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Vous avez sélectionné:
Strong Will To Live
Partitions à imprimer
93 partitions trouvées
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I Will Walk This Way (Downloadable)
I Will Walk This Way (Downloadable)
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Ken Berg
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I Will Walk This Way
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Solo voice, SATB choir, and piano - Moderately Easy - SKU: MQ.1.3559-E Composed by Ken Berg. 11 pages. Galaxy Music Corporation - Digital #1.3559-E. Pub...
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Solo voice, SATB choir, and piano - Moderately Easy - SKU: MQ.1.3559-E Composed by Ken Berg. 11 pages. Galaxy Music Corporation - Digital #1.3559-E. Published by Galaxy Music Corporation - Digital (MQ.1.3559-E). English.We are constantly bombarded with language and images that challenge us to consider our world from many points of view. This is important, but perhaps even more important is what do we do with all these viewpoints. How shall we live? We all make choices as to how we respond to our world. This piece, with a strong gospel music feel, offers a positive and encouraging response to the decisions of life and how we choose to live it. For optional solo voice, SATB chorus, and piano. Duration: 4:00.
$2.65 ≈
2.45€
I Will Walk This Way (Downloadable)
I Will Walk This Way (Downloadable)
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Ken Berg
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I Will Walk This Way
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Solo Male voice, 3-part Male choir, and piano - Moderately Easy - SKU: MQ.1.3552-E Composed by Ken Berg. Instrument part. 14 pages. Galaxy Music Corpora...
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Solo Male voice, 3-part Male choir, and piano - Moderately Easy - SKU: MQ.1.3552-E Composed by Ken Berg. Instrument part. 14 pages. Galaxy Music Corporation - Digital #1.3552-E. Published by Galaxy Music Corporation - Digital (MQ.1.3552-E). English.We are constantly bombarded with language and images that challenge us to consider our world from many points of view. This is important, but perhaps even more important is what do we do with all these viewpoints. How shall we live? We all make choices as to how we respond to our world. This piece, with a strong gospel music feel, offers a positive and encouraging response to the decisions of life and how we choose to live it. For optional male voice solo, three-part male chorus, and piano. Duration: 4:00.
$2.85 ≈
2.63€
I Will Walk This Way (Downloadable)
I Will Walk This Way (Downloadable)
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Ken Berg
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I Will Walk This Way
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Solo treble voice, 2-part treble choir, and piano - Moderately Easy - SKU: MQ.1.3551-E Composed by Ken Berg. Instrument part. 11 pages. Galaxy Music Cor...
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Solo treble voice, 2-part treble choir, and piano - Moderately Easy - SKU: MQ.1.3551-E Composed by Ken Berg. Instrument part. 11 pages. Galaxy Music Corporation - Digital #1.3551-E. Published by Galaxy Music Corporation - Digital (MQ.1.3551-E). English.We are constantly bombarded with language and images that challenge us to consider our world from many points of view. This is important, but perhaps even more important is what do we do with all these viewpoints. How shall we live? We all make choices as to how we respond to our world. This piece, with a strong gospel music feel, offers a positive and encouraging response to the decisions of life and how we choose to live it. For optional treble solo and two-part treble chorus and piano. Duration: 4:00.
$2.65 ≈
2.45€
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 4 "Homage to
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Publishe...
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Full Orchestra - Level 5 - SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95 ≈
46.14€
A Louis Armstrong Suite
A Louis Armstrong Suite
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Trompette, Piano
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INTERMÉDIAIRE/AVANCÉ
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Louis Armstrong
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Paul Denegri
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A Louis Armstrong Suite
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Paul Denegri - Pandon Ltd
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SheetMusicPlus
Piano,Trumpet - Level 4 - SKU: A0.1446408 By Louis Armstrong. By Clarence Williams, Joe Oliver, Lillian Hardin Armstrong, and Ralph Matthews. Arranged b...
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Piano,Trumpet - Level 4 - SKU: A0.1446408 By Louis Armstrong. By Clarence Williams, Joe Oliver, Lillian Hardin Armstrong, and Ralph Matthews. Arranged by Paul Denegri. 20th Century,Jazz. Score and part. 40 pages. Paul Denegri - Pandon Ltd #1026060. Published by Paul Denegri - Pandon Ltd (A0.1446408). A superbly crafted suite of Louis Armstrong classics: West End Blues, Tomorrow Night and Satchel Mouth Swing, by composers Joe Oliver, Clarence Williams, Lillian Hardin Armstrong and Ralph Matthews, arranged by the experienced and highly regarded brass arranger and professional trumpet player: Paul Denegri.www.pauldenegripandon.comThis work is a notated jazz standard for trumpet and piano accompaniment ideal for the concert platform and a proven favourite with audiences and performers.Ideal for accomplished trumpet players and students of Associated Board School of Music or Trinity grade 7 and 8 level and above.Also included is additional biographical information on Louis Armstrong and the composers which is ideal for programme notes.Trumpet range is G below middle C to Bb above the treble clef stave.
$16.99 ≈
15.70€
Busted Heart (Hold on to Me)
Busted Heart (Hold on to Me)
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Piano, Voix et Guitare
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For King and Country
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Busted Heart
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0015503 By For King and Country. By Ben Glover, Jenna Torres, Joel Smallbone, and Luke Smallbone. Gospel/Sacred. 7 pa...
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Piano/Vocal/Chords - SKU: AX.00-PS-0015503 By For King and Country. By Ben Glover, Jenna Torres, Joel Smallbone, and Luke Smallbone. Gospel/Sacred. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0015503. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015503). ISBN 9780739091098. UPC: 038081442259.Immensely popular songs like 10,000 Reasons (Bless the Lord) (Matt Redman), Blessings (Laura Story), Let the Church Say Amen (AndraA(c) Crouch), plus dozens more make this collection of more than 300 pages of sheet music a must-own item for music makers and worship leaders. Containing 46 contemporary Christian hits, beloved worship songs, and gospel standouts, this is an exciting assortment unmatched in any other songbook. The piano arrangements are modeled after familiar recorded versions of the songs, including complete lyrics and melodies, along with basic chord fingering grids for optional guitar accompaniment. Titles: 10,000 Reasons (Bless the Lord) (Matt Redman) * Above All (Michael W. Smith) * Alive (Mary Magdalene) (Natalie Grant) * All This Time (Britt Nicole) * Amazing Grace (My Chains Are Gone) (Chris Tomlin) * Better Than a Hallelujah (Amy Grant) * Blessings (Laura Story) * Busted Heart (Hold On to Me) (For King and Country) * Carry Me to the Cross (Kutless) * Christ Is Risen (Matt Maher) * Cinderella (Steven Curtis Chapman) * City on Our Knees (tobyMac) * Courageous (Casting Crowns) * Dependence (Jamie Slocum) * Glorious Day (Living He Loved Me) (Casting Crowns) * Held (Natalie Grant) * Hold Me (Jamie Grace featuring tobyMac) * How Beautiful (Twila Paris) * How Great Is Our God (Chris Tomlin) * How He Loves (David Crowder Band) * I Can Only Imagine (MercyMe) * I Lift My Hands (Chris Tomlin) * I Will Be Here (Steven Curtis Chapman) * I Will Rise (Chris Tomlin) * I'm With You (Ruth & Naomi) (Nichole Nordeman and Amy Grant) * In Christ Alone (Newsboys) * In My Arms (Plumb) * Lead Me (Sanctus Real) * Learning to Be the Light (NewWorldSon) * Let the Church Say Amen (AndraA(c) Crouch) * Mighty to Save (Hillsong) * Oh Happy Day (Edwin Hawkins) * Only Hope (Mandy Moore) * Overcome (Jeremy Camp) * The Prayer (Celine Dion and Andrea Bocelli) * Revelation Song (Kari Jobe) * Shout to the Lord (Darlene Zschech) * Strong Enough (Matthew West) * Stronger (Mandisa) * U.
$3.99 ≈
3.69€
A Kiss To Build A Dream On
A Kiss To Build A Dream On
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Bert Kalmar, Harry Ruby, and O
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Bobby Hesch
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A Kiss To Build A Dream On
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Bobby Hesch
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.839555 Composed by Bert Kalmar, Harry Ruby, and Oscar Hammerstein. Arranged by Bobby Hesch. Contemporary. Individual p...
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Clarinet Solo - Level 4 - SKU: A0.839555 Composed by Bert Kalmar, Harry Ruby, and Oscar Hammerstein. Arranged by Bobby Hesch. Contemporary. Individual part. 2 pages. Bobby Hesch #6341909. Published by Bobby Hesch (A0.839555). A KISS TO BUILD A DREAM ON!!! MADE FAMOUS BY TH GREAT LOUIS AMSTRONG!!! IN THE MOVIE SLEEPLESS IN SEATTLE!!! KEY OF D!! LOW G#-HIGH A!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! LAID BACK STYLE!!CONTACT INFORMATION:bobbyhesch@yahoo.com IG:@bobbyhesch GIVE ME YOUR LIPS FOR JUST A MOMENT & MY IMAGINATION WILL MAKE THAT MOMENT LIVE . GIVE ME WHAT YOU ALONE CAN GIVE ME, A KISS TO BUILD A DREAM ON!!! LET'S PLAY SOME JAZZ!!! LISTEN TO RECORDINGS OF LOUIS ARMSTRONG FOR STYLE!!!
$4.99 ≈
4.61€
I Can't Get Next To You
I Can't Get Next To You
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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The Temptations
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Jeff Tincher
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I Can't Get Next To You
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Jeff Tincher
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.582606 By The Temptations. By Barrett Strong and Norman Whitfield. Arranged by Jeff Tincher. Oldies. S...
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String Quartet String Quartet - Level 3 - SKU: A0.582606 By The Temptations. By Barrett Strong and Norman Whitfield. Arranged by Jeff Tincher. Oldies. Score and parts. 24 pages. Jeff Tincher #3429507. Published by Jeff Tincher (A0.582606). Get your String Quartet's 60's soul on with this arrangement of one of The Temptation's big hits. In the original key from their Puzzle People CD, this song will bring back memories and is great for any live venue ! Duration=2:56. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99 ≈
12.00€
Nearer, My God, to Thee (as played by 'The Piano Guys')
Nearer, My God, to Thee (as played by 'The Piano Guys')
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Sarah Flower Adams and 'The Pi
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Flavio Regis Cunha
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Nearer, My God, to Thee
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Flavio Regis Cunha
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SheetMusicPlus
String Ensemble Cello - Level 3 - SKU: A0.1259252 By Sarah Flower Adams and 'The Piano Guys'. By Nearer, My God, to Thee (as played by 'The Piano Guys')...
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String Ensemble Cello - Level 3 - SKU: A0.1259252 By Sarah Flower Adams and 'The Piano Guys'. By Nearer, My God, to Thee (as played by 'The Piano Guys'). Arranged by Flavio Regis Cunha. Contest,Festival,Film/TV,Instructional,Sacred,Wedding. 17 pages. Flavio Regis Cunha #852516. Published by Flavio Regis Cunha (A0.1259252). Are you a cellist looking for the perfect arrangement to add to your repertoire? Then look no further! Â Introducing 'Nearer, My God, to Thee' composed by Sarah Flower Adams as heard on 'The Piano Guys'. This beautifully arranged piece is perfect for a violoncello quartet. Â For amateurs, students, and professionals alike, this sheet music provides an excellent opportunity to learn and practice the intricate and soaring melodies of this timeless song. The sheet music also makes a delightful addition to any repertoire, providing a wonderful, powerful, and meaningful performance. Â Experience the beauty of 'Nearer, My God, to Thee' the way it was intended with this arranger sheet music from 'The Piano Guys'. Your audience will be in awe of your musical skill in no time!Advanced-IntermediateFormat: Concert, 9 x 12 inches8 pages.Program NotesThe Piano Guys bring to life Sarah Flower Adams's traditional hymn Dawn in this lively arrangement for four violoncellos. In this unique interpretation, the alluring melody of the strings conjure up feelings of anguish and hope evoked by the original hymn. Throughout the piece, the four cellists navigate an intricate combination of Renaissance-era chords, lush harmonies, and entrancing held notes that transition between moments of minor despair and major triumph within the same breath. As the layers of four strong, soulful voices come together at the end, we are left with feelings of optimism and promise, that no matter the tribulations we may face, dawn brings us a sense of renewal.
$12.99 ≈
12.00€
A Kiss To Build A Dream On
A Kiss To Build A Dream On
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Bert Kalmar, Harry Ruby, and O
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Bobby Hesch
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A Kiss To Build A Dream On
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Bobby Hesch
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SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.839557 Composed by Bert Kalmar, Harry Ruby, and Oscar Hammerstein. Arranged by Bobby Hesch. Contemporary. Individual pa...
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Trumpet Solo - Level 4 - SKU: A0.839557 Composed by Bert Kalmar, Harry Ruby, and Oscar Hammerstein. Arranged by Bobby Hesch. Contemporary. Individual part. 2 pages. Bobby Hesch #6342255. Published by Bobby Hesch (A0.839557). A KISS TO BUILD A DREAM ON!!! MADE FAMOUS BY THE GREAT LOUIS ARMSTRONG!!! IN THE MOVIE SLEEPLESS IN SEATTLE!!! KEY OF D!!LOW D -HIGH A!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! LAID BACK STYLE!!! CONTACT INFORMATION:bobbyhesch@yahoo.com IG :@bobbyhesch GIVE ME YOUR LIPS FOR JUST A MOMENT & MY IMAGINATION WILL MAKE THAT MOMENT LIVE, GIVE ME WHAT YOU ALONE CAN GIVE ME, A KISS TO BUILD A DREAM ON!!! LET'S PLAY SOME JAZZ!!! LISTEN TO A RECORDING OF LOUIS ARMSTRONG FOR STYLE!!!
$4.99 ≈
4.61€
A Kiss To Build A Dream On
A Kiss To Build A Dream On
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Flûte traversière
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Bert Kalmar, Harry Ruby, and O
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Bobby Hesch
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A Kiss To Build A Dream On
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Bobby Hesch
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.839559 Composed by Bert Kalmar, Harry Ruby, and Oscar Hammerstein. Arranged by Bobby Hesch. Contemporary. Individual part...
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Flute Solo - Level 4 - SKU: A0.839559 Composed by Bert Kalmar, Harry Ruby, and Oscar Hammerstein. Arranged by Bobby Hesch. Contemporary. Individual part. 2 pages. Bobby Hesch #6342287. Published by Bobby Hesch (A0.839559). A KISS TO BUILD A DREAM ON!!! MADE FAMOUS BY THE GREAT LOUIS ARMSTRONG!!! IN THE MOVIE SLEEPLESS IN SEATTLE!!! KEY OF C!! LOWF#-HIGH G!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! LAID BACK STYLE!! CONTACT INFORMATION:bobbyhesch@yahoo.com IG:@bobbyhesch GIVE ME YOUR LIPS FOR JUST A MOMENT AND MY IMAGINATION WILL MAKE THAT MOMENT LIVE, GIVE ME WHAT ONLY YOU CAN GIVE ME A KISS TO BUILD A DREAM ON!!! LISTEN TO A REORDING OF LOUIS ARMSTRONG FOR STYLE!!!
$4.99 ≈
4.61€
A Kiss To Build A Dream On
A Kiss To Build A Dream On
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Trombone
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Bert Kalmar, Harry Ruby, and O
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Bobby Hesch
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A Kiss To Build A Dream On
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Bobby Hesch
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SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.839558 Composed by Bert Kalmar, Harry Ruby, and Oscar Hammerstein. Arranged by Bobby Hesch. Contemporary. Individual p...
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Trombone Solo - Level 4 - SKU: A0.839558 Composed by Bert Kalmar, Harry Ruby, and Oscar Hammerstein. Arranged by Bobby Hesch. Contemporary. Individual part. 2 pages. Bobby Hesch #6342267. Published by Bobby Hesch (A0.839558). A KISS TO BUILD A DREAM ON!!! MADE FAMOUS BY THE GREAT LOUIS ARMSTRONG!! IN THE MOVIE SLEEPLESS IN SEATTLE!!! KEY OF C!! LOW C-HIGH G!!!MP3 FOR JAZZ STYLE & INTERPRETATION!!! LAID BACK STYLE!!! CONTACT INFORMATION:bobbyhesch@yahoo.com IG :@bobbyhesch GIVE ME YOUR LIPS FOR JUST A MOMENT & MY IMAGINATION WILL MAKE THAT MOMENT LIVE, GIVE ME WHAT ONLY YOU CAN GIVE ME , A KISS TO BUILD A DREAM ON!!! LISTEN TO A LOUIS ARMSTRONG RCPRDING FOR STYLE!!!
$4.99 ≈
4.61€
A Kiss To Build A Dream On
A Kiss To Build A Dream On
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Saxophone Tenor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Bert Kalmar, Harry Ruby, and O
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Bobby Hesch
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A Kiss To Build A Dream On
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Bobby Hesch
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SheetMusicPlus
Tenor Saxophone Solo - Level 4 - SKU: A0.839556 Composed by Bert Kalmar, Harry Ruby, and Oscar Hammerstein. Arranged by Bobby Hesch. Contemporary. Indiv...
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Tenor Saxophone Solo - Level 4 - SKU: A0.839556 Composed by Bert Kalmar, Harry Ruby, and Oscar Hammerstein. Arranged by Bobby Hesch. Contemporary. Individual part. 2 pages. Bobby Hesch #6341969. Published by Bobby Hesch (A0.839556). A KISS TO BUILD A DREAM ON!!! MADE FAMOUS BY THE GREAT LOUIS ARMSTRONG!!!IN THE MOIE SLEEPLESS IN SEATTLE!!!LOW D/HIGH F#!!!MP3 FOR JAZZ STYLE & INTERPRETATION!!!LAID BACK STYLE!!! CONTACT INFORMATION:bobbyhesch@yahoo.com IG:@bobbyhesch GIVE ME YOUR LIPS FOR JUST A MOMENT&MY IMAGINATION WILL MAKE THAT MOMENT LIVE, GIVE ME WHAT YOU ALONE CAN GIVE ME, A KISS TO BUILD A DREAM ON!!! LET'S PLAY SOME JAZZ!!! LISTEN TO A RECORDING OF LOUIS ARMSTRONG FOR JAZZ STYLE!!!
$4.99 ≈
4.61€
A Kiss To Build A Dream On
A Kiss To Build A Dream On
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Saxophone Alto
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Bert Kalmar, Harry Ruby, and O
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Bobby Hesch
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INTERPRETATION!!!
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A Kiss To Build A Dream On
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Bobby Hesch
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SheetMusicPlus
Alto Saxophone Solo - Level 4 - SKU: A0.839554 Composed by Bert Kalmar, Harry Ruby, and Oscar Hammerstein. Arranged by Bobby Hesch. Contemporary. Indivi...
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Alto Saxophone Solo - Level 4 - SKU: A0.839554 Composed by Bert Kalmar, Harry Ruby, and Oscar Hammerstein. Arranged by Bobby Hesch. Contemporary. Individual part. 2 pages. Bobby Hesch #6341857. Published by Bobby Hesch (A0.839554). A KISS TO BUILD A DREAM ON!!! MADE FAMOUS BY THE GREAT LOUIS ARMSTRONG!!! IN THE MOVIE SLEEPLESS IN SEATTLE!!! KEY OF A!!LOW D#-HIGH E!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! LAID BACK STYLE!! CONTACT INFORMATION:bobbyhesch@yahoo.com IG:@bobbyhesch GIVE ME YOUR LIPS FOR JUST A MOMENT & MY IMAGINATION WILL MAKE THAT MOMENT LIVE. GIVE ME WHAT YOU ALONE CAN GIVE ME A KISS TO BUILD A DREAM ON!!!LET'S PLAY SOME JAZZ!!! LISTEN TO A RECORDING OF LOUIS ARMSTRONG FOR STYLE!!!
$4.99 ≈
4.61€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
51.72€
Robben Ford: Strong Will To Live - guitar (tablature)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Blues
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Robben Ford
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Virtualsheetmusic
Instantly printable sheet music by Robben Ford for guitar (tablature) of MEDIUM skill level. / blues
Instantly printable sheet music by Robben Ford for guitar (tablature) of MEDIUM skill level. / blues
$6.97 ≈
6.44€
The Power of the One
The Power of the One
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Cloches
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INTERMÉDIAIRE
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Musique Sacrée
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Foundery Collection, John Bacc
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G
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The Power of the One
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Gary Ray Adkison
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SheetMusicPlus
Handbell - Level 3 - SKU: A0.953714 Composed by Foundery Collection, John Bacchus Dykes, Traditional English Melody, and and William A. Ogden. Arranged ...
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Handbell - Level 3 - SKU: A0.953714 Composed by Foundery Collection, John Bacchus Dykes, Traditional English Melody, and and William A. Ogden. Arranged by G. R. Adkison. Christian,Sacred. Score. 6 pages. Gary Ray Adkison #7477. Published by Gary Ray Adkison (A0.953714). The Power of the One is a 67 measure, 4-5 octave medley of Christian hymns whose unifying theme is the Power of the (One) God. This medley is comprised of I Sing the Mighty Power of God, Praise the Lord Who Reigns Above, Eternal Father, Strong to Save (The Navy Hymn) and He Is Able to Deliver Thee. The first two of these hymns are upbeat, and include some melody doubling into the highest octave. Those two and the last hymn make use of occasional descant lines. He Is Able to Deliver Thee is very lively, and utilizes both an occasional descant line, and (fairly fast) bass runs. In between Praise the Lord Who Reigns Above and He Is Able to Deliver Thee, you have the slower, and much more reverential Eternal Father, Strong to Save (also known as The Navy Hymn), which uses handchimes, although bells can be substituted for the chimes. This selection helps add a contrast in style, tempo and volume to the other three. At the end, there is a tag consisting of the last part of Praise the Lord Who Reigns Above at a slower tempo, and at a triple forte dynamic level, for a grandioso ending. The fast bass runs contribute to my thinking that this arrangement is probably a 3+ difficulty level.
$2.50 ≈
2.31€
Strong Will To Live
Strong Will To Live
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Guitare notes et tablatures
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Blues
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Robben Ford
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Strong Will To Live
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Robben Ford. Blues. Guitar TAB. 6 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Robben Ford. Blues. Guitar TAB. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.61€
For Unto Us a Child is Born (Messiah)
For Unto Us a Child is Born (Messiah)
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Classique
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George Frideric Handel
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Jonathan Spencer
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For Unto Us a Child is Born
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Jonathan Spencer
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SheetMusicPlus
Large Ensemble Bass Trombone,Choir,Horn,Piccolo Trumpet,Tuba - Level 4 - SKU: A0.1183649 Composed by George Frideric Handel. Arranged by Jonathan Spence...
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Large Ensemble Bass Trombone,Choir,Horn,Piccolo Trumpet,Tuba - Level 4 - SKU: A0.1183649 Composed by George Frideric Handel. Arranged by Jonathan Spencer. Baroque,Christmas. Score and parts. 65 pages. Jonathan Spencer #783335. Published by Jonathan Spencer (A0.1183649). An arrangement of For Unto Us a Child is Born from Handel's Messiah - scored in its original key (G Major) for brass ensemble and SATB choir or soloists. This arranegement uses 2 piccolo trumpet (in A) to cover the violin and oboe lines from the original. Handel delivers classy music as ever but a strong group will be needed to deliver a good performance on brass instruments.
$19.99 ≈
18.47€
alt.Callahans Reel
alt.Callahans Reel
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Tim Fatchen
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alt.Callahans Reel
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Flying Tadpole Productions
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published...
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Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50 ≈
6.93€
BH015REC - Recorder Quartet Songs, Book 15 (>70 pages)
BH015REC - Recorder Quartet Songs, Book 15 (>70 pages)
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Orchestre de chambre
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INTERMÉDIAIRE
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Carl Van Pevenage
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BH015REC - Recorder Quartet So
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Carl Van Pevenage
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921196 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 94 pages. Carl Va...
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Chamber Orchestra - Level 3 - SKU: A0.921196 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 94 pages. Carl Van Pevenage #4324591. Published by Carl Van Pevenage (A0.921196). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 141 Folk dance: The ballad of the King's cookChansonnette 142 Romantic song: Broken Wings Chansonnette 143 Folk dance: His castle on the hill Chansonnette 144 Daughter's reflection Chansonnette 145 Maybe old, probably not wise, happy for sure Chansonnette 146 Romantic song: Turn your face to the sun Chansonnette 147 Hello Mr. Fun Chansonnette 148 A day of my lifeChansonnette 149 PrayerChansonnette 150 A strong personality.
$9.95 ≈
9.19€
BH015PIA - Piano Songs, Book 15
BH015PIA - Piano Songs, Book 15
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Piano seul
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INTERMÉDIAIRE
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Carl Van Pevenage
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BH015PIA - Piano Songs, Book 1
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Carl Van Pevenage
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.921185 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score. 34 pages. Carl Van Pevenage #34053...
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Piano Solo - Level 3 - SKU: A0.921185 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score. 34 pages. Carl Van Pevenage #3405345. Published by Carl Van Pevenage (A0.921185). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for solo Piano. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 141 Folk dance: The ballad of the King's cookChansonnette 142 Romantic song: Broken WingsChansonnette 143 Folk dance: His castle on the hillChansonnette 144 Daughter's reflectionChansonnette 145 Maybe old, probably not wise, happy for sureChansonnette 146 Romantic song: Turn your face to the sunChansonnette 147 Hello Mr. FunChansonnette 148 A day of my lifeChansonnette 149 PrayerChansonnette 150 A strong personality
$4.95 ≈
4.57€
CONJUNCTION: The Christmas Star of 2020
CONJUNCTION: The Christmas Star of 2020
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Orchestre
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INTERMÉDIAIRE
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Noël
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
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Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00 ≈
87.76€
BH021PIA - Piano Songs, Book 21
BH021PIA - Piano Songs, Book 21
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Piano seul
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INTERMÉDIAIRE
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Carl Van Pevenage
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BH021PIA - Piano Songs, Book 2
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Carl Van Pevenage
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.921222 Composed by Carl Van Pevenage. Classical,Pop,Romantic Period,World. Score. 37 pages. Carl Van Pevenage #5776867. P...
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Piano Solo - Level 3 - SKU: A0.921222 Composed by Carl Van Pevenage. Classical,Pop,Romantic Period,World. Score. 37 pages. Carl Van Pevenage #5776867. Published by Carl Van Pevenage (A0.921222). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for solo Piano. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 201 Schlager Chansonnette 202 Chopin Waltz: Never say never Chansonnette 203 Chopin humoresque: Never say never again Chansonnette 204 Ballet Etude Chansonnette 205 Shadow dancing Chansonnette 206 Strong together Chansonnette 207 A first date Chansonnette 208 Spring Waltz Chansonnette 209 Pop song: The Shenanigans dance for grand children Chansonnette 210 Romantic: Little flower breathing in the wind
$4.95 ≈
4.57€
Portals of Catedral de Orihuela.
Portals of Catedral de Orihuela.
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Dr Anthony Costandius
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Portals of Catedral de Orihuel
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Anthony Costandius Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Sco...
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00 ≈
9.24€
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Strong Will To Live
Strong Will To Live
