ANDANTE from Organ Sonata No. 4, BWV 528: II. (Transcr. Stradal) - as played by V�kingur �lafsson.

Watch pianist V�kingur �lafsson (?Artist of the Year? at the Gramophone Awards 2019) perform the Andante from Bach's Organ Sonata No. 4, as transcribed for the piano by August Stradal, from his album 'J. S. Bach - Works and Reworks'. The video was directed by Magn�s Leifsson.

V�kingur �lafsson ? Bach: Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. Stradal)Discover 'Bach: Works and Reworks": https://DG.lnk.to/bach-deluxeSubscribe here ? The Best Of Classical Music: http://bit.ly/Subscribe_DG More from V�kingur �lafssonMore from V�kingur on Instagram: https://www.instagram.com/vikingurola...More from V�kingur on Facebook: https://www.facebook.com/vikingur.ola...More from V�kingur on Youtube: https://www.youtube.com/vikingurolafssonConcert dates on his website: https://vikingurolafsson.com/

This is an amazing performance-styled solo piano arrangement from one of Lorie's earlier Christmas books Sharing The Season II (1993). Beautiful and easy to read, Lorie Line completely captures the sweet personality of this song on the piano. Appropriate for students or adults, this is a wonderful classic piece to add to your music library. For more information and free downloads, go to lorieline.com.

Title:
"Intro" - Piece 6 of 15
For Piano Solo
Taken from Christopher Ittoku's "... and unto you I bless you...", available at http://christopherittoku.bandcamp.com

Album Description:
"...and unto you I bless you..." is the debut work from composer Christopher Ittoku, first published in 2014, and is a conceptual album contemplating loss, death, religion and the meaning of living. Written as a musical sonate, this works draws from modern contemporary classical, neo-classical and new-age composers such as Max Richter, while also displaying influences from modern electronic influences.

Difficulty: Intermediate

Length: 4m 28s

Artist Discription:
Christopher Ittoku is a project by a rural Australian composer currently studying in Sydney, Australia. His works are often influenced by modern 20th/21st century composers and modern electronic and experimental artists. He also releases electronic work and performes live under his moniker 'Ittoku'.

For more titles, pieces, social media and contacts, visit:
Website: http://www.christopherittoku.com
Soundcloud: https://soundcloud.com/christopherittoku
Facebook: https://www.facebook.com/christopherittokuartist/
Twitter: https://twitter.com/chris_ittoku
Instagram: https://www.instagram.com/christopherittoku/
Bandcamp: https://christopherittoku.bandcamp.com/

The Imitation Game is a 2014 American historical drama film directed by Morten Tyldum and written by Graham Moore, based on the 1983 biography Alan Turing: The Enigma by Andrew Hodges. The film's title quotes the name of the game cryptanalyst Alan Turing proposed for answering the question "Can machines think?", in his 1950 seminal paper "Computing Machinery and Intelligence". The film stars Benedict Cumberbatch as Turing, who decrypted German intelligence messages for the British government during World War II. Keira Knightley, Matthew Goode, Rory Kinnear, Charles Dance, and Mark Strong appear in supporting roles.MUSICIn June 2014, it was announced that Alexandre Desplat would provide the original score of the film. It was recorded by the London Symphony Orchestra at Abbey Road Studios in London.

Desplat uses continuous piano arpeggios to represent both Turing's thinking mind and the workings of a mechanical machine. He said of the complexity of the continuity and structure of the score:When the camera at the end of the film has those beautiful shots of the young boy, the young Alan, and he's meeting with the professor who's telling him his friend Christopher is dead, and the camera is pushing in on him, I play Christopher's theme that we heard very early on in the film. There's a simple continuity there. It's the accumulation of these moments that I can slowly but surely play that make it even stronger.

?�vocations? is a suite for Piano solo, impressionistic, contemplative much in the trail of Satie, Debussy or Mompou. Intimist and suitable for aesthetic pleasure. This is a series of works that will lead you into an exotic journey to far away places. Just letyourself be drift away to a better place where the sounds will healyour soul.

These Evocations range all degrees of difficulty, from very easy to more challenging ones. Therefore, are suitable for the classrom, recitals or family gatherings and parties.

Evocation I ? The Harvest

The harvest in Alentejo, Portugal, occurs when the fields become tanned and a soft, warm wind coming from the south blows. It is the time of the year when you grab your hat made of straw and you let yourself be sunk ina sea of rye.

Evocation II ? The Sepia photograph

Memories. They can be happy, bittersweet or painful... Sometimes nostalgia gets the better out of us. And then we are dragged into the past, into a suspended, slow and hypnotic time. Old sepia colored pictures in a drawer orscattered around our bed.

Evocation III ? The dead soldier

The battle is over. Amournful wife, the weeping children. An everlasting pain shutteringour heart. And the hope that wherever he is, he is in peace now. And we are all proud of him. Thank you for serving our country.

Evocation IV ? The composer

The tragedy of the blank page. An everlasting winter in our soul. Snow is falling, thepath is difficult to trail. Being an artist involves an incommensurable amount of suffering because we have to give it all. And even giving it all it isn't enough, and we feel drained and exhausted in the end.

Evocation V ? The Glowing Sun

The blond hair and the most radiant smile one could ever imagine. She is a glowing sun, like an everlasting shine in the sky. She doesn't walk, she floats with extreme elegance across the street, and in the corner, she doesn't turn ? she spins and swirls with heavenly grace.

Evocation VI ? The Far

Longing. Eternally. I hope you've read my letters. I hope you've heard my calls. I opened my heart to you. Why do you take so long? Why can't I hear your voice? Why do you keep me waiting here. Here, so close, yet... so far... alone... forever...

Evocation VII ? The Queen of Spades

The dark lady is the strongest in the deck. Mystical, fantastic, she wanders like a shadow in your world. Across the garden, carrying a sickle, she's just waiting to chop a head on the next turn.

Evocation VIII ? The Poem

A book, a sonnet. Fourteen verses with rigorous metric, with a defined purpose. A parlor game, a riddle. Can you guess what's hidden inside these wondrous sounds?

Evocation IX ? The Thinker

A desk loaded with books. The glasses. A mind always working, methodic, cold, rigorous. Numbers, hidden relationships, an everlasting connection with the abstraction.

Evocation X ? The Island of the Hydrangeas.

A paradise on earth, smooth rain, narrow and sinuous roads. Walking, then biking, then driving around. An adventure in one of the most beautiful places in the world.

Evocation XI ? The Near

When you're here everything will be beautiful. I can see it already in my head, the endless, passionate love, a tender sweet kiss that will last forever. Your lips on mine, while holding hands, in the bench, in the garden, under the tree. You are the one.

Evocation XII ?Saffron rice

The rice is golden like your hair and your class. The sweet taste of nobility, the craft ofwisdom, the delicacy of experience. Maturity is what time brings, it is not a curse, it is a gift that we should embrace and respect.

ISBN 9781619115637. 8.75 x 11.75 inches.

This book serves as a follow-up to Ben Monder Compositions, with an emphasis on the compositions found on the 2013 recording, Hydra, as well as some older pieces that didn't make it into the first book. They are scored for solo guitar, guitar trio, guitar and voice duo, and quartet with one or multiple voices. The majority of the works are through-composed and reflect the exploration of various harmonic, technical, and textural elements of the guitar. These pieces will present an array of challenges to the performer, including unusual techniques and alternate tunings.

Website: www.littlesheetmusic.com
Email: littlesheetmusic@gmail.com
Content
Be Thou My Vision, Come,We That Love The Lord (We're Marching To Zion), Day By Day, For The Beauty Of The Earth, God Of Our Fathers, Great Is Thy Faithfulness, Holy, Holy, Holy! Lord God Almighty, Immortal, Invisible, God OnlyWise, Morning Has Broken, Now Thank We All Our God, Softly and Tenderly, The Old Rugged Cross, 'Tis So Sweet To Trust In Jesus, What A FriendWe Have In Jesus, When We All Get To Heaven.