M\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\'man Non classifié 2 550 Piano & claviers Piano seul 2 289 Piano, Voix 1 126 Piano Facile 430 Piano, Voix et Guitare 402 Orgue 256 Instruments en Do 153 Piano grosses notes 44 1 Piano, 4 mains 43 Piano Trio: piano, violon, violoncelle 36 Piano Quatuor: piano, violon, alto, violoncelle 34 Accompagnement Piano 32 2 Pianos, 4 mains 23 Piano (partie séparée) 12 Orgue, Piano (duo) 12 Accordéon 9 Piano Quintette: piano, 2 violons, alto, violoncelle 5 Piano Quatuor: piano, 2 violons, violoncelle 3 Clavecin 3 2 Pianos, 8 mains 2 Orgue, Trompette (duo) 2 Clavier 1 Accordéon, Voix 1 Ligne De Mélodie, Piano 1
Vents Flûte traversière et Piano 536 Hautbois, Piano (duo) 311 Clarinette et Piano 261 Saxophone Alto et Piano 176 Clarinette 134 Saxophone Tenor et Piano 115 Saxophone Soprano et Piano 114 Flûte traversière 113 Quintette de Saxophone: 5 saxophones 110 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 108 2 Saxophones (duo) 100 Quatuor de Saxophones: 4 saxophones 87 Ensemble de saxophones 85 Saxophone Baryton, Piano 81 Cor anglais, Piano 77 2 Flûtes traversières (duo) 66 Clarinette Basse, Piano 64 Saxophone Tenor 60 Saxophone Alto 60 Quatuor de Clarinettes: 4 clarinettes 54 2 Clarinettes (duo) 53 Saxophone (partie séparée) 49 Ensemble de Clarinettes 41 Quatuor de Flûtes : 4 flûtes 28 2 Flûtes traversières, Piano 28 Flûte, Hautbois, Clarinette, Basson 27 Clarinette (partie séparée) 26 Ensemble de Flûtes 24 2 Hautbois (duo) 20 Flûte à Bec 19 Hautbois (partie séparée) 19 Hautbois, Basson (duo) 19 3 Saxophones (trio) 17 Flute (partie séparée) 16 Clarinette, Violon (duo) 16 3 Clarinettes (trio) 16 Clarinette et Alto 16 Flûte, Violon 16 Quintette de Flûte : 5 flûtes 16 Saxophone 14 Flûte et Guitare 13 Flûte, Violoncelle 13 Flûte à bec Soprano 12 Flûte, Alto (duo) 11 Flûte, Clarinette (duo) 11 Saxophone, Clarinette (duo) 9 Hautbois 9 Ocarina 8 Clarinette, Violoncelle (duo) 8 Piccolo, Piano 8 Quintette de Clarinettes: 5 clarinettes 7 2 Flûte à bec (duo) 7 Trio de Flûtes: 3 flûtes 7 Clarinette, Trompette (duo) 6 Clarinette, Basson (duo) 5 Harmonica 5 Quatuor de Flûtes à bec 5 Flûte, Violon, Piano 5 Clarinette, Guitare (duo) 5 Hautbois, Clarinette, Basson (trio d'anches) 4 Hautbois, Violoncelle 4 Flûte à bec Alto 4 Clarinette Basse 4 Saxophone Soprano 4 Hautbois, Clarinette (duo) 3 Flûte traversière, Orgue (duo) 3 Flûte, Clarinette et Basson 3 Hautbois, Flûte 3 Hautbois, Harpe 3 Flûte, Violon et Violoncelle 3 Clarinette, Harpe (duo) 3 Flûte, Saxophone (duo) 3 2 Cors Anglais Et Pianoforte 3 Saxophone et violoncelle 3 Flûte, Trompette (duo) 2 Flûte à bec Tenor 2 Cor anglais et Harpe (duo) 2 Saxophone et Piano 2 Flûte, Trombone (duo) 2 Cor Anglais 2 2 Clarinettes, Piano 2 2 Saxophones, Piano 2 Flûte, Guitare, Piano 2 Instruments en Mib 2 Flûte, Hautbois (duo) 1 Flûte à bec, Guitare (duo) 1 Saxophone, Basson (duo) 1 Hautbois et alto (duo) 1 Flûte, Violoncelle, Guitare 1 Hautbois, trombone (duo) 1 2 Hautbois et Cor anglais 1 Ensemble De Flûte à bec 1 Flûte, Violoncelle, Piano (trio) 1 Flûte, Violon, Violoncelle et Piano 1 Flûte à bec Soprano, Piano 1 Flûte, Basson et Piano 1 Clarinette, Trombone (duo) 1 Flûte, Violon, Guitare 1 Saxophone et Orgue 1 2 Hautbois, Piano 1 Flûte et Trio à cordes 1
Cuivres Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 134 Trompette, Piano 121 Cor et Piano 117 Trombone et Piano 113 Quatuor de Cuivres : 2 trompettes, trombone, tuba 110 Trompette 100 Euphonium, Piano (duo) 86 Cor anglais, Piano 77 Trombone 59 Trompette (partie séparée) 48 Quatuor de Cuivres: 2 trompettes, Cor, trombone 45 Ensemble de Trompettes 41 Cor 38 Trombone (partie séparée) 36 Tuba et Piano 34 Ensemble de Trombones 28 2 Cors (duo) 22 2 Trompettes (duo) 21 2 Trombones (duo) 18 Trompette, Trombone (duo) 18 Quatuor de Cuivres 17 Cor (partie séparée) 15 Tuba (partie séparée) 8 Tuba 8 Trompette, Saxophone (duo) 7 Trio de Cuivres 7 2 Euphoniums (duo) 6 Quatuor de cuivres: 4 trombones 6 Quatuor de cuivres: 4 cors 6 Trompette, Cor (duo) 6 Ensemble de Cors 5 Euphonium, Tuba (duo) 4 2 Tubas (duo) 4 Trombone basse et Piano 4 Cor, Violoncelle (duo) 4 Tuba ou Euphonium ou Saxhorn 3 Tuba et Orgue 3 2 Cors Anglais Et Pianoforte 3 Trombone, Cor (duo) 2 Cor anglais et Harpe (duo) 2 Trompette, Violoncelle (duo) 2 Cor et Basson (duo) 2 Trombone, Violon (duo) 2 2 Euphoniums et 2 Tubas 2 3 Trombones (trio) 2 Instruments en Sib 2 Cor Anglais 2 Trombone, Alto (duo) 2 Trompette, Violoncelle et Piano 1 Trompette, Tuba (duo) 1 2 Trompettes, Clavier (piano ou orgue) 1 Trompette, Euphonium (duo) 1 Trombone, Tuba (duo) 1 Bass Clef Instruments 1
Cordes Violon et Piano 614 Quatuor à cordes: 2 violons, alto, violoncelle 510 Violoncelle, Piano 226 Violon, Violoncelle (duo) 223 Alto, Piano 203 Violon 150 Trio à Cordes: violon, alto, violoncelle 134 Violoncelle 120 Harpe 92 Trio à Cordes: 2 violons, violoncelle 86 2 Violons (duo) 78 Alto seul 62 2 Violoncelles (duo) 59 Violon, Alto (duo) 57 2 Altos (duo) 47 Violon (partie séparée) 39 Contrebasse (partie séparée) 31 Contrebasse, Piano (duo) 27 Alto (partie séparée) 24 Violoncelle (partie séparée) 19 Ensemble d'Altos 16 Ensemble de Violons 15 Contre Basse 15 Trio à cordes: 3 violins 15 Alto, Violoncelle (duo) 14 2 Contrebasses (duo) 12 Trio à Cordes: 2 violons, alto 12 Quintette à cordes: 2 violons, alto, violoncelle, basse 12 Alto et Basson 10 4 Violoncelles 10 Harpe, Flûte (duo) 10 Piano Trio: Violon, Alto, Piano 9 Violon, Basson (duo) 8 Violon, Guitare (duo) 6 Violon, Orgue 6 Trio à Cordes: 3 violoncelles 5 Harpe (partie séparée) 5 Harpe, Violon (duo) 5 Trio à cordes 4 Violoncelle , Guitare (duo) 4 Ensemble de Violoncelles 3 Quatuor à cordes : 4 altos 3 Violoncelle, Orgue 2 Harpe, Violoncelle (duo) 2 Alto et Harpe 2 Quintette à cordes: 2 violons, 2 altos, violoncelle 2 Alto, Guitare (duo) 2 Harpe et Piano 1 Violon, Basse continue 1 Violoncelle, Contrebasse (duo) 1 Trio à cordes: 3 altos 1 2 Violons, Piano 1 Quatuor à cordes: 4 violons 1 Alto, Orgue 1 2 Harpes (duo) 1 Violon, Clarinette, Piano (trio) 1 Violoncelle, Orchestre 1
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Romance for String Orchestra
Romance for String Orchestra # Orchestre à Cordes # INTERMÉDIAIRE/AVANCÉ # Stanley M Hoffman # Stanley M Hoffman # Romance for String Orchestra # stanleymhoffman.com # SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1404778 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,21st Century,Classical. 88 pages...(+)
String Orchestra - Level 4 - SKU: A0.1404778 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,21st Century,Classical. 88 pages. Stanleymhoffman.com #987840. Published by stanleymhoffman.com (A0.1404778). Written in 2024, Romance for String Orchestra is unabashedly tonal piece based on music from my compositions Romance for Orchestra (1982) and Pasacalle Triste (2024). Romance for Orchestra was composed as my undergraduate thesis at The Boston Conservatory of Music and has since writhed in obscurity. One understands why, though: various passages sound like juvenilia. Still, others sound a good deal stronger, and it is those passages that I have rescued, and which are featured in Romance for String Orchestra. Newly composed passages bracket and are intertwined with older ones, many of which are here transposed. Though just a smattering when compared to the number of passages borrowed from Romance for Orchestra, the ones borrowed from Pasacalle Triste nonetheless provide a meaningful creative arc manifested in one composition, and they provide just the right touches during various sequential passages. Speaking of sequences, Romance for Orchestra contains what is for my oeuvre the most expansive sequence I have composed to date; in both cases that sequence leads to the formal recapitulation of the main theme in the tonic key C Minor. I hope you enjoy Romance for Orchestra. Thank you for your time and attention.
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable) # Piano, Voix # INTERMÉDIAIRE # MeeAe Cecilia Nam and Theodore # Op. 45, No. 5: Si vous m&rsquo # E. C. Schirmer Music Company - Digital # SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...(+)
Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
Op. 45, No. 15: À qui m’avez vous donné? from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 15: À qui m’avez vous donné? from Songs of Gouvy, V2 (Downloadable) # Piano, Voix # INTERMÉDIAIRE # MeeAe Cecilia Nam and Theodore # Op. 45, No. 15: À qui m # E. C. Schirmer Music Company - Digital # SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-15E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 3 pages. E. C. Schirmer Music Company - D...(+)
Voice and piano - Medium - SKU: MQ.8492-15E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 3 pages. E. C. Schirmer Music Company - Digital #8492-15E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-15E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
Schumann: Abendlied for French Horn & Piano
Schumann: Abendlied for French Horn & Piano # Cor et Piano # FACILE # Classique # Robert Schumann # James M # Schumann: Abendlied for French # jmsgu3 # SheetMusicPlus
French Horn in F & Piano -
Early Intermediate - Digital
Download
Composed by Robert Schumann.
Arranged by James M. Guthrie,
ASCAP. Romantic Period,...(+)
French Horn in F & Piano -
Early Intermediate - Digital
Download
Composed by Robert Schumann.
Arranged by James M. Guthrie,
ASCAP. Romantic Period,
General Worship, Repertoire,
Anniversary, Recital. Score,
Set of Parts. 6 pages.
Published by jmsgu3 Op. 85/12 Horn: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento ? quarter note = 40. Piano part: 2 pg. solo part 1 pg.
Schumann Background
Robert Schumann (1810 ?1856) was a German composer and, moreover,a music critic. Music historians, as well as critics, generally agree that heis one of the greatest composers of the Romantic era. In the first place, Schumann was studying tobecome a lawyer. He quit law school, however, to pursue a career as a concert pianist. Be that as it may, he injured his hand andruined any chance of success as a virtuoso pianist. As a result, Schumann turnedhis musical attention to composing.
The Beginning of the End
In1848, Robert Schumann was in fact only 38 years old. Nevertheless, he wasalready weakening as a composer and conductor. His productivity, on thewhole, was slowing down. Furthermore, his conducting job at one of the world?soldest orchestras had come under great criticism.
Last Period
Schumannbecame inspired by the death of his friend Felix Mendelssohn theyear before. Similarly, he was stimulated by the Revolutions of 1848, andconsequently composed some of his most substantive works. It wasduring this last period of inspiration that he wrote his Scenes from Faust. Furthermore, he finishedthe Requiem for Mignon and the Introduction and Allegro for Piano & Orchestra. Next, he composed Scenes from the Forest forpiano. Finally, he composed the Twelve Four-hand Piano Worksfor Small & Large Children, Op. 85. This collection turns out, insummary, to be Schumann?s last great collection of piano literature.
Abendlied
Thefinal movement (Op.85/12) of this great collection on balance is entitled Abendlied or Evening Song. It is inessence a very effective recital encore especially following a more aggressiveor fast-paced piece. This is, in either case, a chance to develop long rubatophrases and demonstrate your musical sensitivity. This music, for the mostpart, sets a quiet, mysterious, and somewhat melancholy mood reminiscent ofevening-time just after sunset when the shadows become long and the sky beginsto darken.
Bad Romance
Bad Romance # Trio à Cordes: 2 violons, violoncelle # INTERMÉDIAIRE # Lady Gaga # Sarah Cellobat Chaffee # Bad Romance # Sarah Cellobat Chaffee # SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.1471888 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Sarah Cellobat Chaffee. Contempor...(+)
String Trio Cello,Violin - Level 3 - SKU: A0.1471888 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 19 pages. Sarah Cellobat Chaffee #1049520. Published by Sarah Cellobat Chaffee (A0.1471888). *INSTRUMENTATION: 2 VIOLINS & CELLO*Bad Romance is truly a song that needs no introduction! Released in 2009 on Lady Gaga's third EP, The Fame Monster, the song was an electropop extravaganza inspired by German house and techno music. With its catchy synth hooks, edgy music video, and memorable (if sometimes nonsensical) lyrics, Bad Romance quickly captured the ears of people around the world; it went on to win Grammy and Billboard awards, an 11x Platinum certification, and has become one of the best-selling singles of all time. So you really can't go wrong adding this one to your gig books! This Cellobat arrangement for your two-violin and cello string trio will be perfect for parties, cocktail hour, receptions, solo & ensemble contest, or any other occasion you need to get your audience singing along. Rated intermediate; this will be playable for students and easily sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee
Bad Romance
Bad Romance # Trio à Cordes: 2 violons, violoncelle # INTERMÉDIAIRE # Lady Gaga # Sarah Cellobat Chaffee # Bad Romance # Sarah Cellobat Chaffee # SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.1468381 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Sarah Cellobat Chaffee. Contempor...(+)
String Trio Cello,Violin - Level 3 - SKU: A0.1468381 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 19 pages. Sarah Cellobat Chaffee #1046692. Published by Sarah Cellobat Chaffee (A0.1468381). *INSTRUMENTATION: 2 VIOLINS & CELLO*Bad Romance is truly a song that needs no introduction! Released in 2009 on Lady Gaga's third EP, The Fame Monster, the song was an electropop extravaganza inspired by German house and techno music. With its catchy synth hooks, edgy music video, and memorable (if sometimes nonsensical) lyrics, Bad Romance quickly captured the ears of people around the world; it went on to win Grammy and Billboard awards, an 11x Platinum certification, and has become one of the best-selling singles of all time. So you really can't go wrong adding this one to your gig books! This Cellobat arrangement for your two-violin and cello string trio will be perfect for parties, cocktail hour, receptions, solo & ensemble contest, or any other occasion you need to get your audience singing along. Rated intermediate; this will be playable for students and easily sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee