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Three Rounds for Clarinet
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Vous avez sélectionné:
Three Rounds for Clarinet
Partitions à imprimer
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1
Three Rounds for Clarinet
Three Rounds for Clarinet
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Clarinette
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DÉBUTANT
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Anna Struth
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Three Rounds for Clarinet
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Anna Struth
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SheetMusicPlus
Clarinet Solo - Level 1 - SKU: A0.912618 Composed by Anna Struth. Instructional,Standards. Individual part. 8 pages. Anna Struth #2065685. Published by ...
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Clarinet Solo - Level 1 - SKU: A0.912618 Composed by Anna Struth. Instructional,Standards. Individual part. 8 pages. Anna Struth #2065685. Published by Anna Struth (A0.912618). This is a lovely group of three rounds for Bb Clarinet. Suitable for beginner to intermediate players, all three rounds are in the first register of clarinet. Comes with score sheet for teacher and lead sheet for students. Great way to get students playing together.
$2.99 ≈
£2.27
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
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SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99 ≈
£11.38
Klarifications for Clarinet Choir
Klarifications for Clarinet Choir
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Ensemble de Clarinettes
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AVANCÉ
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Contemporain
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John Gibson
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Klarifications for Clarinet Ch
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.581881 Composed by John Gibson. Contemporary. 90 pages. JB Line...
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Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.581881 Composed by John Gibson. Contemporary. 90 pages. JB Linear #3012617. Published by JB Linear (A0.581881). Klarifications for Clarinet Choir is a three movement piece for a large clarinet choir. It is set for Eb Soprano (one player), Bb clarinet 1-2-3, 2 alto clarinets, 2 bass clarinets, and Bb Contra. This would be best in a clarinet choir with at least two on a part in the Bb clarinet section. Here is what Margaret Thornhill wrote about this piece in The Clarinet magazine, June 2017: The dramatic first movement is a dialogue between an eefer (Eb clarinet) and the rest of the ensemble, incorporating paraphrases of excepts from Bach to Bizet. It is followed by a surprising second movement chorale with slap tongue, flutter tongue and finger popping intended to be individually miked. The final movement is an exciting montuno, including a section where each person can choose which riffs to play.The 1st movement, Canons Firing From an Ever Rising Staircase, Or, Heed the Effer's Frantic Calls To explain the title just a bit, the ever rising staircase is an aural trick that, if done precisely, sounds like the music keeps rising without really doing so. This was derived from what is called a Shepard's Tone. The canons firing are not cannons! The bass instruments play small sections of actual canons (like fancy rounds) written by J S Bach, Mozart, and others. Each time the solo Eb clarinet (the Effer) announces the coming canon firing in a frantic sort of way. The 2nd movement (Close Encounters with Basses) makes use of a number of unusual sounds on clarinet (or parts thereof) along with a few extended techniques that are fairly easy to play with the clear instructions provided. The altos, basses, and contra should be closely miked to be heard.The 3rd movement (Sometimes Free - A Montuno) starts off with a rich beat in the basses and gradually joined with the rest of the clarinets. In the montuno section there are 4 bar phrases each player can choose from to play during the 32 bars. They may choose what they will, either playing a different variation each time, using the same one each time, or choosing to not play for a particular 4 bar section. This is not a free improvisation, however! This is definitely for an advanced group of players. The 1st movement is also available separately. The sample recording uses Finale software in the 1st and 3rd movement, and John Gibson's recording of the 2nd movement.
$22.95 ≈
£17.42
A Shaker Melody, Duet for Bb Clarinet & Harp
A Shaker Melody, Duet for Bb Clarinet & Harp
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Clarinette, Harpe (duo)
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INTERMÉDIAIRE
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Elder Joseph Brackett Jr
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Serena O'Meara
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A Shaker Melody, Duet for Bb C
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O'Meara Music
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SheetMusicPlus
Instrumental Duet Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.804080 Composed by Elder Joseph Brackett Jr. Arranged by Serena O'Meara. Folk,Sacr...
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Instrumental Duet Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.804080 Composed by Elder Joseph Brackett Jr. Arranged by Serena O'Meara. Folk,Sacred,Standards,Traditional,Wedding. Score and parts. 15 pages. O'Meara Music #6618123. Published by O'Meara Music (A0.804080). This famous Shaker quick dance has many names including Tis a Gift to be Simple, Simple Gifts, and Lord of the Dance. Aaron Copland included the melody in his ballet, Appalachian Spring (1944). Arrangements of Simple Gifts has been sung at three US Presidential Inaugurations (1985, 1993 and 2009). Dynamics are clearly marked. Shaker songs were quite often sung in rounds.
$9.00 ≈
£6.83
When Love Surrounds You - Clarinet, Piano, & Bass Jazz Trio
When Love Surrounds You - Clarinet, Piano, & Bass Jazz Trio
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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James Michael Stevens
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James Michael Stevens
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bass jazz trio
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When Love Surrounds You - Clar
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James M Stevens Music ASCAP
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.573464 Composed by James Michael Stevens. Arranged by James Michael Stevens. Christmas,Holiday,Jazz,Love...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.573464 Composed by James Michael Stevens. Arranged by James Michael Stevens. Christmas,Holiday,Jazz,Love,Wedding. Score and parts. 13 pages. James M Stevens Music ASCAP #5754835. Published by James M Stevens Music ASCAP (A0.573464). This is an original composition featuring a clarinet, piano, & bass jazz trio. There is a separate part for all three instruments in the score. The accompaniment track with piano, bass, and percussion as heard is available under When Love Surrounds You - Piano, Bass, and Percussion TRACK. This is a perfect piece for high end dinner and receptions settings, weddings, or anytime romantic jazz trio music is called for featuring these instruments. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$9.99 ≈
£7.58
Four Short Pieces
Four Short Pieces
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Marcel Baars
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Four Short Pieces
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Red Frog Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.1023844 Composed by Marcel Baars. Contemporary. 35 pages. Red Frog Mu...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.1023844 Composed by Marcel Baars. Contemporary. 35 pages. Red Frog Music #2004129. Published by Red Frog Music (A0.1023844). The first three pieces were written for Piano in Januari 1981, being part of some improvisation lessons from my piano teacher some years before. I was a little bored (trying) to play the teacher's music choice, so when he added the improvisation to the lesson, I was rather pleased, because I was was at familiar grounds, making new music. During the Christmas holiday in 1980/81 I started writing down some of that material, which I presented to that piano teacher. In 1999 the short pieces were completely renovated and in 2004 this arrangement was written on request of some friendly amateur players and a fourth part was added.. Score and parts are in the same file.
$20.00 ≈
£15.18
Vonnegut Trilogy
Vonnegut Trilogy
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Terry Vosbein
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Vonnegut Trilogy
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Max Frank Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1404653 Composed by Terry Vosbein. 21st Century,Chamber,Classica...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1404653 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 102 pages. Max Frank Music #987719. Published by Max Frank Music (A0.1404653). Experience the hauntingly beautiful Vonnegut Trilogy, a three movement suite for woodwind quintet composed to celebrate the centennial of acclaimed author Kurt Vonnegut. This captivating and thought-provoking piece captures the essence of Vonnegut's literary works through quirky arrangements and evocative melodies. Dive into the world of Vonnegut and let the music transport you to new and inspiring heights.Player Piano was Vonnegut’s first published novel and serves as the fist movement to this trilogy. The music begins with the sounds of a well-oiled-machine, with carefully played melodies interacting in classical synchronicity. But throughout there are interruptions by the unrest and displeasure that surrounds the harmonious flow.Who Am I This Time? is a short story from Vonnegut’s 1961 collection entitled Welcome to the Monkey House. It is a beautiful, yet quirky, love story. This movement explores a multitude of duets, symbolizing the two main characters as they maneuver through their courtship. It is a slow dance. In one of the few literal musical depictions in this suite, the questioning final chord represents both the title, and the last line of the story.The third movement is inspired by Breakfast of Champions, a 1973 novel that explores a mul- titude of themes through the eyes and actions of a prosperous midwestern car salesman and an obscure science fiction writer. The music is off and running from the start with a rhythmic them that reappears and connects the various diversions.
$29.99 ≈
£22.77
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Three Rounds for Clarinet
