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Ghost Walking
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Vous avez sélectionné:
Ghost Walking
Partitions à imprimer
6 partitions trouvées
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1
Ghost Walking
Ghost Walking
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Batterie
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Lamb Of God
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Realsongbook
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Ghost Walking
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Realsongbook
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SheetMusicPlus
Drum Set,Drums - Level 4 - SKU: A0.1323892 By Lamb Of God. By Chris Adler, David Blythe, John Campbell, Mark Morton, and Will Adler. Arranged by Realson...
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Drum Set,Drums - Level 4 - SKU: A0.1323892 By Lamb Of God. By Chris Adler, David Blythe, John Campbell, Mark Morton, and Will Adler. Arranged by Realsongbook. Rock. Score. 6 pages. Realsongbook #912080. Published by Realsongbook (A0.1323892). Drum transcription of Ghost Walking by Lamb Of God.This transcription is from the Drum Cover version by Realsongbook, available on Youtube.
$4.99 ≈
4.63€
Ghost Walking
Ghost Walking
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Guitare notes et tablatures
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Metal/Hard Rock
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Lamb Of God
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Pop
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Ghost Walking
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Lamb Of God. Metal; Pop; Rock. Guitar TAB. 13 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Lamb Of God. Metal; Pop; Rock. Guitar TAB. 13 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.63€
Homage to O'Keeffe for Orchestra
Homage to O'Keeffe for Orchestra
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Orchestre
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AVANCÉ
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99 ≈
37.08€
TomLettle
TomLettle
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Basse electrique
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INTERMÉDIAIRE
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Jazz
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Tracy DeanMcCallum
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Tracy DeanMcCallum
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TomLettle
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Tracy Dean McCallum
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SheetMusicPlus
Bass Guitar TAB - Level 3 - SKU: A0.1475418 By Tracy DeanMcCallum. By Tracy DeanMcCallum. Arranged by Tracy DeanMcCallum. Jazz. Score. 1 pages. Tracy De...
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Bass Guitar TAB - Level 3 - SKU: A0.1475418 By Tracy DeanMcCallum. By Tracy DeanMcCallum. Arranged by Tracy DeanMcCallum. Jazz. Score. 1 pages. Tracy Dean McCallum #1052968. Published by Tracy Dean McCallum (A0.1475418). https://tracymccallum.comTom Little: A Jazzy Bass Groove Tom Little is a funky bass guitar piece built on a foundation of swinging jazz chords. It evokes a laid-back yet sophisticated feel, perfect for setting the pocket in a jazz combo or adding a touch of cool to a solo performance. The Groove: Tempo: Medium swing (around 100-120 BPM) Feel: Relaxed and laid-back, with a steady pulse in the eighth notes. Articulation: Mostly legato (smoothly connected notes) with accents on the downbeat and upbeat for a driving feel. The Chords: Tom Little utilizes a classic jazz chord progression that cycles through ii-V-I movement in a minor key. This creates a sense of anticipation and resolution, characteristic of jazz harmony. The Bassline: The bassline weaves between the root notes of the chords, outlining the harmony while adding rhythmic interest through syncopation and walking bass lines. Ghost notes can be incorporated for a subtle, percussive effect. Tom Little's Solo: (Optional) Tom Little can be expanded into a full piece with a bass solo section. Here, the bassist explores the chord changes with melodic improvisation, showcasing their knowledge of jazz scales and techniques like double stops and chromaticism. Overall Vibe: Tom Little is a versatile piece that can be enjoyed by both bassists and jazz enthusiasts. It's a great way to practice essential jazz techniques on the bass while creating a cool and catchy groove.
$5.55 ≈
5.15€
Spinning Wheel
Spinning Wheel
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Blood Sweat and Tears
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Robert Blond
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Spinning Wheel
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robert blond
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.948603 By Blood Sweat and Tears. By David Clayton-Thomas. Arranged by Robert Blond. Contemporary. Score. 4 pages. Robert ...
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Piano Solo - Level 3 - SKU: A0.948603 By Blood Sweat and Tears. By David Clayton-Thomas. Arranged by Robert Blond. Contemporary. Score. 4 pages. Robert blond #5793941. Published by robert blond (A0.948603). 1968 hit combining rock (the beat) and bluesy jazz (the harmony)Piano solo adheres to composer's melody throughout, suitable for singingTechnical difficulty minimized without compromising musical qualityBar 35 is a nod to Galt McDermot's ghost-like guitar ostinato in Walking in Space from the Broadway musical HairCoda has nice contrast to the rest of the song
$4.99 ≈
4.63€
Will Adler: Ghost Walking for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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Will Adler
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Virtualsheetmusic
Instantly printable sheet music by Lamb Of God for guitar (tablature) of MEDIUM skill level. / metal,pop,rock
Instantly printable sheet music by Lamb Of God for guitar (tablature) of MEDIUM skill level. / metal,pop,rock
$8.97 ≈
8.32€
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Ghost Walking
Ghost Walking
Ghost Walking
