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That Time of Year Drums
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Vous avez sélectionné:
That Time of Year Drums
Partitions à imprimer
55 partitions trouvées
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51
That Time of Year - Drums
That Time of Year - Drums
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Batterie (partie séparée)
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Film Walt Disney
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Enfant
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Mark A
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That Time of Year - Drums
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.417828 Arranged by Mark A. Brymer. This edition: scorch. Children,Disney,Film/TV,Winter. Choral Instrumental Pak. 3 pages. Duration 145. Hal Leo...
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SKU: HX.417828 Arranged by Mark A. Brymer. This edition: scorch. Children,Disney,Film/TV,Winter. Choral Instrumental Pak. 3 pages. Duration 145. Hal Leonard - Digital #289489. Published by Hal Leonard - Digital (HX.417828).
$7.00 ≈
6.40€
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
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SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamara released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamara released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamara, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamara's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamara at friend Donald Byrd's urging. Santamara started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamara later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamara recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamara included the track on his album Watermelon Man (1962). Santamara's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzl Pygmies (1966), by Simha Arom and Genevive Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99 ≈
13.71€
It's The Most Wonderful Time Of The Year
It's The Most Wonderful Time Of The Year
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Contemporain
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Eddie Pola, Edward Eddie Pola,
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Patrick Sheehan
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It's The Most Wonderful Time O
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.748319 Composed by Eddie Pola, Edward Eddie Pola, and George Wyle. Arranged by Patrick Sheehan. Contemporary. Score a...
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Small Ensemble - Level 5 - SKU: A0.748319 Composed by Eddie Pola, Edward Eddie Pola, and George Wyle. Arranged by Patrick Sheehan. Contemporary. Score and parts. 74 pages. Patrick Sheehan #6447033. Published by Patrick Sheehan (A0.748319). Transcription as recorded by CHICAGO for the album O Christmas Three, released in 2011. INSTRUMENTATION: Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Background Vocal IV, Tenor Saxophone (Bb), Trumpet I, II (Bb), Trombone, Keyboard I (Fender Rhodes), Keyboard II (Hammond B-3 Organ), Steel Pan, Electric Guitar, Electric Bass, Sleigh Bells, Claves, Bongo Drums, Drumset.ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
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Drums From Day One
Drums From Day One
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Batterie
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DÉBUTANT
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Methodes
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Jim Payne
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Drums From Day One
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
A Completely New Method for Beginners. Composed by Jim Payne. Percussion: Drum Set. 0. E-book and online audio/video. Mel Bay Publications - Digital S...
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A Completely New Method for Beginners. Composed by Jim Payne. Percussion: Drum Set. 0. E-book and online audio/video. Mel Bay Publications - Digital Sheet Music #98356MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117600.
Basic drum set coordination can be learned very quickly using vocal sounds instead of written notes. Drums from Day One is an adaptation of the proven asolfegea technique to the drum set. aSolfege,a (singing musical notes with syllables) has been used for hundreds of years by teachers of virtually every other musical instrument. The traditional way of beginning the drums by studying and analyzing written drum notation and applying various notes to the four limbs is a complex task that takes a good deal of time. Although reading and writing music will also be covered in this book, beginners can get started much faster with the asolfegea system. This is not a aquick fixa or a promise to make you a drum expert in one day, but this method has been tested and proven with hundreds of students over the years and it is very efficient and offers immediate results. The student will learn to play 8 songs in all the basic styles: Rock, Blues, Shuffle and Funk. The songs are especially designed and graded for beginners, and are recorded with and without drums on the companion audio. Includes access to online audio containing recorded examples of all the exercises in the book.
$14.99 ≈
13.71€
It Don't Mean A Thing (If It Ain't Got That Swing)
It Don't Mean A Thing (If It Ain't Got That Swing)
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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Joseph Hasper
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It Don't Mean A Thing
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Joseph Hasper
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734676 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper. Jazz. Score and...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734676 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper. Jazz. Score and parts. 34 pages. Joseph Hasper #2059795. Published by Joseph Hasper (A0.734676). Jazz combo arrangement for Trumpet, Alto Sax, Trombone and Rhythm Section (Guitar, Piano, Bass, and Drums). Comes with alternate or substitute parts so that you can use another Trumpet (or Clarinet) in place of Alto Sax, or Tenor Sax in place of Trombone. Includes a full score and all parts. It Don't Mean a Thing (If It Ain't Got That Swing) is a 1931 Duke Ellington composition now accepted as a jazz standard. The music was written and arranged by Ellington in August 1931 during intermissions at Chicago's Lincoln Tavern and was first recorded by Ellington and his orchestra on February 2, 1932. The song became famous, Ellington wrote, as the expression of a sentiment which prevailed among jazz musicians at the time. Probably the first song to use the phrase swing in the title, it introduced the term into everyday language and presaged the swing era by three years. The Ellington band played the song continually over the years and recorded it numerous times, most often with trumpeter Ray Nance as vocalist.
$12.99 ≈
11.88€
It Don't Mean A Thing (If It Ain't Got That Swing)
It Don't Mean A Thing (If It Ain't Got That Swing)
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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Joseph Hasper
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It Don't Mean A Thing
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Joseph Hasper
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734674 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper. Jazz. Score and...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734674 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper. Jazz. Score and parts. 51 pages. Joseph Hasper #2059717. Published by Joseph Hasper (A0.734674). Jazz combo arrangement for Flute, Sax Section (2 Alto Saxes, 2 Tenor Saxes, Baritone Sax) and Rhythm Section (Piano, Bass, and Drums).Includes a full score and all parts. It Don't Mean a Thing (If It Ain't Got That Swing) is a 1931 Duke Ellington composition now accepted as a jazz standard. The music was written and arranged by Ellington in August 1931 during intermissions at Chicago's Lincoln Tavern and was first recorded by Ellington and his orchestra on February 2, 1932. The song became famous, Ellington wrote, as the expression of a sentiment which prevailed among jazz musicians at the time. Probably the first song to use the phrase swing in the title, it introduced the term into everyday language and presaged the swing era by three years. The Ellington band played the song continually over the years and recorded it numerous times, most often with trumpeter Ray Nance as vocalist.
$12.99 ≈
11.88€
OF LIGHT AND SHADOW (A NEW YEAR)
OF LIGHT AND SHADOW (A NEW YEAR)
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Contemporain
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Monica Bergo
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OF LIGHT AND SHADOW
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Moni Bergo
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SheetMusicPlus
Small Ensemble Drums,Flute,Piano,Violin - SKU: A0.1012752 Composed by Monica Bergo. Contemporary. Score and parts. 37 pages. Moni Bergo #5743757. Publis...
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Small Ensemble Drums,Flute,Piano,Violin - SKU: A0.1012752 Composed by Monica Bergo. Contemporary. Score and parts. 37 pages. Moni Bergo #5743757. Published by Moni Bergo (A0.1012752). Music and song composed by meOF LIGHT AND SHADOW (A new year) Lights that shine On these days of mine Shadows that kill My enthusiasm but there is A whole journey that has been written for me Like a novel, its plot will unveil Another year on me And new days to be invented Find out what will happen It's a good reason to fight The light will illuminate me Or there will be new pain Find out what will happen It's a good reason to stay And I always run so strong For fear of falling Maybe this year I will learn How to do walk And I never slow down my pace Back I can not come back Because I would meet myself And inside me I should look I will fill with light and shadow This my eternal emptiness That I can not placate A thousand songs I will invent If there will be someone who will want to listen In connection with the world singing of fairies, magicians, elves, witches and intrigues always uncomfortable in my time looking for a place, a role in this year new I know that nothing will change yet Of light and shadow I will live I steal from the moon her mysteries I will give them to the sun In exchange for the eternal heat in the heart And like a witch burning at the stake I fire, I melt And born again And the alignment of Jupiter in Pluto The lunar eclipse gives me protection I wish the night would go down fast When my pain never finds peace I wish the sun would shine forever In every season, summer and winter A new year here Before me I mess up his days The gray of November With the warmth of September with lights and shadows I will confuse I will steal the sun in June and my Christmas will heat up and the January ice at Easter I will donate I will confuse the night and the day always mistress of my time in that mirror I will look happy with what I will see and new trips and experiences and emotions on the skin I will live with joy and intensity the light and the shadow that will come how many smiles on my lips will form new wrinkles happy with my age it's a nice finish line to be here and how many tears again will come down on my face will be joy or pain of light and shadow I will live It will be a new year of joys and sorrows of light and shadow of cold and heat ... .. Monica Bergo
$5.00 ≈
4.57€
Shepherd Of Fire
Shepherd Of Fire
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Rock
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Avenged Sevenfold
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Kyle Pudenz
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Shepherd Of Fire
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ViolinVagabond Music
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SheetMusicPlus
Small Ensemble Bass Guitar,Drum Set,Electric Violin,Voice - Level 5 - SKU: A0.845983 By Avenged Sevenfold. By Brian Haner, Jr., Jonathan Seward, Matthew...
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Small Ensemble Bass Guitar,Drum Set,Electric Violin,Voice - Level 5 - SKU: A0.845983 By Avenged Sevenfold. By Brian Haner, Jr., Jonathan Seward, Matthew Sanders, and Zachary Baker. Arranged by Kyle Pudenz. Rock. Score and parts. 28 pages. ViolinVagabond Music #6022455. Published by ViolinVagabond Music (A0.845983). While Hail To The King will never be A7X's most popular or Critically Acclaimed (...see what I did there) record, it did provide us with some of the catchiest guitar hooks & drum grooves in this band's entire catalog. The opening track, Shepherd of Fire, is an absolute banger of a crossover tune that appeals to rock & metal fans alike. Consequently, like so many Avenged hits, it plays quite well as an instrumental cover and can be adapted to some interesting instrumentations beyond the original 2-guitar, bass, drums format in which it was recorded.Some years ago, I performed this tune with a 4-piece band on my college recital and it was an absolute blast! Whether out of sentimentality or just sheer boredom (I write this as we are right in the thick of the Covid-19 pandemic and gigs are... scarce, to say the least), I decided to resurrect that arrangement and clean up my shorthand charts into some real parts so that you, too, might have the joy of bringing this hard rock anthem to life with your own ensemble.The purchase of this chart includes:- Fully notated parts for drum set, bass, & rhythm guitar- Fully notated Lead part that merges the brass, lead guitar, & vocal parts into one cohesive chart- Lyrics & vocal melodies notated on lead part (if using a vocalist)- Full transcription of Synyster Gates's original guitar solo! (printed on lead part)This arrangement can be performed by as few as 4 instrumentalists. My original performance was with electric violin, guitar, bass & drums, but with the updated Lead chart the violin could easily be replaced by keyboards, a second guitar, or any instrumentalist that can read at concert pitch. The original 4-piece recording can be found at the YouTube link above, but expansion and imagination are highly encouraged!Enjoy the chart, and if you have questions, comments or suggestions, you can contact me via my website www.kylepudenz.com/ or on Instagram @theviolinvagabond
$14.99 ≈
13.71€
Shorties #20: Drums
Shorties #20: Drums
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Batterie (partie séparée)
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Methodes
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Victor López
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Shorties #20: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - SKU: AX.00-PC-0016502_D Drums. Arranged by Victor López. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music ...
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Marching Band - SKU: AX.00-PC-0016502_D Drums. Arranged by Victor López. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016502_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016502_D). UPC: 038081481036.One of our most popular concepts ever continues with four more short, timeout-length arrangements that are perfect for both marching and pep band. Depend on the Shorties series year after year! (2:15).
$3.00 ≈
2.74€
The Abduction of Persephone (for String Orchestra)
The Abduction of Persephone (for String Orchestra)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Aaron Fonzi
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The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #33678...
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String Orchestra - Level 3 - SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00 ≈
18.30€
Rockin' Sports Jams, Vol. 3: Drums
Rockin' Sports Jams, Vol. 3: Drums
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Batterie (partie séparée)
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Methodes
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Doug Adams
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Rockin' Sports Jams, Vol. 3: D
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - SKU: AX.00-PC-0016481_D Drums. Arranged by Doug Adams. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-00...
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Marching Band - SKU: AX.00-PC-0016481_D Drums. Arranged by Doug Adams. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016481_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016481_D). UPC: 038081474557.Here is another awesome set of four short, timeout-length charts that will really get the crowd going this year. All of the titles are proven winners. Doug Adams has arranged these using lots of block scoring, making even the smallest bands sound great! (2:30).
$3.00 ≈
2.74€
This Is The Day That The Lord Has Made (Psalm 118) (Rehearsal Track)
This Is The Day That The Lord Has Made (Psalm 118) (Rehearsal Track)
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Stephen DeCesare
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This Is The Day That The Lord
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Exultet Music
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SheetMusicPlus
Drums,Guitar,Medium-High Voice,Piano Accompaniment - Level 2 - SKU: A0.1401817 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Easter,P...
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Drums,Guitar,Medium-High Voice,Piano Accompaniment - Level 2 - SKU: A0.1401817 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Easter,Praise & Worship,Sacred. Full Performance. Duration 158. Exultet Music #985006. Published by Exultet Music (A0.1401817). Joyful and exciting rendition of the 118th Psalm that is normally used throughout the Easter season but can also be used for other times throughout the liturgical year. Scored for a variety of arrangements. Accessible and appropriate for any church setting.
$3.99 ≈
3.65€
This Is The Day That The Lord Has Made (Psalm 118) (Full Accompaniment Track)
This Is The Day That The Lord Has Made (Psalm 118) (Full Accompaniment Track)
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Stephen DeCesare
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This Is The Day That The Lord
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Exultet Music
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SheetMusicPlus
Drums,Guitar,Piano Accompaniment - Level 2 - SKU: A0.1401816 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Easter,Praise & Worship,Sa...
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Drums,Guitar,Piano Accompaniment - Level 2 - SKU: A0.1401816 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Easter,Praise & Worship,Sacred. Accompaniment. Duration 161. Exultet Music #985005. Published by Exultet Music (A0.1401816). Joyful and exciting rendition of the 118th Psalm that is normally used throughout the Easter season but can also be used for other times throughout the liturgical year. Scored for a variety of arrangements. Accessible and appropriate for any church setting.
$3.99 ≈
3.65€
Taste And See The Goodness Of The Lord (Full Accompaniment Track)
Taste And See The Goodness Of The Lord (Full Accompaniment Track)
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Stephen DeCesare
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Taste And See The Goodness Of
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Exultet Music
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SheetMusicPlus
Drums,Guitar,Piano Accompaniment - Level 2 - SKU: A0.1401385 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Sp...
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Drums,Guitar,Piano Accompaniment - Level 2 - SKU: A0.1401385 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Spiritual. Accompaniment. Duration 161. Exultet Music #984574. Published by Exultet Music (A0.1401385). Lively, Vibrant setting of Psalm 34 that is scored for a variety of arrangements. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$3.99 ≈
3.65€
Taste And See The Goodness Of The Lord (Rehearsal Track)
Taste And See The Goodness Of The Lord (Rehearsal Track)
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Stephen DeCesare
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Taste And See The Goodness Of
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Exultet Music
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SheetMusicPlus
Drums,Guitar,Medium-High Voice,Piano Accompaniment - Level 2 - SKU: A0.1401387 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Praise &...
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Drums,Guitar,Medium-High Voice,Piano Accompaniment - Level 2 - SKU: A0.1401387 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Spiritual. Full Performance. Duration 161. Exultet Music #984576. Published by Exultet Music (A0.1401387). Lively, Vibrant setting of Psalm 34 that is scored for a variety of arrangements. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$3.99 ≈
3.65€
Glory To God (from "Mass of the Children") (Accompaniment Track)
Glory To God (from "Mass of the Children") (Accompaniment Track)
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Musique Sacrée
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Stephen DeCesare
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Glory To God
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Exultet Music
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SheetMusicPlus
Drums,Piano,Xylophone - SKU: A0.1051589 Composed by Stephen DeCesare. Praise & Worship,Sacred. Accompaniment. Duration 183. Exultet Music #3051. Publish...
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Drums,Piano,Xylophone - SKU: A0.1051589 Composed by Stephen DeCesare. Praise & Worship,Sacred. Accompaniment. Duration 183. Exultet Music #3051. Published by Exultet Music (A0.1051589). Musical setting that is geared for children to sing. Accessible and appropriate for any church setting. Can be used at anytime throughout the liturgical year. Scored for SAB, Voice and Piano. A Full Score and a Choir/Vocal score of the entire Mass setting is available.
$3.99 ≈
3.65€
Almost May Score and Parts
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 ≈
22.86€
Almost May for Piano Solo
Almost May for Piano Solo
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Piano seul
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Song...
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Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99 ≈
3.65€
Almost May Lead Sheet
Almost May Lead Sheet
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Instruments en Do
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99 ≈
2.74€
Silly Love Songs
Silly Love Songs
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Film/TV
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Wings
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Peet du Toit
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Silly Love Songs
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Peet du Toit
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SheetMusicPlus
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802642 By Wings. By Linda McCartney and Paul McCartney. Arranged by Peet du Toit. Fi...
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802642 By Wings. By Linda McCartney and Paul McCartney. Arranged by Peet du Toit. Film/TV. Score and parts. 36 pages. Peet du Toit #6115473. Published by Peet du Toit (A0.802642). Silly Love Songs is a song written by Paul McCartney and Linda McCartney and performed by Wings. The song appears on the 1976 album Wings at the Speed of Sound. It was also released as a single in 1976, backed with Cook of the House. The song, written in response to John Lennon and music critics accusing McCartney of predominantly writing silly love songs and sentimental slush, also features disco overtones.The song was McCartney's 27th number one as a songwriter; the all-time record for the most number one hits achieved by a songwriter.With this song, McCartney became the first person to have a year-end No. 1 song as a member of two distinct acts. McCartney previously hit No. 1 in the year-end Billboard chart as a member of the Beatles with I Want to Hold Your Hand in 1964 and Hey Jude in 1968.Silly Love Songs has since appeared on multiple McCartney greatest hits compilations, including Wings Greatest and All the Best!. The song has also appeared on the Hits section of the compilation album Wingspan: Hits and History. Despite its popularity, McCartney has not performed the song live since the dissolution of Wings.Silly Love Songs was written as a rebuttal to music critics (as well as John Lennon) who had criticized McCartney for writing lightweight love songs. Author Tim Riley suggests that in the song, McCartney is inviting his audience to have a laugh on him, as Elvis Presley had sometimes done. But over the years people have said, Aw, he sings love songs, he writes love songs, he's so soppy at times. I thought, Well, I know what they mean, but, people have been doing love songs forever. I like 'em, other people like 'em, and there's a lot of people I love -- I'm lucky enough to have that in my life. So the idea was that you may call them silly, but what's wrong with that? The song was, in a way, to answer people who just accuse me of being soppy. The nice payoff now is that a lot of the people I meet who are at the age where they've just got a couple of kids and have grown up a bit, settling down, they'll say to me, I thought you were really soppy for years, but I get it now! I see what you were doing! - Paul McCartney, Billboard Enjoy my brassy version of Silly Love Songs
$22.00 ≈
20.13€
Chamtengure
Chamtengure
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Traditional Zimbabwe
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Adam Miller
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Chamtengure
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Adam Miller
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SheetMusicPlus
Percussion Ensemble Hand Drum,Marimba,Shaker - Level 3 - SKU: A0.1262203 Composed by Traditional Zimbabwe. Arranged by Adam Miller. Folk,Multicultural,T...
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Percussion Ensemble Hand Drum,Marimba,Shaker - Level 3 - SKU: A0.1262203 Composed by Traditional Zimbabwe. Arranged by Adam Miller. Folk,Multicultural,Traditional,World. 7 pages. Adam Miller #855243. Published by Adam Miller (A0.1262203). A number of years ago, I had the opportunity to join a team that traveled to Uganda, Africa as part of a mission group.  While there, we had the pleasure of seeing a traditional marimba and percussion ensemble perform.  A longtime marimbist and avid percussionist, I spent some time following the concert visiting with some of the performers.  Although their music is passed down through visual and audial instruction (rather than traditional western notation) the group’s leader was kind enough to teach me one of their traditional songs.  Years later, I came across my (copious) notes from that trip and decided at last to write down what I had learned.What makes Chamtengure such a delight to perform – aside from its energy and joy – is its versatility.  Although notated for two 5-octave marimbas, larger ensembles have the option to double parts in various registers for a fuller sound.  Combined with the encouragement to include shaker and hand drums ad lib throughout the piece (except where noted otherwise) this has the ability to fit nearly any ensemble size.  Fast-paced, repetitive two-measure patterns that build and play off each other makes Chamtengure a guaranteed success with ensembles and audiences alike!
$19.99 ≈
18.29€
Don't Start Now - Pop String Quartet with Rhythm Section parts
Don't Start Now - Pop String Quartet with Rhythm Section parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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Rock
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Dua Lipa, Dallas String Quar
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Kyle Pudenz
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Don't Start Now - Pop String Q
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ViolinVagabond Music
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SheetMusicPlus
String Quartet, Drum Set, Guitar, Bass Guitar - Advanced - By Dua Lipa, Dallas String Quartet. Arranged by Kyle Pudenz. Score, Set of Parts. 63 page...
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String Quartet, Drum Set, Guitar, Bass Guitar - Advanced - By Dua Lipa, Dallas String Quartet. Arranged by Kyle Pudenz. Score, Set of Parts. 63 pages. Published by ViolinVagabond Music
This unique version of Dua Lipa's "Don't Start Now" was performed by Dallas String Quartet in their latest music video, and is now available to your ensemble as well!
"If you don't wanna see me dancing with..." some random person's iPod speaker instead of listening to your amazing string quartet, then Don't Start buying shoddy arrangements from free-gig-whatevers dot com. Instead, make the right choice for your ensemble and invest in high quality charts from real, professional arrangers. What you're getting here is not a 72% accurate transcription of someone's Dua Lipa YouTube piano cover that has been laid out "legibly enough" on 4 staves. This is a tasteful setting of one of the sexiest disco grooves to hit radio since the Beegee's untimely decline, and it highlights all those hip string parts from Dua's original track while adding some original figures to really make this tune pop as an instrumental version.
Within the pages of this fantastically funky fresh score, you'll find some simple (but effective) chopping, slapping & extended string techniques to help your ensemble get their groove on, an extendable outro solo where players can stretch their creative legs on a dull gig, and enough sneaky reharminizations to earn an oh-so-satisfying nod of approval from that one guy in the back of the audience who used to be in a jazz band.
This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. While this arrangement is more than capable of moving, grooving and soothing with just the string parts, there are a variety of scenarios in which you may find adding some of those "loud" instruments may benefit your ensemble, such as:
- Cool collaborations with non-classical musicians.
- Making peace and finally finding common ground with those heathens who use frets to play in tune.
- Performing at outdoor events... or anywhere where alcohol is served. Small talk doesn't stand a chance against drums!
- You just got the stage plot for the gig and are concerned people won't take you seriously if you have less than 7 inputs on your rider.
- You carpooled to the wedding with the band, and figured you guys might as well play something together during the reception rather than spend all night starting at the appetizers that you aren't allowed to eat.
... and the list goes on.
Help take your ensemble to a new level when expanding your gig repertoire this year. This chart will keep your musicians inspired and your audience's insatiable need to consume brand new music in alternative instrumentations satisfied. To be clear, some practice and/or rehearsal will likely be required, so sight reading is not recommended, but with just a little bit of effort this arrangement will be FUN for your group to play!
Performance time - approximately 3:00, longer if you want to vamp the outro
Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$24.99 ≈
22.86€
Caravans Theme
Caravans Theme
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Contemporain
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Mike Batt
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Caravans Theme
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Peet du Toit
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SheetMusicPlus
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802598 Composed by Mike Batt. Arranged by Matthys Pienaar, Quinten Pendle and Peet d...
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802598 Composed by Mike Batt. Arranged by Matthys Pienaar, Quinten Pendle and Peet du Toit. Contemporary. Score and parts. 33 pages. Peet du Toit #5888069. Published by Peet du Toit (A0.802598). Caravans is a 1978 Iranian-American film directed by James Fargo based on the 1962 novel by James A. Michener. Nancy Voyles Crawford wrote the screenplay. This movie represents people of Afghanistan and their tradition in Qandahar, Badakhshan cities in that time and the Kochi people of Afghanistan. The movie was shot in Afghanistan and Iran and starred Anthony Quinn, Jennifer O'Neill, and Michael Sarrazin.Mike Batt wrote the score, which has been the most successful element of the film, remaining a bestseller for many years after the film's release. The song Caravan Song was written by Mike Batt and sung by the Scottish singer Barbara Dickson. It peaked at No. 41 in UK charts and was included on her album All for a Song.
$21.00 ≈
19.21€
Moon River
Moon River
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Jazz
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Henry Mancini
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Keith Terrett
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Moon River
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Keith Terrett
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SheetMusicPlus
Cello,Double Bass,Drums,Viola,Violin - Level 3 - SKU: A0.746789 By Henry Mancini. By Henry Mancini. Arranged by Keith Terrett. Jazz. 12 pages. Keith Ter...
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Cello,Double Bass,Drums,Viola,Violin - Level 3 - SKU: A0.746789 By Henry Mancini. By Henry Mancini. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #3530209. Published by Keith Terrett (A0.746789). An arrangement of Moon River for String Orchestra and optional drum kit. Moon River is a song composed by Henry Mancini with lyrics by Johnny Mercer. It was originally performed by Audrey Hepburn in the 1961 American movie Breakfast at Tiffany's, winning an Academy Award for Best Original Song.The song also won the 1962 Grammy Awards for Record of the Year and Song of the Year. 「ムーンリãƒãƒ¼ã€ã¯ã€ãƒ˜ãƒ³ãƒªãƒ¼ãƒ»ãƒžãƒ³ã‚·ãƒ¼ãƒ‹ãŒä½œæ›²ã—ã€ã‚¸ãƒ§ãƒ‹ãƒ¼ãƒ»ãƒžãƒ¼ã‚µãƒ¼ãŒæŒè©žã‚’書ã„ãŸæ›²ã§ã™ã€‚ã‚‚ã¨ã‚‚ã¨ã¯1961å¹´ã®ã‚¢ãƒ¡ãƒªã‚«æ˜ 画「ティファニーã§æœé£Ÿã‚’ã€ã§ã‚ªãƒ¼ãƒ‰ãƒªãƒ¼ãƒ»ãƒ˜ãƒ—ãƒãƒ¼ãƒ³ãŒæŒã„ã€ã‚¢ã‚«ãƒ‡ãƒŸãƒ¼è³žã®æŒæ›²è³žã‚’å—賞ã—ã¾ã—ãŸã€‚ã¾ãŸã€1962å¹´ã®ã‚°ãƒ©ãƒŸãƒ¼è³žã®æœ€å„ªç§€ãƒ¬ã‚³ãƒ¼ãƒ‰è³žã¨æœ€å„ªç§€æ¥½æ›²è³žã‚‚å—賞ã—ã¾ã—ãŸã€‚ It became the theme song for Andy Williams, who first recorded it in 1961 and performed it at the Academy Awards ceremony in 1962. He sang the first eight bars of the song at the beginning of each episode of his eponymous television show and named his production company and venue in Branson, Missouri after it. His autobiography is called Moon River and Me. Williams' version was never released as a single, but it charted as an LP track that he recorded for Columbia on a hit album of 1962. Cadence Records' president Archie Bleyer disliked Williams' version, as Bleyer believed it had little or no appeal to teenagers. Forty years later in 2002, a 74-year-old Williams sang the song at the conclusion of the live telecast of the NBC 75th Anniversary Special to a standing ovation. The song's success was responsible for relaunching Mercer's career as a songwriter, which had stalled in the mid-1950s because rock and roll had replaced jazz standards as the popular music of the time. The song's popularity is such that it has been used as a test sample in a study on people's memories of popular songs. Comments about the lyrics have noted that they are particularly reminiscent of Mercer's youth in the Southern United States and his longing to expand his horizons. Robert Wright wrote in The Atlantic Monthly, This is a love sung to wanderlust. Or a romantic song in which the romantic partner is the idea of romance. An inlet near Savannah, Georgia, Johnny Mercer's hometown, was named Moon River in honor of him and this song. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comARRANGERS
$14.99 ≈
13.71€
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