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The Sound of Music Percussion 1
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678 partitions trouvées
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Concerto
Concerto
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Piano et Orchestre
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
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Climb Ev'ry Mountain (from The Sound of Music) - Percussion 1
Climb Ev'ry Mountain (from The Sound of Music) - Percussion 1
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Percussion (partie séparée)
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FACILE
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Margery McKay, Patricia Neway,
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Robert Longfield
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Climb Ev'ry Mountain
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Hal Leonard - Digital
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SheetMusicPlus
Concert band Percussion 1 - Level 2 - SKU: HX.292195 By Margery McKay, Patricia Neway, and Tony Bennett. Arranged by Robert Longfield. Broadway,Concert,...
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Concert band Percussion 1 - Level 2 - SKU: HX.292195 By Margery McKay, Patricia Neway, and Tony Bennett. Arranged by Robert Longfield. Broadway,Concert,Musical/Show,Standards. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.292195).
$6.00 ≈
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Climb Ev'ry Mountain (from The Sound of Music) - Percussion 2
Climb Ev'ry Mountain (from The Sound of Music) - Percussion 2
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Percussion (partie séparée)
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FACILE
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Margery McKay, Patricia Neway,
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Robert Longfield
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Climb Ev'ry Mountain
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Hal Leonard - Digital
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SheetMusicPlus
Concert band Percussion 2 - Level 2 - SKU: HX.292196 By Margery McKay, Patricia Neway, and Tony Bennett. Arranged by Robert Longfield. Broadway,Concert,...
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Concert band Percussion 2 - Level 2 - SKU: HX.292196 By Margery McKay, Patricia Neway, and Tony Bennett. Arranged by Robert Longfield. Broadway,Concert,Musical/Show,Standards. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.292196).
$6.00 ≈
5.37€
Broken Bow: 1st Percussion
Broken Bow: 1st Percussion
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Percussion (partie séparée)
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Methodes
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Carl Strommen
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Festival.
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Broken Bow: 1st Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014377_PC1 1st Percussion. Composed by Carl Strommen. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Mu...
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Concert Band - SKU: AX.00-PC-0014377_PC1 1st Percussion. Composed by Carl Strommen. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014377_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014377_PC1). UPC: 038081380803.The sound of the West as presented in countless film scores and concert pieces is captured in this homage to those who settled our early western frontiers. Enjoy the high energy pulse of an old fashioned 'Hoe-Down. Scored for younger players, Broken Bow will be effective in the hands of players of all ages. Though it is not from any specific film, the music has all the fun characteristics of a cowboy/western movie. Carl Strommen has put together a piece with a wonderful energy which your students will love to play. The scoring is rather traditional, but everyone has a chance to be featured. It is also a fun way to work on multiple sixteenth-note rhythms, which are prevalent in the work. - SB&O This title is available in SmartMusic.List/syllabus: TX UIL PML: Band, Winds, PercConcert/Contest; Festival.
$3.00 ≈
2.69€
The Sound Of Silence - Percussion II
The Sound Of Silence - Percussion II
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Percussion
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Simon And Garfunkel
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Mark Hayes
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Film/TV
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The Sound Of Silence - Percuss
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Simon And Garfunkel. By Paul Simon. Arranged by Mark Hayes. Orchestra. Concert; Film/TV; Graduation; Inspirational; Jazz; Pop. EPak. 1 pages. Duration 5:13. ...
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By Simon And Garfunkel. By Paul Simon. Arranged by Mark Hayes. Orchestra. Concert; Film/TV; Graduation; Inspirational; Jazz; Pop. EPak. 1 pages. Duration 5:13. Published by Hal Leonard - Digital Sheet Music
$7.00 ≈
6.27€
Do-Re-Mi (from The Sound of Music) - Percussion 1
Do-Re-Mi (from The Sound of Music) - Percussion 1
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Percussion (partie séparée)
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Comédie Musicale
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Robert Longfield
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Do-Re-Mi
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Arranged by Robert Longfield. Broadway; Musical/Show. Concert Band. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.337517). - Concert Band - Broadw...
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Arranged by Robert Longfield. Broadway; Musical/Show. Concert Band. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.337517). - Concert Band - Broadway; Musical/Show - Hal Leonard - Digital Sheet Music
$6.00 ≈
5.37€
The Sound of Music - Percussion 1
The Sound of Music - Percussion 1
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Percussion (partie séparée)
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Comédie Musicale
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John Leavitt
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The Sound of Music - Percussio
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Arranged by John Leavitt. Broadway; Musical/Show. EPak. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.344584). - ePak - Broadway; Musical/Show - H...
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Arranged by John Leavitt. Broadway; Musical/Show. EPak. 3 pages. Published by Hal Leonard - Digital Sheet Music (HX.344584). - ePak - Broadway; Musical/Show - Hal Leonard - Digital Sheet Music
$7.00 ≈
6.27€
Advance of the Roman Legions: 2nd Percussion
Advance of the Roman Legions: 2nd Percussion
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Percussion (partie séparée)
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Methodes
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Michael Story
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Festival.
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Advance of the Roman Legions:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016729_PC2 2nd Percussion. Composed by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Mu...
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Concert Band - SKU: AX.00-PC-0016729_PC2 2nd Percussion. Composed by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016729_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016729_PC2). UPC: 038081507156.Musically presenting all the majesty and grandeur of ancient Rome, this original is a bold contest opener or closer that will permit your ensemble to sound confident. Introducing just a few accidentals and reviewing how long they last, this regal and distinguished original work will fill the stage! (2:15)Concert/Contest; Festival.
$3.00 ≈
2.69€
Star Wars (Main Theme): Auxiliary Percussion
Star Wars (Main Theme): Auxiliary Percussion
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Percussion (partie séparée)
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Film/TV
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John Williams
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Michael Story
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Star Wars
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - SKU: AX.00-PC-0016972_APC Auxiliary Percussion. Composed by John Williams. Arranged by Michael Story. Movie. Part. 1 pages. Alfre...
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Marching Band - SKU: AX.00-PC-0016972_APC Auxiliary Percussion. Composed by John Williams. Arranged by Michael Story. Movie. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016972_APC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016972_APC). UPC: 038081499482.One of the most recognizable movie themes makes its return just in time for the release of Star Wars, Episode VII in late 2015. Mike Story's solidly scored arrangement will make any band sound twice its size! (1:20).
$3.00 ≈
2.69€
North Country Celebration: 2nd Percussion
North Country Celebration: 2nd Percussion
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Percussion (partie séparée)
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Methodes
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Douglas E
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Festival.
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North Country Celebration: 2nd
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014352_PC2 2nd Percussion. Composed by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Shee...
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Concert Band - SKU: AX.00-PC-0014352_PC2 2nd Percussion. Composed by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014352_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014352_PC2). UPC: 038081374659.With a theme that is reminiscent of an English Morris Dance tune, this cheerful original is scored to lie easily under the fingers of beginning wind players. Cast in a modified rondo form, ample doublings and rich chord voicings help to achieve a solid top-to-bottom ensemble sound. Subtle articulations and dynamic nuances add just the right dash of color in this musically satisfying offering for concert audiences. Bravo! This title is available in SmartMusic.Concert/Contest; Festival.
$3.00 ≈
2.69€
Folk Songs for 13-note Bells and Boomwhackers® (with Color Coded Notes), VOL. 1
Folk Songs for 13-note Bells and Boomwhackers® (with Color Coded Notes), VOL. 1
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Percussion
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DÉBUTANT
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Enfant
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Traditional
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Sharon Wilson
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Folk Songs for 13-note Bells a
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Sharon Wilson
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SheetMusicPlus
Composed by Traditional. Arranged by Sharon Wilson. Repertoire, Classroom, Folk, Children's Music, Old-time. Score, Set of Parts. 176 pages. Publ...
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Composed by Traditional. Arranged by Sharon Wilson. Repertoire, Classroom, Folk, Children's Music, Old-time. Score, Set of Parts. 176 pages. Published by Sharon Wilson
This sheet music collection of 20 folk songs is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord reference chart is also provided for each song.
The songs in this digital book are ordered by difficulty with the easiest songs presented first. The songs progressively incorporate more challenging rhythms, some requiring rapid chord changes. Many of the songs include two verses. The first verse is ?easy? with fewer notes. The second verse is ?intermediate? and expands the melody by adding more notes (sometimes including harmony notes). If you want to learn (practice) only the ?easy? verse, an optional ending is provided or it can be skipped to perform the two verses together.
Though this sheet music is notated for Handbells and Boomwhackers®, these arrangements are playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel. The melody could also be played by a recorder.
This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, ?Chroma-Notes Stick Ons? can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.
Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song.
The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided for each song.
Other suggestions and uses:
* have both parts played by bells or both parts played using only Boomwhackers®
* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)
* use as part of the music education for children at school, home, or church
* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children?s ministries
Each of the 20 arrangements in this collection is also available separately with accompanying preview pages and audio samples.
Titles included in this collection:
Alphabet Song
Be Kind to Your Loved Ones
B-I-N-G-O
Doo-dah-day!
Good Morning, Merry Sunshine
He?s Got the Whole World In His Hands
Hickory Dickory Dock
Hokey Pokey
Hot Cross Buns
I Love the Mountains
Itsy Bitsy Spider
Little Robin Red-breast
Old MacDonald
On Top of Old Smokey
Rain, Rain, Go Away
Row, Row, Row Your Boat
Simple Gifts
Skip to My Lou
Take Me Out to the Ball Game
The Water Is Wide
Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC, Fort Worth, TX. Used by permission.
$25.00 ≈
22.40€
Construction Zone: 1st Percussion
Construction Zone: 1st Percussion
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Percussion (partie séparée)
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AVANCÉ
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Methodes
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Robert Sheldon
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Construction Zone: 1st Percuss
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014548_PC1 1st Percussion. Composed by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet M...
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Concert Band - SKU: AX.00-PC-0014548_PC1 1st Percussion. Composed by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014548_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014548_PC1). UPC: 038081394718.Sounds of jackhammers and post drivers provide a rhythmic groove for this very clever rock chart for young bands. The infectious bass line sets up a catchy tune and funky accompaniment riffs that will make this a favorite for first year players. Correlates to Sound Innovations for Concert Band, Book 1/Level 5.
$3.00 ≈
2.69€
The Spirit of Thanksgiving: 1st Percussion
The Spirit of Thanksgiving: 1st Percussion
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Percussion (partie séparée)
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FACILE
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Methodes
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Robert Sheldon
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Festival.
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The Spirit of Thanksgiving: 1s
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016392_PC1 1st Percussion. Arranged by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet M...
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Concert Band - SKU: AX.00-PC-0016392_PC1 1st Percussion. Arranged by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016392_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016392_PC1). UPC: 038081482330.Two of the most popular Thanksgiving hymns are set for young band in this heartfelt setting. Contemporary harmonic structures are carefully woven into the fabric of these beautiful melodies in celebration of this uniquely American holiday. (2:45) The Spirit of Thanksgiving correlates to Book 2, Level 2 of Sound Innovations for Concert Band. This title is available in SmartMusic.Concert/Contest; Festival.
$3.00 ≈
2.69€
Pennsylvania 6-5000: 2nd Percussion
Pennsylvania 6-5000: 2nd Percussion
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Percussion (partie séparée)
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Methodes
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Jerry Gray
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Victor Lopez
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Pennsylvania 6-5000: 2nd Percu
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0002331_PC2 2nd Percussion. Composed by Jerry Gray. Arranged by Victor Lopez. Instructional. Part. 1 pages. Alfred M...
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Concert Band - SKU: AX.00-PC-0002331_PC2 2nd Percussion. Composed by Jerry Gray. Arranged by Victor Lopez. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0002331_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002331_PC2). UPC: 654979084754.With all the charisma of the original, this is a treat for your beginners . . . Of course you'll have to explain the Pennsylvania exchange concept from the pre-touchtone days. The chart offers lots of opportunity to be creative with the ringing sounds -- bring it up to date by using a cell phone ring! Take a journey through musical -- and communication -- history with this energetic tune. (1:42).
$3.00 ≈
2.69€
The Holberg Suite: 1st Percussion
The Holberg Suite: 1st Percussion
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Percussion (partie séparée)
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Classique
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Edvard Grieg
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Victor Lopez
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Festival.
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The Holberg Suite: 1st Percuss
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017337_PC1 1st Percussion. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 1 pa...
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Full Orchestra - SKU: AX.00-PC-0017337_PC1 1st Percussion. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_PC1). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00 ≈
2.69€
Sound Innovations Fanfare: 2nd Percussion
Sound Innovations Fanfare: 2nd Percussion
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Percussion (partie séparée)
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Methodes
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Robert Sheldon
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Festival
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Sound Innovations Fanfare: 2nd
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0014485_PC2 2nd Percussion. Composed by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet...
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Full Orchestra - SKU: AX.00-PC-0014485_PC2 2nd Percussion. Composed by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014485_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014485_PC2). UPC: 038081394398.A bright and buoyant opener sure to grab the attention of your audience! Filled with tuneful melodies, soaring lines, and fast-paced technical flourishes, this fanfare provides a distinctive way to begin any concert program.Concert/Contest; Festival; Opener.
$3.00 ≈
2.69€
Sound Innovations Fanfare: 1st Percussion
Sound Innovations Fanfare: 1st Percussion
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Percussion (partie séparée)
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Methodes
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Robert Sheldon
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Festival
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Sound Innovations Fanfare: 1st
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0014485_PC1 1st Percussion. Composed by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet...
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Full Orchestra - SKU: AX.00-PC-0014485_PC1 1st Percussion. Composed by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014485_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014485_PC1). UPC: 038081394398.A bright and buoyant opener sure to grab the attention of your audience! Filled with tuneful melodies, soaring lines, and fast-paced technical flourishes, this fanfare provides a distinctive way to begin any concert program.Concert/Contest; Festival; Opener.
$3.00 ≈
2.69€
The Maya Kingdom: 1st Percussion
The Maya Kingdom: 1st Percussion
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Percussion (partie séparée)
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Methodes
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Victor López
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Festival.
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The Maya Kingdom: 1st Percussi
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0016306_PC1 1st Percussion. Composed by Victor López. Instructional. Part. 1 pages. Alfred Music - Digita...
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String Orchestra - SKU: AX.00-PC-0016306_PC1 1st Percussion. Composed by Victor López. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016306_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016306_PC1). UPC: 038081465579.The Maya kingdom was a rich and amazing culture with very advanced artistic skills. This composition embraces the rich tradition of the Maya in a very playable and artistic form, and is written in a way that makes the orchestra sound more experienced! (2:05) This title is available in SmartMusic.Concert/Contest; Festival.
$5.99 ≈
5.37€
Man of Steel, Part 1: Auxiliary Percussion
Man of Steel, Part 1: Auxiliary Percussion
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Percussion (partie séparée)
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Methodes
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Hans Zimmer
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Michael Story
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Man of Steel, Part 1: Auxiliar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - SKU: AX.00-PC-0016483_APC Auxiliary Percussion. Composed by Hans Zimmer. Arranged by Michael Story. Instructional. Part. 1 pages....
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Marching Band - SKU: AX.00-PC-0016483_APC Auxiliary Percussion. Composed by Hans Zimmer. Arranged by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016483_APC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016483_APC). UPC: 038081470221.Alfred Music is proud to offer a three-piece halftime show based on the stunning music from the hit motion picture Man of Steel. Hans Zimmer has emerged as one of the most important film composers of our time, and this stellar soundtrack is one of his best. Zimmer used a great deal of drum sounds in his score, which makes this show a natural for marching band performance! (2:00).
$3.00 ≈
2.69€
The Sound Of Silence - Timpani
The Sound Of Silence - Timpani
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Timbales
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Simon And Garfunkel
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Mark Hayes
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Film/TV
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The Sound Of Silence - Timpani
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Simon And Garfunkel. By Paul Simon. Arranged by Mark Hayes. Orchestra. Concert; Film/TV; Graduation; Inspirational; Jazz; Pop. EPak. 1 pages. Duration 5:13. ...
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By Simon And Garfunkel. By Paul Simon. Arranged by Mark Hayes. Orchestra. Concert; Film/TV; Graduation; Inspirational; Jazz; Pop. EPak. 1 pages. Duration 5:13. Published by Hal Leonard - Digital Sheet Music
$7.00 ≈
6.27€
Furiant: 1st Percussion
Furiant: 1st Percussion
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Percussion (partie séparée)
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Methodes
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Michael Story
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Festival.
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Furiant: 1st Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017305_PC1 1st Percussion. Composed by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Shee...
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String Orchestra - SKU: AX.00-PC-0017305_PC1 1st Percussion. Composed by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017305_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017305_PC1). UPC: 038081517131.This exciting new work by Michael Story is based on the style of the lively 19th century Bohemian dance of the same name. It is full of contemporary sounds, stylistic contrasts, and some easy quartal harmonies. (1:45)Concert/Contest; Festival.
$5.99 ≈
5.37€
Uno, Dos, Bass!: 1st Percussion
Uno, Dos, Bass!: 1st Percussion
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Percussion (partie séparée)
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Richard Meyer
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Light Concert
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Uno, Dos, Bass!: 1st Percussio
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017346_PC1 1st Percussion. Composed by Richard Meyer. Latin; Light Concert; Novelty. Part. 1 pages. Alfred Musi...
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String Orchestra - SKU: AX.00-PC-0017346_PC1 1st Percussion. Composed by Richard Meyer. Latin; Light Concert; Novelty. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017346_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017346_PC1). UPC: 038081518183.It's a fiesta for your basses in this colorful section feature that your students will love putting together. Carefully written to make your bass section sound their best, this piece written by Richard Meyer starts with Chiapanecas (the famous Mexican Clapping Song) and segues into a clever 2/4 version of Cielito Lindo. The two songs are then heard simultaneously, bringing this mini concerto to a rousing conclusion. A!OlA(c)! (2:30)Section Feature.
$5.99 ≈
5.37€
Shut Up and Dance: Auxiliary Percussion
Shut Up and Dance: Auxiliary Percussion
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Percussion (partie séparée)
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Walk the Moon
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Shut Up and Dance: Auxiliary P
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - SKU: AX.00-PC-0016965_APC Auxiliary Percussion. By Walk the Moon. By Benjamin Berger, Nicholas Petricca, Ryan McMahon, and Sean W...
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Marching Band - SKU: AX.00-PC-0016965_APC Auxiliary Percussion. By Walk the Moon. By Benjamin Berger, Nicholas Petricca, Ryan McMahon, and Sean Waugaman. Dance Rock; Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016965_APC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016965_APC). UPC: 038081502854.This catchy hit from indie rock band Walk the Moon was climbing the charts at the end of 2014. Doug Adams gives us a rockin' arrangement full of great sounds. It's perfect for the stands or pep band. (2:00).
$3.00 ≈
2.69€
The Sense of a Place Will Remain
The Sense of a Place Will Remain
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Chorale SATB
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Contemporain
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Paul Burnell
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The Sense of a Place Will Rema
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Paul Burnell
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835...
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Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95 ≈
7.12€
Meditation (for Percussion Ensemble)
Meditation (for Percussion Ensemble)
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Ensemble de Percussions
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DÉBUTANT
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Jeremy Barnet
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Meditation
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Jeremy Barnett
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.797629 Composed by Jeremy Barnet. 20th Century,Concert,Contemporary,Instructional,World. Score and parts. 15 pag...
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Percussion Ensemble - Level 1 - SKU: A0.797629 Composed by Jeremy Barnet. 20th Century,Concert,Contemporary,Instructional,World. Score and parts. 15 pages. Jeremy Barnett #3455015. Published by Jeremy Barnett (A0.797629). Meditation for 9 percussionistsA slow, dramatic piece for beginner percussion ensemble, 'Meditation' offers the chance to focus on sound quality, delicacy, and detailed ensemble playing, within a piece that is both simple and profound. This is an opportunity for younger player to experience a type of music making usually reserved for more experienced and mature musicians. Using standard band/orchestral percussion instruments, 'Meditation' is a welcome addition to any percussion concert program.
$14.00 ≈
12.54€
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The Sound of Music Percussion 1
