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Going Down Slow
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Vous avez sélectionné:
Going Down Slow
Partitions à imprimer
195 partitions trouvées
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176
Going Down Slow
Going Down Slow
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Ligne De Mélodie, (Paroles) et Accords
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Blues
#
Jazz
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Eric Clapton and Howlin' Wolf
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Going Down Slow
#
Hal Leonard - Digital
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SheetMusicPlus
C Instrument,Voice - SKU: HX.754740 By Eric Clapton and Howlin' Wolf. This edition: scorch. Blues,Jazz. Real Book - Melody/Chords/Lyrics. 1 pages. Hal L...
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C Instrument,Voice - SKU: HX.754740 By Eric Clapton and Howlin' Wolf. This edition: scorch. Blues,Jazz. Real Book - Melody/Chords/Lyrics. 1 pages. Hal Leonard - Digital #283700. Published by Hal Leonard - Digital (HX.754740).
$1.99 ≈
1.78€
Down to the River to Pray: A Song of Celebration (Downloadable Piano/Choral Score)
Down to the River to Pray: A Song of Celebration (Downloadable Piano/Choral Score)
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Chorale SATB
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INTERMÉDIAIRE
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Gwyneth W
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Down to the River to Pray: A S
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and piano or brass quintet and percussion - Medium - SKU: MQ.8476-E Composed by Gwyneth W. Walker. 21st Century, Americana, Baptism, Faith, F...
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SATB choir and piano or brass quintet and percussion - Medium - SKU: MQ.8476-E Composed by Gwyneth W. Walker. 21st Century, Americana, Baptism, Faith, Folk Song. Downloadable piano/choral score. 13 pages. Duration 3 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8476-E. Published by E. C. Schirmer Music Company - Digital (MQ.8476-E). English.Down to the River to Pray originates as an American gospel song with a simple message of faith and baptism, going 'down to the river.' However, it is thought that the song was composed by a slave, with reference to the river and the 'starry crown' (North Star) as a route and guide to freedom. Usually the song is performed a cappella, and slowly, prayerfully. However, the walking aspect of the lyrics might suggest a different approach – one of swing rhythm in duple meter. Here the focus is on the journey, the joy of the pilgrimage, and the hope for freedom. The accompaniment (either piano, or brass and percussion) plays a featured role, especially as rhythmic force. The song now becomes one of triumphant progression, hastening on the 'good old way!'-Gwyneth WalkerDuration: 3:30.
$2.25 ≈
2.02€
Are You Going? for piano triet
Are You Going? for piano triet
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Contemporain
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John Pitts
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Are You Going? for piano triet
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Intensely Pleasant Music
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SheetMusicPlus
Small Ensemble Piano - Level 5 - SKU: A0.890705 Composed by John Pitts. 20th Century,Contemporary. Score and parts. 21 pages. Intensely Pleasant Music #...
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Small Ensemble Piano - Level 5 - SKU: A0.890705 Composed by John Pitts. 20th Century,Contemporary. Score and parts. 21 pages. Intensely Pleasant Music #3424699. Published by Intensely Pleasant Music (A0.890705). Are you going? (1997) triet 5 minutes This is somewhat minimalistic, and polyphonic between the three players. It includes a number of sections in which the tempo of one of the pianists gradually speeds up or slows down while the others keep a steady pulse. Like Raag Gezellig it is in 7 beats per bar, but unlike Raag Gezellig it is fast throughout. The theme is the English folk-melody Are you going to Scarborough Fair. A studio recording (performed by Steven Kings, Daniella Acker and John Pitts) is available from Hyperion/1equalmusic www.hyperion-records.co.uk/dc.asp?dc=D_1EMIPM08 The first concert performance was at the Kiev Chamber Music Session Festival 2010 by the Kiev Piano Duo (Oleksandra Zaytseva & Dmytro Tavanets) with Antoniy Baryshevkiy. https://youtu.be/yDWgfjI3qPchttps://youtu.be/nQYEiDX0Jj0
$6.99 ≈
6.26€
I'm Going To Live So God Can Use Me!
I'm Going To Live So God Can Use Me!
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Gospel Spirituel
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African American Spiritual
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Keith Loftis
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I'm Going To Live So God Can U
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Keith Loftis
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.493804 Composed by African American Spiritual. Arranged by Keith Loftis. Jazz,Sacred,Spiritual,Traditional. Score and...
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Brass Ensemble - Level 4 - SKU: A0.493804 Composed by African American Spiritual. Arranged by Keith Loftis. Jazz,Sacred,Spiritual,Traditional. Score and parts. 17 pages. Keith Loftis #108604. Published by Keith Loftis (A0.493804). This is a light-hearted arrangement that starts out with a swinging Trombone and Tuba duet. In the second and third verses, the ensemble joins in with playful interplay among the instruments. Things slow down in the fourth verse where the Horn takes us to church. For the last verse, the second Trumpet gets a little love by taking the lead to take us home. Whether used in church or programed in a community event, this arrangement is sure to get some toes tapping.
$1.99 ≈
1.78€
Just Keep Going!
Just Keep Going!
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Contemporain
#
TraceyAnn
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Just Keep Going!
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TraceyAnn
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - SKU: A0.1031691 Composed by TraceyAnn. Contemporary. 10 pages. TraceyAnn #3667595. Published by TraceyAnn (A0.10316...
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Woodwind Ensemble,Woodwind Quintet - SKU: A0.1031691 Composed by TraceyAnn. Contemporary. 10 pages. TraceyAnn #3667595. Published by TraceyAnn (A0.1031691). Just Keep Going!Sounds like a fairground organ - easy when played slow, challenging at the correct tempo. Scored for Descant One (optional), Descant Two, Treble, Tenor and easy Bass (bass recorder part could be adapted for cello).
$4.99 ≈
4.47€
Everything's Going to be All Right (Starting Key: D Major)
Everything's Going to be All Right (Starting Key: D Major)
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Piano, Voix
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Paul James Frantz
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Everything's Going to be All R
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Paul James Frantz
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1008313 Composed by Paul James Frantz. Folk. Score. 6 pages. Paul James Frantz #4800263. Published by Paul James F...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1008313 Composed by Paul James Frantz. Folk. Score. 6 pages. Paul James Frantz #4800263. Published by Paul James Frantz (A0.1008313). A slow, heartbreaking ballad sung by a son who is losing his father to dementia.
$3.99 ≈
3.58€
Everything's Going to be All Right (Starting Key: C Major)
Everything's Going to be All Right (Starting Key: C Major)
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Piano, Voix
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Paul James Frantz
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Everything's Going to be All R
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Paul James Frantz
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1008310 Composed by Paul James Frantz. Folk. Score. 6 pages. Paul James Frantz #4800267. Published by Paul James F...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1008310 Composed by Paul James Frantz. Folk. Score. 6 pages. Paul James Frantz #4800267. Published by Paul James Frantz (A0.1008310). A slow, heartbreaking ballad sung by a son who is losing his father to dementia.
$3.99 ≈
3.58€
Dvorak, A. - "Going Home" from the New World Symphony for 3 Violins and Viola
Dvorak, A. - "Going Home" from the New World Symphony for 3 Violins and Viola
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Classique
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Antonin Dvorak
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Linda Scott
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Dvorak, A. - "Going Home&
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Linda M Scott
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SheetMusicPlus
String Ensemble Viola - Level 3 - SKU: A0.1273055 Composed by Antonin Dvorak. Arranged by Linda Scott. Classical,Romantic Period. 7 pages. Linda M Scott...
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String Ensemble Viola - Level 3 - SKU: A0.1273055 Composed by Antonin Dvorak. Arranged by Linda Scott. Classical,Romantic Period. 7 pages. Linda M Scott #865244. Published by Linda M Scott (A0.1273055). Dvorak, both a violinist and composer, grew up in Bohemia and later worked for a time in the US. Some of his compositions, such as this one, successfully combine American and Bohemian influence. This arrangement for 3 violins and viola is of the slow movement from his most popular symphony, “From the New World†written in 1893.
$5.99 ≈
5.37€
Dvorak, A. - "Going Home" from the New World Symphony for 4 Violins
Dvorak, A. - "Going Home" from the New World Symphony for 4 Violins
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Linda Scott
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Dvorak, A. - "Going Home&
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Linda M Scott
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SheetMusicPlus
String Quartet String Quartet,Violin - Level 3 - SKU: A0.1274331 Composed by Antonin Dvorak. Arranged by Linda Scott. Chamber,Classical,Romantic Period....
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String Quartet String Quartet,Violin - Level 3 - SKU: A0.1274331 Composed by Antonin Dvorak. Arranged by Linda Scott. Chamber,Classical,Romantic Period. 7 pages. Linda M Scott #866470. Published by Linda M Scott (A0.1274331). Dvorak, both a violinist and composer, grew up in Bohemia and later worked for a time in the US. Some of his compositions, such as this one, successfully combine American and Bohemian influence. This is an arrangement of the slow movement from his most popular symphony, “From the New World†written for four violins.
$5.99 ≈
5.37€
Steve's Going To London
Steve's Going To London
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Trombone basse
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INTERMÉDIAIRE
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AJR
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Aaron Hettinga
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Steve's Going To London
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Aaron Hettinga
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SheetMusicPlus
Bass Trombone - Level 3 - SKU: A0.1392677 By AJR. By Adam Metzger, Jack Metzger, and Ryan Metzger. Arranged by Aaron Hettinga. 21st Century,A Cappella,C...
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Bass Trombone - Level 3 - SKU: A0.1392677 By AJR. By Adam Metzger, Jack Metzger, and Ryan Metzger. Arranged by Aaron Hettinga. 21st Century,A Cappella,Comedy,Patriotic,Pop. 11 pages. Aaron Hettinga #976196. Published by Aaron Hettinga (A0.1392677). This fun and exciting song from pop band AJR is arranged here for a trio of 2 Tenor Trombones and Bass Trombone or Tuba but can also be pulled off with any combination of bass clef instruments: Trombones, Baritones/Euphoniums or Bassoons. The form here emulates the beginning of the AJR track with chorus, verse, chorus, then moves ahead to a different sort of trombone jam/playout (beginning at measure 51) which calls out some London-flavored melodies before a restatement of the last phrase of the chorus.The 1st part keeps the melody throughout this arrangement. There are some lower octave cues in the verse that will allow the player to only have to briefly touch on some F's and G's above the staff a few times if they donâ??t have a high B-flat at the ready. The remaining parts shoulder the greater technical challenge but also have some simplified cue notes available if needed.Optionally, if your group prefers not to undertake the brief tempo change (and Rule Britannia! quote) you can optionally skip measures 57 and 58 without slowing, but the chuckle from your audience will surely be worth the extra effort.
$19.99 ≈
17.92€
Going Down Slow by Howlin' Wolf - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Howlin' Wolf
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Going Down Slow
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Musicnotes
Performed by: Howlin' Wolf: Going Down Slow Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music f...
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Performed by: Howlin' Wolf: Going Down Slow Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- Blues~~Chicago Blues~~Electric Blues
$5.50 ≈
4.93€
Sunday Morning Boogie
Sunday Morning Boogie
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jazz
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Joy GIlmore, Hsin Hui Kuo
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Sunday Morning Boogie
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Joyful Sound Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.906752 Composed by Joy GIlmore, Hsin Hui Kuo. Contemporary,Jazz. Score. 8 pages. Joyful Sound Music #3860597. Published b...
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Piano Solo - Level 4 - SKU: A0.906752 Composed by Joy GIlmore, Hsin Hui Kuo. Contemporary,Jazz. Score. 8 pages. Joyful Sound Music #3860597. Published by Joyful Sound Music (A0.906752). Sunday Morning Boogie Advance level This is the second Boogie song I wrote. I studied Classical music when I was in College. I never had a chance to listen to Jazz, Blues and Boogie music. I had no idea of how the Boogie song works. However, when I moved to the States, I had more chances to experience these types of music. I like the swing rhythm. It makes people want to dance. It makes people want to swing their body with the music. On one Sunday morning, I had the melody of this song in my head. Therefore, I decided to write down what I heard. When playing this song, a special skill is needed. Please do not use the skill of turning fingers. The turning fingers over and under is often used when playing scales. Like turning 1 under 3 or turning 3 over 1, etc. The turning finger skill is going to slow down the flow of this song. What you can do is to move the whole hand to the next position instead. Also this skill will help you when playing the ornament notes (appoggiatura notes) smoothly. This PDF is designed to for two sided printing. It is going to look like a sheet music book. This is the reason why there is one blank page in some of the songs. You can also just print the sheet music pages only.
$2.99 ≈
2.68€
Christ Arose! Easter piano sheet music
Christ Arose! Easter piano sheet music
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Robert Lowry
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Amanda Tero
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Christ Arose! Easter piano she
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Amanda Tero
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1206846 Composed by Robert Lowry. Arranged by Amanda Tero. Easter,Praise & Worship,Religious,Sacred,Traditional. Score. 8...
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Piano Solo - Level 4 - SKU: A0.1206846 Composed by Robert Lowry. Arranged by Amanda Tero. Easter,Praise & Worship,Religious,Sacred,Traditional. Score. 8 pages. Amanda Tero #805028. Published by Amanda Tero (A0.1206846). This Christ Arose late intermediate piano sheet music is similar in level to most Level 6 and 7 piano books and ABRSM Level 7. It will give the student great exercise in playing a normally fast song slowly with octaves and broken chords.This Christ Arose late intermediate piano sheet music begins in a minor key, reminiscent of Christ being in the grave. It continues the story and does some word painting for the lyrics going from slow and flowing for the verses to triumphant and bold in the choruses celebrating Christ’s resurrection.Great for church services or recital for both piano student and piano teacher. This Christ Arose late intermediate piano sheet music is perfect for offertory in a medium sized church, or as a prelude in a smaller church. It lasts about three and a half minutes.Â
$5.99 ≈
5.37€
Finding the Star
Finding the Star
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Abigail Gilson
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Finding the Star
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Abigail Gilson
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1024939 Composed by Abigail Gilson. Contemporary. Score and parts. 6 pages. Abigail Gilson #3631511. P...
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String Quartet String Quartet - Level 3 - SKU: A0.1024939 Composed by Abigail Gilson. Contemporary. Score and parts. 6 pages. Abigail Gilson #3631511. Published by Abigail Gilson (A0.1024939). Finding the Star is a slow-moving piece that draws out the idea of time being slowed down when one is lost. The theme of this piece is the idea of being lost at sea. The slow ground bass starts, the churning of the dark waves against the side of the ship. The sky and sea are the same type of dark, not a star or light can be seen anywhere above or below. On deck the crew wait for an order, though they are scared, there’s nothing they can do. They cannot make the star appear, and they cannot give direction without certainty that they’re going in the right direction. The waves turn and grow and often push the ship around, making everyone nervous, if they completely get turned they could get lost. The voices of the instruments trade places and come in and out of each other. Dancing around each other making a beautiful eerie melody. At the very end of the piece, the star is found. The clouds move and the moons bright light shines down on the weary travelers and they find hope again.
$4.99 ≈
4.47€
Funk Keyboard Practice Session 5 In All 12 Keys
Funk Keyboard Practice Session 5 In All 12 Keys
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Piano seul
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INTERMÉDIAIRE
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Andrew D
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Andrew D
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Funk Keyboard Practice Session
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A.D.G. Productions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1036599 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Hip-Hop,Instructional,Jazz,R & B,Ro...
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Piano Solo - Level 3 - SKU: A0.1036599 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Hip-Hop,Instructional,Jazz,R & B,Rock. Score. 5 pages. A.D.G. Productions #641603. Published by A.D.G. Productions (A0.1036599). Page 1 and 2 of this Funk Keyboard Practice Session shows a funky rhythm pattern using minor13th. chords in all 12 keys around the cycle of 4th.s. Page 3 is the chord progression in the key of Gm is starting on the Gm13 chord going up a step to Am13 and then back down again to Gm13. The audio file that accompanies the sheet music is split into t 4 sections, Part 1 consists of the piano playing along with the rhythm backing tracks in all 12 keys. Part 2 consists of the rhythm backing tracks in all 12 keys for practicing purposes. Part 3 consists of the piano playing along with the rhythm backing tracks in Gminor Part 4 consists of the rhythm backing tracks in the key of G minor. Optional MIDI files are available separately for a fee, contact sales@adgproductions.com With using software such as the free programs Musescore or Garage Band you will be able to do the following with the MIDI files: 1. Slow the tempo down to your skill level. 2. Change the key, allowing you the option of transposing the patterns into keys other than the written key. 3. Use the loop function to practice difficult measures repeatedly. 4. Use these patterns for ear training exercises by slowing the tempo down and looping a certain section repeatedly, try to play the correct notes using your ear rather than reading the music. Check out the various Funk piano/keyboard books that I have authored at the publishers website A.D.G. Productions http://www.adgproductions.com and http://www.sheetmusicplus.com I have authored over 120 music instructional books for different instruments and numerous contemporary styles. Funk keyboard titles include: 60 Of The Funkiest Keyboard Riffs Known To Mankind Outta Sight Funk and R&B Riffs for Piano/Keyboards Funky Organ Grooves 100 Ultimate Soul, Funk and R&B Grooves for Piano/Keyboards 100 Ultimate Soul, Soul, Funk and R&B Grooves for Organ 100 Ultimate Soul, Soul, Funk and Rock Grooves for Clavinet Online Music Lessons and Consultations for Beginner to Advanced Students As the author of over 120 music instructional books for piano/keyboards, guitar, sax and flute I am available to teach music students from around the world in their home via the Internet using skype or facetime in many areas of music, Some of the areas of music that I have expertise in teaching for most instruments: Music styles: blues, jazz, rock, country, gospel, pop, funk, r&b. Learning how to improvise in all the above styles Piano/keyboard playing, music production, songwriting and composing, music career development, learning computer music software, how to play in a band, Music theory and ear training, History of Rock and Roll All levels of students are welcome, from beginner to advanced. Most of the students have been people who have purchased my books and are interested in taking their music education to another level. I can be contacted at musiclessons@adgproductions.com.
$2.95 ≈
2.64€
The Westwood Harmonic Summer Dance
The Westwood Harmonic Summer Dance
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Violon
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INTERMÉDIAIRE
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Jacob Litoff
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The Westwood Harmonic Summer D
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Jacob Litoff
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.1022489 Composed by Jacob Litoff. World. 2 pages. Jacob Litoff #2013711. Published by Jacob Litoff (A0.1022489). ...
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Violin Solo - Level 3 - SKU: A0.1022489 Composed by Jacob Litoff. World. 2 pages. Jacob Litoff #2013711. Published by Jacob Litoff (A0.1022489). I wrote this piece as I was trying to figure out all the harmonics on the violin on a hot day in June 1999. The first section represents all the cars that I heard in the morning rush hour on their way to work on that hot summer day driving up route 1, route 1A, and route 95. Section A represents all those people busy at work in the morning trying to turn the world upside down. First the melody is right side up, then it is upside down. They're in air conditioned buildings of course! Then the opening section gets played once again, this time representing everyone going out in the hot weather for lunch and to do a few errands as fast as possible. Next comes section B. If one wants to leave out the bottom harmonic at the beginning of the measures 1, 2, & 3, in lines 1, 3 and 4, that makes it a little easier, but it is nice when both notes can be played. This section is work after lunch. It is supposed to go a little slower, for everyone is getting bogged down with to many assignments and they're starting to get exhausted. Then comes the opening section one last time. This time it is rush hour on the way home, and all the errands that must be done, like taking kids to soccer practice, ballet , tap dancing and violin lessons(or whatever) and trying to fix dinner or grab a pizza somewhere in there. Just before getting to the end of the section this time at the sign jump to the coda, and here it can slow down just a little for this is one collapsing at the end of the day when everything is over.
$5.00 ≈
4.48€
Funk Keyboard Practice Session 4 In All 12 Keys
Funk Keyboard Practice Session 4 In All 12 Keys
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Piano seul
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INTERMÉDIAIRE
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Andrew D
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Andrew D
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Funk Keyboard Practice Session
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A.D.G. Productions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.998034 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Hip-Hop,Instructional,Jazz,R & B,Rock. Sco...
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Piano Solo - Level 3 - SKU: A0.998034 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Hip-Hop,Instructional,Jazz,R & B,Rock. Score. 3 pages. A.D.G. Productions #603742. Published by A.D.G. Productions (A0.998034). Page 1 and 2 of this Funk Keyboard Practice Session shows a funky rhythm pattern using 9th. chords in all 12 keys around the cycle of 4th.s. There is a descending chromatic 9th. chord progression before each chord starting 11/2 steps up from the chord so for instance there is a descending 9th chord progression from F9-E9-Eb9 landing on the D9 chord. Page 3 is the chord progression going from the I chord (D9) to the IV chord (G9) and back to the I chord again. The audio file that accompanies the sheet music is split into t 4 sections, Part 1 consists of the piano playing along with the rhythm backing tracks in all 12 keys. Part 2 consists of the rhythm backing tracks in all 12 keys for practicing purposes. Part 3 consists of the piano playing along with the rhythm backing tracks of C11 to D11 Part 4 consists of the rhythm backing tracks of C11 to D11 Optional MIDI files are available separately for a fee, contact sales@adgproductions.com With using software such as the free programs Musescore or Garage Band you will be able to do the following with the MIDI files: 1. Slow the tempo down to your skill level. 2. Change the key, allowing you the option of transposing the patterns into keys other than the written key. 3. Use the loop function to practice difficult measures repeatedly. 4. Use these patterns for ear training exercises by slowing the tempo down and looping a certain section repeatedly, try to play the correct notes using your ear rather than reading the music. Check out the various Funk piano/keyboard books that I have authored at the publishers website A.D.G. Productions http://www.adgproductions.com and http://www.sheetmusicplus.com I have authored over 120 music instructional books for different instruments and numerous contemporary styles. Funk keyboard titles include: 60 Of The Funkiest Keyboard Riffs Known To Mankind Outta Sight Funk and R&B Riffs for Piano/Keyboards Funky Organ Grooves 100 Ultimate Soul, Funk and R&B Grooves for Piano/Keyboards 100 Ultimate Soul, Soul, Funk and R&B Grooves for Organ 100 Ultimate Soul, Soul, Funk and Rock Grooves for Clavinet Online Music Lessons and Consultations for Beginner to Advanced Students As the author of over 120 music instructional books for piano/keyboards, guitar, sax and flute I am available to teach music students from around the world in their home via the Internet using skype or facetime in many areas of music, Some of the areas of music that I have expertise in teaching for most instruments: Music styles: blues, jazz, rock, country, gospel, pop, funk, r&b. Learning how to improvise in all the above styles Piano/keyboard playing, music production, songwriting and composing, music career development, learning computer music software, how to play in a band, Music theory and ear training, History of Rock and Roll All levels of students are welcome, from beginner to advanced. Most of the students have been people who have purchased my books and are interested in taking their music education to another level. I can be contacted at musiclessons@adgproductions.com.
$2.95 ≈
2.64€
Rock Piano Practice Session 4 In All 12 Keys
Rock Piano Practice Session 4 In All 12 Keys
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Piano seul
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FACILE
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Andrew D
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Andrew D
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Rock Piano Practice Session 4
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A.D.G. Productions
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1039564 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Pop,Rock. Score. 5 pa...
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Piano Solo - Level 2 - SKU: A0.1039564 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Instructional,Pop,Rock. Score. 5 pages. A.D.G. Productions #644481. Published by A.D.G. Productions (A0.1039564). Page 1 and Page 2 of this Rock Piano Practice Session 4 takes a 4 measure Rock piano I-VIdom7-II-V chord progression through all 12 keys around the cycle of 4th.s. Notice the descending chromatic bass line from the I chord to the VIdom7 chord. This progression is in the style of Baby I'm Yours by Barbara Lewis. Page 3 shows the 8 measure progression going back and forth from the key of A and B. The audio file that accompanies the sheet music is split into 4 sections, Part 1 consists of the piano playing along with the rhythm backing tracks in all 12 keys. Part 2 consists of the rhythm backing tracks in all 12 keys for practicing purposes. Part 3 consists of the piano playing along with the rhythm backing tracks in the 12 bar blues progression format in the keys of A and B. Part 4 consists of the rhythm backing tracks in the 12 bar blues progression format in the keys of A and B to practice with. Optional MIDI files are available separately for a fee, contact sales@adgproductions.com With using software such as the free programs Musescore or Garage Band you will be able to do the following with the MIDI files: 1. Slow the tempo down to your skill level. 2. Change the key, allowing you the option of transposing the patterns into keys other than the written key. 3. Use the loop function to practice difficult measures repeatedly. 4. Use these patterns for ear training exercises by slowing the tempo down and looping a certain section repeatedly, try to play the correct notes using your ear rather than reading the music. Check out the various Blues piano books that I have authored at the publishers website A.D.G. Productions http://www.adgproductions.com and http://www.sheetmusicplus.com I have authored over 120 music instructional books for different instruments and numerous contemporary styles. Blues piano titles include: 100 Ultimate Blues Riffs for Piano/Keyboards Volume 1 and 2 12 Bar Blues Bible for Piano/Keyboards The Blues Play-A-Long and Solos Collection for Piano/Keyboards The Blues Scale for Piano/Keyboards Blues Bass Lines for Piano/Keyboards The Bluesier Side of Jazz for Piano/Keyboards Boogie Woogie and The Blues 100 Ultimate Blues Riffs for Piano/Keyboards Beginners Series Best Beginner Blues Exercises for Piano/Keyboards Online Music Lessons and Consultations for Beginner to Advanced Students As the author of over 120 music instructional books for piano/keyboards, guitar, sax and flute I am available to teach music students from around the world in their home via the Internet using skype or facetime in many areas of music, Some of the areas of music that I have expertise in teaching for most instruments: Music styles: blues, jazz, rock, country, gospel, pop, funk, r&b. Learning how to improvise in all the above styles Piano/keyboard playing, music production, songwriting and composing, music career development, learning computer music software, how to play in a band, Music,theory and ear training, History of Rock and Roll All levels of students are welcome, from beginner to advanced. Most of the students have been people who have purchased my books and are interested in taking their music education to another level. I can be contacted at musiclessons@adgproductions.com.
$2.95 ≈
2.64€
The First Noel
The First Noel
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional English Carol
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Natalyn Rodriguez
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The First Noel
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Natalyn Rodriguez Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.954897 Composed by Traditional English Carol. Arranged by Natalyn Rodriguez. Christian,Christmas. Score. 3 pages. Natalyn...
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Piano Solo - Level 4 - SKU: A0.954897 Composed by Traditional English Carol. Arranged by Natalyn Rodriguez. Christian,Christmas. Score. 3 pages. Natalyn Rodriguez Music #4404440. Published by Natalyn Rodriguez Music (A0.954897). This one is sure to surprise listeners at a winter recital or Christmas event! Not only does the piece begin in a minor key, but it starts out quick and exciting, with the melody in a rhythmically-altered state! Then, it gradually slows down and gets softer. Suddenly, the melody as we usually know it is there, in a major key, in a slow tempo. Sincere, simple, and solemn. Then, it grows in expression, and then, almost to the end of the melody, something unexpected happens: it goes back to the fast tempo and minor key once more! The piece finishes off quietly, back to the major key, with the melody off in the distance, and is left with a final note before going silent.
$3.99 ≈
3.58€
Entrainment (2009)
Entrainment (2009)
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Contemporain
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Guy Bunce
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Entrainment
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Enigma Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Eni...
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Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Enigma Music #4984881. Published by Enigma Music (A0.816703). Entrainment (2009)Written for New Noise​Oboe & PercussionEntrainment is the process by which two oscillating systems, which have different periods when they function independently, assume the same period when interacting. The principle of entrainment is universal, appearing in chemistry, pharmacology, biology, medicine, psychology, sociology, astronomy, architecture to name but a few.This piece explores the entrainment of tempo with two initially diverse tempo structures synchronising after a period of four minutes. At the start of the score the oboe begins at 137 bpm and the percussionist at 63 bpm. Over the course of the four minutes the percussionist speeds up whilst the oboist slows down resulting in the tempi synchronising at four minutes. After four minutes the two instruments begin a discourse in unison (rhythmically, melodically, and dynamically): the musical equivalent of total synchronisation. In the final section of the piece the parts diverge with the percussionist slowing down and the oboe part maintaining its speed.As with many of my pieces, the starting point for Entrainment was an external source, in this case the song Time by Pink Floyd. The rhythmic lines throughout Entrainment are based on the rhythm to the bass line of the first part of Time. This can be clearly seen in the opening in which the oboe part employs this rhythm.Harmonically Entrainment consists of a series of key centres whose period is determined by points within the four minutes where either of the two independent parts briefly synchronise at the semiquaver level with the unit of a second. At each of these points (which become more frequent as the piece progresses), the harmonic centre changes. The harmonic centres relate directly to the chord structure of Pink Floyd's Time: at each point where either part synchronises with seconds the harmonic centre in both parts moves one chord through Time's chord sequence. At 2' 19'' the percussion and oboe part synchronise (albeit briefly) for the first time. This event was used to mark the start of more polytonal harmony as both instruments from this point forward begin their own cycles through the Time chords. Throughout the piece, points of synchronisation are highlighted musically.Performance mp3 recordings that contain a dual click track for the first four minutes of the piece can be obtained by contacting guybunce@hotmail.com. The click track is arranged so that the oboe click is on the left channel and the percussion click is on the right. An alternative click track (track 3) is also provided using a different sound (a beep). The performers should wear the headphone in one ear which corresponds to the track of their part. The dual click track can then be played on a single CD player (or mp3 player) with the output going to both sets of headphones using a headphone splitter or other device. Alternatively, files can be put on either two iPods or Mp3 players. The players will then have to synchronize the beginnings of each track.It is possible to play the piece without the use of the click track(s). If this is the case, performers should use the metronome markings and general layout of the score to aid performance. It is advisable that one player (possibly the oboist) sets the tempo and tempo changes, and the other player follows.It was not always possible to represent accurately the relationship between the two parts in the score. Arrows have been added on the score to show points of synchronisation where the score layout differs.
$7.99 ≈
7.16€
Going Under
Going Under
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Batterie
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INTERMÉDIAIRE
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Rock
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Evanescence
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Evan Aria Serenity
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Going Under
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Jaslow Drum Sheets
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SheetMusicPlus
Drum Set,Drums - Level 3 - SKU: A0.1428615 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Evan Aria Serenity. Pop,Rock. Score. 3 p...
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Drum Set,Drums - Level 3 - SKU: A0.1428615 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Evan Aria Serenity. Pop,Rock. Score. 3 pages. Jaslow Drum Sheets #1009418. Published by Jaslow Drum Sheets (A0.1428615). Drum sheet music transcription for Going Under by Evanescence, from the album Fallen (2003). Drums by Josh Freese. Alternative metal, difficulty 3/5.jdrumsheets.com
$4.99 ≈
4.47€
Perplexing and Perilous Pieces for Trombone and Piano
Perplexing and Perilous Pieces for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Armand Russell
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Perplexing and Perilous Pieces
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.792690 Composed by Armand Russell. 20th Century,Contemporary. Score and part. 12 pages. Gordon Cherry #5760077. Publi...
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Piano,Trombone - Level 3 - SKU: A0.792690 Composed by Armand Russell. 20th Century,Contemporary. Score and part. 12 pages. Gordon Cherry #5760077. Published by Gordon Cherry (A0.792690). Armand Russell's Perplexing and Perilous Pieces for Trombone and Piano is in two contrasting movements. The first movement Perplexing Prelude is slow, sad, gloomy, worried and moody. The second movement Perilous Pursuit is fast with many different 4-note Bartokian modal-like scales and quite playful in mood. It gets going faster and faster, finally slowing right down and becoming quiet at the end like an exhausted child, but giving one surprise last gasp of a Hoorah to conclude. This work of a bit over 5 minutes in length is appropriate for intermediate performers and is all in bass clef.
$17.50 ≈
15.68€
Machinations for string orchestra
Machinations for string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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the same token, it was clear t
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Paul Sweet
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Machinations for string orches
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Paul Sweet Music
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.940136 Composed by Paul Sweet. 20th Century,Contemporary,Standards. Score and parts. 29 pages. Paul Sweet Music #57...
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String Orchestra - Level 4 - SKU: A0.940136 Composed by Paul Sweet. 20th Century,Contemporary,Standards. Score and parts. 29 pages. Paul Sweet Music #5771341. Published by Paul Sweet Music (A0.940136). Machinations, a 4 minute concert piece perfect for advanced high school or college level players, opens in a sort of rhythmic and tonal gridlock. Short sequences of notes in each part overlap and struggle to break free from the others, sometimes shifting slightly upward or downward. Slowly, new harmonies and dissonances are created by these shifts, taking the music to a breaking point where a new theme finally pushes through. A more outgoing middle section surges ahead relentlessly, each of the parts working now more as a group than before. Eventually, though, it becomes clear that the gridlock of the beginning must return. The third and final section seems at first to be a repeat of the opening material, but the appearance of music from the middle section lets the listener know this is not the case. Themes from all over the work soon blend and overlap, growing in intensity until the climax implodes and the work comes to a quiet and uneasy end. Machinations, by definition, are plots or schemes. I imagined, as I wrote the work, that each instrumental part was scheming about how it would break free from the rigid and meticulous pattern of the opening measures. By the same token, it was clear that some undefined force was plotting ways to keep the music in this form. Imagine these secret plots and maneuvers as you play or conduct the work for maximum effectiveness.
$24.99 ≈
22.40€
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