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Vous avez sélectionné:
Still Alive And Well
Partitions à imprimer
22 partitions trouvées
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1
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.1
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.1
#
Violon, Alto (duo)
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Kamada, Mikio
#
Toccata and Fuge in d-Moll BWV
#
ACORDO Sheet Music
#
SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet...
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Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985434. Published by ACORDO Sheet Music (A0.1402227). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60 ≈
11.70€
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.2
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.2
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Violon, Alto (duo)
#
AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Kamada, Mikio
#
Toccata and Fuge in d-Moll BWV
#
ACORDO Sheet Music
#
SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet...
(+)
Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985435. Published by ACORDO Sheet Music (A0.1402228). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60 ≈
11.70€
Still Alive And Well
Still Alive And Well
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Guitare notes et tablatures
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Blues
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Rock
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Johnny Winter and Rick Derring
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Pop
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Still Alive And Well
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Johnny Winter and Rick Derringer. For guitar. Blues; Pop; Rock. Guitar TAB. Guitar TAB. 6 pages. Published by Hal Leonard - Digital Sheet Music...
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By Johnny Winter and Rick Derringer. For guitar. Blues; Pop; Rock. Guitar TAB. Guitar TAB. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.63€
Still Alive And Well
Still Alive And Well
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Guitare notes et tablatures
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Blues
#
Rock
#
Johnny Winter and Rick Derring
#
Pop
#
Still Alive And Well
#
Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Johnny Winter and Rick Derringer. For guitar. Blues; Pop; Rock. GPLA. Guitar TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music...
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By Johnny Winter and Rick Derringer. For guitar. Blues; Pop; Rock. GPLA. Guitar TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.63€
Still Alive and Well by Johnny Winter - Guitar Recorded Versions (with TAB), Guitar TAB Transcription/Guitar Recorded Versions (with TAB);Guitar TAB Transcription
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Guitare notes et tablatures
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Johnny Winter
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Still Alive and Well
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Musicnotes
Performed by: Johnny Winter: Still Alive and Well Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music ...
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Performed by: Johnny Winter: Still Alive and Well Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Guitar; 6 pages -- Blues Rock~~Hard Rock~~Album Rock~~Boogie Rock
$5.50 ≈
5.11€
Johnny Winter: Still Alive And Well for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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Johnny Winter
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Virtualsheetmusic
Instantly printable sheet music by Johnny Winter for guitar (tablature) of MEDIUM skill level. / blues,pop,rock
Instantly printable sheet music by Johnny Winter for guitar (tablature) of MEDIUM skill level. / blues,pop,rock
$6.97 ≈
6.47€
Johnny Winter: Still Alive And Well for guitar
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Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Rock
#
Johnny Winter
#
Virtualsheetmusic
Instantly printable sheet music by Johnny Winter for guitar (tablature, play-along) of MEDIUM skill level. / blues,pop,rock
Instantly printable sheet music by Johnny Winter for guitar (tablature, play-along) of MEDIUM skill level. / blues,pop,rock
$7.97 ≈
7.40€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
51.98€
L'amore di Kebo Iwa (Balinese Gamelan in Piano)
L'amore di Kebo Iwa (Balinese Gamelan in Piano)
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Piano seul
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INTERMÉDIAIRE
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Gabrielle Felicita Chen
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L'amore di Kebo Iwa
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Gabrielle Felicita Chen
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1041503 Composed by Gabrielle Felicita Chen. Contest,Festival,Folk,Holiday,Multicultural,Traditional,World. Score. 9 page...
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Piano Solo - Level 3 - SKU: A0.1041503 Composed by Gabrielle Felicita Chen. Contest,Festival,Folk,Holiday,Multicultural,Traditional,World. Score. 9 pages. Gabrielle Felicita Chen #646246. Published by Gabrielle Felicita Chen (A0.1041503). “L’amore di Kebo Iwa†simply means ‘the Love of Kebo Iwa’ , which is inspired from Indonesian Balinese folk music. It is usually played by the instruments called Gamelan. Bali is an island in Indonesia rich with cultural traditions that are very much rooted in myths and legends. After understanding deeper of the legend of “Kebo Iwaâ€, I was so drawn to the character and the plot that I decided to tell the story in my piano composition. I was able to use different kinds of musical techniques to express different moods. One of them is to apply the Pentatonic ‘Balinese Pelog’ Scale in B flat Major, which represents the majority of the Gamelan sound that is usually transcribed into Western notations. Below is the synopsis the “L’amore di Kebo Iwaâ€. A Once upon a time, in Bali, there was a husband and a wife who dearly wanted to have a baby. They prayed to God for a very long time. Finally, God heard their prayers and blessed them with a baby boy. But there was something special about this baby boy: he was very big- a giant baby. They named him Kebo Iwa. Kebo Iwa grew up with a good heart and became a gentleman. He was a kind hearted giant; he protected the village dearly. One day, the King of Majapahit from Java wanted to conquer Bali. He had heard about Kebo Iwa and knew that his army would lose to Kebo Iwa. B Therefore, the King of Majapahit tricked Kebo Iwa. He invited Kebo Iwa to Java island, promising that he would arrange a wedding for Kebo Iwa to marry his daughter, the beautiful Majapahit princess. Kebo Iwa was so in love with the princess, so he happily travelled to Java island. C After he arrived in Java, the King of Majapahit asked a favour from Kebo Iwa to dig a well, with the reason for it being the dry season. Kebo Iwa then sincerely gave some help and started digging a big, giant well. D However, the King Majapahit never meant to deliver his promise to Kebo Iwa. Instead, the King Majapahit commanded the troops to cover the well with mud and boulders. But when Kebo Iwa realized, it was too late. He was already in the position that was far too deep below - at the bottom of the well. Kebo Iwa then cried loudly and sadly with a broken heart until his last breath. He was buried alive. Soon after that, the Majapahit troops attacked and conquered Bali. E At last, the well was covered and grew a hill of flowers. To this day, the Bali villagers still remember Kebo Iwa as their hero. To honor him, they erected a giant statue of Kebo Iwa in Gianyar, Bali, as a memorial.
$9.99 ≈
9.27€
The Great Healer (lead sheet)
The Great Healer (lead sheet)
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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David Kai
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Chorus:
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The Great Healer
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David Kai
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.893858 Composed by David Kai. Christian,Gospel,Pop. Score. 4 pages. David Kai #5986435. Published by David ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.893858 Composed by David Kai. Christian,Gospel,Pop. Score. 4 pages. David Kai #5986435. Published by David Kai (A0.893858). This song was written when heart transplants were fairly new and still in the news. The song depicts the healing ministry of Jesus brought into modern times. Since people like to put music into categories, the style could be roughly described as being country/bluegrass/synth-driven/gospel pop, which might make it pretty unique! The song was first recorded by the Christian rock group, Whitestone and later by the Sellwoods gospel group. Both versions can be found on Youtube.The Great Healer words and music by David Kai ©1980 I’ve had a heart transplant with a bit of a difference, it may seem rather odd No scalpel, no surgeon, no anesthetic, just between me and God And now a new life beats inside of me, it’s more than mere words can describe My heart keeps time to the rhythm of the Spirit inside Well I went fishing for the truth to life, but I opened up a can of worms False religions and philosophies, misleading me at every turn Well I soon realized that knowledge is fine, but it’s really just a place to start ‘Cause you can change your mind but it’s God that has to change your heart Chorus: Yes, he’s the great healer, in a world of pain and strife, he’s the great healer, and he can mend a broken life And though your hurts be too much to bear, he can heal your wounds with loving care And give you a new life that will never die So if you feel that you’ve lost all your reason to live, good and bad look the same And you’re walking around more dead than alive, life clotting up in your veins Just end your confusion, accept a transfusion of love from the heavenly Lord And to your surprise you’ll find that you have been restored Chorus: I’ve had a heart transplant with a bit of a difference...
$2.00 ≈
1.86€
Larry Williams Compositions- The Guitar Book
Larry Williams Compositions- The Guitar Book
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Larry Williams
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Larry Williams Compositions- T
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Larry Andrew Williams
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Pu...
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Solo Guitar - Level 4 - SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00 ≈
18.57€
Let Me Be There: String Bass
Let Me Be There: String Bass
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Contrebasse (partie séparée)
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Methodes
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John Rostill
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Jay Althouse
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Let Me Be There: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Bass - SKU: AX.00-PC-0001331_SB String Bass. Composed by John Rostill. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Musi...
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String Bass - SKU: AX.00-PC-0001331_SB String Bass. Composed by John Rostill. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001331_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001331_SB). UPC: 038081310367.This Olivia Newton-John hit from the ’70s translates perfectly as a gospel-edged pop piece for today’s choirs. There’s a little hint of Elvis, too. Well-crafted choral writing combines with rhythmic drive to make your group come alive. There’s a brief hand clapping a cappella section as the piece builds toward the big finish.
$4.00 ≈
3.71€
Let Me Be There: B-flat Tenor Saxophone
Let Me Be There: B-flat Tenor Saxophone
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Saxophone (partie séparée)
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Methodes
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John Rostill
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Jay Althouse
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Let Me Be There: B-flat Tenor
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
B-flat Tenor Saxophone - SKU: AX.00-PC-0001331_TX1 B-flat Tenor Saxophone. Composed by John Rostill. Arranged by Jay Althouse. Instructional. Par...
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B-flat Tenor Saxophone - SKU: AX.00-PC-0001331_TX1 B-flat Tenor Saxophone. Composed by John Rostill. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001331_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001331_TX1). UPC: 038081310367.This Olivia Newton-John hit from the ’70s translates perfectly as a gospel-edged pop piece for today’s choirs. There’s a little hint of Elvis, too. Well-crafted choral writing combines with rhythmic drive to make your group come alive. There’s a brief hand clapping a cappella section as the piece builds toward the big finish.
$4.00 ≈
3.71€
Let Me Be There: E-flat Alto Saxophone
Let Me Be There: E-flat Alto Saxophone
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Saxophone (partie séparée)
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Methodes
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John Rostill
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Jay Althouse
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Let Me Be There: E-flat Alto S
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
E-flat Alto Saxophone - SKU: AX.00-PC-0001331_AX1 E-flat Alto Saxophone. Composed by John Rostill. Arranged by Jay Althouse. Instructional. Part....
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E-flat Alto Saxophone - SKU: AX.00-PC-0001331_AX1 E-flat Alto Saxophone. Composed by John Rostill. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001331_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001331_AX1). UPC: 038081310367.This Olivia Newton-John hit from the ’70s translates perfectly as a gospel-edged pop piece for today’s choirs. There’s a little hint of Elvis, too. Well-crafted choral writing combines with rhythmic drive to make your group come alive. There’s a brief hand clapping a cappella section as the piece builds toward the big finish.
$4.00 ≈
3.71€
Let Me Be There: 1st B-flat Trumpet
Let Me Be There: 1st B-flat Trumpet
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Trompette (partie séparée)
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Methodes
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John Rostill
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Jay Althouse
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Let Me Be There: 1st B-flat Tr
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
1st B-flat Trumpet - SKU: AX.00-PC-0001331_T1 1st B-flat Trumpet. Composed by John Rostill. Arranged by Jay Althouse. Instructional. Part. 2 page...
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1st B-flat Trumpet - SKU: AX.00-PC-0001331_T1 1st B-flat Trumpet. Composed by John Rostill. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001331_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001331_T1). UPC: 038081310367.This Olivia Newton-John hit from the ’70s translates perfectly as a gospel-edged pop piece for today’s choirs. There’s a little hint of Elvis, too. Well-crafted choral writing combines with rhythmic drive to make your group come alive. There’s a brief hand clapping a cappella section as the piece builds toward the big finish.
$4.00 ≈
3.71€
The Great Healer
The Great Healer
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David Kai
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David Kai
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The Great Healer
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David Kai
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SheetMusicPlus
Drum Set,Electric Bass Guitar,Electric Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105120 By David Kai. By David Kai. Arranged by David ...
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Drum Set,Electric Bass Guitar,Electric Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105120 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Folk,Rock. Full Performance. Duration 215. David Kai #708367. Published by David Kai (A0.1105120). This fun song was written when heart transplants were fairly new and still in the news. The song depicts the healing ministry of Jesus brought into modern times. Since people like to put music into categories, the style could be roughly described as being country/bluegrass/synth-driven/gospel pop, which might make it pretty unique! The song was first recorded by the Christian rock group, Whitestone. The Great Healer words and music by David Kai ©1980 I’ve had a heart transplant with a bit of a difference, it may seem rather odd No scalpel, no surgeon, no anesthetic, just between me and God And now a new life beats inside of me, it’s more than mere words can describe My heart keeps time to the rhythm of the Spirit inside Well I went fishing for the truth to life, but I opened up a can of worms False religions and philosophies, misleading me at every turn Well I soon realized that knowledge is fine, but it’s really just a place to start ‘Cause you can change your mind but it’s God that has to change your heart Chorus: Yes, he’s the great healer, in a world of pain and strife He’s the great healer, and he can mend a broken life And though your hurts be too much to bear He can heal your wounds with his loving care And give you a new life that will never die So if you feel that you’ve lost all your reason to live Good and bad look the same And you’re walking around more dead than alive Life clotting up in your veins Just end your confusion, accept a transfusion of love from the heavenly Lord And to your surprise you’ll find that you have been restored Chorus:.
$1.99 ≈
1.85€
raised again
raised again
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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raised again
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - SKU: A0.1066690 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 186. THEMIS KOUTRAS #5012667. P...
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Piano - SKU: A0.1066690 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 186. THEMIS KOUTRAS #5012667. Published by THEMIS KOUTRAS (A0.1066690). This is a song story how i was risen to life many times due to been martyred for the word of GOD i insisted in attacking enemy line casting all kinds of evil spirits to hell prediction to defend GOD and creation on the count of it i was killed in this spiritual war Armageddon each time i fell asleep for many years to come JESUS CHRIST insisted to resurrect me each time until he won the war because of it do not be surprised about this the holy bible clearly says when JESUS CHRIST was resurrected found alive many prophets and people of GOD were resurrected with him and they went directly to the the temple to preach the gospel well it is happening to today many reports came my way that some still get raised to life all others will be resurrected in the last days to enter new world heaven well i am one of those resurrected these days thanking GOD for his perfect holy help
$4.99 ≈
4.63€
Let Me Be There: Score
Let Me Be There: Score
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Methodes
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John Rostill
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Jay Althouse
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Let Me Be There: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
SKU: AX.00-PR-0001314 Score. Composed by John Rostill. Arranged by Jay Althouse. Instructional. Score. 20 pages. Alfred Music - Digital Sheet Mus...
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SKU: AX.00-PR-0001314 Score. Composed by John Rostill. Arranged by Jay Althouse. Instructional. Score. 20 pages. Alfred Music - Digital Sheet Music #00-PR-0001314. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0001314). UPC: 038081310367.This Olivia Newton-John hit from the ’70s translates perfectly as a gospel-edged pop piece for today’s choirs. There’s a little hint of Elvis, too. Well-crafted choral writing combines with rhythmic drive to make your group come alive. There’s a brief hand clapping a cappella section as the piece builds toward the big finish.
$8.00 ≈
7.43€
Let Me Be There: Guitar
Let Me Be There: Guitar
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Methodes
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John Rostill
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Jay Althouse
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Let Me Be There: Guitar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Guitar - SKU: AX.00-PC-0001331_G Guitar. Composed by John Rostill. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital...
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Guitar - SKU: AX.00-PC-0001331_G Guitar. Composed by John Rostill. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001331_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001331_G). UPC: 038081310367.This Olivia Newton-John hit from the ’70s translates perfectly as a gospel-edged pop piece for today’s choirs. There’s a little hint of Elvis, too. Well-crafted choral writing combines with rhythmic drive to make your group come alive. There’s a brief hand clapping a cappella section as the piece builds toward the big finish.
$4.00 ≈
3.71€
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Still Alive And Well
Still Alive And Well
