ISBN 9781513455006.

Intermediate-level guitarists will enjoy playing through this varied collection of pieces, all in one volume. A wide gamut of composers from the Renaissance to the nineteenth century is included, along with a few anonymous contributions. Continuing with the techniques and carefully thought-out fingerings and notation employed in Dr. Afshars previous publication (Beginning Pieces for Classical Guitar), selections like Carcassi Study #3 and Sor Studies Nos. 5 and 6 require the execution of rest stroke technique on their melodies in order to distinguish them clearly from the concurrent free-stroke accompaniment. In the same spirit, Study No. 5 by Fernando Sor has been written out in a way that clearly shows the melody as it appears on beats one and three. The nine-movement suites by Gaspar Sanz and Robert de Visee introduce the student guitarist to Baroque dances and ornamentation.

ISBN 9781513454993.

In this book, Dr. Lily Afshar has clearly laid out the music and fingerings for 48 beginning to intermediate-level pieces by Aguado, Bach, Carcassi, Milan, Mertz, Sor and other Renaissance through nineteenth-century composers. While many of these selections are set in first position for ease of reading, they are effective for teaching different rhythms and arpeggio techniques, as well as for learning to play simple intervals and three and four-note chords. These compositions were carefully chosen for their use in developing finger independence in both hands, and can be used to advance rest stroke, free stroke, arpeggio, and tremolo techniques. Dynamic markings have been added for interpretation if not originally indicated in the originals so, in addition to learning positions and note locations along the fretboard, youll have to pay attention to dynamic and tempo changes.Written in standard notation only, this book is ideal for private study, as a teaching and student recital sourcebook, or for inclusion in the syllabus for a high school or first-year collegiate guitar program.

ISBN 9781619117983.

Romantic Arias for Classical GuitarA is a collection of the worlds most beloved songs from the world of opera.A A An aria is a song performed during an opera that listeners are the most familiar with. These AC/a!Apop songs of opera" provide an entry point for those unfamiliar with the opera repertoire, considered by many as the most expressive genre of western music. For those who are familiar with the world of opera, you will recognize the selections here as the arias most beloved by millions of listeners around the world.This project, a labor of love by master guitarist Steve Eckels, contains the most famous melodies by composers Verdi and Puccini including the great operasA La Traviata,A Madame Butterfly,A La BohA"me,A Turandot,A Nabucco,A Tosca, andA Rigoletto. Also included are MassenetsA Meditation, DelibesA Flower Duet, OffenbachsA Barcarolle,A BizetsA HabaneraA and others. The pieces have been arranged for recreational or concert guitarists, and have been meticulously fingered and engraved for ease of learning. The author has also provided music reading warm-ups to assist in learning the pieces. Eckels performances of all the arrangements on YouTube will provide an aid in familiarizing yourself with the most beloved songs ever written.A Includes access to online audio.

Progressive repertoire for guitar vol 3
pieces for classical guitar level intermediate, 17 pages

ISBN 9781619118171.

Classically trained jazz guitarist Diego Barber presents five well-developed themes and a 3-movement solo sonata transcribed from his outstanding commercial CD recordings: Calima, One Minute Later, Tales, and The Choice. Two of the tracks, aElvira Mariaa and the 3-movement Sonata aBanc daArguina are strictly guitar solos, while aRichia is a solo accompanied by light percussion. aKilianas Mountaina is a reduced score of an extended duet with a pianist, and aDesiertoa and aVirgiannaa include expert sidemen on saxophone, bass and drums. The music ventures from complex melody-chord textures to hard-swinging grooves, all played with spontaneity and a heightened awareness of time, dynamics, color, technique and tone. Even seasoned guitarists will find these pieces rhythmically and technically challenging, but they provide a roadmap to the recordings, and rare insight to the workings of a unique musical mind. Diego Barberas Compositions for Classical Guitar are written in standard notation only, with online access to stellar solo and ensemble recordings. About Sonata aBanc daArguina a\| Diego Barber is a native of Lanzarote in the Canary Islands, just off the northeast coast of Africa; in writing Sonata aBanc daArguin,a the main solo piece in this collection, he was inspired by the major cities, Nouadhibou and Nouakchott, the Banc daArguin National Park, and the desert of the West African country of Mauritania.

8.75 x 11.75 inches.

This collection of Latin-influenced pieces is ideal for the classical or fingerstyle guitarist seeking challenging new material that spans a number of genres and is melodically, harmonically, and rhythmically engaging. For the classical guitarist, the collection offers an excellent source of solos inspired by traditional forms and styles while providing new works that will readily compliment the traditional classical guitar repertoire. Fingerstyle players will discover attractive pieces, appreciating the many syncopated rhythms. The composer himself, with a degree in classical guitar, performs on a modified steel-string instrument. Written in standard notation only, the author's detailed fingerings and online audio recordings will facilitate learning these delightful pieces ranging from intermediate to advanced levels. Includes access to online audio. At Mel Bay Publications, we are privileged to hear a lot of new, original music. With Michael Bellmont's guitar compositions, we guarantee that once you hear them, you'll want to play them yourself!

ISBN 9781513459844. 8.75x11.75 inches.

This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barre chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. Its an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition. Gerald Garcia.

Johannes Brahm's Intermezzo No. 2 from Six Pieces for Piano has long been one of my favorite compositions.I consider this work perfect as is, and I would not attempt to try to improve upon it. Therefore, every attempthas been made to keep this as accurate to the original composition as possible. Having said that, the guitarsimply does not have the ability to play all the notes simultaneously that the piano can. Because of this, somenotes have been omitted or transposed. Tablature has been added to the parts for the musician's convenience.However, notation-only parts have also been included. Grade: 4. Duration: About 5 minutes, 50 seconds.

ISBN 9781513455099. 8.75 x 11.75 inches.

LES REFLETS DE L'OBSCURITE is an original collection of four pieces for solo guitar, ranging from intermediate to advanced skill and of a total duration of approximately fifteen minutes. Secrets dune ombre, Ecume orange, Parfums declipse and Sables stellaires tell the story of a journey in a suspended and colorful universe, projecting the listener into a soundscape of many horizons. The combination of traditional music writing and an impressionistic language allows the musician expressive freedom, while guiding them in the interpretation of their playing. This collection was performed and recorded by Johan Smith, winner of the renowned GFA guitar contest (37th Guitar Foundation of America, Rose Augustine Grand Prize 2019). LES REFLETS DE LOBSCURITE est un recueil original de quatre pieces pour guitare seule, de niveau intermediaire a avance et dune duree totale denviron quinze minutes. Secrets dune ombre, Ecume orange, Parfums declipse et Sables stellaires racontent ainsi une progression dans un univers suspendu et colore, vous projetant dans un paysage sonore aux horizons multiples. Lecriture traditionnelle liee a un langage impressionniste permet une liberte expressive au musicien, tout en le guidant dans linterpretation de son jeu. Ce recueil est interprete et enregistre par Johan Smith, laureat du celebre concours de guitare GFA (37th Guitar Foundation of America, Rose Augustine Grand Prize 2019).

This is a beautiful, tender and heartfelt, finger-style guitar solo (ballad), exactly as performed by The Candlelight Guitarist on the album "Sunflower Serenity." As with other Candlelight Guitarist pieces, it seamlessly blends romantic popular, folk, classical and jazz styles. Written in both standard notation and TAB, it's for a strong intermediate level finger-style player (budding-into-more advanced), comfortable playing up to 12th position, with capable finger-style abilities (either classical or strong folk technique). Hear Brad's original recording at https://youtu.be/5wIn_Z5iuQA

COMMENTS FROM LONG-ESTABLISHED REVIEWERS...
Dr. Beth - Amazon.com #1 Hall of Fame reviewer
"Brad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack."

Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age Retailer
"The Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals."

Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWER
"Bradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart." ... "Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences."

Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: "Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell."

Jana L. Perskie "Ceruleana" (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.
"The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.

Bob McKillop, founder and publisher, MaineFolkMusic.com
Brad Powell is a talented and highly trained California guitarist and composer who calls himself "The Candlelight Guitarist", and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation ? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender."

Grady Harp - HALL OF FAME TOP 100 REVIEWER
"music to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!"

ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for "Little House on the Prairie"). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mi

Edward Alexander MacDowell (December 18, 1860 ? January 23, 1908) was an American composer and pianist of the late Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces and New England Idylls. Woodland Sketches includes his most popular short piece, "To a Wild Rose".
Here is an arrangement for classical Guitar solo early intermediate to intermediate.
With tablature, 25 bars, 2' min, with downloadable mp3 for audio help.

45 New Classical Guitar Arrangements in Open D Tuning

Theclassical guitar book in open D guitar tuning presents a new, and I think, additionalway of approaching classical guitar repertoire. Tuning to an open chord, in this case, DADF#AD can have itsbenefits. The most obvious is that amajor chord can be played with a single finger, or in the key of D, with openstrings.

Everyattempt has been made to keep true to the original manuscripts, butoccasionally the tune is transposed from the original, or the odd note has beenaltered to make the pieces playable. Ihave kept the arrangements primarily in the keys of D, G or A to take fulladvantage of the open strings in D tuning. In short, this book may not be for the classical guitar purist butdoes expand the repertoire that is lacking with open tunings.

There is agood selection of graded pieces from prominent classical guitar composers like Aguado,Sor, Giuliani, Carcassi and Carulli, plus other well-known works by Bach, Dowland,Satie, Beethoven, de Visee, Diabelli, Grieg, Haydn, O?Carolan, Pachelbel,Paganini, Petzold, Sanz, Schumann and Vivaldi.

I also adapted24 of the Giuliani right-hand exercises, major and minor scales and arpeggios, plusfretboard charts to further develop your knowledge and technique in Open D. Each piece has notation, tablature in Open Dtuning, right- and left-hand fingerings, and performance markings. Audio tracks online.

Look for the audio tracks on my website in the guitar bookssection:

https://brentrobitaille.com/product/classical-guitar-book-in-open-d-tuning/

or,

https://brentrobitaille.com/product-category/guitar-books/

or,

https://brentrobitaille.com/

ISBN 9781513455051.

The Classical Guitarist's Gig Book is an essential collection of classic works either written or transcribed for solo guitar. Many of the pieces are frequently requested for ceremonial or formal events. In addition to containing functional music, concert literature is also included which may be used for a wide spectrum of musical situations. Some of the works are presented as faithful transcriptions while others are treated with mild to generous artistic liberties.

Selected Works by Matteo Carcassi features five pieces (plus one recomposed piece) by Italian guitarist and composer Matteo Carcassi. The melodic, harmonic and textural elements of these particular pieces foreshadow many features of his most famous work, 25 Progressive Studies, Op. 60. Score with tablature plus individual guitar part without tabs included for each title. (Each title also available separately, search item number below.)

Contents:

Siciliano, Op. 59, No 22 (S0.1015363)
Valse, Op. 11, No. 7 (S0.1041843)
Andantino Grazioso, Op. 59, No. 25 (S0.1021513)
Allegretto, Op. 5, No. 12 (S0.1015759)
Larghetto, Op.1, No. 2 and Larghetto recomposed (S0.1043249)

Kenneth Pasciak Music Publishing, ASCAP
kenpasciak.com

ISBN 9781513459912. 8.75 x 11.75 inches.

This collection presents 51 carefully selected examples of Renaissance and Baroque music ranging from lute and 5-course Baroque guitar works to solo and ensemble vocal pieces and fiddle tunes. Much of this music lies outside of the standard guitar repertoire yet is frequently played by ensembles at Renaissance and Early Music festivals. For this book, guitarist/musicologist Keith Calmes has tastefully arranged this splendid music for solo classic guitar, including an outstanding downloadable companion audio recording. Aficionados of Early Music will recognize many of the themes herein, including the hit tunes of the day by Praetorius, Sanz, Cutting, Narvaez, and the anonymous composer of Greensleeves. Have you ever wondered which Early Music composers inspired Joaquin Rodrigos concertos? Those works are in here! By contrast, many of these pieces will sound completely new, even to lifelong guitarists. Written in standard notation only with ample fingering, guitarists and audiences alike will appreciate the music in this book. Includes access to online audio.

ISBN 9781513470320. 8.75x11.75 inches.

This second volume of The Classical Guitarists Gig Book contains 63 intermediate to advanced solo arrangements of pieces in various styles. From The Water Is Wide and Christmas and patriotic favorites to opera arias, Julia Florida by Agustin Barrios and Cello Suite No. 1 by J. S. Bach, all of the music in this book is written in standard notation only. Award-winning composer, university professor, 2013 Winfield Fingerstyle Champion and 2022 Indiana State Fingerstyle Guitar Competition winner, Mark Cruz, has added a few of his own engaging compositions to this exceptional collectionideal for the performing classic guitarist.