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Vous avez sélectionné:
II: Trgl
Partitions à imprimer
24 partitions trouvées
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1
Katalog II
Katalog II
#
Wilfried Hiller
#
Katalog II
#
Schott Music - Digital
#
SheetMusicPlus
Percussion with 2 players - SKU: S9.Q16090 Composed by Wilfried Hiller. This edition: performance score. A battere. Downloadable, Performance score. Dur...
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Percussion with 2 players - SKU: S9.Q16090 Composed by Wilfried Hiller. This edition: performance score. A battere. Downloadable, Performance score. Duration 12 minutes. Schott Music - Digital #Q16090. Published by Schott Music - Digital (S9.Q16090). Schlagzeug I: Vibr. * Xyl. * Litophon oder Flasche * 4 Trgl. * 2 Cymb. * 2 Bong. * Darabukka * kl. Tr. * Glass Chimes * Metall-Wind-Chimes * Schuttelrohr - Schlagzeug II: Xyl. * Marimba * 4 Trgl. * 4 Beck. * Cymb. * Tamt. * 2 Bong. * Darabukka * kl. Tr. * Glass Chimes * Metall-Wind-Chimes * Mar.Schlagzeug I: Vibr. · Xyl. · Litophon oder Flasche · 4 Trgl. · 2 Cymb. · 2 Bong. · Darabukka · kl. Tr. · Glass Chimes · Metall-Wind-Chimes · Schüttelrohr - Schlagzeug II: Xyl. · Marimba · 4 Trgl. · 4 Beck. · Cymb. · Tamt. · 2 Bong. · Darabukka · kl. Tr. · Glass Chimes · Metall-Wind-Chimes · Mar.
$15.99 ≈
14.68€
Carmen Suite II
Carmen Suite II
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Georges Bizet
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Carmen Suite II
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Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
2 (auch 2 Picc.) · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. S. (Trgl. · Schellentr. · gr. Tr. m. Beck.) - Str. orchestra - SKU:...
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2 (auch 2 Picc.) · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. S. (Trgl. · Schellentr. · gr. Tr. m. Beck.) - Str. orchestra - SKU: S9.Q21192 On the critical edition by Robert Didion. Composed by Georges Bizet. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, Study score. Duration 24 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q21192. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21192). German • English • French.Carmen ist eine der beliebtesten und weltweit meist aufgeführten Opern. Ihr Komponist Bizet hat die Uraufführung, die ein Misserfolg war, nicht mehr erlebt. Die Oper setzte sich jedoch rasch an allen großen Bühnen durch und zog unzählige Bearbeitungen einiger besonders schöner Musiknummern nach sich, darunter die Carmen-Phantasie für Violine und Orchester des spanischen Violinvirtuosen Pablo de Sarasate. Höchstwahrscheinlich war es Bizets enger Freund und Studienkollege Ernest Guirauds, der insgesamt 12 Nummern der Oper in zwei Orchester-Suiten zusammenfasste. Die fehlenden Singstimmen hat er, wie es in solchen Fällen üblich war, durch Instrumente ersetzt. Neben den beiden Taschenpartituren sind Dirigierpartitur und Orchesterstimmen als Leihmaterial erhältlich. Der Notentext basiert auf unserer wissenschaftliche Neuausgabe der Oper, herausgegeben von Robert Didion.
$19.99 ≈
18.36€
Veränderungen (Changes)
Veränderungen (Changes)
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Piano seul
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Enjott Schneider
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II: Trgl
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Veränderungen
#
Schott Music - Digital
#
SheetMusicPlus
Sheng and piano - SKU: S9.Q557358 Konzert für Sheng und Orchester. Composed by Enjott Schneider. Downloadable, Piano reduction with solo part....
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Sheng and piano - SKU: S9.Q557358 Konzert für Sheng und Orchester. Composed by Enjott Schneider. Downloadable, Piano reduction with solo part. Duration 30 minutes. Schott Music - Digital #Q557358. Published by Schott Music - Digital (S9.Q557358). Die dreißigminütige Komposition exponiert ein musikalisches Thema, dessen wildwuchernde Veränderungen in drei Sätze gefasst sind, die einigen der berühmten acht Triagramme des 'I GING' (des Buches der Veränderungen) entsprechen: TSCHEN ist der Erwecker, der Donner, dem die Eigenschaften des Provokativen, Heftigen, des ungestümen Wachsens zugeordnet sind. KAN als Tiefe und Abgrund hat als Bild das Wasser, dem der Mond und alles Geheimnisvolle, schwer zu Verstehende und Melancholische entspricht (folgerichtig basiert dieser Satz auf einer 12Ton-Reihe und einer verschobenen spiegelsymmetrischen Rhythmik). TOUEI ist das Vergnügen, die Freunde, das Glück, die heitere Ruhe, dem das Bild des Sees entspricht. Die Veränderungen wollen nicht in Rhythmik oder Meldodik asiatische Vorbilder imitieren, sondern bleiben im Tonmaterial eher in den Sprachkonventionen der westlichen Musik. Der Brückenschlag zur chinesischen Musik gelingt vor allem durch den Einsatz der Sheng (eines der ältesten Musikinstrumente) und dem formalen Umsetzen der vorgegebenen geistigen Prinzipien in klangliche Wachstumsprozesse. Enjott SchneiderPicc. · 2 · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (I: Beck. · Gong · Tamt. · 4 Tomt. · gr. Tr. · 4 Tempelbl. · Rainmaker [Sand in Trommel] · Glsp. · Turmglockenspiel [Metall Chimes]; II: Trgl. · Beck. · Peking-Beck. · versch. chinesische Metalle [Glocken, Schalen, Gongs] · Tamt. · Gong · gr. Tr. · Tempelbl. · Holzbrett · Turmglockenspiel · Xyl.) (2 Spieler) - Hfe. - Str.
$23.99 ≈
22.03€
Seven Gates of Jerusalem - Symphony No. 7
Seven Gates of Jerusalem - Symphony No. 7
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Krzysztof Penderecki
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II
#
Seven Gates of Jerusalem - Sym
#
Schott Music - Digital
#
SheetMusicPlus
5 soloists (SSATB), speaker, 3 mixed choirs and orchestra - SKU: S9.Q45409 For 5 soloists (SSATB), narrator, 3 mixed choirs and orchestra. Compos...
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5 soloists (SSATB), speaker, 3 mixed choirs and orchestra - SKU: S9.Q45409 For 5 soloists (SSATB), narrator, 3 mixed choirs and orchestra. Composed by Krzysztof Penderecki. This edition: study score. Music Of Our Time. Das große Vokalwerk wurde 1995 zum 3000-jährigen Bestehen Jerusalems komponiert. Der Zahl sieben hat darin eine besondere Bedeutung: sieben Sätzen, die für die sieben Tore stehen, sieben gewaltige Fortissimo-Akkorde, die das Oratorium beschließen. Downloadable, Study score. Duration 68' 0. Schott Music - Digital #Q45409. Published by Schott Music - Digital (S9.Q45409). Latin • German.Deeply moved by his first visit to the city of Jerusalem with its seven gates, Krzysztof Penderecki composed this major vocal work to celebrate the city's 3,000th anniversary in 1995. Two years later, it was premiered as Symphony No. 7 in which the magic number seven has a special meaning: From the seven movements representing the seven gates to the seven powerful fortissimo chords concluding the oratorio, the biblical number runs through the entire work.4 (3. u. 4. auch Picc.) · 3 · Engl. Hr. · 3 (3. auch Es-Klar.) · Bassklar. · 3 · Kfg. - 4 · 3 · 4 (3. auch Basstrp.) · 1 - S. (I.: P. · Beckenpaar · 2 Tamt. (t.) · Röhrengl. · gr. Tr. m. Beck. · Crotalenbaum · 5 Tomt. · Marimba · Bin-Sasara · kl. Tr. · Rührtr.; II.: Trgl.-baum · 4 hg. Beck. · Tamt. (t.) · Röhrengl. · Kirchengl. · Tubaphon · Glsp. · Xyl. · Vibr. · Rührtr. · Tempelbl. · 2 Gongs; III.: 3 hg. Beck. · Mil. Tr. · Tubaphon · Kuhgl. · Tempelbl. · 2 Gongs; IV.: P. · hg. Beck. · 2 Tamt. · Beckenpaar · 5 Tomt. · gr. Tr. · Rührtr. · Bin-Sasara) (12 Spieler) - Cel. · Klav. · Org. ad lib. - Str. Im Saal: 0 · 0 · 3 · Bassklar. (auch Es-Klar.) · 3 · Kfg. - 4 · 3 · 4 · 1.
$55.99 ≈
51.41€
Katalog IV
Katalog IV
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Wilfried Hiller
#
Katalog IV
#
Schott Music - Digital
#
SheetMusicPlus
Percussion (4 Player) - SKU: S9.Q15977 Composed by Wilfried Hiller. This edition: performance score. A battere. Downloadable, Performance score. Duratio...
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Percussion (4 Player) - SKU: S9.Q15977 Composed by Wilfried Hiller. This edition: performance score. A battere. Downloadable, Performance score. Duration 16 minutes. Schott Music - Digital #Q15977. Published by Schott Music - Digital (S9.Q15977). Schlagzeug I: Crot. * Xyl. * 2 Dobaci [Japan. Tempelglocke] * Kuhgl. * Tamt. * Rohrenholztr. * Tempelbl. * Bambusstab * Angklung - Schagzeug II: Xyl. * Vibr. [von IV] * Marimba * 4 Trgl. * Bambusstab * Rohrenholztrommel * 2 Woodbl. * Log-Drum - Schlagzeug III: Tenorxyl. * Rohrengl. * Plattengl. * 4 Trgl. * Beck. * Cymb. * Gong * Tamt. * jav. Buckelgongs * 3 Cong. * Guiro * Clav. * Log-Drum * Angklung - Schlagzeug IV: Bassxyl. * Vibr. * Kuhgl. * Beck. * Afrik. Schlitztr. * Tempelbl. * Clav. * Angklung * Hyoshigi [Jap. Klappholzer]Schlagzeug I: Crot. · Xyl. · 2 Dobaci [Japan. Tempelglocke] · Kuhgl. · Tamt. · Röhrenholztr. · Tempelbl. · Bambusstab · Angklung - Schagzeug II: Xyl. · Vibr. [von IV] · Marimba · 4 Trgl. · Bambusstab · Röhrenholztrommel · 2 Woodbl. · Log-Drum - Schlagzeug III: Tenorxyl. · Röhrengl. · Plattengl. · 4 Trgl. · Beck. · Cymb. · Gong · Tamt. · jav. Buckelgongs · 3 Cong. · Guiro · Clav. · Log-Drum · Angklung - Schlagzeug IV: Baßxyl. · Vibr. · Kuhgl. · Beck. · Afrik. Schlitztr. · Tempelbl. · Clav. · Angklung · Hyoshigi [Jap. Klapphölzer].
$15.99 ≈
14.68€
Katalog III
Katalog III
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Wilfried Hiller
#
Katalog III
#
Schott Music - Digital
#
SheetMusicPlus
Percussion with 3 Players - SKU: S9.Q16047 Composed by Wilfried Hiller. This edition: performance score. A battere. Downloadable, Performance score. Dur...
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Percussion with 3 Players - SKU: S9.Q16047 Composed by Wilfried Hiller. This edition: performance score. A battere. Downloadable, Performance score. Duration 15 minutes. Schott Music - Digital #Q16047. Published by Schott Music - Digital (S9.Q16047). Schlagzeug I: Glsp. * Xyl. * Weinglas * Sandbl. * Jaycall - Schlagzeug II: Vibr. [ohne Motor] * Marimba * Trgl. * Weinglaser * Hi-hat * 2 Bong. * 2 Cong. * gr. Tr. [von III] * 5 Tempelbl. * Woodbl. * Peitsche - Schlagzeug III: P. * Marimba * Kuhgl. * Weinglaser * 2 Tomt. * gr. Tr. * Tambour de basque * Guiro * Lotosfl.Schlagzeug I: Glsp. · Xyl. · Weinglas · Sandbl. · Jaycall - Schlagzeug II: Vibr. [ohne Motor] · Marimba · Trgl. · Weingläser · Hi-hat · 2 Bong. · 2 Cong. · gr. Tr. [von III] · 5 Tempelbl. · Woodbl. · Peitsche - Schlagzeug III: P. · Marimba · Kuhgl. · Weingläser · 2 Tomt. · gr. Tr. · Tambour de basque · Guiro · Lotosfl.
$16.99 ≈
15.60€
Hommage à Hieronymus Bosch
Hommage à Hieronymus Bosch
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Orchestre
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Svatopluk Havelka
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II: Beck
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Hommage à Hieronymus Bo
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Schott Music - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q5355 Symphonic Fantasy. Composed by Svatopluk Havelka. This edition: study score. Downloadable, Study score. Duration 13 min...
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Orchestra - SKU: S9.Q5355 Symphonic Fantasy. Composed by Svatopluk Havelka. This edition: study score. Downloadable, Study score. Duration 13 minutes. Schott Music - Digital #Q5355. Published by Schott Music - Digital (S9.Q5355). 3 (2. und 3. auch Picc.) * 2 * Engl. Hr. * 2 * Bassklar. * 3 (3. auch Kfg.) - 4 * 4 * 3 * 1 - P. S. (Vibr. * I: Guiro * Tamb * Trgl.; II: Beck. * 2 Tomt. * 3 Bong. * 2 kl. Tr. * 2 Kuhgl.; III: Gl. * kl. Tr. * Mar. * Woodbl. * Beck.; IV: Flex * Tamt. * Glsp. * Marimba) (4 Spieler) - Hfe. * Cel. * Klav. - Str. (14 * 12 * 10 * 8 * 6)3 (2. und 3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - P. S. (Vibr. · I: Guiro · Tamb · Trgl.; II: Beck. · 2 Tomt. · 3 Bong. · 2 kl. Tr. · 2 Kuhgl.; III: Gl. · kl. Tr. · Mar. · Woodbl. · Beck.; IV: Flex · Tamt. · Glsp. · Marimba) (4 Spieler) - Hfe. · Cel. · Klav. - Str. (14 · 12 · 10 · 8 · 6).
$17.99 ≈
16.52€
Glossolalie
Glossolalie
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Dieter Schnebel
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Glossolalie
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Schott Music - Digital
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SheetMusicPlus
2-4 Speakers and 2-4 Instrumentalists - SKU: S9.Q45062 (Projekte III). Composed by Dieter Schnebel. This edition: score for voice and/or instrume...
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2-4 Speakers and 2-4 Instrumentalists - SKU: S9.Q45062 (Projekte III). Composed by Dieter Schnebel. This edition: score for voice and/or instruments. Workshop. Downloadable, Vocal and performing score. Duration 10 minutes. Schott Music - Digital #Q45062. Published by Schott Music - Digital (S9.Q45062). In 1959, Dieter Schnebel composed Glossolalie, a work of central importance to his musical thinking. It forms part of the group of his pieces which, as prepared material to make music (Schnebel), deliberately do not pursue composed-out music as a result but serve as a detailed concept for the performer. The ensemble consists of narrators and instrumentalists acting as soloists who unite connections and overlappings of linguistic, phonetic, noise-like, instrumental and gestic processes.Instrumentalist I: Harmonium (auch Schlagzeug: Trgl. · Sir. · Sistr. · Guiro · Ratsche · Tin lids · Sheets of vellum · Sheets of tissue paper · hg. Packpapier · Mar.) Instrumentalist II: Klav. (auch Schlagzeug: Trgl. · Kuhgl. · Tamb. · 2 Woodbl. · 3 Gläser · 3 Flaschen · Schachtel m. Besteck · Papierblätter) Instrumentalist III: Schlagzeug (Trgl. · 3 Beck. · 3 Gongs [Tamt.] · Conga · 2 Tomt. · kl. Tr. · gr. Tr. · 2 Mar. · Pf. · Papierblätter · Guiro · Ketten · 2 Sir. · Pf.) Instrumenatlist IV [oder von den anderen zu spielen]: Röhrengl. · Mil. Tr. · Holzstäbe · Metallstäbe · Clav. · 3 Lineale · Shisk · 2 Ratschen · Bürste · Wassertrog [für Wassergongs] · Glsp. · Vibr. [o. Cel.] · Marimba).
$21.99 ≈
20.19€
Spielmusiken
Spielmusiken
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Hans Werner Henze
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Spielmusiken
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Schott Music - Digital
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SheetMusicPlus
Orchestra - intermediate - SKU: S9.Q16429 From the musical fairytale Pollicino. Composed by Hans Werner Henze. This edition: score. Concertino. D...
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Orchestra - intermediate - SKU: S9.Q16429 From the musical fairytale Pollicino. Composed by Hans Werner Henze. This edition: score. Concertino. Downloadable, score. Duration 9 minutes. Schott Music - Digital #Q16429. Published by Schott Music - Digital (S9.Q16429). A good means for amateur orchestras to approach New Music! Henze's enchanting fairytale opera Pollicino was written for the school children of the little hiltop vollage, Montpulciano, in Tuscany where he stated his famous summer workshop. It has since been performed all over the world, including two productions in England.3 Sopraninoblfl. (auch 2 Sopranblfl.) · 2 Altblfl. · Tenorblfl. · Bassblfl. · Tenorkrummhr. (od. Hr. od. ein ähnliches Instrument) · Basskrummhr. (od. Fg. od. Pos. mit Dämpfer od. ein ähnliches Instrument) - P. S. (Sopranglsp. · Altglsp. · Altmetallophon · Sopranxyl. · Altxyl. · Bassxyl. · 2 Trgl. · 3 hg. Beck. · 3 Schellentr. [ohne Schellen] · Mil. Tr. · Schellentr. · Trinidad Steel Drum [od. Altmetallophon] · gr. Tr. [mit Beck.] · Mar. · Matraca · Kast.) (5 Spieler) - 2 Git. · Harm. (od. elektr. Org.) · Klav. - Sopranpsalter (od. Org. od. Vl.) · Altpsalter (od. Org. od. Vl.) · Tenorpsalter (od. Org. od. Vl.) - Str. (Solo-Vl. · 3 · 0 · 0 · 1 · 1) Einzelbesetzungen: Musica facile I: 2 Sopraninoblfl. · 2 Altblfl. · Tenorblfl. · Bassblfl. - P. S. (Schellentr. · Mar.) (2 Spieler) - Sopranglsp. · Bassxyl. - 2 Git. - Str. (1 · 0 · 0 · 1 · 1) Musica facile II: Sopraninoblfl. · 2 Sopranblfl. · 2 Altblfl. · Tenorblfl. · Bassblfl. · Tenorkrummhr. (od. Hr.) · Basskrummhr. (od. Fag. od. Pos.) - P. S. (Trinidad Steel Drum [od. Altmetallophon]) (1 Spieler) - Sopranglsp. · Altmetallophon · Sopranxyl. · Altxyl. - 2 Git. - Sopranpsalter (od. Vl.) · Altpsalter (od. Vl.) · Tenorpsalter (od. Vl.) - Str. (3 · 0 · 0 · 1 · 1) Musica facile III: P. S. (2 Trgl. · 3 hg. Beck · 3 Schellentr. [ohne Schellen] · Schellentr. · Mil. Tr. · gr. Tr. [mit Beck.] · Mar. · Kast. · Matraca) (5 Spieler) Musica facile IV: 3 Sopraninoblfl. · 2 Altblfl. · Tenorblfl. · Bassblfl. - S. (Trinidad Steel Drum) (1 Spieler) - Altglsp. · Sopranxyl. · Altxyl. · Bassxyl. - 2 Git. - Sopranpsalter (od. Org. od. Vl.) · Altpsalter (od. Org. od. Vl.) · Tenorpsalter (od. Org. od. Vl.) - Str. (0 · 0 · 0 · 1 · 1) Musica facile V: 3 Sopraninoblfl. · 2 Altblfl. · Tenorblfl. · Bassblfl. - Altglsp. · Sopranxyl. · Altxyl. · Bassxyl. - 2 Git. - Sopranpsalter (od. Org. od. Vl.) · Altpsalter (od. Org. od. Vl.) · Tenorpsalter (od. Org. od. Vl.) Musica facile VI: 3 Sopraninoblfl. · 2 Altblfl. · Tenorblfl. · Bassblfl. - Tenorkrummhr. (od. Hr.) · Basskrummhr. (od. Fg. od. Pos.) - P. S. (Trgl. · Schellentr.) (2 Spieler) - Sopranxyl. · Altxyl. · Bassxyl. - Git. · Harm. (od. elektr. Org.) · Klav. - Sopranpsalter (od. Org.) · Altpsalter (od. Org.) · Tenorpsalter (od. Org.) - Str. (Solo-Vl. · 3 · 0 · 0 · 1 · 1).
$27.99 ≈
25.70€
DoReMi
DoReMi
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Violon et Piano
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AVANCÉ
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Peter Eotvos
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DoReMi
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Schott Music - Digital
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SheetMusicPlus
Violin and orchestra - difficult - SKU: S9.Q25029 Violin Concerto No. 2. Composed by Peter Eotvos. This edition: piano reduction with solo part. ...
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Violin and orchestra - difficult - SKU: S9.Q25029 Violin Concerto No. 2. Composed by Peter Eotvos. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Duration 24 minutes. Schott Music - Digital #Q25029. Published by Schott Music - Digital (S9.Q25029). Die Struktur musikalischer Hierarchien in drei Sätzen: „Do für die westliche, „Mi für die östliche, pentatonische Musikkultur, „Re im Wechsel. Eötvös baut in seinem zweiten Violinkonzert komplexe Weltbilder; gewidmet ist das Werk der Geigerin Midori.3 (2. auch Picc., 3. auch Altfl.) · 2 (2. auch Engl. Hr.) · 3 (2. auch Es-Klar., 3. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 1 · 0 - S. (I [links]: Glsp. · Trgl. [t.] · Bong. (sehr h.) · 2 Röhren (Metall) · Sizzle-Beck. · Marac. · 3 Woodbl. · Chin. Dom-Beck. [t.] - II [Mitte]: Crot. · Xyl. · Trgl. [m.] · Röhrengl. · 2 Gongs · Caxixi · Guiro [m./h.] · Chin. Dom-Beck. [m.] - III [rechts]: Cowbells · 2 Beck. [t./m.] · Trgl. [h.] · Bong. [h.]· Sizzle-Beck. · Marac. · Tamb. · Chin. Dom-Beck. [h.] · Tamt. [t.]) (3 Spieler) - Hfe. · Cel. - Str. (8 · 6 · 6 · 6 · 4 [3./4. 5-Saiter]).
$33.99 ≈
31.21€
Glossolalie 61
Glossolalie 61
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Dieter Schnebel
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Glossolalie 61
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Schott Music - Digital
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SheetMusicPlus
3 (4) Speakers and 3 (4) Instrumentalists - conductor - SKU: S9.Q2723 (Projekte IV). Composed by Dieter Schnebel. This edition: performance score...
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3 (4) Speakers and 3 (4) Instrumentalists - conductor - SKU: S9.Q2723 (Projekte IV). Composed by Dieter Schnebel. This edition: performance score. Downloadable, Performance score. Duration 40 minutes. Schott Music - Digital #Q2723. Published by Schott Music - Digital (S9.Q2723). Ausarbeitung des 1959-60 definierten Projekts GlossolalieInstrumentalist I: Harmonium (auch Schlagzeug: Trgl. · Sir. · Sistr. · Guiro · Ratsche · Tin lids · Sheets of vellum · Sheets of tissue paper · hg. Packpapier · Mar.) Instrumentalist II: Klav. (auch Schlagzeug: Trgl. · Kuhgl. · Tamb. · 2 Woodbl. · 3 Gläser · 3 Flaschen · Schachtel m. Besteck · Papierblätter) Instrumentalist III: Schlagzeug (Trgl. · 3 Beck. · 3 Gongs [Tamt.] · Conga · 2 Tomt. · kl. Tr. · gr. Tr. · 2 Mar. · Pf. · Papierblätter · Guiro · Ketten · 2 Sir. · Pf.) Instrumenatlist IV [oder von den anderen zu spielen]: Röhrengl. · Mil. Tr. · Holzstäbe · Metallstäbe · Clav. · 3 Lineale · Shisk · 2 Ratschen · Bürste · Wassertrog [für Wassergongs] · Glsp. · Vibr. [o. Cel.] · Marimba).
$39.99 ≈
36.72€
Le Miracle de la Rose
Le Miracle de la Rose
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Hans Werner Henze
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Le Miracle de la Rose
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Schott Music - Digital
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SheetMusicPlus
Clarinet and 13 players - SKU: S9.Q2900 Imaginäres Theater II. Composed by Hans Werner Henze. This edition: solo part. Downloadable, Solo part...
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Clarinet and 13 players - SKU: S9.Q2900 Imaginäres Theater II. Composed by Hans Werner Henze. This edition: solo part. Downloadable, Solo part. Duration 40 minutes. Schott Music - Digital #Q2900. Published by Schott Music - Digital (S9.Q2900). 1 (auch Picc.) * 1 (auch Engl. Hr. u. Ob. d'am.) * 0 * 1 (auch Heckelphon ad lib.) - 1 * 1 * 1 * 0 - S. (Trgl. * hg. Beck. * Schellentr. * 2 Tomt. * Mil. Tr. [mit u. ohne Schnarrs.] * gr. Tr. [mit Ped.] * Log Drums * Sistren * Guiro * Fingerzimb.) (1 Spieler) - Klav. (auch Cel.) - Str. (1 * 1 * 1 * 1 * 1)1 (auch Picc.) · 1 (auch Engl. Hr. u. Ob. d'am.) · 0 · 1 (auch Heckelphon ad lib.) - 1 · 1 · 1 · 0 - S. (Trgl. · hg. Beck. · Schellentr. · 2 Tomt. · Mil. Tr. [mit u. ohne Schnarrs.] · gr. Tr. [mit Ped.] · Log Drums · Sistren · Guiro · Fingerzimb.) (1 Spieler) - Klav. (auch Cel.) - Str. (1 · 1 · 1 · 1 · 1).
$13.99 ≈
12.85€
Speaking Drums
Speaking Drums
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Peter Eotvos
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Speaking Drums
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Schott Music - Digital
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SheetMusicPlus
Percussion and orchestra - difficult - SKU: S9.Q49877 Four poems for percussion solo and orchestra. Composed by Peter Eotvos. This edition: solo ...
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Percussion and orchestra - difficult - SKU: S9.Q49877 Four poems for percussion solo and orchestra. Composed by Peter Eotvos. This edition: solo part. A battere. Downloadable, Solo part. Duration 23 minutes. Schott Music - Digital #Q49877. Published by Schott Music - Digital (S9.Q49877). Artificial language.'Talking whilst playing the drum is not something unique. We can find it in traditional Indian percussion, and in jazz when musicians accompany their play with 'Sprechgesang'. This piece goes the opposite way: It begins with the percussionist speaking nonsensically, the emphasis on the rhythm, which he then passes on to his instrument. Like the pure, childish joy of repeating the same word in a different tune, the soloist teaches his instrument to speak until the drums start to talk themselves. Several poems form the basis; in the first two movements it are three poems by Sándor Weöres, and in the third movement it is a poem by Jayadeva. Each sentence has a more complex form than the one before. Rhythms form words, words form sentences, and sentences create a narrative.' (Ann-yi Bingöl)2 (2. auch Picc.) · 1 (auch Engl. Hr.) · 1 · Bassklar. · 1 - 2 · 1 · 1 · 0 - S. (I: Glsp. · Crot. · Vibr. · 3 Beck. · Nietenbeck. · 5 Kuhgl. · 2 Bong. · Vibraslap · Grelots · 2 Kieselsteine; II: Vibr. [von Spieler 1] · Trgl. · 5 Gong · Tamt. [t.] · Schellen-Tamb. · 2 Bong. · gr. Tr. · Vibraslap · 2 hg. koreanische Steinplatten) (2 Spieler) - Hfe. · Cel. - Str. (6 · 6 · 6 · 4 · 2) - S. solo (Bassp. · Marimba · Röhrengl. · Cowbell · Trgl. · 8 Beck. · kl. Crash-Beck. · gr. chin. Beck. mit Filzgleitern · 3 kl. Flachgongs · 2 Tamt. · kl. Tr. · Feldtr. · 4 Tomt. · 5-6 gr. Holztr. [Mokugyo oder Salatschüssel] · Hi-Hat · 2 Woodbl. · 2 Löwengebrüll · 4 frei wählbare Instrumente: z.B. Tomt. · Tamt. · Operngong · Beckenplatte [Der Solist rezitiert auch Laut-Gedichte von Sándor Weöres und Jayadeva.]).
$23.99 ≈
22.03€
Seven
Seven
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Violon et Piano
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AVANCÉ
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Peter Eotvos
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Seven
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Schott Music - Digital
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SheetMusicPlus
Violin and orchestra - difficult - SKU: S9.Q6622 (Memorial for the Columbia Astronauts). Composed by Peter Eotvos. This edition: piano reduction ...
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Violin and orchestra - difficult - SKU: S9.Q6622 (Memorial for the Columbia Astronauts). Composed by Peter Eotvos. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Duration 21 minutes. Schott Music - Digital #Q6622. Published by Schott Music - Digital (S9.Q6622). Eötvös wrote this piece in memory of the seven astronauts who lost their lives in the Space Shuttle Columbia tragedy in 2003. The number 7 determines the musical, rhythmic and formal structure of the work: 49 musicians are divided into seven groups, and as well as the solo violin there are six further violins arranged correspondingly around the hall; and the solo violin itself portrays each of the astronauts and their different origin, from America via Israel to India, in folkloristically tinged cadenzas. 'The violin concerto Seven is a very personal monologue and the musical expression of my sympathy towards the seven astronauts who lost their lives while exploring space in fulfilment of a fundamental dream of mankind.' (Peter Eötvös)3 (1. auch Altfl., 2./3. auch Picc.) · 3 · 3 · Bassklar. · Altsax. (auch Baritonsax.) · 3 - 2 · 2 · 2 · 1 – S. (I: Crot. · Gongs · Röhren [Amboss] · Röhrengl. · Nietenbeck. · chin. Beck. · Dome-Beck. · Tamt. · Trgl. · Sprungfeder; II: Vibr. · Gongs · Glsp. · Röhrengl. · Beck. · Dome-Beck. · Tamt. · Crot. · Sistrum · Sprungfeder; III: Vibr. · Gongs · Glsp. · Röhrengl. · Beck. · Dome-Beck. · Crot. · Röhren [Amboss] · Glsp. · Sprungfeder; IV: Crot. · Gongs · Röhrengl. · Nietenbeck. · chin. Beck. · Dome-Beck. · Tamt. · Sistrum · Röhren [Amboss] · Trgl. · Sprungfeder) (4 Spieler) - E-Git. · Hfe. · Keyboard-Sampler* - Str. (6 · 0 · 5 · 5 · 4) * Für alle technischen Anweisungen wenden Sie sich bitte an www.eotvospeter.com / For technical instructions please contact www.eotvospeter.com.
$39.99 ≈
36.72€
Tannhäuser und der Sängerkrieg auf Wartburg
Tannhäuser und der Sängerkrieg auf Wartburg
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Classique
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Richard Wagner
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Tannhäuser und der Sä
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: v...
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SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99 ≈
49.58€
Elektra
Elektra
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Classique
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Richard Strauss
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Elektra
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Fürstner Musikverlag - Digital
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SheetMusicPlus
SKU: S9.Q49663 Tragödie in einem Aufzug von Hugo von Hofmannsthal. Composed by Richard Strauss. This edition: vocal/piano score. Performance -...
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SKU: S9.Q49663 Tragödie in einem Aufzug von Hugo von Hofmannsthal. Composed by Richard Strauss. This edition: vocal/piano score. Performance - theater - tragedy. Downloadable, Piano reduction. Op. 58. Duration 105' 0. Fürstner Musikverlag - Digital #Q49663. Published by Fürstner Musikverlag - Digital (S9.Q49663). German.Im Jahr 2009 jährte sich die Uraufführung von Richard Strauss’ Elektra im Königlichen Opernhaus Dresden zum hundertsten Mal. Längst gilt die Oper als Meilenstein in der Musikgeschichte. Zugleich markiert ihre Ent - stehung einen Schlüsselmoment im Schaffen des Komponisten: Mit der Elektra beginnt eine der erfolgreichsten künstlerischen Partnerschaften der Geschichte. Zum ersten Mal vertonte Strauss hier ein Werk des österreichischen Librettisten und Dramatikers Hugo von Hofmannsthal. Aus ihrer kongenialen Zusammenarbeit sollte noch eine Reihe weiterer erfolgreicher Opern entstehen, darunter Der Rosenkavalier, Arabella sowie Die Frau ohne Schatten. Stärker als Sophokles akzentuiert Hofmannsthal in seiner Elektra die psychologischen Extreme, für die Strauss eine neue Tonsprache erfindet. Machtvoll sprengt seine Musik die Grenzen der Tonalität. Die für ein mit 120 Personen besetztes Orchester komponierte Musik verleiht den hysterischen Rachegelüsten der Elektra, Klytämnestras Rastlosigkeit und Chrysothemis’ Sehnsüchten gleichermaßen Ausdruck.Picc. · 3 (3. auch Picc.) · 3 (3. auch Engl. Hr.) · Heckelphon · Es-Klar. · 4 · 2 Bassetthr. · Bassklar. · 3 · Kfg. - 8 (5.-8. auch 2 Tb. in B und 2 Tb. in F) · 6 · Basstrp. · 3 · Kb.-Pos. · 0 · Kb.-Tb. - 6-8 P. (2 Spieler) S. (Glsp. · Trgl. · Beck. · Tamt. · Tamb. · kl Tr. · gr. Tr. · 2 Kast. · Rute) (3-4 Spieler) - Cel. (ad lib.) · 2 Hfn. (womöglich zu verdoppeln) - Str. (8 Vl. I · 8 Vl. II · 8 Vl. III · 6 Va. I · 6 Va. II · 6 Va. III · 6 Vc. I · 6 Vc. II · 8 Kb.).
$47.99 ≈
44.07€
Draculissimo
Draculissimo
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Enjott Schneider
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Draculissimo
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Schott Music - Digital
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SheetMusicPlus
Trumpet, trombone and chamber ensemble - difficult - SKU: S9.Q41790 Concerto grosso for trumpet, tenor trombone and chamber ensemble. Composed by...
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Trumpet, trombone and chamber ensemble - difficult - SKU: S9.Q41790 Concerto grosso for trumpet, tenor trombone and chamber ensemble. Composed by Enjott Schneider. This edition: piano reduction with solo parts. Downloadable, Piano reduction with solo parts. Duration 25 minutes. Schott Music - Digital #Q41790. Published by Schott Music - Digital (S9.Q41790). The concerto takes the historical figure of the brutal impaler Vlad Tzepesch (1431-1476) as its starting point and subsequently develops the myth into an overwrought and gruesome piece of work: 1: “Oderint dum metuant†is a raving Allegro with a Baroque ritornello structure and modern “Draculismsâ€. 2: “Luna su Tirgoviste†is a memoriam for the thousands of impaled victims who came to a violent end in today’s Târgoviste. 3: “Il ballo transilvano†confronts a naive waltz rhythm with aggressive polyrhythmic reinterpretations – in the manner of the stick and the carrot. 4: “Bacio di sangue†is Neo-Baroque horror music which has got out of hand, demanding extreme virtuosity from both soloists and ensemble. Enjott SchneiderBassklar. · Fg. (auch Kfg.) - S. (Crot. · Vibr. · Marimba · Röhrengl. · Trgl. · 2 Beck. · Tamt. · kl. Tr. · 2 Tomt. · gr. Tr. · Chimes· Tempelbl. · Woodbl.) (2 Spieler) - Cemb. - Str. (6 Vl. · 4 Va. I · 4 Va. II · 3 Vc. I · 3 Vc. II · 3 Kb. [Die Streicher können auch solistisch besetzt werden.]).
$39.99 ≈
36.72€
Armonica
Armonica
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Orchestre
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Joerg Widmann
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II: Glsp
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Armonica
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Schott Music - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q23760 For Orchestra. Composed by Joerg Widmann. This edition: study score. Music Of Our Time. Downloadable, Study score. Dur...
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Orchestra - SKU: S9.Q23760 For Orchestra. Composed by Joerg Widmann. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 14 minutes. Schott Music - Digital #Q23760. Published by Schott Music - Digital (S9.Q23760). Mit seinem Orchesterwerk Armonica begibt sich Jörg Widmann auf die Suche nach der Harmonie. Klänge wie von einer Glasharmonika bestimmen Anfang und Ende des Stücks. In seinem Verlauf weitet sich das Werk Hinsichtlich der rhythmische, melodischen und dynamischen Differenzierung, als stelle es eine einzige, riesige Atembewegung dar oder: das Ein- und Ausatmen einer Ziehharmonika.1 · 2 · 2 · 2 - 2 · 2 · 0 · 0 - P. S. (I: Crot. · Beck. · Watergong · 2 Tamt.; II: Glsp. · Beck. · Watergong · 2 Tamt.; III: Vibr. · Beck. · chin. Beck. · Watergong · 2 Tamt. · Trgl.) - Glasharm. · Hfe. · Cel. · Akk. · Klav. - Str. (12 · 10 · 8 · 6 · 6).
$29.99 ≈
27.54€
Free Pieces
Free Pieces
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Joerg Widmann
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II: Chin
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Free Pieces
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Schott Music - Digital
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SheetMusicPlus
Ensemble (or chamber orchestra) - SKU: S9.Q19866 For ensemble (or chamber orchestra). Composed by Joerg Widmann. This edition: study score. Music...
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Ensemble (or chamber orchestra) - SKU: S9.Q19866 For ensemble (or chamber orchestra). Composed by Joerg Widmann. This edition: study score. Music Of Our Time. Downloadable, study score. Duration 25 minutes. Schott Music - Digital #Q19866. Published by Schott Music - Digital (S9.Q19866). Jörg Widmann dedicated 'Freie Stücke' to his teacher Wolfgang Rihm on his fiftieth birthday in 2002. The ten pieces for mixed ensemble or orchestra are 'inspired by the wish for concentration and reduction. Each piece focusses on one sound phenomenon (pulse, shaking ground, noise, monophony, overtone structures, etc.). All parts are locked together, however. The ending of each piece is the beginning of the next one. Thus, something disparate becomes something continuously narrated.' (Jörg Widmann)2 (2. auch Picc.) · 1 (auch Engl. Hr.) · 2 (1. auch Bassklar., 2. auch Kb-Klar., beide auch Pedalp.) · 1 (auch Kfg. und Lotosfl.) - 1 · 1 (auch Lotosfl.) · 1 · 0 – S. (I: Crot. · Lotosfl. · Wassergong [kl. Tamt.] · Wassergong [c']· Tamt. · Xylorimba · gr. Tr. · Beck. · Glsp. · 5 Woodbl. · 2 Peking-Oper-Gongs · Trillerpf. · hohes Tomt. · 2 hohe Tamb. · Steel Drum · Rototoms [chrom.] · Buckelgongs; II: Chin. Beck. · 5 Woodbl. · Lotosfl. · Pedalpauke [auch m. schwerem 20-Zoll-Ride-Beck. m. Kuppe aufgelegt] · 5 Beck. · Xylorimba · Peitsche · gr. Tr. · Crot. · Trgl. · Glsp · Flex. · Guiro · Peking-Oper-Gong · Trillerpf. · Röhrengl.) (2 Spieler) - Str. (1 · 1 · 1 · 1 · 1 [Kb. mit 5. Saite H], oder chorisch).
$47.99 ≈
44.07€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
51.41€
“Mild und leise...”
“Mild und leise...”
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Dieter Schnebel
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“Mild und leise...&rdquo
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Schott Music - Digital
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SheetMusicPlus
Female voice, clarinet or saxophone, violin, cello, piano and percussion - advanced to difficult - SKU: S9.Q48898 Bachmann Poems II. Composed by ...
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Female voice, clarinet or saxophone, violin, cello, piano and percussion - advanced to difficult - SKU: S9.Q48898 Bachmann Poems II. Composed by Dieter Schnebel. This edition: score. Downloadable, Score. Duration 60 minutes. Schott Music - Digital #Q48898. Published by Schott Music - Digital (S9.Q48898). German.'Mild und leise…': does that not come from 'Tristan'? Ingeborg Bachmann’s drafts of poems dating from her year of crisis in 1963 are in fact teeming with quotations from Wagner operas which form a radical contrast to the somewhat clinical-expressionist language and content of her poetry and also display great inner conflict in the expression of their subject of disaster and misfortune. In their musical transformation, the Wagner quotations appear in original form and are therefore disconnected – and simultaneously encapsulated – from the otherwise serial progressions, enabling the creation of a musical dimension which corresponds with their language. Dieter SchnebelKlar. (auch Es-Klar. und Bassklar.) oder: Sax.. (Sopranino-, Sopran-, Alt- und Baritonsax.) - S. (Glsp. · Xyl. · 2 Röhrengl. [dis‘, gis‘] · Trgl. · hg. Beck · chin. Beck. · kl. Tr. · gr, Tr. · Guiro · Mar. · Waldteufel · Woodbl. · Metallbl. · Sandbl. · Peitschenknall · Flex. · Wasserlappen · Mundsir. · Chicken shakes · Schreib-Kratzgeräusche · Plastikbecher) (1 Spieler) - Klav. (auch Synth. und Fahrradklingel) - Vl. · Vc.
$55.99 ≈
51.41€
Am Anfang war das Wort
Am Anfang war das Wort
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Harald Weiss
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Am Anfang war das Wort
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Schott Music - Digital
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SheetMusicPlus
Schlagzeug (4 Spieler): I gr. Tr. · Trgl. · Amboss - II Kieselsteine in 3 Säckchen · Crot. (ad lib. Glsp.) - III Donnerblech · Tamt. · Glasspl...
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Schlagzeug (4 Spieler): I gr. Tr. · Trgl. · Amboss - II Kieselsteine in 3 Säckchen · Crot. (ad lib. Glsp.) - III Donnerblech · Tamt. · Glassplitter - IV Röhrengl. mixed choir (SSATBarB), children's voice, percussion and organ - intermediate - SKU: S9.Q21339 Für gemischten Chor (SSATBarB), Kinderstimme, Schlagzeug und Orgel. Composed by Harald Weiss. This edition: score. Downloadable, Score. Duration 14 minutes. Schott Music - Digital #Q21339. Published by Schott Music - Digital (S9.Q21339). German.As a child, I sometimes closed my eyes for an extended period of time and imagined what it would be like to experience the world exclusively through my ears. In doing this exercise, I found over and over, with increasing intensity, that my sense of hearing enabled a far denser differentiation of images and information to penetrate my soul. It is my wish that audiences listen to my composition with their eyes closed, at least partially. Perhaps this would permit a few particles of light to appear in their mind’s eye. Harald WeissAls Kind schloss ich manchmal für längere Zeit meine Augen, um mir vorzustellen, wie es wohl wäre, wenn man die Welt vorwiegend durch seine Ohren an sich heranliesse. Bei dieser Übung machte ich immer wieder und zunehmend intensiver die Feststellung, dass über den auditiven Sinn eine viel dichtere Differenzierung an Bildern und Informationen in mein Innerstes gelangten. Ich wünsche mir, dass der Hörer meine Komposition mit geschlossenen Augen, zumindest teilweise, wahrnehmen würde. Möglicherweise könnten dabei auch ein paar Lichtpartikel in seinem inneren Auge entstehen. Harald Weiss.
$25.99 ≈
23.87€
Chor gefangener Trojer
Chor gefangener Trojer
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Hans Werner Henze
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Chor gefangener Trojer
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Schott Music - Digital
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SheetMusicPlus
2 Picc. · 1 · 2 (2. auch Engl. Hr.) · Es-Klar. · 2 · Bassklar. · 2 · Kfg. - 4 · 4 · 3 · 1 - P. S. (Trgl. · hg. Beck. · kl. T...
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2 Picc. · 1 · 2 (2. auch Engl. Hr.) · Es-Klar. · 2 · Bassklar. · 2 · Kfg. - 4 · 4 · 3 · 1 - P. S. (Trgl. · hg. Beck. · kl. Tr. · gr. Tr. · Xyl.) (3 Spieler) - Hfe. · Klav. - Str. mixed choir and large orchestra - SKU: S9.Q3144 Symphonic Movement from Goethe's Faust, II. Part, Act 3. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 15 minutes. Schott Music - Digital #Q3144. Published by Schott Music - Digital (S9.Q3144). German.
$23.99 ≈
22.03€
Michael-Ende-Chorliederbuch
Michael-Ende-Chorliederbuch
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Wilfried Hiller
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Michael-Ende-Chorliederbuch
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Schott Music - Digital
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SheetMusicPlus
Girls choir (SMezA) and instruments (or piano/keyboard) - intermediate - SKU: S9.Q6645 For girls' choir (SMezA) and instruments (or piano/keyboard)
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Girls choir (SMezA) and instruments (or piano/keyboard) - intermediate - SKU: S9.Q6645 For girls' choir (SMezA) and instruments (or piano/keyboard). Composed by Wilfried Hiller. This edition: score for voice and/or instruments. Schott Chamber Choir. Downloadable, Vocal and performing score. Duration 25 minutes. Schott Music - Digital #Q6645. Published by Schott Music - Digital (S9.Q6645). German.Diese abwechslungsreich komponierten, humorvollen wie poetischen Satiren entstanden als Auftragswerk für den renommierten Mädchenchor Hannover. Sie sind als Zyklus oder auch einzeln aufführbar.I Violoncello, Vibraphon · II Violoncello, Melodica · III Violoncello, präpariertes Klavier (vom Schlagzeuger gespielt); jede Sängerin benötigt zusätzlich eine große Weinflasche, in die sie zum Schlussakkord hineinblasen kann · IV Violoncello, Schlagzeug (Marimba · Trgl. · Röhrengl. in d’’ · Bong. · 2 Tomt. · kl. Tr.) · V Violoncello, Schlagzeug (3 javanische Buckelgongs · Marimba) · VI Violoncello, Vibraphon · VII Violoncello, Vibraphon.
$13.99 ≈
12.85€
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