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Still, Still, Still Flute, Brass and Organ Score and Parts
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Vous avez sélectionné:
Still, Still, Still Flute, Brass and Organ Score and Parts
Partitions à imprimer
5 partitions trouvées
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Feierlicher Einzug by Richard Strauss for Brass Ensemble
Feierlicher Einzug by Richard Strauss for Brass Ensemble
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Richard Strauss
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Jari A
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Feierlicher Einzug by Richard
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.722798 Composed by Richard Strauss. Arranged by Jari A. Villanueva. Romantic Per...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.722798 Composed by Richard Strauss. Arranged by Jari A. Villanueva. Romantic Period. Score and parts. 34 pages. JV MUSIC #5205297. Published by JV MUSIC (A0.722798). Feierlicher Einzug by Richard Strauss for Brass Ensemble Arranged by Jari Villanueva Feierlicher Einzug (Solemn Processional) was written by Richard Strauss in 1909. The occasion was an investiture ceremony for the Knights of St. John, a fraternal organization with roots going back as far as the 11th Century. Today, offshoots of this venerable order still exist, doing charitable works–primarily in aiding the poor and the sick–around the world. The original scoring of this piece included parts for 15 Eb Trumpets, 4 Eb Horns, 4 Trombones, 2 Tubas, and Timpani. Strauss later scored the work for full orchestra, including organ and optional chorus. An arrangement by Max Reger (1873-1916) for organ, 2 trombones, and timpani is still frequently performed today. This arrangement was originally done for the US Air Force Band and has been performed by the New England Conservatory Brass and Texas Christian University Wind Symphony.
$25.00 ≈
22.49€
Stille Nacht (Silent night) - Jazz Waltz - Brass Quintet
Stille Nacht (Silent night) - Jazz Waltz - Brass Quintet
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Noël
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Traditional
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Thomas Graf
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Stille Nacht
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.504087 Composed by Traditional. Arranged by Thomas Graf. Christmas,Jazz. Score a...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.504087 Composed by Traditional. Arranged by Thomas Graf. Christmas,Jazz. Score and parts. 16 pages. Thomas Graf - the-hit-factory.com #116031. Published by Thomas Graf - the-hit-factory.com (A0.504087). Silent night – the Christmas classic in a very sophisticated Jazz Waltz arrangement with some reharmonisation that will give to you a new view on the Christmas classic by Organist Franz Xaver Gruber (1787–1863). Instrumentation: Tpt 1/2 in Bb/C, Horn in F/Eb, Trombone C/Bb, Tuba/Bass in Bb/Eb Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our arrangements, esp. Big Band and Concert Band arrangements are played and prooved with our own ensembles with great fun and success. Please let us know if you have any request, question or if you need transposed parts. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.
$20.00 ≈
17.99€
Still, Still, Still arranged for Flute, Brass and Organ - Score and Parts
Still, Still, Still - Flute, Brass and Organ - Score and Parts
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John Partridge
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John Partridge
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Still, Still, Still - Flute, B
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John W Partridge
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SheetMusicPlus
Small Ensemble Flute,Organ,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.980972 Composed by John Partridge. Arranged by John Partridge. Christian,Christmas,...
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Small Ensemble Flute,Organ,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.980972 Composed by John Partridge. Arranged by John Partridge. Christian,Christmas,Contemporary,Sacred. Score and parts. 13 pages. John W Partridge #5714207. Published by John W Partridge (A0.980972). The traditional Austrian Christmas Carol, Still, Still, Still arranged for Flute, Trumpet 1, Trumpet 2, Trombone, Tuba and Organ. The brass quartet can be physically separated from the Flue and Organ to produce an antiphonal effect.
$10.00 ≈
9.00€
LEANING ON THE EVERLASTING ARMS
LEANING ON THE EVERLASTING ARMS
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Orchestre d'harmonie
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FACILE
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Contemporain
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A
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Ron Flintjer
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LEANING ON THE EVERLASTING ARM
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Ron Flintjer
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1005104 Composed by A.J. Showalter. Arranged by Ron Flintjer. Contemporary. Score and parts. 25 pages. Ron Flintjer #50...
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Concert Band - Level 2 - SKU: A0.1005104 Composed by A.J. Showalter. Arranged by Ron Flintjer. Contemporary. Score and parts. 25 pages. Ron Flintjer #5044359. Published by Ron Flintjer (A0.1005104). Of all church hymns, a longstanding classic is the upbeat, Leaning on the Everlasting Arms by A.J. Showalter. Written all the way back in 1887, I can still hear the choir and congregation belting out this wonderful hymn, while the piano and organ accompany them at full force. This arrangement for elementary band begins with the verse in a very laid-back, cantabile style. The chorus then joins in, led by snare drums in a stirring march style. Great moving lower brass lead all to a big broad ending. This piece is a perennial audience favorite, and one your group will enjoy performing time and again.All parts are written within the range of young elementary grade musicians. To produce a full sound, many instruments double other instruments, i.e. Eb sax and French horn, low brass and tenor sax, flute and oboe.Includes: Full score, flute, oboe, bells, Bb clarinet, Eb alto sax, tenor sax, (baritone horn), bass clarinet, French horn, Bb cornet, trombone (baritone horn), tuba, percussion.Should you have any questions, feel free to contact the composer ronflintjer@gmail.com
$16.00 ≈
14.39€
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00 ≈
9.00€
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