ISBN 9781619118829.

The age-old sounds of Ireland, England, Scotland and early America come to life with this remarkable book and online audio. This tin whistle book is compatible with all tin whistles, pennywhistles and flageolets in the key of D. Renowned author/musician Bill Ochs has gone to great lengths to create a package that truly has something for everyone. The lessons are so clear and easy to follow that a complete beginner can learn to play a simple tune at first sitting. Intermediate and advanced players will enjoy exploring this book's exciting collection of traditional music. There are 83 pieces in all - gigs, reels, hornpipes, fife tunes, slow airs, Highland flings, morris dances and lots more. Each piece is played on the online audio by renowned New York tin whistle teacher, Bill Ochs. An advanced ornamentation tutorial is also included with key of D. Includes access to online audio. For Beginning Players: An Easy-To-Use Learning Method - No previous knowledge of music is required. Using tablature based on the first seven letters of the alphabet, the complete beginner can learn to play a simple tune in a matter of minutes. Then through a specially selected series of folk tunes, beginners are carefully guided through all the basics of playing, one step at a time. For Intermediate Players: A Great Collection of Traditional Music - Those who already know the basics are sure to enjoy exploring the bookas outstanding selection of traditional tunes a rollicking pieces such as The Muckina Oa Geordieas Byre, The Oyster Wivesa Rant, Rufty Tufty, Hot Punch, For the Sakes of Old Decency and many, many more. The tunes have been specially chosen to demonstrate the wide range of the tin whistleas musical possibilities. For Advanced Players: A Clear & Concise Guide to Ornamentation - For players who want to dress up their music, hereas a chance to learn the secrets of all those cuts, rolls, crans and strikes that give tin whistle playing its distinctive flavor. These techniques are thoroughly explained and demystified. A series of advanced lessons contains step-by-step breakdowns of each ornament, as well as tunes in which to practice the techniques.

ISBN 9781619117549.

The arts flourished in the Baroque period. Music from that time is still performed worldwide by symphonies, opera companies, choirs, chamber ensembles and soloists on many instruments. The period was characterized by the works of such great artists as J. S. Bach (b. 1685), Handel (b. 1685), Telemann (b. 1681) and many others. These composers defined the rich, ornate and melodic Baroque style of music which we categorize in the classical realm. There was another genre of music flourishing during this period, and that was the common or folk music style characterized by such composers as Ireland's legendary harpist, Turlough O'Carolan (b. 1670).In composing music for this book the author recreated harmonic and melodic elements of this great musical age, while adding some contemporary twists. All of the etudes are original and will serve to enhance guitar technique, phrasing, expression, note- reading ability, and knowledge of the entire guitar fingerboard. Fingering and string markings are included where appropriate.In addition to facilitating the many technical and aesthetic aspects of performing at an advanced level on the guitar, these etudes may be used successfully in concerts or recitals. This book is an ideal companion for the other books in the Mel Bay Achieving Guitar Artistry series, which is designed to condition and guide the developing guitarist to an advanced level of proficiency, regardless of the style of music performed.

ISBN 9781619119413.

Here are 30 easy-to-play Christmas favorites arranged for tin whistle (also known as pennywhistle) and Irish i!ute. Chords are included for guitar, keyboard, or other accompaniment instrument. Also included with this book:Access to audio downloads for all 30 songs, with tin whistle, Irish i!ute and guitarThree duet arrangements If you donat read music, you can still use this book! In addition to music notation, there is a specially-designed tablature for tin whistle and Irish i!ute.What makes these tune arrangements easy?They are played in the lower two octaves of the whistle and i!uteas range, ascending no higher than B in the second octave.They are in easy tin whistle and Irish i!ute keys: D major, G major, E minor and B minor. No metal keys are needed on the Irish i!ute.They use only eight notes: D, E, Fa-, G, A, B, C and Ca-.They are also easy to play on soprano and tenor recorder, modern i!ute and piccolo. The author recommends using a tin whistle in D or a standard Irish i!ute (with or without keys) with this book. You can also use soprano and tenor recorders, modern i!ute and piccolo. However, the tablature in this book uses only tin whistle and Irish i!ute i!ngerings.

ISBN 9781610657280.

All the tools the beginner, novice, and intermediate tin whistle player needs in order to progress to a high level of competence in Irish music. Includes an Orientation to Traditional Irish Music, which puts the music in context, with information on scales and modes, dance tune types, the historical roots of whistle playing, and advice for learning by ear. The book is full of thorough instruction, exercises, and musical examples: from holding, fingering, breathing, and blowing, on up to advanced ornamentation, phrasing, and variations. Features a simple and penetrating new approach to understanding and notating ornamentation that goes beyond any previous method. Also includes history and theory of traditional Irish tin whistle music. For those who don't read music, almost all the exercises and examples appear on the companion audio. Audio download available online.

Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.

Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwal and that ?Isolde of the white hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.

The idea of a Tristan that restorced its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.

Unforunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bédier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!

Recorded by Nicolas Horvath on Grand Piano records (GP822)

Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwall and that ?Isolde of the White Hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.

The idea of a Tristan that restored its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.

Unfortunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bédier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!

Robert Orledge

ISBN 9781619119406.

The tin whistle has an alluring voice a yearning, melancholy, joyous, playful a both youthful and ancient. Its music can sound like wind, birdsong, flowing water. With this book, you can learn to make beautiful whistle music:even if youave never played a musical instrumenteven if you donat read musicno matter how young or old you areFirst Lessons(r) Tin Whistle is for beginners and for those who have tried to play the whistle (also known as a pennywhistle) but need more help. This book leaves no stone unturned, offering valuable insights and detailed instruction you wonat find anywhere else a expert guidance that will smooth your way and steer you clear of the pitfalls newcomers often encounter. In addition to music notation, this book offers two highly accessible alternatives:A much-improved tablature systemSuit Code a a new and inventive fingering shorthand using the suits of the deck of cards With this book youall get:Access to audio and video downloads23 tunes from Irish, Scottish, Northumbrian, Welsh, English, Breton and African American traditions, along with melodies from Beethoven and DvorakAn introduction to Irish tin whistle ornamentationGrey Larsen is a master musician who performs and teaches internationally. He has played the whistle since the 1970as and has written nine books, including the best-seller The Essential Guide to Irish Flute and Tin Whistle. The author recommends using a tin whistle in the key of D with this book.

An artistic arrangement of a classic carol, "Sing We Now of Christmas", blended with echoes of "Carol of the Bells", a very unique rendition of a hauntingly gorgeous piece of music. Well-suited for church services, recitals and Christmas events. From the album and piano Songbook "A Classic Christmas II", available at https://christinebrownpiano.com/store/

Christine Brown is a Kawai Piano Artist and award-winning composer of the new age, neo-classical solo piano genre. Christine has released 12 albums including original music, Christmas arrangements, as well as cover songs and children's music. Awarded Best Solo Piano Album 2014 for her original compositions on the CD "Souvenirs", two other albums were also nominated for the prestigious award by Solo Piano Radio.com, for "Promise" and "The Wishing Well". A unique collection of mashup cover songs, "Seamless" was awarded Best Pop/Rock Solo Piano Album 2016 by SoloPiano.com, blending classical pieces into a pop/rock seamless arrangements of timeless classics. Christine's holiday CD, "A Classic Christmas" was named "2012 Favorites List" by MainlyPiano.com.

ISBN 9781619118645.

Lively Tin Whistle Tunes is a collection of 55 spirited tin whistle solos. The selections include reels, hornpipes, jigs, sea chanteys, dance tunes and more. These tin whistle solos are ideal for performance or just enjoyment. Guitar chords are included for accompaniment, and can be used by any chordal instrument.

Song List: Carols Of The Manger Sussex Carol Silent Night Holy Night I Saw Three Ships