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Vous avez sélectionné:
I Dream A World Percussion 2
Partitions à imprimer
8 partitions trouvées
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I Dream A World - Percussion 2
I Dream A World - Percussion 2
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Percussion (partie séparée)
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Peter Robb
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Inspirational
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I Dream A World - Percussion 2
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Peter Robb. Percussion. Concert; Inspirational. EPak. 2 pages. Duration 4:45. Published by Hal Leonard - Digital Sheet Music ...
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By Peter Robb. Percussion. Concert; Inspirational. EPak. 2 pages. Duration 4:45. Published by Hal Leonard - Digital Sheet Music
$7.00 ≈
6.43€
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00 ≈
45.93€
I Dream A World (3-Piece Digital Pack)
I Dream A World (3-Piece Digital Pack)
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Pack Instrumental pour Chorale
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Contemporain
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Peter Robb
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I Dream A World
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Hal Leonard - Digital
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SheetMusicPlus
Percussion 3 - SKU: HX.226096 Composed by Peter Robb. Concert,Inspirational. Choral Instrumental Pak. 1 pages. Duration 285. Hal Leonard - Digital #2229...
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Percussion 3 - SKU: HX.226096 Composed by Peter Robb. Concert,Inspirational. Choral Instrumental Pak. 1 pages. Duration 285. Hal Leonard - Digital #222904. Published by Hal Leonard - Digital (HX.226096).
Digital Pack includes
:
I Dream A World - Percussion 1
I Dream A World - Percussion 2
I Dream A World - Percussion 3
$15.00 ≈
13.78€
En Rêve for Percussion Ensemble
En Rêve for Percussion Ensemble
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Ensemble de Percussions
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FACILE
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Contemporain
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Anders Wall
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I felt like I was in France
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En Rêve for Percussion En
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WallofSound
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Pub...
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Percussion Ensemble - Level 2 - SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Published by WallofSound (A0.1028124). En Rêve, In Dream, was conceived when I studied composition for Tobias Broström. Every day I was commuting from Skurup to Båstad and every day I was struck by Båstads almost continental beauty; I felt like I was in France. Cobble stone roads, houses with towers and that mountain ridge close to the ocean...One day on the train, I ran into three French girls on holiday.Patiently they listened to my ideas and kindly helped me translate the tempo markings to French. The piece begins with us falling to sleep. The marimbas rocks us slowly In Dream.After sudden movements in the vibraphone we are happily strolling on the cobble stones, sun shining and children riding their bikes across the streets not noticing the rocky ride.Bells chime in the distance and the world – or the dream – vanish. As sudden as it started it is gone.The dissonance of the beginning is now gone and our sleep is peaceful and calm - or is it..? Originally a solo piece for Marimba dedicated to Kasper Grøn.Thanks to Camille, Carole, Raphaëlle for the help with the French.
$10.00 ≈
9.19€
I Dream A World (from Trilogy Of Dreams) - Drums
I Dream A World (from Trilogy Of Dreams) - Drums
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Batterie
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Rollo Dilworth
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Contest
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I Dream A World
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Rollo Dilworth. For Drums. Strings. Concert; Contest; Festival; Inspirational; Poetry. Individual instrument part. 2 pages. Duration 3:20. Published by Hal L...
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By Rollo Dilworth. For Drums. Strings. Concert; Contest; Festival; Inspirational; Poetry. Individual instrument part. 2 pages. Duration 3:20. Published by Hal Leonard - Digital Sheet Music
$7.00 ≈
6.43€
Diasporic Dances
Diasporic Dances
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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AVANCÉ
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Patrick Prejean
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Diasporic Dances
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Patrick Prejean
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1317853 Composed by Patrick Prejean. 21st Century,Chamber,Classical. 215 pages. Patric...
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String Quintet Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1317853 Composed by Patrick Prejean. 21st Century,Chamber,Classical. 215 pages. Patrick Prejean #906523. Published by Patrick Prejean (A0.1317853). These dances where written at the request of the executive director of CityMusic Cleveland. They are based and inspired by North and Sub-Saharan African Dances in addition to a reimagining of fairy tales. There are 8 movements making this the biggest project I've ever composed. This quintet may also be performed as a String Orchestra ensemble. I - There is a story about a man named Alexander Dynis (Deniz) who is believed to have ended up in Ruthenia (modern day Ukraine) as a PoW when the Ottomans invaded the Polish-Lithuanian Commonwealth. Not much is known about his early life but we do know is that eventually afterwards he was granted the position of Starosta (town mayor/landlord) of Kozieglowy (Poland) by the Bishop of Krakow. He is the only Black starosta that we know of to this day. His story is interesting and is the basis of this movement and was inspired by the soundtrack of a game called Hellish Quart. II - This movement is a dance of ritual which emphasizes the different pitch intonations of the human voices hence the dissonant harmonies. Imagine walking through the savannah and hearing these voices but you are unsure of their intentions. This dance is heavy and percussive. III - This movement is of a young woman who is kidnapped by the Vikings and dreams of escaping captivity. IV - There are 3 distinct motives for this movement which combine to create a battle - like scene, those being the 6 quarter note triplets, the rhythmic motive, and the driving 16th notes.  V - I wanted to create the sounding of the natural horns of the Ancient and Classical Eras and to combine them with a retelling of the Little Red Riding Hood. Her journey begins upon hearing these horns and prompted to ride out to begin her quest.VI/VII/VIII - These movements where edited from my Death Waltzes for the Living. There are hidden titles for number 6 and 7: Loss of Mind and Hospital. These waltzes are a reimagining of Cinderella's life but instead of her story playing out as we know it, she suffers a psychotic break and is transported into our world and rushed to the hospital. The final movement concludes the piece with a Dance of Death. I have had many close encounters with permanent oblivion and the result of this is what I call Hitchcock Horror harmonic language. These encounters supplimented with the dreams of the unconscious realm create an uneasy dance that ends almost as abruptly as they begin.
$100.00 ≈
91.87€
Hot N Cold
Hot N Cold
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Katy Perry
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Simone Orsini
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Hot N Cold
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Simone Orsini
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1439011 By Katy Perry. By Katy Perry, Lukasz Gottwald, and Max Martin. Arranged by Simone Orsini. 21st Century,Pop. 71 ...
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Concert Band - Level 3 - SKU: A0.1439011 By Katy Perry. By Katy Perry, Lukasz Gottwald, and Max Martin. Arranged by Simone Orsini. 21st Century,Pop. 71 pages. Simone Orsini #1019039. Published by Simone Orsini (A0.1439011). HOT N COLD performed by Katy PerryFor Concert Band - Performance Time 3:29 - Composed By Katy Perry, Lukasz Gottwald, Max MartinArranged by Simone OrsiniInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, El. Bass, Drum Set, Percussion 1 (Tamb., Shaker), Percussion 2 (Bongo Drum), El. Guitar, keyboard.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., Bb Bass Trombone T.C., Bb Euphonium T.C., Bb Bass T.C.Hot n Cold is a song by American singer Katy Perry. The song was written by Perry, Dr. Luke, and Max Martin and produced by Luke and Benny Blanco for her second studio album, One of the Boys (2008). It was released as the album's second single on September 9, 2008. The lyrics address an unstable romantic relationship caused by a partner's mood swings.The song reached number three on the Billboard Hot 100, becoming Perry's second consecutive top-five single, following I Kissed a Girl. It also became Perry's second top-five single in the United Kingdom, Australia, Ireland, and New Zealand, and topped the charts in Finland, Germany, Canada, Norway, and Denmark, among others. Hot n Cold has sold over 5.8 million pure sales in the US, making it one of Perry's highest-selling singles in the nation.To promote Hot n Cold, Perry marked the song's live debut with a performance on NBC's Today. She also performed the song at the 2008 MTV Europe Music Awards, which she hosted. The song's music video, which was directed by Alan Ferguson, was released on October 1, 2008, and features Perry as a bride who is about to marry her fiancé, who experiences a daydream in which she pursues him after he flees from the wedding. Hot n Cold was nominated for the Grammy Award for Best Female Pop Vocal Performance at the 52nd Annual Grammy Awards. Perry has also performed the song on all of her tours: Hello Katy Tour, California Dreams Tour, Prismatic World Tour, and Witness: The Tour.
$76.00 ≈
69.82€
BANU WAYO
BANU WAYO
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Chorale SATB
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DÉBUTANT
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Traditional West African folk
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Kathleen McGuire
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BANU WAYO
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Kathleen McGuire
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 1 - SKU: A0.1313835 Composed by Traditional West African folk song. Arranged by Kathleen McGuire. A Cappella,Folk,Mul...
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Choral Choir,Choral (SATB) - Level 1 - SKU: A0.1313835 Composed by Traditional West African folk song. Arranged by Kathleen McGuire. A Cappella,Folk,Multicultural,Traditional,World. 2 pages. Kathleen McGuire #902556. Published by Kathleen McGuire (A0.1313835). This traditional West African folk song (lullaby or processional) is highly versatile. Most likely from Liberia in the Yoruba language, it could be used simply as a melody, as a 2-4 part round, as a simple 2-4 part warm-up exercise, or in multiple parts as a concert piece utilising SATB choir and soloists, or splitting choral voices into multiple parts. The arrangement includes performance suggestions, plus instructions for body percussion or added ad lib African percussion. Arranger KATHLEEN MCGUIRE has incorporated ideas from various traditional sources into one page for ease of learning.It is suitable for any ages or abilities. The words translate loosely in English to: We are sorry, I am sorry. What's up? What are you dreaming? Come to us.Listen to a 1955 recording by The Song Swappers and Pete Seeger: https://folkways.si.edu/the-song-swappers-and-pete-seeger/banuwa-yo/american-folk-world/music/track/smithsonian
$1.99 ≈
1.83€
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