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Forever After All
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Stars and Stripes Forever
Stars and Stripes Forever
#
Guitare
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
The Candlelight Guitarist
#
Bradley Powell
#
Stars and Stripes Forever
#
Geofonica Artistworks
#
SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1080715 By The Candlelight Guitarist. By John Philip Sousa. Arranged by Bradley Powell. Classical,Contest,Festival,Holid...
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Solo Guitar - Level 4 - SKU: A0.1080715 By The Candlelight Guitarist. By John Philip Sousa. Arranged by Bradley Powell. Classical,Contest,Festival,Holiday,Patriotic,Traditional. Individual part. 6 pages. Geofonica Artistworks #684944. Published by Geofonica Artistworks (A0.1080715). The very popular official march of the United States, composed by John Philip Sousa, arranged for solo classical guitar (in standard notation) by Bradley Powell, aka The Candlelight Guitarist. It is an advanced intermediate to advanced level of finger-style classical guitar. NOTE: This same arrangement is also available in Standard Notation WITH TAB). ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventure at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs. COMMENTS FROM ESTABLISHED REVIEWERS... Dr. Beth - Amazon.com #1 Hall of Fame reviewer Brad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack. Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age Retailer The Candlelight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals. Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWER Bradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences. Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell. Jana L. Perskie Ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer. The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard. Bob McKillop, founder and publisher, MaineFolkMusic.com Brad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender. Grady Harp - HALL OF FAME TOP 100 REVIEWER music to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!.
$3.76 ≈
3.44€
Stars and Stripes Forever
Stars and Stripes Forever
#
Guitare notes et tablatures
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
The Candlelight Guitarist
#
Bradley Powell
#
Stars and Stripes Forever
#
Geofonica Artistworks
#
SheetMusicPlus
Guitar - Level 4 - SKU: A0.1080713 By The Candlelight Guitarist. By John Philip Sousa. Arranged by Bradley Powell. Classical,Contest,Festival,Holiday,Pa...
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Guitar - Level 4 - SKU: A0.1080713 By The Candlelight Guitarist. By John Philip Sousa. Arranged by Bradley Powell. Classical,Contest,Festival,Holiday,Patriotic,Traditional. Guitar Tab. 9 pages. Geofonica Artistworks #684942. Published by Geofonica Artistworks (A0.1080713). The very popular official march of the United States, composed by John Philip Sousa, arranged for solo classical guitar (written here in both standard notation with TAB) by Bradley Powell, aka The Candlelight Guitarist. It is an advanced intermediate to advanced level of finger-style classical guitar. NOTE: This same arrangement is also available without the TAB (Standard Notation only). ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventure at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs. COMMENTS FROM ESTABLISHED REVIEWERS... Dr. Beth - Amazon.com #1 Hall of Fame reviewer Brad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack. Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age Retailer The Candlelight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals. Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWER Bradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences. Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell. Jana L. Perskie Ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer. The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard. Bob McKillop, founder and publisher, MaineFolkMusic.com Brad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender. Grady Harp - HALL OF FAME TOP 100 REVIEWER music to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!.
$3.76 ≈
3.44€
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
#
Classique
#
Johann Sebastian Bach
#
Luis Anjos Teixeira
#
edited by Wilhelm Rust.
#
Gottes Zeit ist die allerbeste
#
Luis Anjos Teixeira
#
SheetMusicPlus
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Con...
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99 ≈
10.05€
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
#
Luis Anjos Teixeira
#
edited by Wilhelm Rust.
#
Gottes Zeit ist die allerbeste
#
Luis Anjos Teixeira
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contem...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94 ≈
9.09€
All Star
All Star
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Film/TV
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Smash Mouth
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Colin G Dance
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All Star
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Dance is With Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - SKU: A0.1110350 By Smash Mouth. By Greg Camp. Arranged by Colin G Dance. Film/TV,Pop. Brass Band. 29 pages. Dance is With Music #712688. Published by Dance is With Music (A0.1110350). This arrangement was commissioned by Sidmouth Town Band to be performed by their young star solo cornet player. It's the opening theme to the latest Shrek film Shrek Forever After.
$50.00 ≈
45.74€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.65€
(i Can Recall) Spain
(i Can Recall) Spain
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Latin/Musique du monde
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Chick Corea
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Popnroll 1976
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(i Can Recall) Spain
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Popnroll 1976
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SheetMusicPlus
Piano - Level 4 - SKU: A0.1290542 By Chick Corea. By Al Jarreau, Artie Maren, Chick Corea, and Joaquin Rodrigo. Arranged by Popnroll 1976. Jazz,Latin. S...
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Piano - Level 4 - SKU: A0.1290542 By Chick Corea. By Al Jarreau, Artie Maren, Chick Corea, and Joaquin Rodrigo. Arranged by Popnroll 1976. Jazz,Latin. Score (Chords/Lyrics). 4 pages. Popnroll 1976 #881260. Published by Popnroll 1976 (A0.1290542). Spain (I Can Recall) - Al Jarreau (Vocal/Synthesizer Solo/Scat Solo)This is a lead sheet with a complete copy of the synthesizer solo and scat solo of the vocal version of Chick Corea's famous song Spain from the album This Time released in 1980 by Al Jarreau, a jazz fusion singer known for his singing percussion.PDF format, 4 pages.Lyrics：Al Jarreau, Arthur J. Maren Composer：Chick Corea, Joaquin Vidre RodrigoVocal：Al Jarreau Synthesizer & Rhodes Electric Piano：Larry Williams Bass: Abraham Laboriel Drums: Steve Gadd Produced by Jay GraydonSong Description 　This is a jazz fusion classic from Chick Corea's 1972 Return To Forever album, Light As A Feather, with lyrics by Al himself. 　The synthesizer solo was played by Larry Williams, a keyboardist and saxophonist of the fusion band Seawind, who skillfully used upper structure triad arpeggios to drive the song in a wide range. 　Al's scat solo in the latter half of the song is a highlight. It starts with a relaxed phrase, moving in a close range in the first half, and shows a sign of excitement with flutter tangling in D (a technique unique to wind instruments that makes the sound tremble by fine movements of the tongue) at the beginning of the second half. The last four bars of the song are a perfect blend of alternating scales and blue notes, folding in exquisite ups and downs, and finally resolving to B major at the end. 　In the chord progression, the second half of [B] and Gmaj7 (two beats after Dmaj7) in [E] and [M] are not Chick Corea's original, but he seems to use them in this arrangement.
$9.99 ≈
9.14€
Forever For Now
Forever For Now
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Piano seul
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INTERMÉDIAIRE
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Pop musique
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Isabella Janet Summers and Lau
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Teresa Young
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Forever For Now
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Teresa Young
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1113379 Composed by Isabella Janet Summers and Laura Pergolizzi. Arranged by Teresa Young. Pop. Score. 5 pages. Teresa Yo...
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Piano Solo - Level 3 - SKU: A0.1113379 Composed by Isabella Janet Summers and Laura Pergolizzi. Arranged by Teresa Young. Pop. Score. 5 pages. Teresa Young #715317. Published by Teresa Young (A0.1113379). Teresa Young's piano solo arrangement of LP's evocative Forever for Now is dedicated to her dear friends Deborah and Joseph D'Alessio and their beloved son Max. After Deborah had a powerful experience with Forever for Now while out walking after Max's death, Teresa, Deborah and Joseph were all moved to learn that LP had written it while out in nature just after her mother passed. Now these dear friends hope you'll enjoy exploring a meditative solo piano version of this extraordinary song.
$4.99 ≈
4.56€
Strawberry Fields Forever
Strawberry Fields Forever
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Hautbois, Clarinette, Basson (trio d'anches)
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FACILE
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Rock
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The Beatles
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Ray Thompson
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Strawberry Fields Forever
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.745061 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ra...
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Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.745061 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Rock. 6 pages. RayThompsonMusic #353060. Published by RayThompsonMusic (A0.745061). Strawberry Fields ForeverThe song was the first track recorded during the sessions for the Beatles' Sgt. Pepper's Lonely Hearts Club Band (1967),and was intended for inclusion on the album.Instead, with the group under record-company pressure to release a single, it was issued in February 1967 as a double A-side with Penny Lane.The combination reached number two in the United Kingdom, breaking the band's four-year run of chart-topping singles there, while Strawberry Fields Forever peaked at number eight on the Billboard Hot 100 in America. Strawberry Fields Forever is one of the defining works of the psychedelic rock genre and has been covered by many artists. The Beatles made a promotional film clip for the song that is similarly recognised for its influence in the medium of music video.The Strawberry Fields memorial in New York's Central Park is named after the song.It is arranged here for woodwind trio: Flute, Clarinet, Bassoon.The flute part could also be played by oboe. Check out all of my Beatles wind trios:Because, Blackbird, Hey Jude, In my life, Ob-la-di, Strawberry Fields Forever.
$14.95 ≈
13.68€
After the Movie Ragtime Piano Solo
After the Movie Ragtime Piano Solo
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Piano seul
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AVANCÉ
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Ragtime
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Rhonda Bradley
#
#
After the Movie Ragtime Piano
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Miss Rhonda’s Piano Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.876865 Composed by Rhonda Bradley. Ragtime. Score. 2 pages. Miss Rhonda’s Piano Music #2929285. Published by Miss ...
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Piano Solo - Level 5 - SKU: A0.876865 Composed by Rhonda Bradley. Ragtime. Score. 2 pages. Miss Rhonda’s Piano Music #2929285. Published by Miss Rhonda’s Piano Music (A0.876865). After the Movie Ragtime Piano Solo Level 4 AdvancedComposed by Rhonda Bradley 2 pages (including cover)Sink your fingers into this contemporary ragtime piece that's full of party! After the Movie is a quick and lively piece that's true to its' ragtime genre -- your listeners won't be able to sit still!This is a great piece for advanced pianists that don't have a lot of time to practice. It's just one page in length, but it offers plenty of challenge and is a high-quality piece that you can keep in your repertoire forever.Written in the key of C, After the Movie is in cut time rhythm. Tip: Since this is an advanced piano solo, it does not have finger numbers written in. Keep a pencil at the piano and write in the finger numbers as you figure them out. It will save you a lot of time!
$2.99 ≈
2.74€
Forever After All
Forever After All
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Instruments en Do
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DÉBUTANT
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Luke Combs
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Katsumi WF
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Forever After All
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Katsumi WF
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1457490 By Luke Combs. By Drew Parker, Luke Combs, and Robert Williford. Arranged by Katsumi WF. Country,Pop,Rock,Singe...
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C Instrument - Level 1 - SKU: A0.1457490 By Luke Combs. By Drew Parker, Luke Combs, and Robert Williford. Arranged by Katsumi WF. Country,Pop,Rock,Singer/Songwriter,Wedding. Lead Sheet / Fake Book. 1 pages. Katsumi WF #1036517. Published by Katsumi WF (A0.1457490). * Short version with bigger sized chord symbols *The arrangement is for C instruments song cover, original key, contains the chords, does not contain the lyrics. YouTube Link : https://youtu.be/TDpOcp98b5k?si=NqGh-JcVUHqLVndm.
$4.99 ≈
4.56€
Forever After All
Forever After All
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Piano, Voix et Guitare
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FACILE
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Luke Combs
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Douglas Silva
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Forever After All
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Douglas Silva
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1102491 By Luke Combs. By Drew Parker, Luke Combs, and Robert Williford. Arranged by Douglas Silva. Country...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1102491 By Luke Combs. By Drew Parker, Luke Combs, and Robert Williford. Arranged by Douglas Silva. Country,Folk,Rock,Singer/Songwriter. Score. 2 pages. Douglas Silva #705903. Published by Douglas Silva (A0.1102491).
$4.99 ≈
4.56€
Forever After All
Forever After All
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Piano Facile
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Pop musique
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Luke Combs
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Forever After All
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.478455 By Luke Combs. This edition: embed,scorch,Interactive Download. Pop. Big Note Piano. 9 pages. Published by Hal Leonar...
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Interactive Download SKU: HX.478455 By Luke Combs. This edition: embed,scorch,Interactive Download. Pop. Big Note Piano. 9 pages. Published by Hal Leonard - Digital (HX.478455).
$3.99 ≈
3.65€
Forever After All
Forever After All
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Piano Facile
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FACILE
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Pop musique
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Luke Combs
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Forever After All
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Hal Leonard - Digital
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SheetMusicPlus
By Luke Combs. This edition: Interactive Download. Pop. Easy Piano. 8 pages. Published by Hal Leonard - Digital...
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By Luke Combs. This edition: Interactive Download. Pop. Easy Piano. 8 pages. Published by Hal Leonard - Digital
$3.99 ≈
3.65€
Forever After All
Forever After All
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Ukulele
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Pop musique
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Luke Combs
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Forever After All
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Hal Leonard - Digital
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SheetMusicPlus
By Luke Combs. This edition: Interactive Download. Pop. Ukulele. 6 pages. Duration 120. Published by Hal Leonard - Digital ...
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By Luke Combs. This edition: Interactive Download. Pop. Ukulele. 6 pages. Duration 120. Published by Hal Leonard - Digital
$1.99 ≈
1.82€
Forever After All
Forever After All
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Piano, Voix et Guitare
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Country
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Luke Combs
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Forever After All
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Hal Leonard - Digital
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SheetMusicPlus
By Luke Combs. This edition: Interactive Download. Country. Piano/Vocal/Guitar. 9 pages. Published by Hal Leonard - Digital ...
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By Luke Combs. This edition: Interactive Download. Country. Piano/Vocal/Guitar. 9 pages. Published by Hal Leonard - Digital
$4.99 ≈
4.56€
Forever After All
Forever After All
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Guitare notes et tablatures
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FACILE
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Pop musique
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Luke Combs
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Forever After All
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SheetMusicPlus
By Luke Combs. This edition: embed,scorch,Interactive Download. Pop. Easy Guitar with TAB. 4 pages. Published by Hal Leonard - Digital ...
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By Luke Combs. This edition: embed,scorch,Interactive Download. Pop. Easy Guitar with TAB. 4 pages. Published by Hal Leonard - Digital
$3.99 ≈
3.65€
Forever in the Wind | Symphony No. 1, Mov. 1 - Score Only
Forever in the Wind | Symphony No. 1, Mov. 1 - Score Only
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Orchestre
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Classique
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Hudson Holland
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Hudson Holland
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Forever in the Wind | Symphony
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Hudson Holland
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SheetMusicPlus
Full Orchestra - SKU: A0.1347063 By Hudson Holland. By Hudson Holland. Arranged by Hudson Holland. Classical. 17 pages. Hudson Holland #931855. Publishe...
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Full Orchestra - SKU: A0.1347063 By Hudson Holland. By Hudson Holland. Arranged by Hudson Holland. Classical. 17 pages. Hudson Holland #931855. Published by Hudson Holland (A0.1347063). This piece of music was written as an impressionistic interpretation of the wind and weather patterns here in Florida.The piece begins in a windy afternoon with storms building in the distance. By rehearsal marking A, a small whirlwind forms lifting the listener up into the clouds.What began as a soaring flight quickly turns into dark, dismal clouds of a thunderstorm. At rehearsal marking D, the listener is taken even higher into the sky, above the clouds to see a beautiful purple sunset.The score is marked Ephemerally. In this piece, ephemerally is used to evoke a sense of transient and evanescent beauty, often leaving a lasting impression despite its brevity..
$99.99 ≈
91.47€
Forever For Now
Forever For Now
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Instruments en Do
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FACILE
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Isabella Janet Summers and Lau
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Teresa Young
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Forever For Now
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Teresa Young
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1350328 Composed by Isabella Janet Summers and Laura Pergolizzi. Arranged by Teresa Young. Pop,Singer/Songwriter,Spirit...
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C Instrument - Level 2 - SKU: A0.1350328 Composed by Isabella Janet Summers and Laura Pergolizzi. Arranged by Teresa Young. Pop,Singer/Songwriter,Spiritual. Lead Sheet / Fake Book. 3 pages. Teresa Young #935120. Published by Teresa Young (A0.1350328). Teresa Young's lead sheet for Lp's compelling Forever for Now came as a natural step after she arranged the song as a piano solo dedicated to two dear friends. That evocative piano solo is available here too. Meanwhile, this lead sheet has everything you need to interpret the song vocally, including ukulele chord diagrams, and nothing you don't.
$3.99 ≈
3.65€
Through All Of Our Days
Through All Of Our Days
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Chorale 2 parties
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FACILE
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Musique Sacrée
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Musique Sacrée
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Lisa Waites
#
#
Through All Of Our Days
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Servant Song Music and Ministry
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.921769 Composed by Lisa Waites. Christian,Contemporary,Easter,Praise & Worship,Sacred. Octavo. 2 pages. Servant So...
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Choral Choir (SA) - Level 2 - SKU: A0.921769 Composed by Lisa Waites. Christian,Contemporary,Easter,Praise & Worship,Sacred. Octavo. 2 pages. Servant Song Music and Ministry #6722045. Published by Servant Song Music and Ministry (A0.921769). Through All of Our DaysI wrote this contemporary worship hymn in 2022 with Ash Wednesday and the liturgical season of Lent in mind. It is set in a lilting, 3/4 time signature, and is easy for beginning accompanists to play (it's in the key of F Major). The melodic range and rhythmic patterns make this piece highly accessible for robust congregational singing, but don't mistake simplicity for banality! Through All Of Our Days is still a deeply engaging and memorable hymn. The piano/vocal/guitar version of the hymn also includes some beautiful vocal harmonies between the soprano and alto voices. If you would like a full SATB score, that version is also available on Sheet Music Plus. Although I composed this hymn for a particular liturgical season, several congregations and clergy colleagues have also requested it for use during funerals/memorial services, at baptisms, confirmations, and covenanting services. The lyrics make it a highly relevant choice for worship services that include any life milestones or transitions. There is also a video version of this hymn up on YouTube, which you are welcome to use after making a purchase on Sheet Music Plus, or a donation to Servant Song Music & Ministry, to help us cover our costs and continue to make music for the global church. May God bless you as you faithfully choose worship music and creatively work to help your congregants and choir members sing God's praise each week. To God alone be the glory, now and forever.
$4.59 ≈
4.20€
Forever 18
Forever 18
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Voix seule
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INTERMÉDIAIRE/AVANCÉ
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Wayne H
#
Forever 18
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Wayne Howard Christensen III
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.987122 Composed by Wayne H. Christensen III. Classical,Jazz. 5 pages. Wayne Howard Christensen III #484357. Publish...
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Vocal Solo,Voice - Level 4 - SKU: A0.987122 Composed by Wayne H. Christensen III. Classical,Jazz. 5 pages. Wayne Howard Christensen III #484357. Published by Wayne Howard Christensen III (A0.987122). My how time flies. In 1984 I had my whole life ahead of me. Then I graduated high school, went to the U.S.A.F. Academy, and served a 26 year career as an officer and a pilot in the U.S. Air Force active duty and reserves. Now I look back and wonder where all the time went. I wrote this song to depict how I feel about getting to play the piano again at the ripe old age of 49 after such a long absence. For 26 years I did not have a piano so I did not think about playing. Then my mother in law gave me her piano and it was like reuniting with a long lost friend. I am grateful for any opportunity I have to play now. It makes me feel like I am 18 years old again with my whole life ahead of me. But then I have to wake up from my dream and get back to reality. (2015 Steinway/SMP Piano Contest).
$2.19 ≈
2.00€
And All That Jazz (from "Chicago")
And All That Jazz (from "Chicago")
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Piano, Voix et Guitare
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John Kander
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And All That Jazz
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000062 And All That Jazz. Composed by John Kander. Standard. 8 pages. Alfred Music - Digital Sheet Music #00-...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000062 And All That Jazz. Composed by John Kander. Standard. 8 pages. Alfred Music - Digital Sheet Music #00-XS-0000062. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000062). ISBN 9780739061992. UPC: 038081371573. Fred Ebb.Singers and pianists alike will delight in this spectacular array of more than 40 favorite show tunes. Nearly a century of repertoire is represented, from classic Broadway to cutting-edge musical theatre. Titles: Ain't Misbehavin' (Ain't Misbehavin') * Alone in the Universe (Seussical) * And All That Jazz (Chicago) * Another Op'nin', Another Show (Kiss Me, Kate) * Anyone Can Whistle (Anyone Can Whistle) * Anything Goes (Anything Goes [1987 Revival]) * Bewitched, Bothered and Bewildered (Pal Joey) * Comedy Tonight (Funny Thing Happened on the Way to the Forum) * Corner of the Sky (Pippin) * Don't Rain on My Parade (Funny Girl) * Don't Stop Believin' (Rock of Ages) * Easy to Be Hard (Hair) * Heart (Damn Yankees) * Hernando's Hideaway (The Pajama Game) * Home (The Wiz) * Hopelessly Devoted to You (Grease) * How Could I Ever Know? (Secret Garden) * I Could Have Danced All Night (My Fair Lady) * I Got Rhythm (Girl Crazy) * I Just Want to Be a Star (Nunsense) * I Speak Six Languages (25th Annual Putnam County Spelling Bee) * I'd Rather Be Sailing (A New Brain) * If Ever I Would Leave You (Camelot) * If You Hadn't But You Did (Two on the Aisle) * Lazy Afternoon (The Golden Apple) * Lullaby of Broadway (42nd Street) * Mama Who Bore Me (Spring Awakening) * My Funny Valentine (Babes in Arms) * New York, New York (On the Town) * Night and Day (Gay Divorce) * Old Devil Moon (Finian's Rainbow) * On a Clear Day You Can See Forever (On a Clear Day You Can See) * People Like Us (The Wild Party) * Ragtime (Ragtime) * Remember Me (Little Fish) * See What I Wanna See (See What I Wanna See) * So in Love (Kiss Me, Kate) * Someone to Watch Over Me (Oh, Kay!) * Somewhere That's Green (Little Shop of Horrors) * Su.
$3.99 ≈
3.65€
After the Rain
After the Rain
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Sarah Quartel
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After the Rain
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Oxford University Press Digital
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SheetMusicPlus
SAB chorus and piano - SKU: OX.9780193572751 Composed by Sarah Quartel. Oxford Three-part Repertoire. Octavo. 8 pages. Oxford University Press Digital #...
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SAB chorus and piano - SKU: OX.9780193572751 Composed by Sarah Quartel. Oxford Three-part Repertoire. Octavo. 8 pages. Oxford University Press Digital #9780193572751. Published by Oxford University Press Digital (OX.9780193572751). ISBN 9780193572751.For SABar and piano . Presented here in an arrangement for SABar voices, this setting of words by Chief Dan George optimistically reminds us that there is still beauty to be found in times of trouble and that difficult days will not last forever.
$3.25 ≈
2.97€
Forever After All (Wedding Version) by Paul Hankinson - Piano Solo
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Piano seul
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Paul Hankinson
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Forever After All (Wedding Ver
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Musicnotes
Sheet Music for Forever After All (Wedding Version) by Paul Hankinson arranged for Instrumental Solo in C Major. Digital sheet music from Musicnotes. ...
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Sheet Music for Forever After All (Wedding Version) by Paul Hankinson arranged for Instrumental Solo in C Major. Digital sheet music from Musicnotes.
$5.99 ≈
5.48€
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Forever After All
