und D - 4 Hfn.

STRING ORCHESTRA WARMUPS is something every orchestra conductor should definitely have included in student music folders. Since the focus is on warming up there is not a high degree of technique involved. They consist of eight warm-up exercises composed specifically for elementary or junior high students. There is also no reason why they could not be used with more advanced players. All exercises are in three part harmony and are very melodic and harmonic and enjoyable to perform. These short exercises are an excellent way for any string orchestra to start or finish a rehearsal concentrating on intonation and producing the best solid and full sound possible. As always I thank you for your consideration.

This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.