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I Hear A Symphony
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Vous avez sélectionné:
I Hear A Symphony
Partitions à imprimer
283 partitions trouvées
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276
I Hear A Symphony - Score Only
I Hear A Symphony - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Cody Fry
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Connor Pali
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I Hear A Symphony - Score Only
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Connor Pali
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1477435 Composed by Cody Fry. Arranged by Connor Pali. 21st Century,Classical,Pop. 10 pages. Connor Pali #1054838. Publ...
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Concert Band - Level 4 - SKU: A0.1477435 Composed by Cody Fry. Arranged by Connor Pali. 21st Century,Classical,Pop. 10 pages. Connor Pali #1054838. Published by Connor Pali (A0.1477435). This is a concert band arrangment of Cody Fry's I Hear A Symphony.Go check out the official version of this song by Cody Fry here: https://youtu.be/fQ50-gSAWGg?si=J4h0hxhSGVS__5sQOnce You Buy The Score Send Me An Email At palicon000@gmail.com And I'll Send You The Parts.
$75.00 ≈
70.13€
I Hear A Symphony
I Hear A Symphony
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Piano, Voix
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INTERMÉDIAIRE
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Ryan Matthew
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Wesley S
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I Hear A Symphony
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Wesley S. Silva
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.895056 By Ryan Matthew. By Ryan Christopher Webb. Arranged by Wesley S. SIlva. Broadway,Film/TV,Folk,Musical/Show,...
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Piano,Vocal,Voice - Level 3 - SKU: A0.895056 By Ryan Matthew. By Ryan Christopher Webb. Arranged by Wesley S. SIlva. Broadway,Film/TV,Folk,Musical/Show,Pop. Score. 5 pages. Wesley S. Silva #6589775. Published by Wesley S. Silva (A0.895056). I Hear A Symphony, sheet music for piano.
$4.99 ≈
4.67€
I Hear A Symphony
I Hear A Symphony
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Orgue
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The Supremes
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I Hear A Symphony
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Hal Leonard - Digital
#
SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.874575 By The Supremes. This edition: scorch. E-Z Play Today. Country,Pop,Standards. Score. 5 pag...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.874575 By The Supremes. This edition: scorch. E-Z Play Today. Country,Pop,Standards. Score. 5 pages. Hal Leonard - Digital #358677. Published by Hal Leonard - Digital (HX.874575). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.80€
I Sing
I Sing
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Chorale 3 parties
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FACILE
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Melanie B
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I Sing
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Melanie B Guerin
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SheetMusicPlus
Choral Choir (SAT) - Level 2 - SKU: A0.854322 Composed by Melanie B. Guerin. Broadway,Musical/Show,Pop. Octavo. 4 pages. Melanie B Guerin #3585793. Publ...
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Choral Choir (SAT) - Level 2 - SKU: A0.854322 Composed by Melanie B. Guerin. Broadway,Musical/Show,Pop. Octavo. 4 pages. Melanie B Guerin #3585793. Published by Melanie B Guerin (A0.854322). This short song was written as the finale to the musical production 'Clamor & Ranting,' produced at the Greater Hartford Academy of the Arts in December 2015. It is a celebration of what music means and what music can do. A simple chord progression repeats under the increasingly joyful sounds of a choir, building to three-part harmony with optional solo ad libs.I sing, I breathe, I remember, I grieve, I move, I play, I celebrate, I pray, I speak, I stir, I am powerful, I am heard, I learn, I feel, I am comforted, I am new, I am revealed I shine, I'm proud, I'm a symphony out loud, I sing, I'm strong, I am music, I am song
$4.99 ≈
4.67€
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. ...
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Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99 ≈
9.34€
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Focus on Grace ... A concerto
#
Thomas Oboe Lee
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99 ≈
9.34€
Brahms Sonata in F-minor, Opus 5, 3rd movement, as a Symphony
Brahms Sonata in F-minor, Opus 5, 3rd movement, as a Symphony
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Orchestre
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AVANCÉ
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Classique
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Aere Greenway
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Aere Greenway
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Brahms Sonata in F-minor, Opus
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Aere R Greenway
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1272505 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. ...
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Full Orchestra - Level 5 - SKU: A0.1272505 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 46 pages. Aere R Greenway #864730. Published by Aere R Greenway (A0.1272505). As a life-long fan of the music of Brahms, I have wished there were more than his four symphonies to enjoy.  So I set about orchestrating his sonata for piano, opus 5, as a symphony.  I doing so, I've seen many things in his piano music, that suggest he was thinking orchestrally.  And this is a composition from his youth (1854).  In fact, I have been repeatedly amazed at how many simultaneous, independent parts, he has put into a piano solo.  I haven't needed to create anything.  It's all Brahms, coming through.  Perhaps, if Brahms weren't so overwhelmed by the genius of Beethoven, who came before, he might have made this his first symphony.  And you get to hear its third movement now.  As with the tradition of Beethoven, the 3rd movement is a scherzo.  You can think of it (at least in the beginning, and end), as the waltz of the gargoyles.  Enjoy!Brahms has long been a staple of concert-going audiences, and with this piece, you can perform a new symphony of Brahms, created from his piano sonata in F-minor, orchestrated into a symphony by Aere.
$47.97 ≈
44.85€
Symphony Op. 1 No. 5
Symphony Op. 1 No. 5
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Anton Filtz
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Paul Wood
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Symphony Op. 1 No. 5
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.736694 Composed by Johann Anton Filtz. Arranged by Paul Wood. Classical. Score and parts. 44 pages. MyMusicScores.c...
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String Orchestra - Level 4 - SKU: A0.736694 Composed by Johann Anton Filtz. Arranged by Paul Wood. Classical. Score and parts. 44 pages. MyMusicScores.com #1892819. Published by MyMusicScores.com (A0.736694). Johann Anton Filtz (1733 - 1760) was just 26 years old when he died! In his short time on earth, he studied law and theology at the University of Ingolstadt, was a cellist in the Mannheimer Hofkapelle and a composer of at least thirty-four symphonies, thirty concertos and a several chamber works. Being a member of the Mannheimer Hofkapelle puts Filtz's compositions clear in the Mannheim school along with fellow composers Franz Xaver Richter, Carl Stamitz, Franz Ignaz Beck, Ignaz Fränzl, and Christian Cannabich. His 6 Symphonies Op. 1 are all scored for strings and continuo and consist of three movement - fast - slow- fast. I can't find a recording of Filtz's Symphony Op.1 No.5 in F major or a modern edition of this work. I do hope that you will find this work interesting enough to play and perform. If you do perform it, I would love to hear a recording.
$9.99 ≈
9.34€
Do You Hear What I Hear
Do You Hear What I Hear
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Contemporain
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Carrie Underwood
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Keith Michael Davis
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Do You Hear What I Hear
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Komodo Music
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SheetMusicPlus
Large Ensemble Voice - Level 4 - SKU: A0.932824 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Keith Michael Davis. Contemporary. Sc...
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Large Ensemble Voice - Level 4 - SKU: A0.932824 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Keith Michael Davis. Contemporary. Score and parts. 53 pages. Komodo Music #6511329. Published by Komodo Music (A0.932824). A colorful new arrangement of a holiday favorite! Showcase your vocal soloist (range F4 to A-flat5 for treble voice) with the backdrop of a full symphony orchestra, beginning quietly and building to a stirring finale. Suitable for high school, community or professional musicians, this piece is sure to be a crowd-pleaser and a high point in any holiday program! Duration: ca. 4 minutes. Scored for Piccolo, 2 Flutes, 2 Oboes (2nd Oboe dbl. English horn, 2 B-flat Clarinets, Bass Clarinet, 2 Bassoons, 4 Horns in F, 3 Trumpets in B-flat, 2 Tenor Trombones, Bass Trombone, Tuba, Timpani, Orchestra Bells, Percussion, Harp and Strings.
$80.00 ≈
74.80€
Sonata in F-Minor Opus 5, as a Symphony - 4th Movement Intermezzo (Rückblick)
Sonata in F-Minor Opus 5, as a Symphony - 4th Movement Intermezzo (Rückblick)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Aere Greenway
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Aere Greenway
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Sonata in F-Minor Opus 5, as a
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Aere R Greenway
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1218344 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. ...
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Full Orchestra - Level 4 - SKU: A0.1218344 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 25 pages. Aere R Greenway #814818. Published by Aere R Greenway (A0.1218344). I, for one, would like to hear a new Brahms' symphony. So my idea, was to orchestrate his piano sonata, opus 5, in F-Minor, into a symphony. Here is its 4th movement (of 5): Intermezzo (Rückblick)This is short, but very intense - almost terrifying.
$24.97 ≈
23.35€
I Hear A Symphony
I Hear A Symphony
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ryan Matthew
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I Hear A Symphony
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Red Letter Daze
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.733677 By Ryan Matthew. By Ryan Christopher Webb. Arranged by MaryAnne Muglia Smith & Aaliyah Bancod. Contempora...
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Choral Choir (SSAA) - Level 4 - SKU: A0.733677 By Ryan Matthew. By Ryan Christopher Webb. Arranged by MaryAnne Muglia Smith & Aaliyah Bancod. Contemporary. Octavo. 2 pages. Red Letter Daze #6515311. Published by Red Letter Daze (A0.733677).
$2.50 ≈
2.34€
I Hear A Symphony
I Hear A Symphony
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Piano seul
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INTERMÉDIAIRE
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The Supremes
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Jan Angermüller
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I Hear A Symphony
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Elbsound.studio
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.857264 By The Supremes. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Jan Angermüller. Hip-Hop,Pop,...
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Piano Solo - Level 3 - SKU: A0.857264 By The Supremes. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Jan Angermüller. Hip-Hop,Pop,R & B,Rock,Standards. Score. 2 pages. Elbsound.studio #3511147. Published by Elbsound.studio (A0.857264). Transcription from original recording.Only includes the signature piano fill-ins and all chords.
$7.99 ≈
7.47€
I Hear A Symphony
I Hear A Symphony
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Vibraphone
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INTERMÉDIAIRE
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The Supremes
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Jan Angermüller
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I Hear A Symphony
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Elbsound.studio
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SheetMusicPlus
Vibraphone Solo - Level 3 - SKU: A0.857265 By The Supremes. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Jan Angermüller. Hip-Hop...
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Vibraphone Solo - Level 3 - SKU: A0.857265 By The Supremes. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Jan Angermüller. Hip-Hop,Pop,R & B,Rock,Standards. Individual part. 2 pages. Elbsound.studio #3511149. Published by Elbsound.studio (A0.857265). Transcription from the original recording.
$7.99 ≈
7.47€
I Hear A Symphony
I Hear A Symphony
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Piano seul
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INTERMÉDIAIRE
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The Supremes
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Jan Angermüller
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I Hear A Symphony
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Elbsound.studio
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SheetMusicPlus
Piano - Level 3 - SKU: A0.857259 By The Supremes. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Jan Angermüller. Hip-Hop,Pop,R & B...
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Piano - Level 3 - SKU: A0.857259 By The Supremes. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Jan Angermüller. Hip-Hop,Pop,R & B,Rock,Standards. Score (Chords/Lyrics). 2 pages. Elbsound.studio #3511137. Published by Elbsound.studio (A0.857259). Female backing vocals from the original recording.
$7.99 ≈
7.47€
I Hear A Symphony
I Hear A Symphony
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Ligne De Mélodie, (Paroles) et Accords
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The Supremes
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I Hear A Symphony
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.188858 By The Supremes. This edition: Interactive Download,scorch. Love,Oldies,Pop,R & B,Rock. Lead Sheet / Fake Book. 2 pag...
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Interactive Download SKU: HX.188858 By The Supremes. This edition: Interactive Download,scorch. Love,Oldies,Pop,R & B,Rock. Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #358677. Published by Hal Leonard - Digital (HX.188858).
$3.99 ≈
3.73€
I Hear A Symphony
I Hear A Symphony
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Basse electrique
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INTERMÉDIAIRE
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The Supremes
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Jan Angermüller
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I Hear A Symphony
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Elbsound.studio
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SheetMusicPlus
Bass Guitar,Instrumental Solo - Level 3 - SKU: A0.857262 By The Supremes. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Jan AngermÃÂ...
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Bass Guitar,Instrumental Solo - Level 3 - SKU: A0.857262 By The Supremes. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Jan Angermüller. Hip-Hop,Pop,R & B,Rock,Standards. Individual part. 2 pages. Elbsound.studio #3511143. Published by Elbsound.studio (A0.857262). Transcription from the original recording including chord symbols.
$5.99 ≈
5.60€
I Hear A Symphony
I Hear A Symphony
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Guitare
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INTERMÉDIAIRE
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The Supremes
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Jan Angermüller
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I Hear A Symphony
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Elbsound.studio
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.857263 By The Supremes. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Jan Angermüller. Hip-Hop,Pop...
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Solo Guitar - Level 3 - SKU: A0.857263 By The Supremes. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Jan Angermüller. Hip-Hop,Pop,R & B,Rock,Standards. Individual part. 2 pages. Elbsound.studio #3511145. Published by Elbsound.studio (A0.857263). Transcription from the original recording.Includes chord symbols and rhythmic notation.
$4.99 ≈
4.67€
I Hear A Symphony
I Hear A Symphony
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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The Supremes
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Jan Angermüller
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I Hear A Symphony
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Elbsound.studio
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SheetMusicPlus
Baritone Saxophone Solo - Level 3 - SKU: A0.857260 By The Supremes. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Jan Angermüller....
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Baritone Saxophone Solo - Level 3 - SKU: A0.857260 By The Supremes. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Jan Angermüller. Hip-Hop,Pop,R & B,Rock,Standards. Individual part. 2 pages. Elbsound.studio #3511139. Published by Elbsound.studio (A0.857260). Transcription from the original recording.
$5.99 ≈
5.60€
I Hear A Symphony
I Hear A Symphony
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Ensemble Jazz
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INTERMÉDIAIRE
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The Supremes
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Jan Angermüller
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I Hear A Symphony
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Elbsound.studio
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.857266 By The Supremes. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Jan Angermül...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.857266 By The Supremes. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Jan Angermüller. Hip-Hop,Pop,R & B,Rock,Standards. Score and parts. 15 pages. Elbsound.studio #3511151. Published by Elbsound.studio (A0.857266). Transcription from the original recordingIncludes:Drum set, E-Bass, E-Piano, E-Guitar, Tambourine, Vibraphone, Vocals9 pagesAn optional baritone sax part is available as item H0.353917-358677.
$19.99 ≈
18.69€
I Hear A Symphony
I Hear A Symphony
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Ryan Matthew
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Wesley S
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I Hear A Symphony
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Wesley S. Silva
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SheetMusicPlus
By Ryan Matthew. By Ryan Christopher Webb. Arranged by Wesley S. SIlva. Classical, Contemporary, Film/TV. Score and parts. 15 pages. Wesley S. Silva #...
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By Ryan Matthew. By Ryan Christopher Webb. Arranged by Wesley S. SIlva. Classical, Contemporary, Film/TV. Score and parts. 15 pages. Wesley S. Silva #6589885. Published by Wesley S. Silva
$12.99 ≈
12.15€
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99 ≈
9.34€
Roy Wallace Young "Oklahoma Symphony, II. Canzonetta" Arranged for organ by D.Y. Riess
Roy Wallace Young "Oklahoma Symphony, II. Canzonetta" Arranged for organ by D.Y. Riess
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Roy Wallace Young
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DOROTHY YOUNG RIESS
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Roy Wallace Young "Oklaho
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RAE VERLAG
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SheetMusicPlus
Organ - Level 4 - SKU: A0.885551 Composed by Roy Wallace Young. Arranged by DOROTHY YOUNG RIESS. 20th Century,Concert. Score. 6 pages. RAE VERLAG #68645...
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Organ - Level 4 - SKU: A0.885551 Composed by Roy Wallace Young. Arranged by DOROTHY YOUNG RIESS. 20th Century,Concert. Score. 6 pages. RAE VERLAG #6864557. Published by RAE VERLAG (A0.885551). Roy Wallace Young composed his Oklahoma Symphony when I was a very young child and I remember hearing it on the piano as he worked on it. I arranged the Second Movement Canzonetta for Organ.
$9.95 ≈
9.30€
Chamber Symphony
Chamber Symphony
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David Diamond
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Chamber Symphony
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Imagine Music - Digital
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SheetMusicPlus
Clarinet, bassoon, trumpet, viola, piano - SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Publish...
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Clarinet, bassoon, trumpet, viola, piano - SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Published by Imagine Music - Digital (IZ.PDP100). 9 x 12 in inches.The Chamber Symphony dates from his New York period before he studied with the legendary Nadia Boulanger (1887-1979) at the American Conservatory outside of Paris. Like other works from his early 20s, this piece exhibits an extraordinary grasp of structure and overall design within a tonal harmonic language. The unusual scoring (clarinet, bassoon, viola, trumpet, and piano), like so many other chamber pieces written between the two World Wars, shows the influence of Igor Stravinsky (1882-1971), who would later become a close friend of the young American. The Chamber Symphony was premiered on 7 May 1937 at the Federal Theater in New York City. Jacques Gordon conducted the WP A Ensemble. Evidently the group was under-rehearsed and Diamond was not happy the performance. Thinking that the fault lay with the composition itself, he consigned the score and parts to a trunk in the attic of the family home in Rochester where it remained for over fifty years. I ran across a reference to the Chamber Symphony in the early 1990s and telephoned David Diamond to ask if I could get a copy of it. Thus began a sporadic exchange of telephone calls and postcards over the next five years. Among other things, we discovered that his parents and my paternal grandmother had come from the same region of Ukraine. Eventually he tottered up to the attic and sent me a copy of the score, with his penciled corrections, and his original parts, which I photocopied and returned to him. I performed the piece with colleagues at Kansas State University and sent Diamond a copy of the recording. He was ecstatic with our performance and told me I wonder why I've suppressed it for all these years? I got to meet David Diamond in June 2000 and we discussed the possibility of trying to get the Chamber Symphony published. He averred that his regular publishers wouldn't be interested owing to the limited market for such a work. A year after David Diamond's death I began my venture into music publishing and contacted Sam Elliott, a close friend of the composer's who serves as the executor for his estate. Mr. Elliott was happy to hear that I wanted to publish the Piece through Prairie Dawg Press and gave his kind permission to do so. I hope that my colleagues will enjoy this work as much as I have and that it will receive frequent performances.
$55.00 ≈
51.43€
I Will Be The Light!
I Will Be The Light!
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Chorale 2 parties
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FACILE
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Glenda E
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I Will Be The Light!
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Glenda E. Franklin Publications
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.956409 Composed by Glenda E. Franklin. Graduation. Octavo. 12 pages. Glenda E. Franklin Publications #6269099. Pub...
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Choral Choir (SA) - Level 2 - SKU: A0.956409 Composed by Glenda E. Franklin. Graduation. Octavo. 12 pages. Glenda E. Franklin Publications #6269099. Published by Glenda E. Franklin Publications (A0.956409). If we take the time to listen quietly hearing with ears in tune to times, there’s a song whose rhythm is silent and still, and its’ melody off-key; If we all will join with common purpose, we’ll restore sweet harmony if we’re willing to work beside our brother, we’ll create a symphony!This original piece, written for an eighth-grade graduation, expresses our ability to be the change we wish to see in the world!
$2.00 ≈
1.87€
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00 ≈
74.80€
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