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The Western Heights
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Vous avez sélectionné:
The Western Heights
Partitions à imprimer
4 partitions trouvées
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1
The Western Heights
The Western Heights
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Gordon Jackson
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The Western Heights
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Gordon Jackson
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SheetMusicPlus
Small Ensemble Flute,Harpsichord,Mandolin,Piano,Violin - SKU: A0.1017681 Composed by Gordon Jackson. Celtic,Classical,Folk,Irish,Multicultural,World. Sc...
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Small Ensemble Flute,Harpsichord,Mandolin,Piano,Violin - SKU: A0.1017681 Composed by Gordon Jackson. Celtic,Classical,Folk,Irish,Multicultural,World. Score and parts. 6 pages. Gordon Jackson #6439147. Published by Gordon Jackson (A0.1017681). The Western HeightsThis is a little piece I composed without a specific form in mind. Although it’s in 3/4 it’s neither courante nor galliard, waltz nor minuet. It just is. Unusually for me, the chordal accompaniment is written for harpsichord (or any keyboard instrument), in order to get the full arpeggiation not possible on my octave mandola or bouzouki.The Western Heights, in Dover, used to be a really fun place to go; a barracks inter alia for a French invasion that never quite happened. Miles of tunnels built into a mountainside with rotten drawbridges, very steep stone staircases and plenty of rats. I used to climb inside and spend hours wandering around in the dark stumbling over debris, squeezing through narrow gaps, climbing walls. It’s been taken over now by various doers of good and made ‘safe’. I think you have to pay to get in. Back in the day one could be Indiana Jones for a while and have a truly great time.
$4.99 ≈
4.69€
Anything You Can Do . . . for violin and vibraphone
Anything You Can Do . . . for violin and vibraphone
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Robert M
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Anything You Can Do . . . for
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and p...
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00 ≈
26.34€
Vonnegut Trilogy
Vonnegut Trilogy
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Vonnegut Trilogy
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Max Frank Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1404653 Composed by Terry Vosbein. 21st Century,Chamber,Classica...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1404653 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 102 pages. Max Frank Music #987719. Published by Max Frank Music (A0.1404653). Experience the hauntingly beautiful Vonnegut Trilogy, a three movement suite for woodwind quintet composed to celebrate the centennial of acclaimed author Kurt Vonnegut. This captivating and thought-provoking piece captures the essence of Vonnegut's literary works through quirky arrangements and evocative melodies. Dive into the world of Vonnegut and let the music transport you to new and inspiring heights.Player Piano was Vonnegut’s first published novel and serves as the fist movement to this trilogy. The music begins with the sounds of a well-oiled-machine, with carefully played melodies interacting in classical synchronicity. But throughout there are interruptions by the unrest and displeasure that surrounds the harmonious flow.Who Am I This Time? is a short story from Vonnegut’s 1961 collection entitled Welcome to the Monkey House. It is a beautiful, yet quirky, love story. This movement explores a multitude of duets, symbolizing the two main characters as they maneuver through their courtship. It is a slow dance. In one of the few literal musical depictions in this suite, the questioning final chord represents both the title, and the last line of the story.The third movement is inspired by Breakfast of Champions, a 1973 novel that explores a mul- titude of themes through the eyes and actions of a prosperous midwestern car salesman and an obscure science fiction writer. The music is off and running from the start with a rhythmic them that reappears and connects the various diversions.
$29.99 ≈
28.22€
Why I'm Here
Why I'm Here
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Chorale Unison
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FACILE
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Pj Morton
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Ben Clapton
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Why I'm Here
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Ben Clapton
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SheetMusicPlus
Choral Choir,Choral,Unison Chorus - Level 2 - SKU: A0.1410628 By Pj Morton. By Paul Morton Jr and Samara Joy Mclendon. Arranged by Ben Clapton. Contempo...
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Choral Choir,Choral,Unison Chorus - Level 2 - SKU: A0.1410628 By Pj Morton. By Paul Morton Jr and Samara Joy Mclendon. Arranged by Ben Clapton. Contemporary,Film/TV,Pop,Soul. 6 pages. Ben Clapton #993048. Published by Ben Clapton (A0.1410628). Discover the soul-stirring arrangement of Why I'm Here from the acclaimed film Shirley, expertly crafted for unison choir and piano accompaniment by the talented composer Ben Clapton. Drawing inspiration from the heartfelt studio rendition by PJ Morton and Samara Joy, this arrangement captures the essence of the original piece with emotive depth and resonant beauty. Bring the cinematic magic of Shirley to life in your choir's repertoire with this meticulously arranged score, designed to evoke powerful emotions and create unforgettable performances. With its lush harmonies and poignant melodies, Why I'm Here offers a captivating musical experience that will leave a lasting impression on performers and audiences alike. Purchase your copy of the sheet music today and unlock the transformative potential of this exquisite arrangement. Elevate your choir's performance repertoire with a piece that is both artistically enriching and deeply moving. Experience the joy of making music with Why I'm Here and let its evocative melodies inspire your choir to new heights of musical expression. Don't miss out on this opportunity to add a touch of cinematic splendor to your choir's repertoire. Order your copy of Why I'm Here now and embark on a musical journey filled with emotion, beauty, and unforgettable moments.Joyful Noise Music Studio is based in Perth, Western Australia, and dedicated to bringing high quality arrangements to the digital world. Focussing on string and choral arrangements and compositions by Ben Clapton, we thank you for your continued support.
$2.99 ≈
2.81€
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The Western Heights
The Western Heights
