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Reminiscence in Sound Prelude
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Vous avez sélectionné:
Reminiscence in Sound Prelude
Partitions à imprimer
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Sonata In G For Organ-Scherzo
Sonata In G For Organ-Scherzo
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Orgue
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INTERMÉDIAIRE
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Thomas R
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Sonata In G For Organ-Scherzo
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Thomas R. Schadl
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SheetMusicPlus
Organ - Level 3 - SKU: A0.912462 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score. 8 pages. Thomas R. Schadl #514849. Published...
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Organ - Level 3 - SKU: A0.912462 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score. 8 pages. Thomas R. Schadl #514849. Published by Thomas R. Schadl (A0.912462). The Scherzo explores a variety of sections that have their own character. The first section is written in a North German toccata style where the opening measures are treated in a canonic manner and played in a series of thirds and sixths against the main theme stated in the pedal division; this compositional approach is somewhat reminiscent of the organ compositions of Dietrich Buxtehude (Prelude and Fugue in G Minor BUXWV 149). The second section is contrapuntal in nature and depicts a humorous moment; that moment may depict a comedy show or a circus event at a fair. Following that section is the recurrence of the main theme of the first movement. The fourth section is quiet in sound intensity and is the most chromatically oriented than other parts. Following that is a fugue, derived from the main theme of the first movement, and a transitional passage leading back to the recurring main theme. The work concludes triumphantly in the key of G Major. The Scherzo requires attention to articulation, phrasing and timing. This work is suitable for educational and recital uses: it introduces organ students to major works of Buxtehude and Johann S. Bach and many more composers; organists of various expertise may play the work to lighten up the audience's mood after listening to more difficult organ works. Let this work bring pleasure into your hearts and the listeners'. Enjoy it.
$7.99 ≈
7.39€
Lost in Reminiscences
Lost in Reminiscences
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Dalva R
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Lost in Reminiscences
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Dalva Regina Ribeiro Barbosa
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1111422 Composed by Dalva R. R. Barbosa. 19th Century,Classical,Film/TV. Score. 7 pages. Dalva Regina Ribeiro Barbosa #71...
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Piano Solo - Level 4 - SKU: A0.1111422 Composed by Dalva R. R. Barbosa. 19th Century,Classical,Film/TV. Score. 7 pages. Dalva Regina Ribeiro Barbosa #713710. Published by Dalva Regina Ribeiro Barbosa (A0.1111422). I began to compose this piece unpretentiously with the intention of doing a prelude of 3 minutes. The beginning of the play, however, presents itself childish and naïve, as a child walking in a indolent way and ended up reminding me of video game or cartoon songs and a period of childhood between 8 and 10 years. I then structured the piece to show some pleasures of childhood: walking, running, flying, playing, swimming and dancing. Most of the images selected for this movie in youtube (https://youtu.be/BTZwwt8wYb0) represent what I wanted to express through my sound choices. For those who enjoy analyzing musical structures a short summary follows: The piece begins with the exposition of a rhythmic theme in B flat minor, followed by a small melodic theme constructed through the same motif presented at the beginning of the piece, but in D flat major. The piece then moves towards a moment of transition, a bridge between B flat minor and B minor. This transition is not only modulation, it is a transformation of the rhythmic aura to a melodic (B minor) episode . This episode is presented as a song A, B, with small variations. After the melodic episode, another moment of transition begins to return to the tonic (B flat minor) for reexposition of the rhythmic theme, but with another outfit. The piece then ends with a delicious codetta full of tenderness.
$3.50 ≈
3.24€
Seven Pieces in Twentieth-Century Styles
Seven Pieces in Twentieth-Century Styles
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Seven Pieces in Twentieth-Cent
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and W...
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Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00 ≈
4.62€
Reminiscence in Sound - Prelude
Reminiscence in Sound - Prelude
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Michael Repoulis
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Reminiscence in Sound - Prelud
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Michael Repoulis
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SheetMusicPlus
By Michael Repoulis (1955-). For Guitar. 20th Century, 21st Century. Intermediate. Score. Published by Michael Repoulis ...
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By Michael Repoulis (1955-). For Guitar. 20th Century, 21st Century. Intermediate. Score. Published by Michael Repoulis
$3.99 ≈
3.69€
Reminiscence in Sound - Prelude
Reminiscence in Sound - Prelude
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Michael Repoulis
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Reminiscence in Sound - Prelud
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Michael Repoulis
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SheetMusicPlus
By Michael Repoulis (1955-). For Guitar. 20th Century, 21st Century. Intermediate. Score. Published by Michael Repoulis ...
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By Michael Repoulis (1955-). For Guitar. 20th Century, 21st Century. Intermediate. Score. Published by Michael Repoulis
$3.99 ≈
3.69€
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Reminiscence in Sound Prelude
Reminiscence in Sound Prelude
