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Vous avez sélectionné:
See The Clouds
Partitions à imprimer
140 partitions trouvées
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The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
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Floating, Falling, Flying (parts for other instrumental combinations)
Floating, Falling, Flying (parts for other instrumental combinations)
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Brian Chung
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Floating, Falling, Flying
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Brian Chung Music
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Tradit...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Traditional. 9 pages. Brian Chung Music #788560. Published by Brian Chung Music (A0.1188952). Floating, Falling, Flying was originally written as trio for Oboe, Violin and Piano (#1284568 on Sheet Music Direct, #A0.1188926 on Sheet Music Plus). For those who have already purchased that original score, these supplemental parts will make possible the following instrumental combinations:Clarinet (for Oboe) creates a Clarinet/Violin/Piano trio.Clarinet (for Violin) creates an Oboe/Clarinet/Piano trio (heard on sample audio file).Flute (for Violin) creates an Oboe/Flute/Piano trio.The Piano part in the original score is unchanged for all combinations. For Flute/Clarinet/Piano, please purchase the separate version optimized for that instrumentation (#1288002 on Sheet Music Direct, #A0.1192373 on Sheet Music Plus). Composer's Commentary on YouTube:  https://youtu.be/7Isy0t6VzasSUMMARYHave you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano).  In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece for student concerts, recitals and Solo and Ensemble festivals.Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
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Mountain Goats And Other Creatures
Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00 ≈
91.06€
WAYFARING STRANGER (Poor Wayfaring Stranger)
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59 ≈
4.18€
String Quartet No. 12 ... The Seasons (2010) full score
String Quartet No. 12 ... The Seasons (2010) full score
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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String Quartet No. 12 ... The
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score...
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String Quartet String Quartet - Level 4 - SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Summer: Cloudburst! Double rainbow … Trio 3). 48 pages. Thomas Oboe Lee #3905. Published by Thomas Oboe Lee (A0.869207). Program note: As indicated by the title, this is my twelfth string quartet. My very first work, Aperture (1974), was a string quartet. In between I wrote four (nos. 2 – 5) for the Kronos Quartet, one (no. 6) for the Manhattan String Quartet, one (no. 7) for the Lydian String Quartet, one (no. 8) for the Artaria String Quartet, two (nos. 9 - 10) for the Hawthorne String Quartet, and one (no. 11) for the Formosa Quartet. The number twelve immediately brought to mind the months of the year. But I thought a twelve-movement string quartet might be a bit excessive, and difficult to achieve in a coherent narrative arc. Most classical string quartets by Haydn, Mozart and Beethoven are in four movements. So why not the seasons, a movement for each: spring, summer, autumn, and winter. I am a huge fan of The Creation by Franz Joseph Haydn. Confession: I am a huge fan of anything by maestro Haydn. For inspiration and guidance, I went to Haydn’s other oratorio The Seasons. Armed with a Dover publication of the full score and a recording of the complete work by Sir Thomas Beecham on EMI Classics, I got down to work over the summer of 2010. String Quartet No. 12 … The Seasons, after Franz Joseph Haydn is in four movements, played without pause between movements. 1) Intro: Heavy snow … Spring: Crocuses blooming!!! 2) Summer: Cloudburst! Double rainbow … Trio 3) Autumn: La Caccia … Danza Rusticana … Trio 4) Intro: Heavy snow again … Winter: O Magnum Mysterium … Hail storm! The work begins with four descending chords, depicting the falling of snow. But it’s Spring and crocuses are seen peeping through the snow … Summer begins with cloudbursts, thunder, lightning and torrential rain. A double rainbow appears after the storm. The sun emerges from the clouds in the Trio section. It is a lovely day after all; but then the clouds return … La Caccia: men go hunting in the Autumn. Well, the men in Haydn’s days at least. Peasant ladies dance as they harvest in the fields. A hawk appears, soaring overhead in the Trio as the sun sets in an orange-red sky ... In Winter snow falls again; but it’s the season to celebrate the Nativity. Violin and viola chant O magnum mysterium … O Magnum Mysterium O great mystery Et admirabile sacramentum and wonderful sacrament Ut animalia viderent Dominum natum that animals should see the new-born Lord Jacentem in praesepio! lying in a manger! Beata Virgo, cujus viscera Blessed is the Virgin whose womb Meruerunt portare was worthy to bear Dominum Christum. Christ the Lord. Alleluia. Alleluia. A hailstorm wreaks havoc. Fine. Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/string-quartet-no-12-the-seasons-2010Video link: https://youtu.be/8seBbMtds84
$9.99 ≈
9.10€
On The Lake
On The Lake
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Chorale SATB
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AVANCÉ
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the beautiful light of this su
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James W
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On The Lake
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Knox Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.942890 Composed by James W. Knox. Contemporary,World. Octavo. 17 pages. Knox Music #6599787. Published by Knox ...
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Choral Choir (Mixed) - Level 5 - SKU: A0.942890 Composed by James W. Knox. Contemporary,World. Octavo. 17 pages. Knox Music #6599787. Published by Knox Music (A0.942890). On the Lake written for advanced SSAA divisi and harp. Fannie Isabelle Sherrick was an American poet who wrote songs and poems throughout the 1860's that captured hearts and minds. I Can Not Say the Sad Good-Bye was one of her notable songs published in 1873. She was both influenced and encouraged by Ella Wheeler Wilcox who she attributed her success to. Her most popular poetry volume entitled Love or Fame and Other Poems was published in 1880 by W.S Bryan of St Louis and she continued writing for many years. ON THE LAKE There's a beautiful lake where the sun lies low, And the skies are warm with their summer glow; And a beautiful picture there I see Where the winds are warm and the waves are free, And the waves lie still in the sun As the flowers at night, when the day is done. You may sing of your silvery seas by night When the moon looks down with a dreamy light; And the stars shine out in the skies above Like the warm sweet gaze of the eyes of love; But the glow on the lake to-day Is a glory that never will fade away. The beautiful lake is a sea of gold And the beauty it wears will never grow old; The trees bend down in the sun's warm glow Till their branches meet in the waves below, And the clouds in the far-off skies Are mirrored anew where the sunlight lies. I love to float where the shadows lie 'Neath the matchless glow of the summer sky; And I love to dream that these waves of light Will never fade in the gloomy night: But I know that the things I love Are as far from my reach as the clouds above. Oh, the beautiful lake is a sea of gold And the beauty it wears will never grow old; The cloudlets of Heaven are mirrored there In a golden splendor so bright and fair That the soul is dazzled for aye By the beautiful light of this summer's day. Oh, I love to dream when this life is o'er We shall moor our boats near the golden shore; And our sorrows shall drift from us far away As the leaves that float in their idle play, And the waves shall smile in the sun When the night is over and life is done. Fannie Isabelle Sherrick.
$4.65 ≈
4.23€
On The Lake (harp)
On The Lake (harp)
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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the beautiful light of this su
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James W
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On The Lake
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Knox Music
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SheetMusicPlus
Harp - Level 4 - SKU: A0.942891 Composed by James W. Knox. Contemporary,World. Score. 9 pages. Knox Music #6599795. Published by Knox Music (A0.942891)....
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Harp - Level 4 - SKU: A0.942891 Composed by James W. Knox. Contemporary,World. Score. 9 pages. Knox Music #6599795. Published by Knox Music (A0.942891). On the Lake written for advanced SSAA divisi and harp. Fannie Isabelle Sherrick was an American poet who wrote songs and poems throughout the 1860's that captured hearts and minds. I Can Not Say the Sad Good-Bye was one of her notable songs published in 1873. She was both influenced and encouraged by Ella Wheeler Wilcox who she attributed her success to. Her most popular poetry volume entitled Love or Fame and Other Poems was published in 1880 by W.S Bryan of St Louis and she continued writing for many years. ON THE LAKE There's a beautiful lake where the sun lies low, And the skies are warm with their summer glow; And a beautiful picture there I see Where the winds are warm and the waves are free, And the waves lie still in the sun As the flowers at night, when the day is done. You may sing of your silvery seas by night When the moon looks down with a dreamy light; And the stars shine out in the skies above Like the warm sweet gaze of the eyes of love; But the glow on the lake to-day Is a glory that never will fade away. The beautiful lake is a sea of gold And the beauty it wears will never grow old; The trees bend down in the sun's warm glow Till their branches meet in the waves below, And the clouds in the far-off skies Are mirrored anew where the sunlight lies. I love to float where the shadows lie 'Neath the matchless glow of the summer sky; And I love to dream that these waves of light Will never fade in the gloomy night: But I know that the things I love Are as far from my reach as the clouds above. Oh, the beautiful lake is a sea of gold And the beauty it wears will never grow old; The cloudlets of Heaven are mirrored there In a golden splendor so bright and fair That the soul is dazzled for aye By the beautiful light of this summer's day. Oh, I love to dream when this life is o'er We shall moor our boats near the golden shore; And our sorrows shall drift from us far away As the leaves that float in their idle play, And the waves shall smile in the sun When the night is over and life is done. Fannie Isabelle Sherrick.
$10.00 ≈
9.11€
See The Clouds
See The Clouds
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Chorale SATB
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FACILE
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Hope Mendelssohn
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See The Clouds
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Hope Mendelssohn
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1019709 Composed by Hope Mendelssohn. Instructional,Standards,World. Octavo. 7 pages. Hope Mendelssohn #3618635....
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Choral Choir (SATB) - Level 2 - SKU: A0.1019709 Composed by Hope Mendelssohn. Instructional,Standards,World. Octavo. 7 pages. Hope Mendelssohn #3618635. Published by Hope Mendelssohn (A0.1019709). A work for S.A.T.B. choir, depicting a historic set of volcanic eruptions and the spectators' interpretation. This work has been studied and performed for external High School examinations. The performing rights are held by A.P.R.A. A.M.C.O.S. New Zealand. Suitable also for amateur,semi-professional adult choirs and Youth Choirs. Approximately 2mins. 30secs. in duration. .
$2.50 ≈
2.28€
As Rain from the Clouds
As Rain from the Clouds
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Cloches
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FACILE
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Karen Lakey Buckwalter
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Karen Lakey Buckwalter
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As Rain from the Clouds
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 2 - SKU: C7.CGB927 Composed by Karen Lakey Buckwalter. Arranged by Karen Lakey Buckwalter. General. With Rainstick(...
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3, 4, or 5 octaves handbells - Level 2 - SKU: C7.CGB927 Composed by Karen Lakey Buckwalter. Arranged by Karen Lakey Buckwalter. General. With Rainstick(s). Score. 4 pages. Chorister's Guild - Digital #CGB927. Published by Chorister's Guild - Digital (C7.CGB927). UPC: 749193022207.As Rain From the Clouds, a hymn found in the Evangelical Lutheran Worship hymnal, has been arranged by Karen Buckwalter, for 3-5 octaves of handbells alone, harp alone or handbells and harp together. A separate version for a 26 string lever harp is also available. Based on the familiar Scottish tune, AFTON WATER (Flow Gently, Sweet Afton), the lyrics of the hymn speak of God’s Word as rain from the clouds and soil for good seed to grow. Appropriate for any Sunday, this lovely, lyrical arrangement will also be a great change of pace in a concert or festival setting.
$3.95 ≈
3.60€
Monteverdi - The Sixth Book of Madrigals - 05. Zefiro torna e bel tempo rimena
Monteverdi - The Sixth Book of Madrigals - 05. Zefiro torna e bel tempo rimena
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767274 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 37 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767274 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 37 pages. Lyons Music Services #3218685. Published by Lyons Music Services (A0.767274). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Song number 5 sits between Lamento della Ninfa and Sestina as a stand-alone song. Zephyrs turn and bring good weather A zephyr is a kind of fickle wind that can bring clouds or sunshine. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99 ≈
5.45€
Clouds, A Fantasy for Voice, Violin and Piano
Clouds, A Fantasy for Voice, Violin and Piano
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Voix Tenor, Piano
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INTERMÉDIAIRE/AVANCÉ
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Debbie Allen
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Debbie Allen
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Clouds, A Fantasy for Voice, V
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Nottingham Scores
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - SKU: A0.730826 By Debbie Allen. By Debbie Allen. Arranged by Debbie Allen. Classical,Contemporary,Contest,Festival,In...
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Tenor Voice,Vocal Solo - Level 4 - SKU: A0.730826 By Debbie Allen. By Debbie Allen. Arranged by Debbie Allen. Classical,Contemporary,Contest,Festival,Instructional,Spiritual. 22 pages. Nottingham Scores #339083. Published by Nottingham Scores (A0.730826). Art reflects what we see and hear, as well as what we imagine. Music is sonic art. The sequence of sounds we hear spark our interest, imagination, and emotions. This vocal music, with instrumental accompaniment, is meant to represent the wonder of the clouds in the atmosphere above us. The text expresses our understanding of the purpose of clouds, as well as our curiosity about how they form and how they look as we gaze up at the sky. The shift between major and minor keys represents the dynamic nature of the clouds. Sometimes clouds are welcome. Sometimes clouds are a hindrance. Sometimes clouds create dangerous situations. The vocal part may be sung by a soprano or a tenor. Dramatic interpretation is encouraged and welcome, allowing the artists to share their relationship with clouds.
$7.99 ≈
7.28€
Clouds
Clouds
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jeff Frost
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Clouds
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - SKU: IZ.CBS156 Composed by Jeff Frost. Score and Parts. 96 pages. Imagine Music - Digital #CBS156. Published by Imagine Music -...
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Concert band - Grade 4 - SKU: IZ.CBS156 Composed by Jeff Frost. Score and Parts. 96 pages. Imagine Music - Digital #CBS156. Published by Imagine Music - Digital (IZ.CBS156). 9 x 12 in inches.One of my favorite past times with my grandfather was sitting on the porch at our house on Barlow Lake and watching the clouds. My grandfather was interested in the seasons and changes in the clouds and weather. He enjoyed watching the clouds drift over the lake and seeing how they changed. He was also interested in sharing his knowledge and passion about it, and never let an opportunity to share it with his grandchildren slip by.
$80.00 ≈
72.85€
Signs of the Times
Signs of the Times
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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BYU-I Wind Quintet
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Signs of the Times
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Ryan Terry
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1440107 By BYU-I Wind Quintet. By Ryan Terry. 21st Century,Chamb...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - SKU: A0.1440107 By BYU-I Wind Quintet. By Ryan Terry. 21st Century,Chamber,Christian,Contemporary,Religious. 14 pages. Ryan Terry #1020051. Published by Ryan Terry (A0.1440107). An original piece by composer and clarinetist Ryan Terry. This unstable, suspenseful work details the the prophesied disastrous signs that will precede Christ's Second Coming through the use of asymetrical time signatures, whereas Christ's depicted descent from the heavens is the only part of the piece in 4/4, arguably the most comforting time signature. In fact, the title, Signs of the Times, is actually a play on words of the term time signatures, which is the main gimmick of the piece. The subtitle of the piece is (Matthew 24:29-30) which reads:29 Immediately after the tribulation of those days shall the sun be darkened, and the moon shall not give her light, and the stars shall fall from heaven, and the powers of the heavens shall be shaken:30 And then shall appear the sign of the Son of man in heaven: and then shall all the tribes of the earth mourn, and they shall see the Son of man coming in the clouds of heaven with power and great glory.This piece was originally performed by the Wind Quintet at Brigham Young University-Idaho during the Fall 2023 semester, and has since been polished.Estimated duration of piece: 5 min, 55 secondsEmail me for the sheet music for the individual parts, or let me know if you're going to perform this piece!ryansterry2000@gmail.com.
$39.99 ≈
36.41€
Finding the Star
Finding the Star
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Abigail Gilson
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Finding the Star
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Abigail Gilson
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1024939 Composed by Abigail Gilson. Contemporary. Score and parts. 6 pages. Abigail Gilson #3631511. P...
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String Quartet String Quartet - Level 3 - SKU: A0.1024939 Composed by Abigail Gilson. Contemporary. Score and parts. 6 pages. Abigail Gilson #3631511. Published by Abigail Gilson (A0.1024939). Finding the Star is a slow-moving piece that draws out the idea of time being slowed down when one is lost. The theme of this piece is the idea of being lost at sea. The slow ground bass starts, the churning of the dark waves against the side of the ship. The sky and sea are the same type of dark, not a star or light can be seen anywhere above or below. On deck the crew wait for an order, though they are scared, there’s nothing they can do. They cannot make the star appear, and they cannot give direction without certainty that they’re going in the right direction. The waves turn and grow and often push the ship around, making everyone nervous, if they completely get turned they could get lost. The voices of the instruments trade places and come in and out of each other. Dancing around each other making a beautiful eerie melody. At the very end of the piece, the star is found. The clouds move and the moons bright light shines down on the weary travelers and they find hope again.
$4.99 ≈
4.54€
And the Clouds Break
And the Clouds Break
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Cor et Piano
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Daniel Baldwin
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And the Clouds Break
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Imagine Music - Digital
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SheetMusicPlus
Horn & piano - SKU: IZ.IMS156 Composed by Daniel Baldwin. Score and Parts. 11 pages. Imagine Music - Digital #IMS156. Published by Imagine Music - Digit...
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Horn & piano - SKU: IZ.IMS156 Composed by Daniel Baldwin. Score and Parts. 11 pages. Imagine Music - Digital #IMS156. Published by Imagine Music - Digital (IZ.IMS156). 9 x 12 in inches.In the fall of 2014, my friend Steven Cohen approached me about doing a project. Around the same time, Idiscovered a Facebook post by Karen Jones (wife of my friend and owner of Imagine Music, Ric Jones) expressinga poetic message about hope, faith, and community. This piece is inspired by a small quote from that posting:....(when) you see children comforting one another, something inside loosens just a little. And the clouds break for amoment, and faith is found in the light.This piece is dedicated to Steven's unborn child, soon to be the light of his life. I hope it will serve as a reminder that,though there will be struggles (there always are when raising children), the clouds will alwaysbreak and the light is always present.
$12.00 ≈
10.93€
Thérèse Brenet : Le Visionnaire for alto saxophone and piano
Thérèse Brenet : Le Visionnaire for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Therese Brenet
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Thérèse Brenet :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.532826 Composed by Therese Brenet. Contemporary,Sacred,Standards. Score and...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - SKU: A0.532826 Composed by Therese Brenet. Contemporary,Sacred,Standards. Score and parts. 11 pages. Musik Fabrik Music Publishing #44849. Published by Musik Fabrik Music Publishing (A0.532826). The German mystic the Abbess, Saint Hildegarde de Bingen, describes in the Sciula contraction of Cito uias domini (Learn the ways of the Lord), the visions that she had from childhood. This kind of experience is in a certain extent comparable to the beginning of the process of artistic creation. It was the case of Hildegarde herself, who had great expertise in many fields, including medicine, astronomy. and poetry which she often set in musical setting which were often very inspired. According to God’s will, my soul sometimes goes up into the heights of the sky and in the various regions of air, sometimes among the various peoples who live in far-off lands, unknown places because I see these things in my soul and according to this manner I see them also according to the imprecision of clouds and other creatures. I do not hear these things with my ear, I do not perceive them according to the thoughts of my heart, nor any of my five sense. I see them only en my soul, and the eyes of my body are open; And I see them awake both day and night This work also exists in a version for alto saxophone, viola and piano.
$10.35 ≈
9.42€
Forever in the Wind | Symphony No. 1, Mov. 1 - Score Only
Forever in the Wind | Symphony No. 1, Mov. 1 - Score Only
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Orchestre
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Classique
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Hudson Holland
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Hudson Holland
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Forever in the Wind | Symphony
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Hudson Holland
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SheetMusicPlus
Full Orchestra - SKU: A0.1347063 By Hudson Holland. By Hudson Holland. Arranged by Hudson Holland. Classical. 17 pages. Hudson Holland #931855. Publishe...
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Full Orchestra - SKU: A0.1347063 By Hudson Holland. By Hudson Holland. Arranged by Hudson Holland. Classical. 17 pages. Hudson Holland #931855. Published by Hudson Holland (A0.1347063). This piece of music was written as an impressionistic interpretation of the wind and weather patterns here in Florida.The piece begins in a windy afternoon with storms building in the distance. By rehearsal marking A, a small whirlwind forms lifting the listener up into the clouds.What began as a soaring flight quickly turns into dark, dismal clouds of a thunderstorm. At rehearsal marking D, the listener is taken even higher into the sky, above the clouds to see a beautiful purple sunset.The score is marked Ephemerally. In this piece, ephemerally is used to evoke a sense of transient and evanescent beauty, often leaving a lasting impression despite its brevity..
$99.99 ≈
91.05€
I'll See You Then!
I'll See You Then!
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Andrew McDonald
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Andrew McDonald
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I'll See You Then!
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Andrew Mc Donald
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1391099 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Pop,Spiritual. Score...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1391099 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Pop,Spiritual. Score. 6 pages. Andrew Mc Donald (Macka Records) #974630. Published by Andrew Mc Donald (Macka Records) (A0.1391099). I'll See You Then is a song about when Jesus returns at the second coming. He will come in the clouds and though I do not know the time He shall come I know that when I die I will see Him then. This is the piano and vocal score for this song.
$4.99 ≈
4.54€
Home At Last, vocal solo for funeral or other occasion
Home At Last, vocal solo for funeral or other occasion
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Home At Last, vocal solo for f
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Kevin G. Pace
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1317368 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiri...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1317368 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 8 pages. Kevin G. Pace #906029. Published by Kevin G. Pace (A0.1317368). A beautiful alto vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Â This music was written to be used in funerals and other occasions.Text:1. Beyond the deep horizon and ever wand'ring hills, There is a holy heaven when mortal life has stilled. Beyond the clouds and rainbow, beyond each azure sky, There is a place of total rest where peace forever lies. 2. Beyond the ocean currents and endless sandy shores, There is a holy haven where strife will be no more. Beyond each ev'ning's moonlight and ev'ry numbered star, There is a place near heaven's view, a place which now seems far. 3. Beyond the reach of sunshine and warmth of summer days, There is a God in heaven, and He will ever stay. Beyond each earthly asking, where prayers are heaven sent, There is a place where He resides and perfect Love is met. Chorus: Home at last, to live in God's presence where all will be at peace. Home at last, where God's pure love will shine and never, ever cease.
$3.99 ≈
3.63€
Still The Lord Speaks - an original hymn
Still The Lord Speaks - an original hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Still The Lord Speaks - an ori
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701758 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 3 pag...
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Choral Choir (SATB) - Level 4 - SKU: A0.701758 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3388875. Published by Kevin G. Pace (A0.701758). An original hymn with text by Mark R. Fotheringham below.YouTube video: https://youtu.be/4tAsymMhk3EStill The Lord speaks to prophets. Still The Lord feeds His sheep. Watching His flock, He leads them, Still in His care to keep. Building His church and kingdom, Here in the latter days, Once again calling prophets, Teaching the world His ways. Still The Lord hears your pleading. Still The Lord answers prayer. If with your heart you seek Him, Still will you find He's there. Piercing the clouds of error, Shining in truth and light, Ever He waits to guide you, Helping you choose the right.
$1.99 ≈
1.81€
Lost in the Clouds - Flute & Piano
Lost in the Clouds - Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Lost in the Clouds - Flute &am
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James M Stevens Music ASCAP
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.573948 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,We...
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Flute,Piano - Level 3 - SKU: A0.573948 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #6204437. Published by James M Stevens Music ASCAP (A0.573948). Written December 19, 2020, this an original flute and piano composition in a relaxed and dreamy style in the key of F major with a lyrical melody above and repetitive mystic pattern in the piano. There is a separate flute part in the score and the piano part as seen can serve as a independent new age piano solo. The accompaniment track as heard can be found under Lost in the Clouds Piano Track.
$6.99 ≈
6.36€
Lost in the Clouds - Oboe & Piano
Lost in the Clouds - Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Lost in the Clouds - Oboe &
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James M Stevens Music ASCAP
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.573949 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wed...
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Oboe,Piano - Level 3 - SKU: A0.573949 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #6204441. Published by James M Stevens Music ASCAP (A0.573949). Written December 19, 2020, this an original oboe and piano composition in a relaxed and dreamy style in the key of F major with a lyrical melody above and repetitive mystic pattern in the piano. There is a separate oboe part in the score and the piano part as seen can serve as a independent new age piano solo. The accompaniment track as heard can be found under Lost in the Clouds Piano Track.
$6.99 ≈
6.36€
Lost in the Clouds - Violin & Piano
Lost in the Clouds - Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Lost in the Clouds - Violin &a
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.573947 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,W...
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Piano,Violin - Level 3 - SKU: A0.573947 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. 8 pages. James M Stevens Music ASCAP #6204421. Published by James M Stevens Music ASCAP (A0.573947). Written December 19, 2020, this an original violin and piano composition in a relaxed and dreamy style in the key of F major with a lyrical melody above and repetitive mystic pattern in the piano. There is a separate violin part in the score and the piano part as seen can serve as a independent new age piano solo. The accompaniment track as heard can be found under Lost in the Clouds Piano Track.
$6.99 ≈
6.36€
Clouds
Clouds
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Chorale 2 parties
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Andy Beck
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Clouds
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0002329 Clouds - 2-Part. Composed by Andy Beck. Secular Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-000232...
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Chorus - SKU: AX.00-PO-0002329 Clouds - 2-Part. Composed by Andy Beck. Secular Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0002329. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002329). UPC: 038081358161.When you look at the clouds, what do you see? . . . Think of all the possibilities. This idea becomes a metaphor for life's amazing potential as this creative charmer unfolds. The latest in a series of outstanding 2-part repertoire from composer Andy Beck. Accompaniment included on PianoTrax 2 CD (00-31290).
$1.85 ≈
1.68€
Seesaw: 2nd Violin
Seesaw: 2nd Violin
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Orchestre à Cordes
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Methodes
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Steven H
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Seesaw: 2nd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017313_VN2 2nd Violin. Composed by Steven H. Brook. Instructional. Part. 1 pages. Alfred Music - Digital Sheet ...
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String Orchestra - SKU: AX.00-PC-0017313_VN2 2nd Violin. Composed by Steven H. Brook. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017313_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017313_VN2). UPC: 038081517254.The perfect technical piece for developing tone, listening skills, string crossings, smooth bow changes, and independence; as well as celebrating beautiful days at a park as melodies and dynamics move up and down between sections, as on a seesaw. The lines of music that the various instruments have weave up and down across each other as friendships weave throughout our lives. Imagine a leisurely day at the park, perhaps on a seesaw, and ponder this poem by the composer, Steven H. Brook. While pleasant breezes grace the sky, and clouds of joy drift gently by, our friendship bonds, we learn to play---and now, with you, we share today. (2:00)Concert/Contest; Festival.
$5.99 ≈
5.45€
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See The Clouds
