4 Irish Folksongs arranged by Charles Villiers Stanford and set for flute trio by John Gibson. Charles Stanford arranged many folksongs that he and others collected. This set comes from his "Songs of Erin" (1901) and is set for 3 Flutes. The tunes are : Trottin' to the Fair, At the Brink of the White Rock, Lost Light of My Eyes, and Leatherbags Donnell.

3 Irish Folksongs arranged by Charles Villiers Stanford and set for flute quintet by John Gibson. Charles Stanford arranged many folksongs that he and others collected. This set comes from his "Songs of Erin" (1901) and is set for 4 C Flutes and 1 Alto Flute with an alternate 5th C part provided. The tunes are : The Killarney Hunt, Now Mary What's the Matter, and Reynard on the Mountain High.

Irish Folksong Suite is a collection of popular traditional Irish Folksongs arranged for Clarinet Quartet. The titles include: 1. When Irish Eyes Are Smiling, 2. My Wild Irish Rose, 3. Molly Malone (Cockles and Mussels), 4. The Irish Washerwoman and 5. Drunken Sailor. This is a versatile arrangement that allows the songs to be played individually, as a medley in the original order, or any of the selections in any desired order. The arrangement is moderately advanced and perfect for most St. Patrick?s Day and other Irish celebrations. Total Playing Time with repeats 9:40 and 6:40 without repeats. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/

Digital Pack includes:

1. Souvenirs Of St. Petersburg - Conductor Score (Full Score)
2. Souvenirs Of St. Petersburg - Violin 1
3. Souvenirs Of St. Petersburg - Violin 2
4. Souvenirs Of St. Petersburg - Violin 3 (Viola Treble Clef)
5. Souvenirs Of St. Petersburg - Viola
6. Souvenirs Of St. Petersburg - Cello
7. Souvenirs Of St. Petersburg - Bass
8. Souvenirs Of St. Petersburg - Keyboard
9. Souvenirs Of St. Petersburg - Percussion

Everyone enjoys Celtic Folk Songs and Folk Hymns but not all realize that often they can be one and the same. A hymn text has often found its home in a folk song and a secular text sometimes finds a home in a hymn tune. This collection has a little of both. All but one of the tunes in this collection are of Celtic origin. The exception, ?Amazing Grace,? is a folk hymn of unknown origin that has all the markings of a Celtic Tune, including a pentatonic harmonic foundation.
For the harpists who also like to understand the history of a tune or even sing along, a variety of texts along with information about the tune and the lyrics can be found in the back of this book in the ?Notes on the Tunes.?

Titles: Ad Hyd y nos, Annie Laurie, Auld Lang Syne, Bunessan, Brother James' Air, Down By the Salley Gardens, Greensleeves, Iona Boat Song, Rorate (Rorate Coeli Desuper), Londonderry Air, New Britain, O Waly Waly, Slane, Scots W' Hae, The Ash Grove, Royal Oak, The Twenty-Ninth of May, St. Denio, Skye Boat Song, The Bard of Armagh, The Streets of Laredo, The Caledonian Hunt's Delight, St. Columba, The Road and the Miles to Dundee, The Rowan Tree, Ye Banks and Braes O' Bonnie Doon

One of the nicest things about this book is that each song has a short but lovely introduction!

Twenty arrangements of Irish, Scottish, and Welsh folk songs and tunes for lever harp, with and without vocals. Eighteen of the arrangements are playable with slight or no modifications on small harps of 23 or more strings with an F to G range and levers on B, F, and C. Introductions are included in songs written for vocals. History of the tunes is found in the front of the book.
Table of Contents:
Down By the Salley Gardens, Gartan Mother's Lullaby, Southwind, Gentle Maiden, Separation of Soul and Body, Samradh Samradh, I Wish I had the Shepherd's Lamb, The Two William Davises, Jock O'Hazeldean, Scotland the Brave, Baloo Baleerie, Weaving Lilt, Ye Banks and Braes, Bells of Aberdovey, Queen's Marsh, and Suo Gân.