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Vous avez sélectionné:
Mi a ou
Partitions à imprimer
19 partitions trouvées
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1
Fauré: Dolly Suite Op.56 Mvt.2 "Mi-a-ou" - wind quintet
Fauré: Dolly Suite Op.56 Mvt.2 "Mi-a-ou" - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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Ray Thompson
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Fauré: Dolly Suite Op.5
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553784 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.553784 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Wedding. 11 pages. RayThompsonMusic #4405172. Published by RayThompsonMusic (A0.553784). The Dolly Suite, Op. 56, is a collection of pieces for piano four-hands by Gabriel Fauré. It consists of short pieces written or revised between 1893 and 1896, to mark the birthdays and other events in the life of the daughter of the composer's mistress.An orchestral version of the suite was scored in 1906 by Henri Rabaud, and has, like the original piano duet version, received several recordings. The best-known section of the suite, the Berceuse, has been arranged for several combinations of instruments. In Britain it became famous as the play-out tune to Listen with Mother.The suite, consisting of six short pieces, each with its own title: Berceuse, Mi-a-ou, Le jardin de Dolly, Kitty-valse, Tendresse and Le pas espagnol. The complete suite takes about fifteen minutes to perform.Mi-a-ouAllegro vivo. Mi-a-ou was written for Dolly's second birthday in June 1894. The title does not refer to a pet cat, as has often been supposed, but to Dolly's attempts to pronounce the name of her elder brother Raoul, who later became one of Fauré's favourite pupils.The young Dolly called her brother Messieu Aoul, which Fauré took as the original title for the piece. In his finished manuscript the title is shortened to Miaou (without hyphens).The Fauré scholar Robert Orledge writes that the title Mi-a-ou, like that of the Kitty-valse later in the suite, is the responsibility of Fauré's publisher, Julien Hamelle.[
$4.95 ≈
4.53€
Fauré: Dolly Suite Op.56 No.2 "Mi-a-ou" - symphonic wind
Fauré: Dolly Suite Op.56 No.2 "Mi-a-ou" - symphonic wind
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Classique
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Gabriel Faure
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Ray Thompson
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Fauré: Dolly Suite Op.5
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - SKU: A0.553878 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - SKU: A0.553878 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. Score and parts. 22 pages. RayThompsonMusic #5215831. Published by RayThompsonMusic (A0.553878). The Dolly Suite, Op. 56, is a collection of pieces for piano four-hands by Gabriel Fauré. It consists of short pieces written or revised between 1893 and 1896, to mark the birthdays and other events in the life of the daughter of the composer's mistress.An orchestral version of the suite was scored in 1906 by Henri Rabaud, and has, like the original piano duet version, received several recordings. The best-known section of the suite, the Berceuse, has been arranged for several combinations of instruments. In Britain it became famous as the play-out tune to Listen with Mother.The suite, consisting of six short pieces, each with its own title: Berceuse, Mi-a-ou, Le jardin de Dolly, Kitty-valse, Tendresse and Le pas espagnol. The complete suite takes about fifteen minutes to perform.This is my arrangement of movement.2 Mi-a-ouAllegro vivo. Mi-a-ou was written for Dolly's second birthday in June 1894. The title does not refer to a pet cat, as has often been supposed, but to Dolly's attempts to pronounce the name of her elder brother Raoul, who later became one of Fauré's favourite pupils.The young Dolly called her brother Messieu Aoul, which Fauré took as the original title for the piece. In his finished manuscript the title is shortened to Miaou (without hyphens).The Fauré scholar Robert Orledge writes that the title Mi-a-ou, like that of the Kitty-valse later in the suite, is the responsibility of Fauré's publisher, Julien Hamelle.[
$7.95 ≈
7.27€
Mi-a-ou
Mi-a-ou
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Trio à Cordes: 2 violons, alto
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AVANCÉ
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Classique
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Gabriel Faure
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Katsumi WF
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Mi-a-ou
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Katsumi WF
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SheetMusicPlus
String Trio Viola,Violin - Level 5 - SKU: A0.1210508 Composed by Gabriel Faure. Arranged by Katsumi WF. 19th Century,Classical. 12 pages. Katsumi WF #80...
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String Trio Viola,Violin - Level 5 - SKU: A0.1210508 Composed by Gabriel Faure. Arranged by Katsumi WF. 19th Century,Classical. 12 pages. Katsumi WF #808292. Published by Katsumi WF (A0.1210508). This arrangement is for String Trio ( 2 violins & viola ) to play one of the pieces titled Mi-a-ou of The Dolly Suite, Op. 56 ( a collection of pieces for piano duet by Gabriel Fauré ) The score and parts included. Â
$8.88 ≈
8.12€
Gabriel Faure : Suite Dolly, Opus 56 - II. Mi-a-ou
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Piano seul
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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Suite Dolly, Opus 56
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Tomplay
Telechargez la partition Piano Suite Dolly, Opus 56 - II. Mi-a-ou de Faure. Partition pour Piano à quatre mains -- Classique...
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Telechargez la partition Piano Suite Dolly, Opus 56 - II. Mi-a-ou de Faure. Partition pour Piano à quatre mains -- Classique
5.99€
Dolly Suite (for Wind Sextet)
Dolly Suite (for Wind Sextet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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Philip Le Bas
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Dolly Suite
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Philip Le Bas
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.818162 Composed by Gabriel Faure. Arranged by Philip Le Bas. 20th Century. Score and...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.818162 Composed by Gabriel Faure. Arranged by Philip Le Bas. 20th Century. Score and parts. 113 pages. Philip Le Bas #3590141. Published by Philip Le Bas (A0.818162). Faure’s piano duet entitled Dolly Suite is here arranged by Philip Le Bas for a wind sextet, consisting of a standard wind quintet (flute, oboe, clarinet, horn and bassoon) plus bass clarinet. The bass clarinet gives the music more sonority and it allows the arranger more opportunity to bring out Faure’s sumptuous harmonies. Dolly was the nickname of the baby daughter of Emma Bardac, with whom Faure had a long-running affair, and each of the pieces has a slightly different association with childhood.1) The Berceuse (lullaby) is best remembered as the theme tune to the BBC’s Listen with Mother, and its tune is indelibly marked into the memories of generations of radio listeners between 1950 and 1982. It was written for Dolly’s first birthday. (An alternative part for clarinet in A is available for this movement, to avoid the otherwise slightly tricky key signature of F sharp major!)2) Mi-a-ou has nothing to do with cats, but is a version of Dolly’s first attempts to pronounce the name of her brother Raoul. Written for her second birthday, it is a delicate and playful scherzo with lots of cross-rhythms for the instruments.3) Le Jardin de Dolly is regarded by some as the best piece in the collection, with its gorgeous tune and unexpected harmonies, creating an impressionistic picture of a beautiful, peaceful French garden.4) Kitty-Valse again has nothing to do with cats but with the family dog Ketty, who whirls round and round, in unrelenting cheerfulness.5) In Tendresse Faure introduces more chromatic harmonies, used in his later works. As its name and its key of D flat suggests, the music here seems to express deep and shifting emotions associated with intimate relationships, while retaining a sense of calm and comfort throughout.6) The last piece, Le Pas Espagnole is a thrilling journey across the border into the exotic Spanish world of dance. There is much in common with Chabrier’s Espana, and here the wind players can enjoy playing at full tilt in an exciting and tuneful end to the suite.
$6.99 ≈
6.39€
Fauré: Dolly Suite Op.56 Mvt.6 Le Pas Espagnol - wind quintet
Fauré: Dolly Suite Op.56 Mvt.6 Le Pas Espagnol - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Classique
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Gabriel Faure
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Ray Thompson
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Fauré: Dolly Suite Op.5
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - SKU: A0.553785 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,H...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - SKU: A0.553785 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. 9 pages. RayThompsonMusic #4406880. Published by RayThompsonMusic (A0.553785). The Dolly Suite, Op. 56, is a collection of pieces for piano four-hands by Gabriel Fauré. It consists of short pieces written or revised between 1893 and 1896, to mark the birthdays and other events in the life of the daughter of the composer's mistress.An orchestral version of the suite was scored in 1906 by Henri Rabaud, and has, like the original piano duet version, received several recordings. The best-known section of the suite, the Berceuse, has been arranged for several combinations of instruments. In Britain it became famous as the play-out tune to Listen with Mother.The suite, consisting of six short pieces, each with its own title: Berceuse, Mi-a-ou, Le jardin de Dolly, Kitty-valse, Tendresse and Le pas espagnol. The complete suite takes about fifteen minutes to perform.Le pas espagnolAllegro. The suite ends with a Spanish dance, a lively and picturesque piece of scene-painting, in the style of España by Fauré's friend Emmanuel Chabrier.Arranged for wind quintet.Other mvts. are available
$5.95 ≈
5.44€
Berceuse from the Dolly Suite for String Orchestra
Berceuse from the Dolly Suite for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Keith Terrett
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Keith Terrett
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Berceuse from the Dolly Suite
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1431353 By Keith Terrett. By Gabriel Faure. Arranged by Keith Terrett. 20th Century,Children,Classical,Contest,Fest...
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String Orchestra - Level 3 - SKU: A0.1431353 By Keith Terrett. By Gabriel Faure. Arranged by Keith Terrett. 20th Century,Children,Classical,Contest,Festival,Romantic Period. 12 pages. Keith Terrett #1011823. Published by Keith Terrett (A0.1431353). The Dolly Suite, Op. 56, is a collection of pieces for piano duet by Gabriel Fauré. It consists of six short pieces written or revised between 1893 and 1896, to mark the birthdays and other events in the life of the daughter of the composer's mistress, Emma Bardac.An orchestral version of the suite was scored in 1906 by Henri Rabaud, and has, like the original piano duet version, been the subject of many recordings. The best-known section of the suite, the Berceuse, has been arranged for several combinations of instruments. In the United Kingdom it became famous as the play-out tune to the BBC radio programme Listen with Mother.The suite consists of six short pieces, each with its own title: Berceuse, Mi-a-ou, Le jardin de Dolly, Kitty-valse, Tendresse, and Le pas espagnol. The complete suite takes about fifteen minutes to perform.The Berceuse was the closing theme for the long-running BBC Light Programme (and later Home Service) radio programme for small children Listen with Mother (1950–1982). It is performed in the film Bicentennial Man by Andrew and Little Miss. Although it was written as a piano duet, there have been numerous arrangements of the Berceuse for other instruments and ensembles. Examples include versions for piano and glockenspiel by Evelyn Glennie and for two guitars recorded by Julian Bream and John Williams.
$8.00 ≈
7.32€
Fauré: Dolly Suite Op.56 Complete - wind dectet/bass
Fauré: Dolly Suite Op.56 Complete - wind dectet/bass
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Classique
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Gabriel Faure
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Ray Thompson
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Fauré: Dolly Suite Op.5
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.553929 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Holiday,Romantic Period. Score and parts. 11...
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Large Ensemble - Level 5 - SKU: A0.553929 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Holiday,Romantic Period. Score and parts. 114 pages. RayThompsonMusic #6232669. Published by RayThompsonMusic (A0.553929). Complete.Some movements transposed from original.All clarinet parts in Bb, Horns in FThe Dolly Suite, Op. 56, is a collection of pieces for piano four-hands by Gabriel Fauré. It consists of short pieces written or revised between 1893 and 1896, to mark the birthdays and other events in the life of the daughter of the composer's mistress.An orchestral version of the suite was scored in 1906 by Henri Rabaud, and has, like the original piano duet version, received several recordings. The best-known section of the suite, the Berceuse, has been arranged for several combinations of instruments. In Britain it became famous as the play-out tune to Listen with Mother.The suite, consisting of six short pieces, each with its own title: Berceuse, Mi-a-ou, Le jardin de Dolly, Kitty-valse, Tendresse and Le pas espagnol. The complete suite takes about fifteen minutes to perform.Arranged double wind quintet and bass.
$19.95 ≈
18.25€
Do-re-mi
Do-re-mi
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Piano Facile
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FACILE
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Various Artists
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Sérgio Matias da Cunha
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Do-re-mi
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Sérgio Matias da Cunha
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1255860 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Sérgio Matias da Cunha. 20th Century...
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Easy Piano - Level 2 - SKU: A0.1255860 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Sérgio Matias da Cunha. 20th Century,Broadway,Children,Film/TV,Instructional,Musical/Show. Score. 1 pages. Sérgio Matias da Cunha #849335. Published by Sérgio Matias da Cunha (A0.1255860). Arranjo alegre e movimentado, com melodia acompanhada por notas que marcam as unidades de tempo de maneira destacada ou ligada, evoluindo de maneira resoluta e equilibrada dentro dos acordes.  Partitura acessÃvel com figuras rÃtmicas maiores que a semicolcheia e marcações de cifra e dedilhado, buscando o melhor efeito com simplicidade e clareza.  A indicação de oitava acima (8ªac...), para a segunda vez, chama a atenção e o interesse para esta bela melodia, que assim transcorre até finalizar com a tão importante e didática escala diatônica de DO maior.  Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99 ≈
4.56€
Cantique de Noel / O Holy Night - Key of A
Cantique de Noel / O Holy Night - Key of A
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Ligne De Mélodie, (Paroles) et Accords
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FACILE
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Noël
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Peggy Duquesnel
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Peggy Duquesnel
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Cantique de Noel / O Holy Nigh
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Duquesnel Music Publishing
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1350336 By Peggy Duquesnel. By Traditional. Arranged by Peggy Duquesnel. Christian,Christmas,Folk,Holiday. Lead Sheet /...
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C Instrument - Level 2 - SKU: A0.1350336 By Peggy Duquesnel. By Traditional. Arranged by Peggy Duquesnel. Christian,Christmas,Folk,Holiday. Lead Sheet / Fake Book. 1 pages. Duquesnel Music Publishing #935128. Published by Duquesnel Music Publishing (A0.1350336). This traditional French Carol  Cantique de Noel is known in english as O Holy Night. This is easy to read and play with piano or guitar and sing-a-long. Good for children's choirs, school and adult vocal ensembles. See the interpretaiton of the french lyrics in english below.Cantique de Noel Mi-nuit Chre-tiens c'est l'heu-re so-len-nel-le Ou l'hom-me Dieu des-cen dit jus-qu'a nous Pour ef-fa-cer la tache o-ri-gi-nel-le Et de son pere ar-re-ter le cour-roux Le monde en-tier tres sail-le d'es-pe-ran-ce A Cet-te nuit qui lui donne un sau-veur Peu- plea ge-noux at-tends ta de-li-vran-ce NO-EL NO-EL Voi-  ci le re- demp-teur NO-EL NO-EL Voi-ci le-le re-demp-teur.English Translation:Midnight, Christians, its the solemn hourWhen God-man descended to usTo erase the stain of original sinAnd to end the wrath of his FatherThe entire world thrills with hopeOn this night that gives it a SaviourPeople kneel down, wait for your deliveranceChristmas, Christmas, here is the RedeemerChristmas, Christmas, here is the Redeemer.
$3.99 ≈
3.65€
Sonata No. 6 "Kharkiv", Op. 48
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95 ≈
7.27€
Suite No. 1
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95 ≈
10.02€
Claude Debussy: Sérénade for violin and piano
Claude Debussy: Sérénade for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95 ≈
11.85€
Cantique de Noel / O Holy Night - Key of G
Cantique de Noel / O Holy Night - Key of G
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Instruments en Do
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FACILE
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Noël
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Peggy Duquesnel
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Peggy Duquesnel
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Cantique de Noel / O Holy Nigh
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Duquesnel Music Publishing
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1345241 By Peggy Duquesnel. By Traditional. Arranged by Peggy Duquesnel. Christian,Christmas,Folk,Holiday. Lead Sheet /...
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C Instrument - Level 2 - SKU: A0.1345241 By Peggy Duquesnel. By Traditional. Arranged by Peggy Duquesnel. Christian,Christmas,Folk,Holiday. Lead Sheet / Fake Book. 1 pages. Duquesnel Music Publishing #930180. Published by Duquesnel Music Publishing (A0.1345241). This lead sheet arrangement in the Key of G is a good range for alto and baritone voices. This traditional French Carol Cantique de Noel is known in english as O Holy Night. This is easy to read and play with piano or guitar and sing-a-long. Good for children's choirs, school and adult vocal ensembles. See the interpretaiton of the french lyrics in english below.Cantique de Noel Mi-nuit Chre-tiens c'est l'heu-re so-len-nel-le Ou l'hom-me Dieu des-cen dit jus-qu'a nous Pour ef-fa-cer la tache o-ri-gi-nel-le Et de son pere ar-re-ter le cour-roux Le monde en-tier tres sail-le d'es-pe-ran-ce A Cet-te nuit qui lui donne un sau-veur Peu- plea ge-noux at-tends ta de-li-vran-ce NO-EL NO-EL Voi-  ci le re- demp-teur NO-EL NO-EL Voi-ci le-le re-demp-teur.English Translation:Midnight, Christians, its the solemn hourWhen God-man descended to usTo erase the stain of original sinAnd to end the wrath of his FatherThe entire world thrills with hopeOn this night that gives it a SaviourPeople kneel down, wait for your deliveranceChristmas, Christmas, here is the RedeemerChristmas, Christmas, here is the Redeemer.
$3.99 ≈
3.65€
Cantique de Noel / O Holy Night - Key of Ab
Cantique de Noel / O Holy Night - Key of Ab
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Instruments en Do
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FACILE
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Noël
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Peggy Duquesnel
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Peggy Duquesnel
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Cantique de Noel / O Holy Nigh
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Duquesnel Music Publishing
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1350334 By Peggy Duquesnel. By Traditional. Arranged by Peggy Duquesnel. Christian,Christmas,Folk,Holiday. Lead Sheet /...
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C Instrument - Level 2 - SKU: A0.1350334 By Peggy Duquesnel. By Traditional. Arranged by Peggy Duquesnel. Christian,Christmas,Folk,Holiday. Lead Sheet / Fake Book. 1 pages. Duquesnel Music Publishing #935126. Published by Duquesnel Music Publishing (A0.1350334). This lead sheet arrangement in the Key of G is a good range for alto and baritone voices. This traditional French Carol  Cantique de Noel is known in english as O Holy Night. This is easy to read and play with piano or guitar and sing-a-long. Good for children's choirs, school and adult vocal ensembles. See the interpretaiton of the french lyrics in english below.Cantique de Noel Mi-nuit Chre-tiens c'est l'heu-re so-len-nel-le Ou l'hom-me Dieu des-cen dit jus-qu'a nous Pour ef-fa-cer la tache o-ri-gi-nel-le Et de son pere ar-re-ter le cour-roux Le monde en-tier tres sail-le d'es-pe-ran-ce A Cet-te nuit qui lui donne un sau-veur Peu- plea ge-noux at-tends ta de-li-vran-ce NO-EL NO-EL Voi-  ci le re- demp-teur NO-EL NO-EL Voi-ci le-le re-demp-teur.English Translation:Midnight, Christians, its the solemn hourWhen God-man descended to usTo erase the stain of original sinAnd to end the wrath of his FatherThe entire world thrills with hopeOn this night that gives it a SaviourPeople kneel down, wait for your deliveranceChristmas, Christmas, here is the RedeemerChristmas, Christmas, here is the RedeemerYouTube Link.
$3.99 ≈
3.65€
Cantique de Noel / O Holy Night - Key of Bb
Cantique de Noel / O Holy Night - Key of Bb
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Instruments en Do
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FACILE
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Noël
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Peggy Duquesnel
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Peggy Duquesnel
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Cantique de Noel / O Holy Nigh
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Duquesnel Music Publishing
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1350338 By Peggy Duquesnel. By Traditional. Arranged by Peggy Duquesnel. Christian,Christmas,Folk,Holiday. Lead Sheet /...
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C Instrument - Level 2 - SKU: A0.1350338 By Peggy Duquesnel. By Traditional. Arranged by Peggy Duquesnel. Christian,Christmas,Folk,Holiday. Lead Sheet / Fake Book. 1 pages. Duquesnel Music Publishing #935130. Published by Duquesnel Music Publishing (A0.1350338). This traditional French Carol  Cantique de Noel is known in english as O Holy Night. This is easy to read and play with piano or guitar and sing-a-long. Good for children's choirs, school, church and adult vocal ensembles. See the interpretaiton of the french lyrics in english below.Cantique de Noel Mi-nuit Chre-tiens c'est l'heu-re so-len-nel-le Ou l'hom-me Dieu des-cen dit jus-qu'a nous Pour ef-fa-cer la tache o-ri-gi-nel-le Et de son pere ar-re-ter le cour-roux Le monde en-tier tres sail-le d'es-pe-ran-ce A Cet-te nuit qui lui donne un sau-veur Peu- plea ge-noux at-tends ta de-li-vran-ce NO-EL NO-EL Voi-  ci le re- demp-teur NO-EL NO-EL Voi-ci le-le re-demp-teur.English Translation:Midnight, Christians, its the solemn hourWhen God-man descended to usTo erase the stain of original sinAnd to end the wrath of his FatherThe entire world thrills with hopeOn this night that gives it a SaviourPeople kneel down, wait for your deliveranceChristmas, Christmas, here is the RedeemerChristmas, Christmas, here is the Redeemer.
$3.99 ≈
3.65€
Cantique de Noel / O Holy Night - Key of C
Cantique de Noel / O Holy Night - Key of C
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Instruments en Do
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FACILE
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Noël
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Peggy Duquesnel
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Peggy Duquesnel
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Cantique de Noel / O Holy Nigh
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Duquesnel Music Publishing
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1350339 By Peggy Duquesnel. By Traditional. Arranged by Peggy Duquesnel. Christian,Christmas,Folk,Holiday. Lead Sheet /...
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C Instrument - Level 2 - SKU: A0.1350339 By Peggy Duquesnel. By Traditional. Arranged by Peggy Duquesnel. Christian,Christmas,Folk,Holiday. Lead Sheet / Fake Book. 1 pages. Duquesnel Music Publishing #935131. Published by Duquesnel Music Publishing (A0.1350339). This traditional French Carol  Cantique de Noel is known in English as O Holy Night. This is easy to read and play with piano or guitar and sing-a-long. Good for children's choirs, school and adult vocal ensembles. See the interpretaiton of the french lyrics in english below.Cantique de Noel Mi-nuit Chre-tiens c'est l'heu-re so-len-nel-le Ou l'hom-me Dieu des-cen dit jus-qu'a nous Pour ef-fa-cer la tache o-ri-gi-nel-le Et de son pere ar-re-ter le cour-roux Le monde en-tier tres sail-le d'es-pe-ran-ce A Cet-te nuit qui lui donne un sau-veur Peu- plea ge-noux at-tends ta de-li-vran-ce NO-EL NO-EL Voi-  ci le re- demp-teur NO-EL NO-EL Voi-ci le-le re-demp-teur.English Translation:Midnight, Christians, its the solemn hourWhen God-man descended to usTo erase the stain of original sinAnd to end the wrath of his FatherThe entire world thrills with hopeOn this night that gives it a SaviourPeople kneel down, wait for your deliveranceChristmas, Christmas, here is the RedeemerChristmas, Christmas, here is the Redeemer.
$3.99 ≈
3.65€
Mozart, Wolfgang Amadeus : Sonate KV 545 (Collection Anacrouse)
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Piano seul
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Chanson Française
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Mozart, Wolfgang Amadeus
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Sonate KV 545
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Note4Piano
La collection ANACROUSE offre aux pianistes novices et confirmes un large choix d’œuvres classiques, allant de la Renaissance à l’epoque moderne.<...
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La collection ANACROUSE offre aux pianistes novices et confirmes un large choix d’œuvres classiques, allant de la Renaissance à l’epoque moderne.<br><br>Proposer tout à la fois des « incontournables » du repertoire classique et des pièces de compositeurs parfois oublies, toutes d’une valeur pedagogique indeniable, tels sont les objectifs que nous nous sommes fixes. Chaque pièce, vendue à l’unite, a fait l’objet d’un travail editorial attentif, tant sur le plan de l’etablissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tires du commerce frequent de ces œuvres.<br><br>Les partitions sont proposees sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles egalement par telechargement.<br><br><br><br>Cette sonate dite facile ou « sonata semplice » est la plus celèbre de Mozart. Son sous-titre est trompeur car elle n’est pas aussi facile que l’on pourrait croire. En effet, la maîtrise pianistique et la science de Mozart echouent à reveler la reelle difficulte de cette sonate. Sa creation date du 26 juin 1788, peu d’annees avant la disparition du compositeur. La finalite de cette creation serait mi-pedagogique, mi-commerciale d’où l’objet de son surnom. Cette pièce a trois mouvements : Allegro, Andante et Rondo-allegretto. Elle debute par un allegro sur un tempo assez allant avec une basse appelee basse d’Alberti en rythme de croche, se deployant tout au long du mouvement. La structure du premier mouvement est une forme sonate. La melodie comporte deux sujets sur la tonique et à la reexposition se presente le thème sur la sous-dominante. La basse dAlberti exposee dans ce premier mouvement est developpee d’une manière assez etendue en fluidite dans le deuxième mouvement, l’andante. Seul l’allegro est represente dans cette partition, ce premier mouvement, très connu, ensorcelle de nombreux pianistes de tous niveaux grâce à la relative aisance de son interpretation et à l’enchantement et à la frivolite qui s’en degage. Partition + Biographie + Notes sur l'oeuvre
3.30€
Debussy, Claude : 1ère Arabesque (Collection Anacrouse)
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Piano seul
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Chanson Française
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Debussy, Claude
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1ère Arabesque
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Note4Piano
La collection ANACROUSE offre aux pianistes novices et confirmes un large choix d’œuvres classiques, allant de la Renaissance à l’epoque moderne.<...
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La collection ANACROUSE offre aux pianistes novices et confirmes un large choix d’œuvres classiques, allant de la Renaissance à l’epoque moderne.<br><br>Proposer tout à la fois des « incontournables » du repertoire classique et des pièces de compositeurs parfois oublies, toutes d’une valeur pedagogique indeniable, tels sont les objectifs que nous nous sommes fixes. Chaque pièce, vendue à l’unite, a fait l’objet d’un travail editorial attentif, tant sur le plan de l’etablissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tires du commerce frequent de ces œuvres.<br><br>Les partitions sont proposees sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles egalement par telechargement.<br><br><br><br>Claude Debussy compose ses deux arabesques en 1888. Ces compositions font parties de la première periode de son developpement de l’ecriture pianistique. L’avenir d’un nouveau langage se revèle dans ces pièces, par l’usage d’une conception moderne de la courbe melodique, harmoniquement immobile. Cette conception caracterise la substance principale de l’idee d’une arabesque, si chère à Debussy. L’arabesque n°1 revendique une forme ternaire de même que l’arabesque n°2. La première arabesque en mi majeur comporte des triolets delies qui semblent suggerer l’evolution de son langage musical dans le traitement des arpèges et dans la facilite d’utiliser les modulations. Dès son entree dans le repertoire, la pièce prit une place constante dans la musique vivante. D’après Leon Vallas, sa « souplesse fait songer à la brillante legèrete des ballets de Delibes ». Alfred Hitchkook nous fait entendre l’arabesque n°1 dans la scène du dîner dans le film « Les oiseaux ». La première arabesque est à l’egal d’une pièce litteraire. Cette pièce exprime à demi teinte une ardeur raffinee et reservee des sens, comme un tableau impressionniste. Amateurs de peintures de Seurat ou de Monnet, l’Arabesque n°1 vous fera decouvrir l’univers à demi mot du premier grand musicien impressionniste qu’est Claude Debussy. Partition + Biographie + Notes sur l'oeuvre
3.30€
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