Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Swan Organ Solo
Non classifié
3
Piano & claviers
Orgue
8
Piano seul
6
Piano Trio: piano, violon, violoncelle
1
Piano Facile
1
Guitares
Voix
Chorale 3 parties
1
Vents
Saxophone Soprano et Piano
2
Clarinette Basse
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Piano (duo)
1
Saxophone Alto et Piano
1
Flûte traversière et Piano
1
Clarinette et Piano
1
+ 2 instrumentations
Retracter
Cuivres
Cor et Piano
1
Cordes
Alto, Piano
1
Violoncelle, Piano
1
Violon et Piano
1
Percussions & orchestre
Piano et Orchestre
1
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
PARTITIONS GRATUITES
187 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The Swan Organ Solo
Partitions à imprimer
33 partitions trouvées
<
1
26
Concerto
Concerto
#
Piano et Orchestre
#
AVANCÉ
#
Contemporain
#
Gyorgy Ligeti
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
(+)
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
21.57€
Midnight Swan - Organ Solo
Midnight Swan - Organ Solo
#
Orgue
#
James Michael Stevens
#
James Michael Stevens
#
Midnight Swan - Organ Solo
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Organ - SKU: A0.1063469 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred. Full Performance....
(+)
Organ - SKU: A0.1063469 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred. Full Performance. Duration 207. James M Stevens Music ASCAP #6715873. Published by James M Stevens Music ASCAP (A0.1063469). This is the organ demonstration performance of Stevens' Midnight Swan.
$1.99 ≈
1.79€
Saint-Saens: The Swan for Soprano Sax & Piano
Saint-Saens: The Swan for Soprano Sax & Piano
#
Saxophone Soprano et Piano
#
FACILE
#
Camille Saint-Saëns
#
James M
#
Saint-Saens: The Swan for Sopr
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instruc...
(+)
Piano,Soprano Saxophone - Level 2 - SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.63€
Saint-Saëns: The Swan for Bass Clarinet & Piano
Saint-Saëns: The Swan for Bass Clarinet & Piano
#
Clarinette Basse
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
(+)
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.63€
Saint-Saëns: The Swan for Cello & Piano
Saint-Saëns: The Swan for Cello & Piano
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic P...
(+)
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.63€
Saint-Saens: The Swan for Viola and Piano
Saint-Saens: The Swan for Viola and Piano
#
Alto, Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saens: The Swan for Viol
#
jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Hist...
(+)
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95 ≈
31.43€
Saint-Saëns: The Swan for French Horn & Piano
Saint-Saëns: The Swan for French Horn & Piano
#
Cor et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
(+)
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.63€
Saint-Saëns: The Swan for Clarinet & Piano
Saint-Saëns: The Swan for Clarinet & Piano
#
Clarinette et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
(+)
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.63€
Saint-Saëns: The Swan for Flute & Piano
Saint-Saëns: The Swan for Flute & Piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,His...
(+)
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.63€
Saint-Saëns: The Swan for Alto Sax & Piano
Saint-Saëns: The Swan for Alto Sax & Piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
(+)
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.63€
Saint-Saëns: The Swan for Soprano Sax & Piano
Saint-Saëns: The Swan for Soprano Sax & Piano
#
Saxophone Soprano et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
(+)
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.63€
Saint-Saëns: The Swan for Oboe & Piano
Saint-Saëns: The Swan for Oboe & Piano
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
#
jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Rom...
(+)
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
29.63€
Saint-Saens: The Swan for Violin and Piano
Saint-Saens: The Swan for Violin and Piano
#
Violon et Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saens: The Swan for Viol
#
jmsgu3
#
SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,His...
(+)
Piano,Violin - Level 3 - SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #847642. Published by jmsgu3 (A0.1254029). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95 ≈
31.43€
As Dreams Fly - Meditative Organ Solos
As Dreams Fly - Meditative Organ Solos
#
Orgue
#
FACILE
#
James Michael Stevens
#
James Michael Stevens
#
As Dreams Fly - Meditative Org
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Organ - Level 2 - SKU: A0.1278290 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Lent,New Age,Sacred,W...
(+)
Organ - Level 2 - SKU: A0.1278290 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Lent,New Age,Sacred,Wedding. Score. 39 pages. James M Stevens Music ASCAP #869994. Published by James M Stevens Music ASCAP (A0.1278290). This is a collection of 12 original solo organ compositions in meditative styles. This collection is based off Dr. Stevens' album As Dreams Fly - Meditative Organ Solos (August 25, 2023). The YouTube video is of the first piece, As Dreams Fly, played by Rien Schalkwijk in The Netherlands and MP3 is Stevens' demonstration of the second piece, Swans at Twilight. James Michael Stevens is a prolific composer residing in Nashville, TN and whose organ works are performed around the world. After the release date all the pieces can be heard on the album streaming on worldwide platforms including Spotify, Pandora Radio, Amazon Music, Apple Music, and others.
$18.99 ≈
17.08€
The Swan arranged for Organ Solo
The Swan - Organ Solo
#
Orgue
#
INTERMÉDIAIRE/AVANCÉ
#
Saint Saens
#
Christopher Evans
#
The Swan - Organ Solo
#
Christopher Evans
#
SheetMusicPlus
Organ - Level 4 - SKU: A0.846408 Composed by Saint Saens. Arranged by Christopher Evans. Romantic Period,Wedding. Score. 3 pages. Christopher Evans #577...
(+)
Organ - Level 4 - SKU: A0.846408 Composed by Saint Saens. Arranged by Christopher Evans. Romantic Period,Wedding. Score. 3 pages. Christopher Evans #5777141. Published by Christopher Evans (A0.846408). Saint Saens’ well known classic! Having been requested to play this I found difficulty in acquiring an arragement for organ. Hence, I produced this arrangement. It only requires a few light stops and therefore can be played very effectively on a small two manual instrument. Playing time is approximately 3 min.
$8.00 ≈
7.19€
The Swan (Le Cygne) by Saint-Saens - Piano Solo - W/Chords (Full Score)
The Swan (Le Cygne) by Saint-Saens - Piano Solo - W/Chords (Full Score)
#
Piano seul
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
César Madeira
#
The Swan
#
Sheet Music To Play Editions
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1179139 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Children,Film/TV,Romanti...
(+)
Piano Solo - Level 3 - SKU: A0.1179139 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Children,Film/TV,Romantic Period. Score. 3 pages. Sheet Music To Play Editions #779111. Published by Sheet Music To Play Editions (A0.1179139). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Piano Solo. Full Score with Chords. Enjoy it!Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99 ≈
6.29€
The Swan (Le Cygne) by Saint-Saens - Piano Solo (Full Score)
The Swan (Le Cygne) by Saint-Saens - Piano Solo (Full Score)
#
Piano seul
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
César Madeira
#
The Swan
#
Sheet Music To Play Editions
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1193154 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,Film/TV,Multicultural,Romantic Period...
(+)
Piano Solo - Level 3 - SKU: A0.1193154 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,Film/TV,Multicultural,Romantic Period,Wedding,World. Score. 3 pages. Sheet Music To Play Editions #792610. Published by Sheet Music To Play Editions (A0.1193154). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Piano Solo. With Full Score. Enjoy it!Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99 ≈
5.39€
The Swan (Le Cygne) by Saint-Saens - Advanced Piano - W/Chords (Full Score)
The Swan (Le Cygne) by Saint-Saens - Advanced Piano - W/Chords (Full Score)
#
Piano seul
#
AVANCÉ
#
Classique
#
Camille Saint-Saens
#
César Madeira
#
The Swan
#
Sheet Music To Play Editions
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1217870 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Film/TV,Romantic Period,...
(+)
Piano Solo - Level 5 - SKU: A0.1217870 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Film/TV,Romantic Period,Wedding. Score. 6 pages. Sheet Music To Play Editions #814388. Published by Sheet Music To Play Editions (A0.1217870). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Advanced Piano. With Full Score and Chords. Enjoy it!Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99 ≈
7.18€
The Swan (Le Cygne) by Saint-Saens - Advanced Piano (Full Score)
The Swan (Le Cygne) by Saint-Saens - Advanced Piano (Full Score)
#
Piano seul
#
AVANCÉ
#
Classique
#
Camille Saint-Saens
#
César Madeira
#
The Swan
#
Sheet Music To Play Editions
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1217873 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Film/TV,Romantic Period,...
(+)
Piano Solo - Level 5 - SKU: A0.1217873 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Film/TV,Romantic Period,Wedding. Score. 6 pages. Sheet Music To Play Editions #814391. Published by Sheet Music To Play Editions (A0.1217873). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Advanced Piano. With Full Score. Enjoy it!Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99 ≈
6.29€
The Peaceful Swan - Piano Solo
The Peaceful Swan - Piano Solo
#
Piano seul
#
INTERMÉDIAIRE
#
James Michael Stevens
#
James Michael Stevens
#
The Peaceful Swan - Piano Solo
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1176715 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New...
(+)
Piano Solo - Level 3 - SKU: A0.1176715 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New Age,Sacred,Wedding. Score. 4 pages. James M Stevens Music ASCAP #776794. Published by James M Stevens Music ASCAP (A0.1176715). Written February 8, 2023, this is an original piano composition based my recent organ solo with some modifications for piano. This is in a graceful adagio style in the key of E major with a middle section in E minor. James Michael Stevens is a prolific composer residing in Nashville, TN. Follow Dr. Stevens' music on streaming services worldwide including Spotify, Pandora, Apple, Amazon, Deezer, and others.
$3.99 ≈
3.59€
The Peaceful Swan - One Manual Organ Solo
The Peaceful Swan - One Manual Organ Solo
#
Orgue
#
INTERMÉDIAIRE
#
James Michael Stevens
#
James Michael Stevens
#
The Peaceful Swan - One Manual
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Pipe Organ - Level 3 - SKU: A0.1166851 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Ins...
(+)
Pipe Organ - Level 3 - SKU: A0.1166851 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Instructional,New Age,Sacred. Full Performance. Duration 293. James M Stevens Music ASCAP #767229. Published by James M Stevens Music ASCAP (A0.1166851). This is the one manual organ demonstration performance of Stevens' The Peaceful Swan..
$1.99 ≈
1.79€
THE BEST OF C. S. SAENS (EASY ORGAN & PIANO ARRANGEMENT)
THE BEST OF C. S. SAENS (EASY ORGAN & PIANO ARRANGEMENT)
#
Piano Facile
#
FACILE
#
Classique
#
CAMILLE SAINT SAENS
#
Juliano Music
#
THE BEST OF C. S. SAENS
#
Juliano Music
#
SheetMusicPlus
Composed by CAMILLE SAINT SAENS. Arranged by Juliano Music. Romantic Period, Classical Period, General Worship, Repertoire, Classroom. Individual Part...
(+)
Composed by CAMILLE SAINT SAENS. Arranged by Juliano Music. Romantic Period, Classical Period, General Worship, Repertoire, Classroom. Individual Part, Score, Solo Part. 30 pages. Published by Juliano Music
My arrangements for EASY ORGAN & PIANO OF THE BEST SONGS BY C. S. SAENS.
ARRANGED FOR ORGAN & PIANO.
Content:
AQUARIUM THEME (PIANO ARRANGEMENT)
AQUARIUM (PIANO ARRANGEMENT)
AVE VERUM (ORGAN ARRANGEMENT)
CALME DES NUITS (ORGAN ARRANGEMENT)
DANSE MACABRE - C VERSION (ORGAN ARRANGEMENT)
DANSE MACABRE (PIANO ARRANGEMENT)
LES FLEURES ET LES ARBRES (ORGAN ARRANGEMENT)
ORGAN SYMPHONY N.3 - FINALE (ORGAN SYMPHONY)
SOFTLY AWAKES MY HEART (PIANO ARRANGEMENT)
THE ELEPHANT (PIANO ARRANGEMENT)
THE SWAN (PIANO ARRANGEMENT)
TOLLITE HOSTIAS (ORGAN ARRANGEMENT)
---COPYRIGHTED AND SIGNED BY ORIGINAL TEMPORAL CONTENT MARKING--
JAM MUSIC APPROACH is the easy way to approach a song. Musicians of every kind deserve the possibility to experience and to be at ease with their improving performance.
ENJOY!!
$15.00 ≈
13.49€
The Peaceful Swan - One Manual Organ Solo
The Peaceful Swan - One Manual Organ Solo
#
Orgue
#
INTERMÉDIAIRE
#
James Michael Stevens
#
James Michael Stevens
#
The Peaceful Swan - One Manual
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Organ - Level 3 - SKU: A0.1166860 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Instruct...
(+)
Organ - Level 3 - SKU: A0.1166860 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Instructional,Sacred,Wedding. Score. 4 pages. James M Stevens Music ASCAP #767237. Published by James M Stevens Music ASCAP (A0.1166860). Written January 24, 2023, this an original organ composition written for one manual organ with no pedal in the key of E major. James Michael Stevens is a prolific composer residing in Nashville, TN and whose organ works are performed around the world.
$4.99 ≈
4.49€
Classical Romantic Sampler Gig Pack - Four selections (Meditation, Romeo & Juliet, The Flower Duet &
Classical Romantic Sampler Gig Pack - Four selections (Meditation, Romeo & Juliet, The Flower Duet &
#
Classique
#
Camille Saint-Saens, Jules Mas
#
Stephen Bulat
#
Classical Romantic Sampler Gig
#
Stephen Bulat Publishing
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
(+)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.858943 Composed by Camille Saint-Saens, Jules Massenet, Leo Delibes, and Peter Ilyich Tchaikovsky. Arranged by Stephen Bulat. Classical,Holiday,Love,Romantic Period,Wedding. Score and parts. 8 pages. Stephen Bulat Publishing #6260765. Published by Stephen Bulat Publishing (A0.858943). This sampler pack includes lead sheet arrangements (melody, lyrics & chords) of four of the most popular and romantic classical compositions in their original keys. Selections include: Meditation by Massenet (key of D) Romeo & Juliet (Love Theme) by Tchaikovsky (key of D) The Flower Duet by Delibes (key of A) The Swan by Saint-Saëns (key of G)A classical songbook must-have, each arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical fakebook yet still condensed to minimize page turns. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (e.g. violin, flute)Please click on the publisher to view these arrangements in other keys as well as to purchase in the Classical Wedding Fake Book or the Classic Love Songs - A Valentine's Day Fake Book.Classical Wedding Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21758919 - Item Number: S0.776313Classical Wedding Fake Book (Bb Instruments): https://www.sheetmusicplus.com/title/21758922- Item Number: S0.776329Classical Wedding Fake Book (Eb Instruments): https://www.sheetmusicplus.com/title/21758923- Item Number: S0.776333Classical Wedding Fake Book - Band Leader Gig Pack (C, Bb & Eb Instruments): https://www.sheetmusicplus.com/title/21758924 - Item Number: S0.776337Classic Love Songs - A Valentine's Day Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21964690 - Item Number: S0.975249
$7.49 ≈
6.74€
Swans at Twilight - Organ Solo
Swans at Twilight - Organ Solo
#
Orgue
#
INTERMÉDIAIRE
#
James Michael Stevens
#
James Michael Stevens
#
Swans at Twilight - Organ Solo
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Pipe Organ - Level 3 - SKU: A0.1240185 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New...
(+)
Pipe Organ - Level 3 - SKU: A0.1240185 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New Age,Sacred,Wedding. Full Performance. Duration 181. James M Stevens Music ASCAP #835564. Published by James M Stevens Music ASCAP (A0.1240185). This is the organ demonstration performance of Stevens' Swans at Twilight..
$1.99 ≈
1.79€
<
1
26
The Swan Organ Solo
